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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B059CA it is the complementary color #4FA635. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B059CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B059CA shade: #B559C5, #C66BD8, #D77DEB, #E88FFE and #F9A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B059CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B059CA shade: #B059CA, #9F47B7, #8E35A4, #7D2391 and #6C117E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B059CA shade: #B058CA, #CA58C6, #CA58A7, #CA5888 and #CA586A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B059CA shade: #B058CA, #9158CA, #7358CA and #5858CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B059CA shade matches the following richer shades: #B058CA, #BA47DC and #C335EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B059CA shade: #B058CA, #A76AB9, #9D7CA7, #938E95 and #8A9F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B059CA shade: #7358CA, #9158CA, #B058CA, #CA58C7 and #CA58A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B059CA shade: #85329E, #A03CBE, #B058CA, #BF78D4 and #CE97DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B059CA shade: #B059CA, #CA585C and #58CA82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B059CA shade: #B059CA, #CAB058 and #58CAB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B059CA shade: #B059CA, #CA585C, #73CA58 and #58CAC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B059CA shade: #B059CA, #CA7758, #73CA58 and #58ACCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 56 / 0 / 21

HEX #B059CA

RGB 176 89 202

HSL 286.19, 0.52%, 0.57%

LAB 52.55, 52.85, -44.09

 

Complementary color

CMYK 52 / 0 / 68 / 35

HEX #4FA635

RGB 79 166 53

HSL 106.19, 0.52%, 0.43%

LAB 60.95, -47.22, 48.63

 

CMYK 8 / 55 / 0 / 23

HEX #B559C5

RGB 181 89 197

HSL 291.11, 0.48%, 0.56%

LAB 52.95, 53.18, -40.55

 

CMYK 8 / 50 / 0 / 15

HEX #C66BD8

RGB 198 107 216

HSL 290.09, 0.58%, 0.63%

LAB 59.42, 52.54, -41.02

 

CMYK 9 / 47 / 0 / 8

HEX #D77DEB

RGB 215 125 235

HSL 289.09, 0.73%, 0.71%

LAB 65.84, 51.83, -41.4

 

CMYK 9 / 44 / 0 / 0

HEX #E88FFE

RGB 232 143 254

HSL 288.11, 0.98%, 0.78%

LAB 72.2, 51.1, -41.71

 

CMYK 2 / 37 / 0 / 0

HEX #F9A1FF

RGB 249 161 255

HSL 296.17, 1%, 0.82%

LAB 77.79, 46.99, -33.43

 

CMYK 13 / 56 / 0 / 21

HEX #B059CA

RGB 176 89 202

HSL 286.19, 0.52%, 0.57%

LAB 52.55, 52.85, -44.09

 

CMYK 13 / 61 / 0 / 28

HEX #9F47B7

RGB 159 71 183

HSL 287.14, 0.44%, 0.5%

LAB 46.04, 53.38, -43.58

 

CMYK 13 / 68 / 0 / 36

HEX #8E35A4

RGB 142 53 164

HSL 288.11, 0.51%, 0.43%

LAB 39.54, 53.61, -42.83

 

CMYK 14 / 76 / 0 / 43

HEX #7D2391

RGB 125 35 145

HSL 289.09, 0.61%, 0.35%

LAB 33.15, 53.27, -41.7

 

CMYK 14 / 87 / 0 / 51

HEX #6C117E

RGB 108 17 126

HSL 290.09, 0.76%, 0.28%

LAB 27, 51.86, -39.9

 

CMYK 13 / 56 / 0 / 21

HEX #B058CA

RGB 176 88 202

HSL 286.32, 0.52%, 0.57%

LAB 52.37, 53.34, -44.38

 

CMYK 0 / 56 / 2 / 21

HEX #CA58C6

RGB 202 88 198

HSL 302.11, 0.52%, 0.57%

LAB 55.7, 59.43, -36.6

 

