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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B054D4 it is the complementary color #4FAB2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B054D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B054D4 shade: #B554CF, #C666E2, #D778F5, #E88AFF and #F99CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B054D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B054D4 shade: #B054D4, #9F42C1, #8E30AE, #7D1E9B and #6C0C88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B054D4 shade: #B054D4, #D354D4, #D454B3, #D45490 and #D4546E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B054D4 shade: #B054D4, #8D54D4, #6B54D4 and #5454D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B054D4 shade matches the following richer shades: #B054D4, #B842E5 and #BF31F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B054D4 shade: #B054D4, #A865C3, #A176B2, #9988A0 and #92998F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B054D4 shade: #6B54D4, #8D54D4, #B054D4, #D254D4 and #D454B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B054D4 shade: #872BAB, #A133CC, #B054D4, #BF75DC and #CE96E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B054D4 shade: #B054D4, #D4545E and #54D47C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B054D4 shade: #B054D4, #D4B054 and #54D4B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B054D4 shade: #B054D4, #D4545E, #78D454 and #54D4C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B054D4 shade: #B054D4, #D46F54, #78D454 and #54B8D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

Complementary color

CMYK 54 / 0 / 75 / 33

HEX #4FAB2B

RGB 79 171 43

HSL 103.13, 0.6%, 0.42%

LAB 62.48, -49.94, 54.05

 

CMYK 13 / 59 / 0 / 19

HEX #B554CF

RGB 181 84 207

HSL 287.32, 0.56%, 0.57%

LAB 52.59, 57.52, -46.85

 

CMYK 12 / 55 / 0 / 11

HEX #C666E2

RGB 198 102 226

HSL 286.45, 0.68%, 0.64%

LAB 58.97, 56.97, -47.33

 

CMYK 12 / 51 / 0 / 4

HEX #D778F5

RGB 215 120 245

HSL 285.6, 0.86%, 0.72%

LAB 65.34, 56.3, -47.7

 

CMYK 9 / 46 / 0 / 0

HEX #E88AFF

RGB 232 138 255

HSL 288.21, 1%, 0.77%

LAB 71.25, 53.83, -43.74

 

CMYK 2 / 39 / 0 / 0

HEX #F99CFF

RGB 249 156 255

HSL 296.36, 1%, 0.81%

LAB 76.76, 49.55, -35.02

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 18 / 66 / 0 / 24

HEX #9F42C1

RGB 159 66 193

HSL 283.94, 0.51%, 0.51%

LAB 45.79, 57.68, -49.79

 

CMYK 18 / 72 / 0 / 32

HEX #8E30AE

RGB 142 48 174

HSL 284.76, 0.57%, 0.44%

LAB 39.45, 57.67, -48.95

 

CMYK 19 / 81 / 0 / 39

HEX #7D1E9B

RGB 125 30 155

HSL 285.6, 0.68%, 0.36%

LAB 33.25, 56.92, -47.64

 

CMYK 21 / 91 / 0 / 47

HEX #6C0C88

RGB 108 12 136

HSL 286.45, 0.84%, 0.29%

LAB 27.38, 54.91, -45.58

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 0 / 60 / 0 / 17

HEX #D354D4

RGB 211 84 212

HSL 299.53, 0.6%, 0.58%

LAB 57.02, 65.85, -42.41

 

CMYK 0 / 60 / 16 / 17

HEX #D454B3

RGB 212 84 179

HSL 315.47, 0.6%, 0.58%

LAB 55.68, 60.86, -25.59

 

CMYK 0 / 60 / 32 / 17

HEX #D45490

RGB 212 84 144

HSL 331.88, 0.6%, 0.58%

LAB 54.4, 56.15, -7.06

 

CMYK 0 / 60 / 48 / 17

HEX #D4546E

RGB 212 84 110

HSL 347.81, 0.6%, 0.58%

LAB 53.45, 52.54, 11.74

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 33 / 60 / 0 / 17

HEX #8D54D4

RGB 141 84 212

HSL 266.72, 0.6%, 0.58%

LAB 47.95, 49.08, -57.4

 

CMYK 50 / 60 / 0 / 17

HEX #6B54D4

RGB 107 84 212

HSL 250.78, 0.6%, 0.58%

LAB 44.55, 41.86, -63.07

 

CMYK 60 / 60 / 0 / 17

HEX #5454D4

RGB 84 84 212

HSL 240, 0.6%, 0.58%

LAB 42.73, 37.71, -66.1

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 20 / 71 / 0 / 10

HEX #B842E5

RGB 184 66 229

HSL 283.44, 0.76%, 0.58%

LAB 51.55, 70.14, -60.99

 

