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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B075223F it is the complementary color #4F8ADD3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B075223F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B075223F shade: #B5751D3F, #C687303F, #D799433F, #E8AB563F and #F9BD693F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B075223F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B075223F shade: #B075223F, #9F630F3F, #8E51003F, #7D3F003F and #6C2D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B075223F shade: #B07521, #B04E21, #B02821 and #B02121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B075223F shade: #B07521, #B09B21, #9EB021, #78B021 and #51B021

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B075223F shade matches the following richer shades: #B07521 and #C17711

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B075223F shade: #B07521, #9F7232, #8E6F43, #7D6C54 and #6C6965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B075223F shade: #B02921, #B04E21, #B07421, #B09A21 and #9FB021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B075223F shade: #6A4714, #8D5E1B, #B07521, #D28C28 and #DC9E48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B075223F shade: #B07522, #40B021 and #3C21B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B075223F shade: #B07522, #21B074 and #7421B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B075223F shade: #B07522, #40B021, #215DB0 and #9121B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B075223F shade: #B07522, #21B02D, #215DB0 and #B021A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 20 / 8

HEX #B075223F

RGBA 176 117 34 0.25

HSLA 35.07, 0.68%, 0.41%, 0.25

LABA 54.1, 16.29, 51.82, 0.25

 

Complementary color

CMYK 16 / 9 / 0 / 3

HEX #4F8ADD3F

RGBA 79 138 221 0.25

HSLA 215.07, 0.68%, 0.59%, 0.25

LABA 57.13, 6.68, -48.08, 0.25

 

CMYK 0 / 9 / 21 / 7

HEX #B5751D3F

RGBA 181 117 29 0.25

HSLA 34.74, 0.72%, 0.41%, 0.25

LABA 54.69, 18.35, 54.42, 0.25

 

CMYK 0 / 8 / 19 / 6

HEX #C687303F

RGBA 198 135 48 0.25

HSLA 34.8, 0.61%, 0.48%, 0.25

LABA 61.26, 16.56, 53.91, 0.25

 

CMYK 0 / 7 / 17 / 4

HEX #D799433F

RGBA 215 153 67 0.25

HSLA 34.86, 0.65%, 0.55%, 0.25

LABA 67.75, 15.03, 52.85, 0.25

 

CMYK 0 / 7 / 16 / 2

HEX #E8AB563F

RGBA 232 171 86 0.25

HSLA 34.93, 0.76%, 0.62%, 0.25

LABA 74.16, 13.71, 51.57, 0.25

 

CMYK 0 / 6 / 14 / 1

HEX #F9BD693F

RGBA 249 189 105 0.25

HSLA 35, 0.92%, 0.69%, 0.25

LABA 80.49, 12.57, 50.22, 0.25

 

CMYK 0 / 8 / 20 / 8

HEX #B075223F

RGBA 176 117 34 0.25

HSLA 35.07, 0.68%, 0.41%, 0.25

LABA 54.1, 16.29, 51.82, 0.25

 

CMYK 0 / 9 / 23 / 9

HEX #9F630F3F

RGBA 159 99 15 0.25

HSLA 35, 0.83%, 0.34%, 0.25

LABA 47.4, 18.27, 51.65, 0.25

 

CMYK 0 / 11 / 25 / 11

HEX #8E51003F

RGBA 142 81 0 0.25

HSLA 34.23, 1%, 0.28%, 0.25

LABA 40.63, 20.57, 49.66, 0.25

 

CMYK 0 / 12 / 25 / 13

HEX #7D3F003F

RGBA 125 63 0 0.25

HSLA 30.24, 1%, 0.25%, 0.25

LABA 33.81, 23.2, 44.15, 0.25

 

CMYK 0 / 15 / 25 / 14

HEX #6C2D003F

RGBA 108 45 0 0.25

HSLA 25, 1%, 0.21%, 0.25

LABA 26.92, 25.81, 37.8, 0.25

 

