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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B054233F it is the complementary color #4FABDC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B054233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B054233F shade: #B5541E3F, #C666313F, #D778443F, #E88A573F and #F99C6A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B054233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B054233F shade: #B054233F, #9F42103F, #8E30003F, #7D1E003F and #6C0C003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B054233F shade: #AF5323, #AF2D23 and #AF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B054233F shade: #AF5323, #AF7923, #AF9F23, #99AF23 and #73AF23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B054233F shade matches the following richer shades: #AF5323, #C04E12 and #D04901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B054233F shade: #AF5323, #9E5833, #8D5E44, #7C6355 and #6B6866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B054233F shade: #AF233F, #AF2C23, #AF5123, #AF7723 and #AF9C23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B054233F shade: #6A3215, #8C431C, #AF5323, #D16429 and #DB7B49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B054233F shade: #B05423, #64AF23 and #232CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B054233F shade: #B05423, #23AF51 and #5123AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B054233F shade: #B05423, #64AF23, #2380AF and #6D23AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B054233F shade: #B05423, #3AAF23, #2380AF and #9723AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 20 / 8

HEX #B054233F

RGBA 176 84 35 0.25

HSLA 20.85, 0.67%, 0.41%, 0.25

LABA 46.57, 34.39, 44.33, 0.25

 

Complementary color

CMYK 16 / 6 / 0 / 3

HEX #4FABDC3F

RGBA 79 171 220 0.25

HSLA 200.85, 0.67%, 0.59%, 0.25

LABA 66.49, -12.46, -32.85, 0.25

 

CMYK 0 / 13 / 21 / 7

HEX #B5541E3F

RGBA 181 84 30 0.25

HSLA 21.46, 0.72%, 0.41%, 0.25

LABA 47.31, 36.23, 47.55, 0.25

 

CMYK 0 / 12 / 19 / 6

HEX #C666313F

RGBA 198 102 49 0.25

HSLA 21.34, 0.6%, 0.48%, 0.25

LABA 53.74, 34.43, 45.89, 0.25

 

CMYK 0 / 11 / 17 / 4

HEX #D778443F

RGBA 215 120 68 0.25

HSLA 21.22, 0.65%, 0.55%, 0.25

LABA 60.16, 32.78, 44.04, 0.25

 

CMYK 0 / 10 / 16 / 2

HEX #E88A573F

RGBA 232 138 87 0.25

HSLA 21.1, 0.76%, 0.63%, 0.25

LABA 66.54, 31.29, 42.22, 0.25

 

CMYK 0 / 9 / 14 / 1

HEX #F99C6A3F

RGBA 249 156 106 0.25

HSLA 20.98, 0.92%, 0.7%, 0.25

LABA 72.86, 29.95, 40.5, 0.25

 

CMYK 0 / 13 / 20 / 8

HEX #B054233F

RGBA 176 84 35 0.25

HSLA 20.85, 0.67%, 0.41%, 0.25

LABA 46.57, 34.39, 44.33, 0.25

 

CMYK 0 / 15 / 22 / 9

HEX #9F42103F

RGBA 159 66 16 0.25

HSLA 20.98, 0.82%, 0.34%, 0.25

LABA 40.09, 36.25, 45.65, 0.25

 

CMYK 0 / 17 / 25 / 11

HEX #8E30003F

RGBA 142 48 0 0.25

HSLA 20.28, 1%, 0.28%, 0.25

LABA 33.7, 38.08, 45.6, 0.25

 

CMYK 0 / 19 / 25 / 13

HEX #7D1E003F

RGBA 125 30 0 0.25

HSLA 14.4, 1%, 0.25%, 0.25

LABA 27.54, 39.56, 39.61, 0.25

 

CMYK 0 / 22 / 25 / 14

HEX #6C0C003F

RGBA 108 12 0 0.25

HSLA 6.67, 1%, 0.21%, 0.25

LABA 21.77, 39.73, 32.76, 0.25

 