CMYK 23 / 80 / 0 / 3

HEX #BF31F7

RGB 191 49 247

HSL 283.03, 0.93%, 0.58%

LAB 51.82, 80.38, -70.6

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 14 / 48 / 0 / 24

HEX #A865C3

RGB 168 101 195

HSL 282.77, 0.44%, 0.58%

LAB 53.57, 43.01, -38.53

 

CMYK 10 / 34 / 0 / 30

HEX #A176B2

RGB 161 118 178

HSL 283, 0.28%, 0.58%

LAB 55.83, 27.79, -25.3

 

CMYK 4 / 15 / 0 / 37

HEX #9988A0

RGB 153 136 160

HSL 282.5, 0.11%, 0.58%

LAB 58.9, 10.98, -10.38

 

CMYK 5 / 0 / 7 / 40

HEX #92998F

RGB 146 153 143

HSL 102, 0.05%, 0.58%

LAB 62.4, -4.45, 4.37

 

CMYK 50 / 60 / 0 / 17

HEX #6B54D4

RGB 107 84 212

HSL 250.78, 0.6%, 0.58%

LAB 44.55, 41.86, -63.07

 

CMYK 33 / 60 / 0 / 17

HEX #8D54D4

RGB 141 84 212

HSL 266.72, 0.6%, 0.58%

LAB 47.95, 49.08, -57.4

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 1 / 60 / 0 / 17

HEX #D254D4

RGB 210 84 212

HSL 299.06, 0.6%, 0.58%

LAB 56.88, 65.6, -42.65

 

CMYK 0 / 60 / 15 / 17

HEX #D454B4

RGB 212 84 180

HSL 315, 0.6%, 0.58%

LAB 55.72, 61.01, -26.1

 

CMYK 21 / 75 / 0 / 33

HEX #872BAB

RGB 135 43 171

HSL 283.13, 0.6%, 0.42%

LAB 37.52, 57.55, -50.33

 

CMYK 21 / 75 / 0 / 20

HEX #A133CC

RGB 161 51 204

HSL 283.14, 0.6%, 0.5%

LAB 44.67, 66.3, -57.97

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 13 / 47 / 0 / 14

HEX #BF75DC

RGB 191 117 220

HSL 283.11, 0.6%, 0.66%

LAB 60.75, 46.24, -41.23

 

CMYK 10 / 34 / 0 / 10

HEX #CE96E5

RGB 206 150 229

HSL 282.53, 0.6%, 0.74%

LAB 69.89, 34.77, -31.86

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 0 / 60 / 56 / 17

HEX #D4545E

RGB 212 84 94

HSL 355.31, 0.6%, 0.58%

LAB 53.11, 51.19, 20.76

 

CMYK 60 / 0 / 42 / 17

HEX #54D47C

RGB 84 212 124

HSL 138.75, 0.6%, 0.58%

LAB 76.33, -54.4, 33.27

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 0 / 17 / 60 / 17

HEX #D4B054

RGB 212 176 84

HSL 43.13, 0.6%, 0.58%

LAB 73.34, 2.5, 51.04

 

CMYK 60 / 0 / 17 / 17

HEX #54D4B0

RGB 84 212 176

HSL 163.13, 0.6%, 0.58%

LAB 77.34, -43.84, 7.38

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 0 / 60 / 56 / 17

HEX #D4545E

RGB 212 84 94

HSL 355.31, 0.6%, 0.58%

LAB 53.11, 51.19, 20.76

 

CMYK 43 / 0 / 60 / 17

HEX #78D454

RGB 120 212 84

HSL 103.13, 0.6%, 0.58%

LAB 77.11, -50.32, 53.62

 

CMYK 60 / 0 / 5 / 17

HEX #54D4C9

RGB 84 212 201

HSL 174.84, 0.6%, 0.58%

LAB 77.99, -37.61, -5.08

 

CMYK 17 / 60 / 0 / 17

HEX #B054D4

RGB 176 84 212

HSL 283.13, 0.6%, 0.58%

LAB 52.2, 57.3, -50.36

 

CMYK 0 / 48 / 60 / 17

HEX #D46F54

RGB 212 111 84

HSL 12.66, 0.6%, 0.58%

LAB 58.04, 37.3, 32.87

 

CMYK 43 / 0 / 60 / 17

HEX #78D454

RGB 120 212 84

HSL 103.13, 0.6%, 0.58%

LAB 77.11, -50.32, 53.62

 

CMYK 60 / 13 / 0 / 17

HEX #54B8D4

RGB 84 184 212

HSL 193.13, 0.6%, 0.58%

LAB 70.12, -20.92, -22.86

 

Description

Color code: HEX #B054D4 | qconv.com Color code: HEX #B054D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 84 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 84 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 60 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 60% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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