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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05A3E it is the complementary color #4FA5C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05A3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B05A3E shade: #B55A39, #C66C4C, #D77E5F, #E89072 and #F9A285

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05A3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B05A3E shade: #B05A3E, #9F482B, #8E3618, #7D2405 and #6C1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B05A3E shade: #B15A3E and #B13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B05A3E shade: #B15A3E, #B1793E, #B1983E, #ABB13E and #8CB13E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B05A3E shade matches the following richer shades: #B15A3E, #C4502A, #D84617 and #EB3C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B05A3E shade: #B15A3E, #9D6451, #8A6E65, #777878 and #63828B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B05A3E shade: #B13E60, #B13E42, #B1593E, #B1773E and #B1963E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B05A3E shade: #743B28, #924A33, #B15A3E, #C37055 and #CE8A74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B05A3E shade: #B05A3E, #7FB13E and #3E51B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B05A3E shade: #B05A3E, #3EB159 and #593EB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B05A3E shade: #B05A3E, #7FB13E, #3E96B1 and #703EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B05A3E shade: #B05A3E, #5DB13E, #3E96B1 and #923EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 65 / 31

HEX #B05A3E

RGB 176 90 62

HSL 14.74, 0.48%, 0.47%

LAB 48.12, 32.6, 31.85

 

Complementary color

CMYK 59 / 15 / 0 / 24

HEX #4FA5C1

RGB 79 165 193

HSL 194.74, 0.48%, 0.53%

LAB 63.69, -17.65, -22.2

 

CMYK 0 / 50 / 69 / 29

HEX #B55A39

RGB 181 90 57

HSL 15.97, 0.52%, 0.47%

LAB 48.8, 34.29, 35.62

 

CMYK 0 / 45 / 62 / 22

HEX #C66C4C

RGB 198 108 76

HSL 15.74, 0.52%, 0.54%

LAB 55.33, 32.8, 33.52

 

CMYK 0 / 41 / 56 / 16

HEX #D77E5F

RGB 215 126 95

HSL 15.5, 0.6%, 0.61%

LAB 61.82, 31.44, 31.63

 

CMYK 0 / 38 / 51 / 9

HEX #E89072

RGB 232 144 114

HSL 15.25, 0.72%, 0.68%

LAB 68.25, 30.22, 29.94

 

CMYK 0 / 35 / 47 / 2

HEX #F9A285

RGB 249 162 133

HSL 15, 0.91%, 0.75%

LAB 74.62, 29.12, 28.41

 

CMYK 0 / 49 / 65 / 31

HEX #B05A3E

RGB 176 90 62

HSL 14.74, 0.48%, 0.47%

LAB 48.12, 32.6, 31.85

 

CMYK 0 / 55 / 73 / 38

HEX #9F482B

RGB 159 72 43

HSL 15, 0.57%, 0.4%

LAB 41.5, 34.15, 34.14

 

CMYK 0 / 62 / 83 / 44

HEX #8E3618

RGB 142 54 24

HSL 15.25, 0.71%, 0.33%

LAB 34.91, 35.76, 36.55

 

CMYK 0 / 71 / 96 / 51

HEX #7D2405

RGB 125 36 5

HSL 15.5, 0.92%, 0.25%

LAB 28.47, 37.2, 38.35

 

CMYK 0 / 83 / 100 / 58

HEX #6C1200

RGB 108 18 0

HSL 10, 1%, 0.21%

LAB 22.38, 38.01, 33.41

 

CMYK 0 / 49 / 65 / 31

HEX #B15A3E

RGB 177 90 62

HSL 14.61, 0.48%, 0.47%

LAB 48.27, 33, 32.06

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 0 / 49 / 65 / 31

HEX #B15A3E

RGB 177 90 62

HSL 14.61, 0.48%, 0.47%

LAB 48.27, 33, 32.06

 

CMYK 0 / 32 / 65 / 31

HEX #B1793E

RGB 177 121 62

HSL 30.78, 0.48%, 0.47%

LAB 55.45, 15.92, 40.46

 

CMYK 0 / 14 / 65 / 31

HEX #B1983E

RGB 177 152 62

HSL 46.96, 0.48%, 0.47%

LAB 63.47, -1.24, 49.35

 

CMYK 3 / 0 / 65 / 31

HEX #ABB13E

RGB 171 177 62

HSL 63.13, 0.48%, 0.47%

LAB 69.79, -16.99, 55.89

 

CMYK 21 / 0 / 65 / 31

HEX #8CB13E

RGB 140 177 62

HSL 79.3, 0.48%, 0.47%

LAB 67.55, -29.81, 52.85

 

CMYK 0 / 49 / 65 / 31

HEX #B15A3E

RGB 177 90 62

HSL 14.61, 0.48%, 0.47%

LAB 48.27, 33, 32.06

 

CMYK 0 / 59 / 79 / 23

HEX #C4502A

RGB 196 80 42

HSL 14.81, 0.65%, 0.47%

LAB 49.06, 44.37, 44.47

 

CMYK 0 / 68 / 89 / 15

HEX #D84617

RGB 216 70 23

HSL 14.61, 0.81%, 0.47%

LAB 50.74, 55.27, 55.54

 

CMYK 0 / 74 / 98 / 8

HEX #EB3C04

RGB 235 60 4

HSL 14.55, 0.97%, 0.47%

LAB 52.84, 64.69, 63.75

 

CMYK 0 / 49 / 65 / 31

HEX #B15A3E

RGB 177 90 62

HSL 14.61, 0.48%, 0.47%

LAB 48.27, 33, 32.06

 