CMYK 0 / 56 / 17 / 21

HEX #CA58A7

RGB 202 88 167

HSL 318.42, 0.52%, 0.57%

LAB 54.37, 54.45, -20.75

 

CMYK 0 / 56 / 33 / 21

HEX #CA5888

RGB 202 88 136

HSL 334.74, 0.52%, 0.57%

LAB 53.29, 50.22, -4.14

 

CMYK 0 / 56 / 48 / 21

HEX #CA586A

RGB 202 88 106

HSL 350.53, 0.52%, 0.57%

LAB 52.48, 46.93, 12.53

 

CMYK 13 / 56 / 0 / 21

HEX #B058CA

RGB 176 88 202

HSL 286.32, 0.52%, 0.57%

LAB 52.37, 53.34, -44.38

 

CMYK 28 / 56 / 0 / 21

HEX #9158CA

RGB 145 88 202

HSL 270, 0.52%, 0.57%

LAB 48.59, 45.45, -50.62

 

CMYK 43 / 56 / 0 / 21

HEX #7358CA

RGB 115 88 202

HSL 254.21, 0.52%, 0.57%

LAB 45.48, 38.32, -55.78

 

CMYK 56 / 56 / 0 / 21

HEX #5858CA

RGB 88 88 202

HSL 240, 0.52%, 0.57%

LAB 43.24, 32.72, -59.51

 

CMYK 13 / 56 / 0 / 21

HEX #B058CA

RGB 176 88 202

HSL 286.32, 0.52%, 0.57%

LAB 52.37, 53.34, -44.38

 

CMYK 15 / 68 / 0 / 14

HEX #BA47DC

RGB 186 71 220

HSL 286.31, 0.68%, 0.57%

LAB 51.96, 66.86, -55.21

 

CMYK 18 / 78 / 0 / 7

HEX #C335EE

RGB 195 53 238

HSL 286.05, 0.84%, 0.57%

LAB 52.2, 78.26, -64.93

 

CMYK 13 / 56 / 0 / 21

HEX #B058CA

RGB 176 88 202

HSL 286.32, 0.52%, 0.57%

LAB 52.37, 53.34, -44.38

 

CMYK 10 / 43 / 0 / 27

HEX #A76AB9

RGB 167 106 185

HSL 286.33, 0.36%, 0.57%

LAB 54.05, 37.89, -32.04

 

CMYK 6 / 26 / 0 / 35

HEX #9D7CA7

RGB 157 124 167

HSL 286.05, 0.2%, 0.57%

LAB 56.46, 20.71, -18.05

 

CMYK 1 / 5 / 0 / 42

HEX #938E95

RGB 147 142 149

HSL 282.86, 0.03%, 0.57%

LAB 59.63, 3.2, -3.06

 

CMYK 13 / 0 / 18 / 38

HEX #8A9F83

RGB 138 159 131

HSL 105, 0.13%, 0.57%

LAB 63.21, -12.83, 12.18

 

CMYK 43 / 56 / 0 / 21

HEX #7358CA

RGB 115 88 202

HSL 254.21, 0.52%, 0.57%

LAB 45.48, 38.32, -55.78

 

CMYK 28 / 56 / 0 / 21

HEX #9158CA

RGB 145 88 202

HSL 270, 0.52%, 0.57%

LAB 48.59, 45.45, -50.62

 

CMYK 13 / 56 / 0 / 21

HEX #B058CA

RGB 176 88 202

HSL 286.32, 0.52%, 0.57%

LAB 52.37, 53.34, -44.38

 

CMYK 0 / 56 / 1 / 21

HEX #CA58C7

RGB 202 88 199

HSL 301.58, 0.52%, 0.57%

LAB 55.75, 59.6, -37.1

 

CMYK 0 / 56 / 17 / 21

HEX #CA58A8

RGB 202 88 168

HSL 317.89, 0.52%, 0.57%

LAB 54.41, 54.6, -21.27

 

