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Color name
HEX #B05A6E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05A6E it is the complementary color #4FA591. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05A6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B05A6E shade: #B55A69, #C66C7C, #D77E8F, #E890A2 and #F9A2B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05A6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B05A6E shade: #B05A6E, #9F485B, #8E3648, #7D2435 and #6C1222

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B05A6E shade: #AF596D and #AF5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B05A6E shade: #AF596D, #AF5984, #AF599B, #AB59AF and #9459AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B05A6E shade matches the following richer shades: #AF596D, #C34563, #D73258, #EA1E4D and #FE0A43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B05A6E shade: #AF596D, #9B6D78, #878182, #74958D and #60A898

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B05A6E shade: #AF599B, #AF5984, #AF596D, #AF5C59 and #AF7359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B05A6E shade: #7B3B4A, #97485B, #AF596D, #BC7586 and #CA919E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B05A6E shade: #B05A6E, #AFAC59 and #5990AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B05A6E shade: #B05A6E, #6DAF59 and #596DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B05A6E shade: #B05A6E, #AFAC59, #59AF9B and #595CAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B05A6E shade: #B05A6E, #98AF59, #59AF9B and #7059AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 38 / 31

HEX #B05A6E

RGB 176 90 110

HSL 346.05, 0.35%, 0.52%

LAB 49.09, 37.1, 4.79

 

Complementary color

CMYK 52 / 0 / 12 / 35

HEX #4FA591

RGB 79 165 145

HSL 166.05, 0.35%, 0.48%

LAB 62.18, -30.98, 2.45

 

CMYK 0 / 50 / 42 / 29

HEX #B55A69

RGB 181 90 105

HSL 350.11, 0.38%, 0.53%

LAB 49.68, 38.35, 8.74

 

CMYK 0 / 45 / 37 / 22

HEX #C66C7C

RGB 198 108 124

HSL 349.33, 0.44%, 0.6%

LAB 56.27, 37.36, 7.19

 

CMYK 0 / 41 / 33 / 16

HEX #D77E8F

RGB 215 126 143

HSL 348.54, 0.53%, 0.67%

LAB 62.8, 36.4, 5.86

 

CMYK 0 / 38 / 30 / 9

HEX #E890A2

RGB 232 144 162

HSL 347.73, 0.66%, 0.74%

LAB 69.26, 35.5, 4.7

 

CMYK 0 / 35 / 27 / 2

HEX #F9A2B5

RGB 249 162 181

HSL 346.9, 0.88%, 0.81%

LAB 75.65, 34.66, 3.66

 

CMYK 0 / 49 / 38 / 31

HEX #B05A6E

RGB 176 90 110

HSL 346.05, 0.35%, 0.52%

LAB 49.09, 37.1, 4.79

 

CMYK 0 / 55 / 43 / 38

HEX #9F485B

RGB 159 72 91

HSL 346.9, 0.38%, 0.45%

LAB 42.4, 38.06, 6.47

 

CMYK 0 / 62 / 49 / 44

HEX #8E3648

RGB 142 54 72

HSL 347.73, 0.45%, 0.38%

LAB 35.71, 38.93, 8.57

 

CMYK 0 / 71 / 58 / 51

HEX #7D2435

RGB 125 36 53

HSL 348.54, 0.55%, 0.32%

LAB 29.1, 39.49, 11.34

 

CMYK 0 / 83 / 69 / 58

HEX #6C1222

RGB 108 18 34

HSL 349.33, 0.71%, 0.25%

LAB 22.78, 39.28, 15.15

 

CMYK 0 / 49 / 38 / 31

HEX #AF596D

RGB 175 89 109

HSL 346.05, 0.35%, 0.52%

LAB 48.71, 37.14, 4.83

 

CMYK 0 / 49 / 49 / 31

HEX #AF5959

RGB 175 89 89

HSL 0, 0.35%, 0.52%

LAB 48.23, 34.95, 16.17

 

