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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B054D9 it is the complementary color #4FAB26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B054D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B054D9 shade: #B554D4, #C666E7, #D778FA, #E88AFF and #F99CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B054D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B054D9 shade: #B054D9, #9F42C6, #8E30B3, #7D1EA0 and #6C0C8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B054D9 shade: #B054D9, #D454D9, #D954BA, #D95496 and #D95472

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B054D9 shade: #B054D9, #8C54D9, #6854D9 and #5454D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B054D9 shade matches the following richer shades: #B054D9, #B743EA and #BD32FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B054D9 shade: #B054D9, #AA64C8, #A375B8, #9D86A7 and #969796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B054D9 shade: #6854D9, #8B54D9, #AF54D9, #D354D9 and #D954BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B054D9 shade: #8827B3, #A132D2, #B054D9, #C075E1 and #CF97E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B054D9 shade: #B054D9, #D95463 and #54D979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B054D9 shade: #B054D9, #D9AF54 and #54D9AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B054D9 shade: #B054D9, #D95463, #7ED954 and #54D9CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B054D9 shade: #B054D9, #D96C54, #7ED954 and #54C1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

Complementary color

CMYK 54 / 0 / 78 / 33

HEX #4FAB26

RGB 79 171 38

HSL 101.5, 0.64%, 0.41%

LAB 62.45, -50.27, 55.72

 

CMYK 15 / 60 / 0 / 17

HEX #B554D4

RGB 181 84 212

HSL 285.47, 0.6%, 0.58%

LAB 52.86, 58.51, -49.27

 

CMYK 14 / 56 / 0 / 9

HEX #C666E7

RGB 198 102 231

HSL 284.65, 0.73%, 0.65%

LAB 59.23, 57.96, -49.73

 

CMYK 14 / 52 / 0 / 2

HEX #D778FA

RGB 215 120 250

HSL 283.85, 0.93%, 0.73%

LAB 65.58, 57.3, -50.06

 

CMYK 9 / 46 / 0 / 0

HEX #E88AFF

RGB 232 138 255

HSL 288.21, 1%, 0.77%

LAB 71.25, 53.83, -43.74

 

CMYK 2 / 39 / 0 / 0

HEX #F99CFF

RGB 249 156 255

HSL 296.36, 1%, 0.81%

LAB 76.76, 49.55, -35.02

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 20 / 67 / 0 / 22

HEX #9F42C6

RGB 159 66 198

HSL 282.27, 0.54%, 0.52%

LAB 46.1, 58.71, -52.2

 

CMYK 21 / 73 / 0 / 30

HEX #8E30B3

RGB 142 48 179

HSL 283.05, 0.58%, 0.45%

LAB 39.78, 58.68, -51.38

 

CMYK 22 / 81 / 0 / 37

HEX #7D1EA0

RGB 125 30 160

HSL 283.85, 0.68%, 0.37%

LAB 33.62, 57.92, -50.09

 

CMYK 23 / 91 / 0 / 45

HEX #6C0C8D

RGB 108 12 141

HSL 284.65, 0.84%, 0.3%

LAB 27.78, 55.88, -48.05

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 2 / 61 / 0 / 15

HEX #D454D9

RGB 212 84 217

HSL 297.74, 0.64%, 0.59%

LAB 57.41, 66.95, -44.62

 

CMYK 0 / 61 / 14 / 15

HEX #D954BA

RGB 217 84 186

HSL 313.98, 0.64%, 0.59%

LAB 56.72, 63.26, -27.95

 

CMYK 0 / 61 / 31 / 15

HEX #D95496

RGB 217 84 150

HSL 330.23, 0.64%, 0.59%

LAB 55.37, 58.39, -9.06

 

CMYK 0 / 61 / 47 / 15

HEX #D95472

RGB 217 84 114

HSL 346.47, 0.64%, 0.59%

LAB 54.35, 54.54, 10.74

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 35 / 61 / 0 / 15

HEX #8C54D9

RGB 140 84 217

HSL 265.26, 0.64%, 0.59%

LAB 48.17, 50.1, -59.92

 

CMYK 52 / 61 / 0 / 15

HEX #6854D9

RGB 104 84 217

HSL 249.02, 0.64%, 0.59%

LAB 44.65, 42.77, -65.78

 

CMYK 61 / 61 / 0 / 15

HEX #5454D9

RGB 84 84 217

HSL 240, 0.64%, 0.59%

LAB 43.12, 39.33, -68.34

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 22 / 71 / 0 / 8

HEX #B743EA

RGB 183 67 234

HSL 281.68, 0.8%, 0.59%

LAB 51.86, 70.55, -63.31

 

