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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B06646 it is the complementary color #4F99B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B06646. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B06646 shade: #B56641, #C67854, #D78A67, #E89C7A and #F9AE8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B06646. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B06646 shade: #B06646, #9F5433, #8E4220, #7D300D and #6C1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B06646 shade: #AF6646, #AF4946 and #AF4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B06646 shade: #AF6646, #AF8246, #AF9E46, #A3AF46 and #87AF46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B06646 shade matches the following richer shades: #AF6646, #C35E32, #D7561E and #EA4E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B06646 shade: #AF6646, #9B6D5A, #87756D, #747D81 and #608595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B06646 shade: #AF465E, #AF4946, #AF6546, #AF8146 and #AF9D46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B06646 shade: #74432E, #92543A, #AF6646, #BF7C5F and #CB947C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B06646 shade: #B06646, #7AAF46 and #4650AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B06646 shade: #B06646, #46AF65 and #6546AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B06646 shade: #B06646, #7AAF46, #468FAF and #7A46AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B06646 shade: #B06646, #5BAF46, #468FAF and #9A46AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 60 / 31

HEX #B06646

RGB 176 102 70

HSL 18.11, 0.43%, 0.48%

LAB 50.89, 26.65, 30.72

 

Complementary color

CMYK 57 / 17 / 0 / 27

HEX #4F99B9

RGB 79 153 185

HSL 198.11, 0.43%, 0.52%

LAB 59.84, -13.65, -23.6

 

CMYK 0 / 44 / 64 / 29

HEX #B56641

RGB 181 102 65

HSL 19.14, 0.47%, 0.48%

LAB 51.51, 28.36, 34.4

 

CMYK 0 / 39 / 58 / 22

HEX #C67854

RGB 198 120 84

HSL 18.95, 0.5%, 0.55%

LAB 58.11, 26.95, 32.55

 

CMYK 0 / 36 / 52 / 16

HEX #D78A67

RGB 215 138 103

HSL 18.75, 0.58%, 0.62%

LAB 64.65, 25.7, 30.86

 

CMYK 0 / 33 / 47 / 9

HEX #E89C7A

RGB 232 156 122

HSL 18.55, 0.71%, 0.69%

LAB 71.1, 24.6, 29.33

 

CMYK 0 / 30 / 43 / 2

HEX #F9AE8D

RGB 249 174 141

HSL 18.33, 0.9%, 0.76%

LAB 77.48, 23.61, 27.94

 

CMYK 0 / 42 / 60 / 31

HEX #B06646

RGB 176 102 70

HSL 18.11, 0.43%, 0.48%

LAB 50.89, 26.65, 30.72

 

CMYK 0 / 47 / 68 / 38

HEX #9F5433

RGB 159 84 51

HSL 18.33, 0.51%, 0.41%

LAB 44.16, 28.16, 32.72

 

CMYK 0 / 54 / 77 / 44

HEX #8E4220

RGB 142 66 32

HSL 18.55, 0.63%, 0.34%

LAB 37.39, 29.86, 34.88

 

CMYK 0 / 62 / 90 / 51

HEX #7D300D

RGB 125 48 13

HSL 18.75, 0.81%, 0.27%

LAB 30.65, 31.68, 36.79

 

CMYK 0 / 72 / 100 / 58

HEX #6C1E00

RGB 108 30 0

HSL 16.67, 1%, 0.21%

LAB 24.05, 33.37, 35.12

 

CMYK 0 / 42 / 60 / 31

HEX #AF6646

RGB 175 102 70

HSL 18.29, 0.43%, 0.48%

LAB 50.76, 26.24, 30.53

 

CMYK 0 / 58 / 60 / 31

HEX #AF4946

RGB 175 73 70

HSL 1.71, 0.43%, 0.48%

LAB 44.69, 41.48, 22.86

 

CMYK 0 / 60 / 60 / 31

HEX #AF4646

RGB 175 70 70

HSL 0, 0.43%, 0.48%

LAB 44.14, 42.92, 22.15

 

CMYK 0 / 42 / 60 / 31

HEX #AF6646

RGB 175 102 70

HSL 18.29, 0.43%, 0.48%

LAB 50.76, 26.24, 30.53

 

CMYK 0 / 26 / 60 / 31

HEX #AF8246

RGB 175 130 70

HSL 34.29, 0.43%, 0.48%

LAB 57.58, 10.58, 38.75

 

CMYK 0 / 10 / 60 / 31

HEX #AF9E46

RGB 175 158 70

HSL 50.29, 0.43%, 0.48%

LAB 64.97, -4.79, 47.24

 

CMYK 7 / 0 / 60 / 31

HEX #A3AF46

RGB 163 175 70

HSL 66.86, 0.43%, 0.48%

LAB 68.67, -18.8, 51.07

 

CMYK 23 / 0 / 60 / 31

HEX #87AF46

RGB 135 175 70

HSL 82.86, 0.43%, 0.48%

LAB 66.71, -30.18, 48.35

 

CMYK 0 / 42 / 60 / 31

HEX #AF6646

RGB 175 102 70

HSL 18.29, 0.43%, 0.48%

LAB 50.76, 26.24, 30.53

 

CMYK 0 / 52 / 74 / 24

HEX #C35E32

RGB 195 94 50

HSL 18.21, 0.59%, 0.48%

LAB 51.65, 37.42, 43.08

 

CMYK 0 / 60 / 86 / 16

HEX #D7561E

RGB 215 86 30

HSL 18.16, 0.76%, 0.48%

LAB 53.16, 48.21, 54.73

 

CMYK 0 / 67 / 96 / 8

HEX #EA4E0A

RGB 234 78 10

HSL 18.21, 0.92%, 0.48%

LAB 55.03, 57.95, 63.55

 

