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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05CD3 it is the complementary color #4FA32C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B05CD3 shade: #B55CCE, #C66EE1, #D780F4, #E892FF and #F9A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B05CD3 shade: #B05CD3, #9F4AC0, #8E38AD, #7D269A and #6C1487

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B05CD3 shade: #AF5BD2, #CF5BD2, #D25BB5, #D25B95 and #D25B75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B05CD3 shade: #AF5BD2, #8F5BD2, #6F5BD2 and #5B5BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B05CD3 shade matches the following richer shades: #AF5BD2, #B64AE3 and #BD39F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B05CD3 shade: #AF5BD2, #A86CC1, #A17DB0, #9A8E9F and #939F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B05CD3 shade: #6F5BD2, #8F5BD2, #AE5BD2, #CE5BD2 and #D25BB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B05CD3 shade: #872FAB, #9F3AC9, #AF5BD2, #BF7BDB and #CF9CE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B05CD3 shade: #B05CD3, #D25B67 and #5BD27F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B05CD3 shade: #B05CD3, #D2AE5B and #5BD2AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B05CD3 shade: #B05CD3, #D25B67, #7FD25B and #5BD2C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B05CD3 shade: #B05CD3, #D2735B, #7FD25B and #5BBAD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 56 / 0 / 17

HEX #B05CD3

RGB 176 92 211

HSL 282.35, 0.57%, 0.59%

LAB 53.59, 53.21, -47.58

 

Complementary color

CMYK 52 / 0 / 73 / 36

HEX #4FA32C

RGB 79 163 44

HSL 102.35, 0.57%, 0.41%

LAB 59.92, -46.78, 51.12

 

CMYK 12 / 55 / 0 / 19

HEX #B55CCE

RGB 181 92 206

HSL 286.84, 0.54%, 0.58%

LAB 53.96, 53.48, -44.11

 

CMYK 12 / 51 / 0 / 12

HEX #C66EE1

RGB 198 110 225

HSL 285.91, 0.66%, 0.66%

LAB 60.42, 52.81, -44.49

 

CMYK 12 / 48 / 0 / 4

HEX #D780F4

RGB 215 128 244

HSL 285, 0.84%, 0.73%

LAB 66.84, 52.07, -44.79

 

CMYK 9 / 43 / 0 / 0

HEX #E892FF

RGB 232 146 255

HSL 287.34, 1%, 0.79%

LAB 72.85, 49.75, -41.24

 

CMYK 2 / 36 / 0 / 0

HEX #F9A4FF

RGB 249 164 255

HSL 296.04, 1%, 0.82%

LAB 78.41, 45.44, -32.47

 

CMYK 17 / 56 / 0 / 17

HEX #B05CD3

RGB 176 92 211

HSL 282.35, 0.57%, 0.59%

LAB 53.59, 53.21, -47.58

 

CMYK 17 / 61 / 0 / 25

HEX #9F4AC0

RGB 159 74 192

HSL 283.22, 0.48%, 0.52%

LAB 47.07, 53.8, -47.17

 

CMYK 18 / 68 / 0 / 32

HEX #8E38AD

RGB 142 56 173

HSL 284.1, 0.51%, 0.45%

LAB 40.57, 54.13, -46.56

 

CMYK 19 / 75 / 0 / 40

HEX #7D269A

RGB 125 38 154

HSL 285, 0.6%, 0.38%

LAB 34.15, 53.95, -45.59

 

CMYK 20 / 85 / 0 / 47

HEX #6C1487

RGB 108 20 135

HSL 285.91, 0.74%, 0.3%

LAB 27.95, 52.81, -44.03

 

CMYK 17 / 57 / 0 / 18

HEX #AF5BD2

RGB 175 91 210

HSL 282.35, 0.57%, 0.59%

LAB 53.22, 53.24, -47.6

 

CMYK 1 / 57 / 0 / 18

HEX #CF5BD2

RGB 207 91 210

HSL 298.49, 0.57%, 0.59%

LAB 57.46, 61.46, -40.62

 