CMYK 25 / 80 / 0 / 2

HEX #BD32FB

RGB 189 50 251

HSL 281.49, 0.96%, 0.59%

LAB 51.91, 80.53, -72.71

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 15 / 50 / 0 / 22

HEX #AA64C8

RGB 170 100 200

HSL 282, 0.48%, 0.59%

LAB 53.85, 45.17, -40.95

 

CMYK 11 / 36 / 0 / 28

HEX #A375B8

RGB 163 117 184

HSL 281.19, 0.32%, 0.59%

LAB 56.06, 30.28, -28.39

 

CMYK 6 / 20 / 0 / 35

HEX #9D86A7

RGB 157 134 167

HSL 281.82, 0.16%, 0.59%

LAB 58.98, 14.97, -14.23

 

CMYK 1 / 0 / 1 / 41

HEX #969796

RGB 150 151 150

HSL 120, 0%, 0.59%

LAB 62.35, -0.55, 0.39

 

CMYK 52 / 61 / 0 / 15

HEX #6854D9

RGB 104 84 217

HSL 249.02, 0.64%, 0.59%

LAB 44.65, 42.77, -65.78

 

CMYK 36 / 61 / 0 / 15

HEX #8B54D9

RGB 139 84 217

HSL 264.81, 0.64%, 0.59%

LAB 48.06, 49.88, -60.1

 

CMYK 19 / 61 / 0 / 15

HEX #AF54D9

RGB 175 84 217

HSL 281.05, 0.64%, 0.59%

LAB 52.36, 58.1, -52.96

 

CMYK 3 / 61 / 0 / 15

HEX #D354D9

RGB 211 84 217

HSL 297.29, 0.64%, 0.59%

LAB 57.27, 66.7, -44.85

 

CMYK 0 / 61 / 13 / 15

HEX #D954BC

RGB 217 84 188

HSL 313.08, 0.64%, 0.59%

LAB 56.8, 63.56, -28.98

 

CMYK 24 / 78 / 0 / 30

HEX #8827B3

RGB 136 39 179

HSL 281.57, 0.64%, 0.43%

LAB 37.73, 60.82, -54.73

 

CMYK 23 / 76 / 0 / 18

HEX #A132D2

RGB 161 50 210

HSL 281.63, 0.64%, 0.51%

LAB 44.96, 67.84, -60.96

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 15 / 48 / 0 / 12

HEX #C075E1

RGB 192 117 225

HSL 281.67, 0.64%, 0.67%

LAB 61.1, 47.56, -43.46

 

CMYK 11 / 35 / 0 / 9

HEX #CF97E8

RGB 207 151 232

HSL 281.48, 0.64%, 0.75%

LAB 70.33, 35.14, -32.81

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 0 / 61 / 54 / 15

HEX #D95463

RGB 217 84 99

HSL 353.23, 0.64%, 0.59%

LAB 54.02, 53.26, 19.17

 

CMYK 61 / 0 / 44 / 15

HEX #54D979

RGB 84 217 121

HSL 136.69, 0.64%, 0.59%

LAB 77.81, -56.81, 36.69

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 0 / 19 / 61 / 15

HEX #D9AF54

RGB 217 175 84

HSL 41.05, 0.64%, 0.59%

LAB 73.58, 5.15, 51.44

 

CMYK 61 / 0 / 19 / 15

HEX #54D9AF

RGB 84 217 175

HSL 161.05, 0.64%, 0.59%

LAB 78.81, -46.22, 10.01

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 0 / 61 / 54 / 15

HEX #D95463

RGB 217 84 99

HSL 353.23, 0.64%, 0.59%

LAB 54.02, 53.26, 19.17

 

CMYK 42 / 0 / 61 / 15

HEX #7ED954

RGB 126 217 84

HSL 101.05, 0.64%, 0.59%

LAB 78.87, -50.48, 55.66

 

CMYK 61 / 0 / 7 / 15

HEX #54D9CA

RGB 84 217 202

HSL 173.23, 0.64%, 0.59%

LAB 79.49, -39.62, -3.41

 

CMYK 19 / 61 / 0 / 15

HEX #B054D9

RGB 176 84 217

HSL 281.5, 0.64%, 0.59%

LAB 52.49, 58.33, -52.74

 

CMYK 0 / 50 / 61 / 15

HEX #D96C54

RGB 217 108 84

HSL 10.83, 0.64%, 0.59%

LAB 58.15, 40.74, 33.16

 

CMYK 42 / 0 / 61 / 15

HEX #7ED954

RGB 126 217 84

HSL 101.05, 0.64%, 0.59%

LAB 78.87, -50.48, 55.66

 

CMYK 61 / 11 / 0 / 15

HEX #54C1D9

RGB 84 193 217

HSL 190.83, 0.64%, 0.59%

LAB 72.91, -24.02, -21.33

 

Description

Color code: HEX #B054D9 | qconv.com Color code: HEX #B054D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 84 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 84 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 61 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 61% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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