CMYK 0 / 34 / 81 / 31

HEX #B07521

RGB 176 117 33

HSL 35.24, 0.68%, 0.41%

LAB 54.09, 16.26, 52.2

 

CMYK 0 / 56 / 81 / 31

HEX #B04E21

RGB 176 78 33

HSL 18.88, 0.68%, 0.41%

LAB 45.34, 37.4, 44.1

 

CMYK 0 / 77 / 81 / 31

HEX #B02821

RGB 176 40 33

HSL 2.94, 0.68%, 0.41%

LAB 39.34, 53.5, 38.29

 

CMYK 0 / 81 / 81 / 31

HEX #B02121

RGB 176 33 33

HSL 0, 0.68%, 0.41%

LAB 38.6, 55.58, 37.56

 

CMYK 0 / 34 / 81 / 31

HEX #B07521

RGB 176 117 33

HSL 35.24, 0.68%, 0.41%

LAB 54.09, 16.26, 52.2

 

CMYK 0 / 12 / 81 / 31

HEX #B09B21

RGB 176 155 33

HSL 51.19, 0.68%, 0.41%

LAB 63.98, -4.71, 61

 

CMYK 10 / 0 / 81 / 31

HEX #9EB021

RGB 158 176 33

HSL 67.55, 0.68%, 0.41%

LAB 68.34, -23.46, 64.23

 

CMYK 32 / 0 / 81 / 31

HEX #78B021

RGB 120 176 33

HSL 83.5, 0.68%, 0.41%

LAB 65.87, -38.86, 61.1

 

CMYK 54 / 0 / 81 / 31

HEX #51B021

RGB 81 176 33

HSL 99.86, 0.68%, 0.41%

LAB 64.09, -51.86, 58.81

 

CMYK 0 / 34 / 81 / 31

HEX #B07521

RGB 176 117 33

HSL 35.24, 0.68%, 0.41%

LAB 54.09, 16.26, 52.2

 

CMYK 0 / 38 / 91 / 24

HEX #C17711

RGB 193 119 17

HSL 34.77, 0.84%, 0.41%

LAB 56.66, 22.23, 60.13

 

CMYK 0 / 34 / 81 / 31

HEX #B07521

RGB 176 117 33

HSL 35.24, 0.68%, 0.41%

LAB 54.09, 16.26, 52.2

 

CMYK 0 / 28 / 69 / 38

HEX #9F7232

RGB 159 114 50

HSL 35.23, 0.52%, 0.41%

LAB 51.42, 11.13, 41.4

 

CMYK 0 / 22 / 53 / 44

HEX #8E6F43

RGB 142 111 67

HSL 35.2, 0.36%, 0.41%

LAB 48.91, 6.54, 29.03

 

CMYK 0 / 14 / 33 / 51

HEX #7D6C54

RGB 125 108 84

HSL 35.12, 0.2%, 0.41%

LAB 46.61, 2.82, 15.92

 

CMYK 0 / 3 / 6 / 58

HEX #6C6965

RGB 108 105 101

HSL 34.29, 0.03%, 0.41%

LAB 44.56, 0.38, 2.66

 

CMYK 0 / 77 / 81 / 31

HEX #B02921

RGB 176 41 33

HSL 3.36, 0.68%, 0.41%

LAB 39.46, 53.18, 38.41

 

CMYK 0 / 56 / 81 / 31

HEX #B04E21

RGB 176 78 33

HSL 18.88, 0.68%, 0.41%

LAB 45.34, 37.4, 44.1

 

CMYK 0 / 34 / 81 / 31

HEX #B07421

RGB 176 116 33

HSL 34.83, 0.68%, 0.41%

LAB 53.85, 16.82, 51.97

 

CMYK 0 / 13 / 81 / 31

HEX #B09A21

RGB 176 154 33

HSL 50.77, 0.68%, 0.41%

LAB 63.71, -4.17, 60.76

 