CMYK 0 / 57 / 14 / 18

HEX #D25BB5

RGB 210 91 181

HSL 314.62, 0.57%, 0.59%

LAB 56.6, 57.51, -25.34

 

CMYK 0 / 57 / 29 / 18

HEX #D25B95

RGB 210 91 149

HSL 330.76, 0.57%, 0.59%

LAB 55.43, 53, -8.49

 

CMYK 0 / 57 / 44 / 18

HEX #D25B75

RGB 210 91 117

HSL 346.89, 0.57%, 0.59%

LAB 54.52, 49.33, 9.05

 

CMYK 17 / 57 / 0 / 18

HEX #AF5BD2

RGB 175 91 210

HSL 282.35, 0.57%, 0.59%

LAB 53.22, 53.24, -47.6

 

CMYK 32 / 57 / 0 / 18

HEX #8F5BD2

RGB 143 91 210

HSL 266.22, 0.57%, 0.59%

LAB 49.47, 45.29, -53.82

 

CMYK 47 / 57 / 0 / 18

HEX #6F5BD2

RGB 111 91 210

HSL 250.08, 0.57%, 0.59%

LAB 46.33, 38, -59.02

 

CMYK 57 / 57 / 0 / 18

HEX #5B5BD2

RGB 91 91 210

HSL 240, 0.57%, 0.59%

LAB 44.74, 34.01, -61.67

 

CMYK 17 / 57 / 0 / 18

HEX #AF5BD2

RGB 175 91 210

HSL 282.35, 0.57%, 0.59%

LAB 53.22, 53.24, -47.6

 

CMYK 20 / 67 / 0 / 11

HEX #B64AE3

RGB 182 74 227

HSL 282.35, 0.73%, 0.59%

LAB 52.27, 66.15, -58.71

 

CMYK 23 / 77 / 0 / 4

HEX #BD39F4

RGB 189 57 244

HSL 282.35, 0.89%, 0.59%

LAB 52.15, 77.1, -68.42

 

CMYK 17 / 57 / 0 / 18

HEX #AF5BD2

RGB 175 91 210

HSL 282.35, 0.57%, 0.59%

LAB 53.22, 53.24, -47.6

 

CMYK 13 / 44 / 0 / 24

HEX #A86CC1

RGB 168 108 193

HSL 282.35, 0.41%, 0.59%

LAB 54.97, 38.78, -35.19

 

CMYK 9 / 29 / 0 / 31

HEX #A17DB0

RGB 161 125 176

HSL 282.35, 0.24%, 0.59%

LAB 57.44, 23.37, -21.68

 

CMYK 3 / 11 / 0 / 38

HEX #9A8E9F

RGB 154 142 159

HSL 282.35, 0.08%, 0.59%

LAB 60.53, 7.72, -7.36

 

CMYK 8 / 0 / 11 / 38

HEX #939F8E

RGB 147 159 142

HSL 102.35, 0.08%, 0.59%

LAB 64.12, -7.54, 7.41

 

CMYK 47 / 57 / 0 / 18

HEX #6F5BD2

RGB 111 91 210

HSL 250.08, 0.57%, 0.59%

LAB 46.33, 38, -59.02

 

CMYK 32 / 57 / 0 / 18

HEX #8F5BD2

RGB 143 91 210

HSL 266.22, 0.57%, 0.59%

LAB 49.47, 45.29, -53.82

 

CMYK 17 / 57 / 0 / 18

HEX #AE5BD2

RGB 174 91 210

HSL 281.85, 0.57%, 0.59%

LAB 53.1, 52.99, -47.81

 

CMYK 2 / 57 / 0 / 18

HEX #CE5BD2

RGB 206 91 210

HSL 297.98, 0.57%, 0.59%

LAB 57.33, 61.2, -40.85

 

CMYK 0 / 57 / 13 / 18

HEX #D25BB6

RGB 210 91 182

HSL 314.12, 0.57%, 0.59%

LAB 56.65, 57.66, -25.85

 