CMYK 0 / 49 / 38 / 31

HEX #AF596D

RGB 175 89 109

HSL 346.05, 0.35%, 0.52%

LAB 48.71, 37.14, 4.83

 

CMYK 0 / 49 / 25 / 31

HEX #AF5984

RGB 175 89 132

HSL 330, 0.35%, 0.52%

LAB 49.4, 40.21, -7.96

 

CMYK 0 / 49 / 11 / 31

HEX #AF599B

RGB 175 89 155

HSL 313.95, 0.35%, 0.52%

LAB 50.25, 43.82, -20.36

 

CMYK 2 / 49 / 0 / 31

HEX #AB59AF

RGB 171 89 175

HSL 297.21, 0.35%, 0.52%

LAB 50.57, 46.18, -31.65

 

CMYK 15 / 49 / 0 / 31

HEX #9459AF

RGB 148 89 175

HSL 281.16, 0.35%, 0.52%

LAB 47.67, 39.48, -36.4

 

CMYK 0 / 49 / 38 / 31

HEX #AF596D

RGB 175 89 109

HSL 346.05, 0.35%, 0.52%

LAB 48.71, 37.14, 4.83

 

CMYK 0 / 65 / 49 / 24

HEX #C34563

RGB 195 69 99

HSL 345.71, 0.51%, 0.52%

LAB 47.96, 52.55, 10.24

 

CMYK 0 / 77 / 59 / 16

HEX #D73258

RGB 215 50 88

HSL 346.18, 0.67%, 0.52%

LAB 48.8, 64.59, 18.67

 

CMYK 0 / 87 / 67 / 8

HEX #EA1E4D

RGB 234 30 77

HSL 346.18, 0.83%, 0.52%

LAB 50.64, 73.65, 28.43

 

CMYK 0 / 96 / 74 / 0

HEX #FE0A43

RGB 254 10 67

HSL 345.98, 0.99%, 0.52%

LAB 53.7, 80.39, 38.98

 

CMYK 0 / 49 / 38 / 31

HEX #AF596D

RGB 175 89 109

HSL 346.05, 0.35%, 0.52%

LAB 48.71, 37.14, 4.83

 

CMYK 0 / 30 / 23 / 39

HEX #9B6D78

RGB 155 109 120

HSL 345.65, 0.19%, 0.52%

LAB 50.99, 19.98, 1.23

 

CMYK 0 / 4 / 4 / 47

HEX #878182

RGB 135 129 130

HSL 350, 0.02%, 0.52%

LAB 54.51, 2.45, 0.26

 

CMYK 22 / 0 / 5 / 42

HEX #74958D

RGB 116 149 141

HSL 165.45, 0.13%, 0.52%

LAB 59.1, -13.21, 0.45

 

CMYK 43 / 0 / 10 / 34

HEX #60A898

RGB 96 168 152

HSL 166.67, 0.29%, 0.52%

LAB 63.97, -26.5, 1.21

 

CMYK 0 / 49 / 11 / 31

HEX #AF599B

RGB 175 89 155

HSL 313.95, 0.35%, 0.52%

LAB 50.25, 43.82, -20.36

 

CMYK 0 / 49 / 25 / 31

HEX #AF5984

RGB 175 89 132

HSL 330, 0.35%, 0.52%

LAB 49.4, 40.21, -7.96

 

CMYK 0 / 49 / 38 / 31

HEX #AF596D

RGB 175 89 109

HSL 346.05, 0.35%, 0.52%

LAB 48.71, 37.14, 4.83

 

CMYK 0 / 47 / 49 / 31

HEX #AF5C59

RGB 175 92 89

HSL 2.09, 0.35%, 0.52%

LAB 48.87, 33.35, 17.04

 

CMYK 0 / 34 / 49 / 31

HEX #AF7359

RGB 175 115 89

HSL 18.14, 0.35%, 0.52%

LAB 54.13, 20.67, 24.06

 