CMYK 10 / 0 / 81 / 31

HEX #9FB021

RGB 159 176 33

HSL 67.13, 0.68%, 0.41%

LAB 68.41, -23.04, 64.32

 

CMYK 0 / 33 / 81 / 58

HEX #6A4714

RGB 106 71 20

HSL 35.58, 0.68%, 0.25%

LAB 33.18, 10.05, 34.87

 

CMYK 0 / 33 / 81 / 45

HEX #8D5E1B

RGB 141 94 27

HSL 35.26, 0.68%, 0.33%

LAB 43.87, 13.26, 43.56

 

CMYK 0 / 34 / 81 / 31

HEX #B07521

RGB 176 117 33

HSL 35.24, 0.68%, 0.41%

LAB 54.09, 16.26, 52.2

 

CMYK 0 / 33 / 81 / 18

HEX #D28C28

RGB 210 140 40

HSL 35.29, 0.68%, 0.49%

LAB 63.84, 18.74, 59.95

 

CMYK 0 / 28 / 67 / 14

HEX #DC9E48

RGB 220 158 72

HSL 34.86, 0.68%, 0.57%

LAB 69.57, 14.75, 52.67

 

CMYK 0 / 34 / 81 / 31

HEX #B07522

RGB 176 117 34

HSL 35.07, 0.68%, 0.41%

LAB 54.1, 16.29, 51.82

 

CMYK 64 / 0 / 81 / 31

HEX #40B021

RGB 64 176 33

HSL 106.99, 0.68%, 0.41%

LAB 63.55, -56.21, 58.12

 

CMYK 66 / 81 / 0 / 31

HEX #3C21B0

RGB 60 33 176

HSL 251.33, 0.68%, 0.41%

LAB 27.25, 51.52, -70.48

 

CMYK 0 / 34 / 81 / 31

HEX #B07522

RGB 176 117 34

HSL 35.07, 0.68%, 0.41%

LAB 54.1, 16.29, 51.82

 

CMYK 81 / 0 / 34 / 31

HEX #21B074

RGB 33 176 116

HSL 154.83, 0.68%, 0.41%

LAB 63.86, -50.33, 20.69

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 0 / 34 / 81 / 31

HEX #B07522

RGB 176 117 34

HSL 35.07, 0.68%, 0.41%

LAB 54.1, 16.29, 51.82

 

CMYK 64 / 0 / 81 / 31

HEX #40B021

RGB 64 176 33

HSL 106.99, 0.68%, 0.41%

LAB 63.55, -56.21, 58.12

 

CMYK 81 / 47 / 0 / 31

HEX #215DB0

RGB 33 93 176

HSL 214.83, 0.68%, 0.41%

LAB 40.06, 11.81, -49.63

 

CMYK 18 / 81 / 0 / 31

HEX #9121B0

RGB 145 33 176

HSL 286.99, 0.68%, 0.41%

LAB 38.27, 63.74, -52.01

 

CMYK 0 / 34 / 81 / 31

HEX #B07522

RGB 176 117 34

HSL 35.07, 0.68%, 0.41%

LAB 54.1, 16.29, 51.82

 

CMYK 81 / 0 / 74 / 31

HEX #21B02D

RGB 33 176 45

HSL 125.03, 0.68%, 0.41%

LAB 62.98, -60.8, 53.47

 

CMYK 81 / 47 / 0 / 31

HEX #215DB0

RGB 33 93 176

HSL 214.83, 0.68%, 0.41%

LAB 40.06, 11.81, -49.63

 

CMYK 0 / 81 / 7 / 31

HEX #B021A4

RGB 176 33 164

HSL 305.03, 0.68%, 0.41%

LAB 42.76, 67.72, -37.38

 

Description

Color code: HEX #B075223F | qconv.com Color code: HEX #B075223F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 117 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 117 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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