CMYK 21 / 73 / 0 / 33

HEX #872FAB

RGB 135 47 171

HSL 282.58, 0.57%, 0.43%

LAB 38.06, 55.99, -49.44

 

CMYK 21 / 71 / 0 / 21

HEX #9F3AC9

RGB 159 58 201

HSL 282.38, 0.57%, 0.51%

LAB 45.1, 62.67, -55.55

 

CMYK 17 / 57 / 0 / 18

HEX #AF5BD2

RGB 175 91 210

HSL 282.35, 0.57%, 0.59%

LAB 53.22, 53.24, -47.6

 

CMYK 13 / 44 / 0 / 14

HEX #BF7BDB

RGB 191 123 219

HSL 282.5, 0.57%, 0.67%

LAB 61.96, 42.84, -38.77

 

CMYK 9 / 32 / 0 / 11

HEX #CF9CE4

RGB 207 156 228

HSL 282.5, 0.57%, 0.75%

LAB 71.31, 31.6, -29.11

 

CMYK 17 / 56 / 0 / 17

HEX #B05CD3

RGB 176 92 211

HSL 282.35, 0.57%, 0.59%

LAB 53.59, 53.21, -47.58

 

CMYK 0 / 57 / 51 / 18

HEX #D25B67

RGB 210 91 103

HSL 353.95, 0.57%, 0.59%

LAB 54.2, 48.01, 16.87

 

CMYK 57 / 0 / 40 / 18

HEX #5BD27F

RGB 91 210 127

HSL 138.15, 0.57%, 0.59%

LAB 75.98, -51.57, 31.31

 

CMYK 17 / 56 / 0 / 17

HEX #B05CD3

RGB 176 92 211

HSL 282.35, 0.57%, 0.59%

LAB 53.59, 53.21, -47.58

 

CMYK 0 / 17 / 57 / 18

HEX #D2AE5B

RGB 210 174 91

HSL 41.85, 0.57%, 0.59%

LAB 72.71, 3.24, 46.9

 

CMYK 57 / 0 / 17 / 18

HEX #5BD2AE

RGB 91 210 174

HSL 161.85, 0.57%, 0.59%

LAB 76.9, -42.07, 7.84

 

CMYK 17 / 56 / 0 / 17

HEX #B05CD3

RGB 176 92 211

HSL 282.35, 0.57%, 0.59%

LAB 53.59, 53.21, -47.58

 

CMYK 0 / 57 / 51 / 18

HEX #D25B67

RGB 210 91 103

HSL 353.95, 0.57%, 0.59%

LAB 54.2, 48.01, 16.87

 

CMYK 40 / 0 / 57 / 18

HEX #7FD25B

RGB 127 210 91

HSL 101.85, 0.57%, 0.59%

LAB 76.9, -46.57, 50.33

 

CMYK 57 / 0 / 6 / 18

HEX #5BD2C6

RGB 91 210 198

HSL 173.95, 0.57%, 0.59%

LAB 77.52, -36.19, -4.14

 

CMYK 17 / 56 / 0 / 17

HEX #B05CD3

RGB 176 92 211

HSL 282.35, 0.57%, 0.59%

LAB 53.59, 53.21, -47.58

 

CMYK 0 / 45 / 57 / 18

HEX #D2735B

RGB 210 115 91

HSL 12.1, 0.57%, 0.59%

LAB 58.71, 34.96, 29.75

 

CMYK 40 / 0 / 57 / 18

HEX #7FD25B

RGB 127 210 91

HSL 101.85, 0.57%, 0.59%

LAB 76.9, -46.57, 50.33

 

CMYK 57 / 11 / 0 / 18

HEX #5BBAD2

RGB 91 186 210

HSL 192.1, 0.57%, 0.59%

LAB 70.87, -21.22, -20.6

 

Description

Color code: HEX #B05CD3 | qconv.com Color code: HEX #B05CD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 92 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 92 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 56 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 56% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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