CMYK 0 / 36 / 48 / 38

HEX #9D6451

RGB 157 100 81

HSL 15, 0.32%, 0.47%

LAB 48.1, 20.82, 20.32

 

CMYK 0 / 20 / 27 / 46

HEX #8A6E65

RGB 138 110 101

HSL 14.59, 0.15%, 0.47%

LAB 48.88, 9.63, 9.21

 

CMYK 1 / 0 / 0 / 53

HEX #777878

RGB 119 120 120

HSL 180, 0%, 0.47%

LAB 50.35, -0.37, -0.14

 

CMYK 29 / 6 / 0 / 45

HEX #63828B

RGB 99 130 139

HSL 193.5, 0.17%, 0.47%

LAB 52.38, -8.73, -8.44

 

CMYK 0 / 65 / 46 / 31

HEX #B13E60

RGB 177 62 96

HSL 342.26, 0.48%, 0.47%

LAB 43.71, 49.47, 5.64

 

CMYK 0 / 65 / 63 / 31

HEX #B13E42

RGB 177 62 66

HSL 357.91, 0.48%, 0.47%

LAB 43.04, 47, 23.23

 

CMYK 0 / 50 / 65 / 31

HEX #B1593E

RGB 177 89 62

HSL 14.09, 0.48%, 0.47%

LAB 48.06, 33.53, 31.81

 

CMYK 0 / 33 / 65 / 31

HEX #B1773E

RGB 177 119 62

HSL 29.74, 0.48%, 0.47%

LAB 54.96, 17.04, 39.9

 

CMYK 0 / 15 / 65 / 31

HEX #B1963E

RGB 177 150 62

HSL 45.91, 0.48%, 0.47%

LAB 62.93, -0.15, 48.77

 

CMYK 0 / 49 / 66 / 55

HEX #743B28

RGB 116 59 40

HSL 15, 0.49%, 0.31%

LAB 31.79, 23.14, 22.85

 

CMYK 0 / 49 / 65 / 43

HEX #924A33

RGB 146 74 51

HSL 14.53, 0.48%, 0.39%

LAB 39.99, 28.25, 27.3

 

CMYK 0 / 49 / 65 / 31

HEX #B15A3E

RGB 177 90 62

HSL 14.61, 0.48%, 0.47%

LAB 48.27, 33, 32.06

 

CMYK 0 / 43 / 56 / 24

HEX #C37055

RGB 195 112 85

HSL 14.73, 0.48%, 0.55%

LAB 55.93, 30.14, 29.16

 

CMYK 0 / 33 / 44 / 19

HEX #CE8A74

RGB 206 138 116

HSL 14.67, 0.48%, 0.63%

LAB 63.8, 23.37, 22.37

 

CMYK 0 / 49 / 65 / 31

HEX #B05A3E

RGB 176 90 62

HSL 14.74, 0.48%, 0.47%

LAB 48.12, 32.6, 31.85

 

CMYK 28 / 0 / 65 / 31

HEX #7FB13E

RGB 127 177 62

HSL 86.09, 0.48%, 0.47%

LAB 66.75, -34.87, 51.76

 

CMYK 65 / 54 / 0 / 31

HEX #3E51B1

RGB 62 81 177

HSL 230.09, 0.48%, 0.47%

LAB 37.99, 24, -53.49

 

CMYK 0 / 49 / 65 / 31

HEX #B05A3E

RGB 176 90 62

HSL 14.74, 0.48%, 0.47%

LAB 48.12, 32.6, 31.85

 

CMYK 65 / 0 / 50 / 31

HEX #3EB159

RGB 62 177 89

HSL 134.09, 0.48%, 0.47%

LAB 64.31, -51.23, 35.57

 

CMYK 50 / 65 / 0 / 31

HEX #593EB1

RGB 89 62 177

HSL 254.09, 0.48%, 0.47%

LAB 35.49, 40.74, -57.46

 

CMYK 0 / 49 / 65 / 31

HEX #B05A3E

RGB 176 90 62

HSL 14.74, 0.48%, 0.47%

LAB 48.12, 32.6, 31.85

 

CMYK 28 / 0 / 65 / 31

HEX #7FB13E

RGB 127 177 62

HSL 86.09, 0.48%, 0.47%

LAB 66.75, -34.87, 51.76

 

CMYK 65 / 15 / 0 / 31

HEX #3E96B1

RGB 62 150 177

HSL 194.09, 0.48%, 0.47%

LAB 58.05, -17.72, -21.88

 

CMYK 37 / 65 / 0 / 31

HEX #703EB1

RGB 112 62 177

HSL 266.09, 0.48%, 0.47%

LAB 37.96, 45.45, -53.34

 

CMYK 0 / 49 / 65 / 31

HEX #B05A3E

RGB 176 90 62

HSL 14.74, 0.48%, 0.47%

LAB 48.12, 32.6, 31.85

 

CMYK 47 / 0 / 65 / 31

HEX #5DB13E

RGB 93 177 62

HSL 103.83, 0.48%, 0.47%

LAB 65.06, -46.61, 49.43

 

CMYK 65 / 15 / 0 / 31

HEX #3E96B1

RGB 62 150 177

HSL 194.09, 0.48%, 0.47%

LAB 58.05, -17.72, -21.88

 

CMYK 18 / 65 / 0 / 31

HEX #923EB1

RGB 146 62 177

HSL 283.83, 0.48%, 0.47%

LAB 42.35, 53.18, -46.03

 

Description

Color code: HEX #B05A3E | qconv.com Color code: HEX #B05A3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 90 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 90 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 65 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 65% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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