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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B054C7 it is the complementary color #4FAB38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B054C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B054C7 shade: #B554C2, #C666D5, #D778E8, #E88AFB and #F99CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B054C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B054C7 shade: #B054C7, #9F42B4, #8E30A1, #7D1E8E and #6C0C7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B054C7 shade: #AF51C6, #C651BE, #C6519F, #C6517F and #C6515F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B054C7 shade: #AF51C6, #8F51C6, #7051C6 and #5151C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B054C7 shade matches the following richer shades: #AF51C6, #BA3FD9, #C52CEB and #D01AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B054C7 shade: #AF51C6, #A464B4, #9976A1, #8D898F and #829B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B054C7 shade: #7051C6, #9051C6, #AF51C6, #C651BE and #C6519F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B054C7 shade: #813095, #9C3AB4, #AF51C6, #BD70D0 and #CB90DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B054C7 shade: #B054C7, #C65151 and #51C680

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B054C7 shade: #B054C7, #C6AF51 and #51C6AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B054C7 shade: #B054C7, #C65151, #69C651 and #51C6C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B054C7 shade: #B054C7, #C67451, #69C651 and #51A3C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 58 / 0 / 22

HEX #B054C7

RGB 176 84 199

HSL 288, 0.51%, 0.55%

LAB 51.49, 54.68, -44.05

 

Complementary color

CMYK 54 / 0 / 67 / 33

HEX #4FAB38

RGB 79 171 56

HSL 108, 0.51%, 0.45%

LAB 62.57, -48.89, 49.11

 

CMYK 7 / 57 / 0 / 24

HEX #B554C2

RGB 181 84 194

HSL 292.91, 0.47%, 0.55%

LAB 51.9, 55.01, -40.47

 

CMYK 7 / 52 / 0 / 16

HEX #C666D5

RGB 198 102 213

HSL 291.89, 0.57%, 0.62%

LAB 58.33, 54.45, -41.03

 

CMYK 7 / 48 / 0 / 9

HEX #D778E8

RGB 215 120 232

HSL 290.89, 0.71%, 0.69%

LAB 64.73, 53.78, -41.47

 

CMYK 8 / 45 / 0 / 2

HEX #E88AFB

RGB 232 138 251

HSL 289.91, 0.93%, 0.76%

LAB 71.08, 53.07, -41.83

 

CMYK 2 / 39 / 0 / 0

HEX #F99CFF

RGB 249 156 255

HSL 296.36, 1%, 0.81%

LAB 76.76, 49.55, -35.02

 

CMYK 12 / 58 / 0 / 22

HEX #B054C7

RGB 176 84 199

HSL 288, 0.51%, 0.55%

LAB 51.49, 54.68, -44.05

 

CMYK 12 / 63 / 0 / 29

HEX #9F42B4

RGB 159 66 180

HSL 288.95, 0.46%, 0.48%

LAB 45.03, 55.08, -43.42

 

CMYK 12 / 70 / 0 / 37

HEX #8E30A1

RGB 142 48 161

HSL 289.91, 0.54%, 0.41%

LAB 38.62, 55.1, -42.51

 

CMYK 12 / 79 / 0 / 44

HEX #7D1E8E

RGB 125 30 142

HSL 290.89, 0.65%, 0.34%

LAB 32.35, 54.41, -41.13

 

CMYK 12 / 90 / 0 / 52

HEX #6C0C7B

RGB 108 12 123

HSL 291.89, 0.82%, 0.26%

LAB 26.39, 52.45, -38.98

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 0 / 59 / 4 / 22

HEX #C651BE

RGB 198 81 190

HSL 304.1, 0.51%, 0.55%

LAB 53.61, 60.13, -35.32

 

CMYK 0 / 59 / 20 / 22

HEX #C6519F

RGB 198 81 159

HSL 320, 0.51%, 0.55%

LAB 52.28, 55.29, -19.31

 

CMYK 0 / 59 / 36 / 22

HEX #C6517F

RGB 198 81 127

HSL 336.41, 0.51%, 0.55%

LAB 51.18, 51.1, -1.97

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 28 / 59 / 0 / 22

HEX #8F51C6

RGB 143 81 198

HSL 271.79, 0.51%, 0.55%

LAB 46.71, 47.73, -51.33

 

CMYK 43 / 59 / 0 / 22

HEX #7051C6

RGB 112 81 198

HSL 255.9, 0.51%, 0.55%

LAB 43.37, 40.58, -56.89

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 14 / 71 / 0 / 15

HEX #BA3FD9

RGB 186 63 217

HSL 287.92, 0.67%, 0.55%

LAB 50.69, 69.38, -55.54

 

CMYK 16 / 81 / 0 / 8

HEX #C52CEB

RGB 197 44 235

HSL 288.06, 0.83%, 0.55%

LAB 51.46, 80.51, -64.41

 