CMYK 16 / 68 / 0 / 38

HEX #85329E

RGB 133 50 158

HSL 286.11, 0.52%, 0.41%

LAB 37.37, 51.61, -42.78

 

CMYK 16 / 68 / 0 / 25

HEX #A03CBE

RGB 160 60 190

HSL 286.15, 0.52%, 0.49%

LAB 44.83, 59.88, -49.58

 

CMYK 13 / 56 / 0 / 21

HEX #B058CA

RGB 176 88 202

HSL 286.32, 0.52%, 0.57%

LAB 52.37, 53.34, -44.38

 

CMYK 10 / 43 / 0 / 17

HEX #BF78D4

RGB 191 120 212

HSL 286.3, 0.52%, 0.65%

LAB 61.01, 43.01, -36.33

 

CMYK 7 / 32 / 0 / 13

HEX #CE97DE

RGB 206 151 222

HSL 286.48, 0.52%, 0.73%

LAB 69.84, 32.81, -28.08

 

CMYK 13 / 56 / 0 / 21

HEX #B059CA

RGB 176 89 202

HSL 286.19, 0.52%, 0.57%

LAB 52.55, 52.85, -44.09

 

CMYK 0 / 56 / 54 / 21

HEX #CA585C

RGB 202 88 92

HSL 357.89, 0.52%, 0.57%

LAB 52.18, 45.69, 20.42

 

CMYK 56 / 0 / 36 / 21

HEX #58CA82

RGB 88 202 130

HSL 142.11, 0.52%, 0.57%

LAB 73.5, -48.49, 26.45

 

CMYK 13 / 56 / 0 / 21

HEX #B059CA

RGB 176 89 202

HSL 286.19, 0.52%, 0.57%

LAB 52.55, 52.85, -44.09

 

CMYK 0 / 13 / 56 / 21

HEX #CAB058

RGB 202 176 88

HSL 46.32, 0.52%, 0.57%

LAB 72.44, -1.43, 47.84

 

CMYK 56 / 0 / 13 / 21

HEX #58CAB0

RGB 88 202 176

HSL 166.32, 0.52%, 0.57%

LAB 74.48, -38.63, 3.26

 

CMYK 13 / 56 / 0 / 21

HEX #B059CA

RGB 176 89 202

HSL 286.19, 0.52%, 0.57%

LAB 52.55, 52.85, -44.09

 

CMYK 0 / 56 / 54 / 21

HEX #CA585C

RGB 202 88 92

HSL 357.89, 0.52%, 0.57%

LAB 52.18, 45.69, 20.42

 

CMYK 43 / 0 / 56 / 21

HEX #73CA58

RGB 115 202 88

HSL 105.79, 0.52%, 0.57%

LAB 73.93, -47.37, 48.1

 

CMYK 56 / 0 / 1 / 21

HEX #58CAC7

RGB 88 202 199

HSL 178.42, 0.52%, 0.57%

LAB 75.1, -32.75, -8.27

 

CMYK 13 / 56 / 0 / 21

HEX #B059CA

RGB 176 89 202

HSL 286.19, 0.52%, 0.57%

LAB 52.55, 52.85, -44.09

 

CMYK 0 / 41 / 56 / 21

HEX #CA7758

RGB 202 119 88

HSL 16.32, 0.52%, 0.57%

LAB 58.47, 29.43, 30.89

 

CMYK 43 / 0 / 56 / 21

HEX #73CA58

RGB 115 202 88

HSL 105.79, 0.52%, 0.57%

LAB 73.93, -47.37, 48.1

 

CMYK 56 / 15 / 0 / 21

HEX #58ACCA

RGB 88 172 202

HSL 195.79, 0.52%, 0.57%

LAB 66.4, -16.88, -23.02

 

Description

Color code: HEX #B059CA | qconv.com Color code: HEX #B059CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 89 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 89 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 56 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 56% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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