CMYK 0 / 52 / 40 / 52

HEX #7B3B4A

RGB 123 59 74

HSL 345.94, 0.35%, 0.36%

LAB 33.63, 29.49, 3.91

 

CMYK 0 / 52 / 40 / 41

HEX #97485B

RGB 151 72 91

HSL 345.57, 0.35%, 0.44%

LAB 41.17, 35.13, 4.54

 

CMYK 0 / 49 / 38 / 31

HEX #AF596D

RGB 175 89 109

HSL 346.05, 0.35%, 0.52%

LAB 48.71, 37.14, 4.83

 

CMYK 0 / 38 / 29 / 26

HEX #BC7586

RGB 188 117 134

HSL 345.63, 0.35%, 0.6%

LAB 57.21, 30.11, 2.54

 

CMYK 0 / 28 / 22 / 21

HEX #CA919E

RGB 202 145 158

HSL 346.32, 0.35%, 0.68%

LAB 65.96, 23.44, 1.73

 

CMYK 0 / 49 / 38 / 31

HEX #B05A6E

RGB 176 90 110

HSL 346.05, 0.35%, 0.52%

LAB 49.09, 37.1, 4.79

 

CMYK 0 / 2 / 49 / 31

HEX #AFAC59

RGB 175 172 89

HSL 57.91, 0.35%, 0.52%

LAB 69, -10.61, 42.7

 

CMYK 49 / 18 / 0 / 31

HEX #5990AF

RGB 89 144 175

HSL 201.63, 0.35%, 0.52%

LAB 57.24, -9.47, -21.89

 

CMYK 0 / 49 / 38 / 31

HEX #B05A6E

RGB 176 90 110

HSL 346.05, 0.35%, 0.52%

LAB 49.09, 37.1, 4.79

 

CMYK 38 / 0 / 49 / 31

HEX #6DAF59

RGB 109 175 89

HSL 106.05, 0.35%, 0.52%

LAB 65.46, -37.58, 37.39

 

CMYK 49 / 38 / 0 / 31

HEX #596DAF

RGB 89 109 175

HSL 226.05, 0.35%, 0.52%

LAB 47.18, 11.18, -37.54

 

CMYK 0 / 49 / 38 / 31

HEX #B05A6E

RGB 176 90 110

HSL 346.05, 0.35%, 0.52%

LAB 49.09, 37.1, 4.79

 

CMYK 0 / 2 / 49 / 31

HEX #AFAC59

RGB 175 172 89

HSL 57.91, 0.35%, 0.52%

LAB 69, -10.61, 42.7

 

CMYK 49 / 0 / 11 / 31

HEX #59AF9B

RGB 89 175 155

HSL 166.05, 0.35%, 0.52%

LAB 65.87, -30.95, 2.27

 

CMYK 49 / 47 / 0 / 31

HEX #595CAF

RGB 89 92 175

HSL 237.91, 0.35%, 0.52%

LAB 42.57, 21.79, -44.85

 

CMYK 0 / 49 / 38 / 31

HEX #B05A6E

RGB 176 90 110

HSL 346.05, 0.35%, 0.52%

LAB 49.09, 37.1, 4.79

 

CMYK 13 / 0 / 49 / 31

HEX #98AF59

RGB 152 175 89

HSL 76.05, 0.35%, 0.52%

LAB 68.06, -21.6, 41.16

 

CMYK 49 / 0 / 11 / 31

HEX #59AF9B

RGB 89 175 155

HSL 166.05, 0.35%, 0.52%

LAB 65.87, -30.95, 2.27

 

CMYK 36 / 49 / 0 / 31

HEX #7059AF

RGB 112 89 175

HSL 256.05, 0.35%, 0.52%

LAB 43.78, 29.43, -42.81

 

Description

Color code: HEX #B05A6E | qconv.com Color code: HEX #B05A6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 90 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 90 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 38% 31% C M Y K

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Provide designers and agencies with accurate color values.

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