CMYK 18 / 90 / 0 / 0

HEX #D01AFE

RGB 208 26 254

HSL 287.89, 0.99%, 0.55%

LAB 53.28, 88.96, -72.02

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 9 / 44 / 0 / 29

HEX #A464B4

RGB 164 100 180

HSL 288, 0.35%, 0.55%

LAB 52.18, 39.24, -32.11

 

CMYK 5 / 27 / 0 / 37

HEX #9976A1

RGB 153 118 161

HSL 288.84, 0.19%, 0.55%

LAB 54.35, 21.56, -17.84

 

CMYK 1 / 4 / 0 / 44

HEX #8D898F

RGB 141 137 143

HSL 280, 0.03%, 0.55%

LAB 57.6, 2.66, -2.68

 

CMYK 16 / 0 / 20 / 39

HEX #829B7C

RGB 130 155 124

HSL 108.39, 0.13%, 0.55%

LAB 61.35, -14.89, 13.39

 

CMYK 43 / 59 / 0 / 22

HEX #7051C6

RGB 112 81 198

HSL 255.9, 0.51%, 0.55%

LAB 43.37, 40.58, -56.89

 

CMYK 27 / 59 / 0 / 22

HEX #9051C6

RGB 144 81 198

HSL 272.31, 0.51%, 0.55%

LAB 46.83, 47.98, -51.14

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 0 / 59 / 4 / 22

HEX #C651BE

RGB 198 81 190

HSL 304.1, 0.51%, 0.55%

LAB 53.61, 60.13, -35.32

 

CMYK 0 / 59 / 20 / 22

HEX #C6519F

RGB 198 81 159

HSL 320, 0.51%, 0.55%

LAB 52.28, 55.29, -19.31

 

CMYK 13 / 68 / 0 / 42

HEX #813095

RGB 129 48 149

HSL 288.12, 0.51%, 0.39%

LAB 35.89, 49.71, -39.72

 

CMYK 13 / 68 / 0 / 29

HEX #9C3AB4

RGB 156 58 180

HSL 288.2, 0.51%, 0.47%

LAB 43.34, 57.85, -46.13

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 9 / 46 / 0 / 18

HEX #BD70D0

RGB 189 112 208

HSL 288.13, 0.51%, 0.63%

LAB 58.94, 45.87, -37.34

 

CMYK 7 / 34 / 0 / 15

HEX #CB90DA

RGB 203 144 218

HSL 287.84, 0.5%, 0.71%

LAB 67.8, 34.89, -29.04

 

CMYK 12 / 58 / 0 / 22

HEX #B054C7

RGB 176 84 199

HSL 288, 0.51%, 0.55%

LAB 51.49, 54.68, -44.05

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 59 / 0 / 35 / 22

HEX #51C680

RGB 81 198 128

HSL 144.1, 0.51%, 0.55%

LAB 72.02, -48.78, 25.49

 

CMYK 12 / 58 / 0 / 22

HEX #B054C7

RGB 176 84 199

HSL 288, 0.51%, 0.55%

LAB 51.49, 54.68, -44.05

 

CMYK 0 / 12 / 59 / 22

HEX #C6AF51

RGB 198 175 81

HSL 48.21, 0.51%, 0.55%

LAB 71.73, -3.13, 50.26

 

CMYK 59 / 0 / 12 / 22

HEX #51C6AF

RGB 81 198 175

HSL 168.21, 0.51%, 0.55%

LAB 73.04, -38.44, 1.7

 

CMYK 12 / 58 / 0 / 22

HEX #B054C7

RGB 176 84 199

HSL 288, 0.51%, 0.55%

LAB 51.49, 54.68, -44.05

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 47 / 0 / 59 / 22

HEX #69C651

RGB 105 198 81

HSL 107.69, 0.51%, 0.55%

LAB 72.22, -49.53, 49.21

 

CMYK 59 / 0 / 0 / 22

HEX #51C6C6

RGB 81 198 198

HSL 180, 0.51%, 0.55%

LAB 73.68, -32.4, -9.85

 

CMYK 12 / 58 / 0 / 22

HEX #B054C7

RGB 176 84 199

HSL 288, 0.51%, 0.55%

LAB 51.49, 54.68, -44.05

 

CMYK 0 / 41 / 59 / 22

HEX #C67451

RGB 198 116 81

HSL 17.95, 0.51%, 0.55%

LAB 57.16, 28.88, 33.02

 

CMYK 47 / 0 / 59 / 22

HEX #69C651

RGB 105 198 81

HSL 107.69, 0.51%, 0.55%

LAB 72.22, -49.53, 49.21

 

CMYK 59 / 18 / 0 / 22

HEX #51A3C6

RGB 81 163 198

HSL 197.95, 0.51%, 0.55%

LAB 63.36, -14.67, -25.48

 

Description

Color code: HEX #B054C7 | qconv.com Color code: HEX #B054C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 84 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 84 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 58 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 58% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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