CMYK 0 / 42 / 60 / 31

HEX #AF6646

RGB 175 102 70

HSL 18.29, 0.43%, 0.48%

LAB 50.76, 26.24, 30.53

 

CMYK 0 / 30 / 42 / 39

HEX #9B6D5A

RGB 155 109 90

HSL 17.54, 0.27%, 0.48%

LAB 50.27, 15.82, 17.91

 

CMYK 0 / 13 / 19 / 47

HEX #87756D

RGB 135 117 109

HSL 18.46, 0.11%, 0.48%

LAB 50.66, 5.6, 6.98

 

CMYK 10 / 3 / 0 / 49

HEX #747D81

RGB 116 125 129

HSL 198.46, 0.05%, 0.48%

LAB 51.8, -2.47, -3.33

 

CMYK 36 / 11 / 0 / 42

HEX #608595

RGB 96 133 149

HSL 198.11, 0.22%, 0.48%

LAB 53.42, -8.74, -12.71

 

CMYK 0 / 60 / 46 / 31

HEX #AF465E

RGB 175 70 94

HSL 346.29, 0.43%, 0.48%

LAB 44.66, 45, 8.18

 

CMYK 0 / 58 / 60 / 31

HEX #AF4946

RGB 175 73 70

HSL 1.71, 0.43%, 0.48%

LAB 44.69, 41.48, 22.86

 

CMYK 0 / 42 / 60 / 31

HEX #AF6546

RGB 175 101 70

HSL 17.71, 0.43%, 0.48%

LAB 50.53, 26.79, 30.24

 

CMYK 0 / 26 / 60 / 31

HEX #AF8146

RGB 175 129 70

HSL 33.71, 0.43%, 0.48%

LAB 57.32, 11.14, 38.45

 

CMYK 0 / 10 / 60 / 31

HEX #AF9D46

RGB 175 157 70

HSL 49.71, 0.43%, 0.48%

LAB 64.7, -4.26, 46.94

 

CMYK 0 / 42 / 60 / 55

HEX #74432E

RGB 116 67 46

HSL 18, 0.43%, 0.32%

LAB 33.83, 18.92, 21.7

 

CMYK 0 / 42 / 60 / 43

HEX #92543A

RGB 146 84 58

HSL 17.73, 0.43%, 0.4%

LAB 42.39, 23.15, 26.16

 

CMYK 0 / 42 / 60 / 31

HEX #AF6646

RGB 175 102 70

HSL 18.29, 0.43%, 0.48%

LAB 50.76, 26.24, 30.53

 

CMYK 0 / 35 / 50 / 25

HEX #BF7C5F

RGB 191 124 95

HSL 18.13, 0.43%, 0.56%

LAB 58.34, 22.86, 26.54

 

CMYK 0 / 27 / 39 / 20

HEX #CB947C

RGB 203 148 124

HSL 18.23, 0.43%, 0.64%

LAB 66.01, 17.62, 20.84

 

CMYK 0 / 42 / 60 / 31

HEX #B06646

RGB 176 102 70

HSL 18.11, 0.43%, 0.48%

LAB 50.89, 26.65, 30.72

 

CMYK 30 / 0 / 60 / 31

HEX #7AAF46

RGB 122 175 70

HSL 90.29, 0.43%, 0.48%

LAB 65.93, -35.13, 47.26

 

CMYK 60 / 54 / 0 / 31

HEX #4650AF

RGB 70 80 175

HSL 234.29, 0.43%, 0.48%

LAB 38.08, 25.37, -52.14

 

CMYK 0 / 42 / 60 / 31

HEX #B06646

RGB 176 102 70

HSL 18.11, 0.43%, 0.48%

LAB 50.89, 26.65, 30.72

 

CMYK 60 / 0 / 42 / 31

HEX #46AF65

RGB 70 175 101

HSL 137.71, 0.43%, 0.48%

LAB 64.08, -46.77, 29.13

 

CMYK 42 / 60 / 0 / 31

HEX #6546AF

RGB 101 70 175

HSL 257.71, 0.43%, 0.48%

LAB 38.27, 38.02, -51.7

 

CMYK 0 / 42 / 60 / 31

HEX #B06646

RGB 176 102 70

HSL 18.11, 0.43%, 0.48%

LAB 50.89, 26.65, 30.72

 

CMYK 30 / 0 / 60 / 31

HEX #7AAF46

RGB 122 175 70

HSL 90.29, 0.43%, 0.48%

LAB 65.93, -35.13, 47.26

 

CMYK 60 / 18 / 0 / 31

HEX #468FAF

RGB 70 143 175

HSL 198.29, 0.43%, 0.48%

LAB 56.13, -13.08, -23.66

 

CMYK 30 / 60 / 0 / 31

HEX #7A46AF

RGB 122 70 175

HSL 269.71, 0.43%, 0.48%

LAB 40.59, 42.95, -47.84

 

CMYK 0 / 42 / 60 / 31

HEX #B06646

RGB 176 102 70

HSL 18.11, 0.43%, 0.48%

LAB 50.89, 26.65, 30.72

 

CMYK 48 / 0 / 60 / 31

HEX #5BAF46

RGB 91 175 70

HSL 108, 0.43%, 0.48%

LAB 64.42, -45.59, 45.14

 

CMYK 60 / 18 / 0 / 31

HEX #468FAF

RGB 70 143 175

HSL 198.29, 0.43%, 0.48%

LAB 56.13, -13.08, -23.66

 

CMYK 12 / 60 / 0 / 31

HEX #9A46AF

RGB 154 70 175

HSL 288, 0.43%, 0.48%

LAB 44.72, 50.98, -41.01

 

Description

Color code: HEX #B06646 | qconv.com Color code: HEX #B06646 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 102 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 102 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 60 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 60% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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