CMYK 0 / 53 / 80 / 31

HEX #AF5323

RGB 175 83 35

HSL 20.57, 0.67%, 0.41%

LAB 46.21, 34.5, 43.93

 

CMYK 0 / 74 / 80 / 31

HEX #AF2D23

RGB 175 45 35

HSL 4.29, 0.67%, 0.41%

LAB 39.77, 51.57, 37.56

 

CMYK 0 / 80 / 80 / 31

HEX #AF2323

RGB 175 35 35

HSL 0, 0.67%, 0.41%

LAB 38.62, 54.79, 36.39

 

CMYK 0 / 53 / 80 / 31

HEX #AF5323

RGB 175 83 35

HSL 20.57, 0.67%, 0.41%

LAB 46.21, 34.5, 43.93

 

CMYK 0 / 31 / 80 / 31

HEX #AF7923

RGB 175 121 35

HSL 36.86, 0.67%, 0.41%

LAB 54.98, 13.64, 52.2

 

CMYK 0 / 9 / 80 / 31

HEX #AF9F23

RGB 175 159 35

HSL 53.14, 0.67%, 0.41%

LAB 64.99, -7.22, 61.24

 

CMYK 13 / 0 / 80 / 31

HEX #99AF23

RGB 153 175 35

HSL 69.43, 0.67%, 0.41%

LAB 67.69, -25.02, 62.96

 

CMYK 34 / 0 / 80 / 31

HEX #73AF23

RGB 115 175 35

HSL 85.71, 0.67%, 0.41%

LAB 65.3, -40.2, 59.9

 

CMYK 0 / 53 / 80 / 31

HEX #AF5323

RGB 175 83 35

HSL 20.57, 0.67%, 0.41%

LAB 46.21, 34.5, 43.93

 

CMYK 0 / 59 / 91 / 25

HEX #C04E12

RGB 192 78 18

HSL 20.69, 0.83%, 0.41%

LAB 47.88, 43.18, 53.29

 

CMYK 0 / 65 / 100 / 18

HEX #D04901

RGB 208 73 1

HSL 20.87, 0.99%, 0.41%

LAB 49.71, 51.04, 60.17

 

CMYK 0 / 53 / 80 / 31

HEX #AF5323

RGB 175 83 35

HSL 20.57, 0.67%, 0.41%

LAB 46.21, 34.5, 43.93

 

CMYK 0 / 44 / 68 / 38

HEX #9E5833

RGB 158 88 51

HSL 20.75, 0.51%, 0.41%

LAB 44.92, 25.52, 33.57

 

CMYK 0 / 33 / 52 / 45

HEX #8D5E44

RGB 141 94 68

HSL 21.37, 0.35%, 0.41%

LAB 44.36, 16.1, 22.65

 

CMYK 0 / 20 / 31 / 51

HEX #7C6355

RGB 124 99 85

HSL 21.54, 0.19%, 0.41%

LAB 44.04, 7.85, 11.77

 

CMYK 0 / 3 / 5 / 58

HEX #6B6866

RGB 107 104 102

HSL 24, 0.02%, 0.41%

LAB 44.21, 0.77, 1.53

 

CMYK 0 / 80 / 64 / 31

HEX #AF233F

RGB 175 35 63

HSL 348, 0.67%, 0.41%

LAB 39.03, 56.07, 19.83

 

CMYK 0 / 75 / 80 / 31

HEX #AF2C23

RGB 175 44 35

HSL 3.86, 0.67%, 0.41%

LAB 39.64, 51.92, 37.43

 

CMYK 0 / 54 / 80 / 31

HEX #AF5123

RGB 175 81 35

HSL 19.71, 0.67%, 0.41%

LAB 45.8, 35.54, 43.53

 

CMYK 0 / 32 / 80 / 31

HEX #AF7723

RGB 175 119 35

HSL 36, 0.67%, 0.41%

LAB 54.48, 14.76, 51.74

 

CMYK 0 / 11 / 80 / 31

HEX #AF9C23

RGB 175 156 35

HSL 51.86, 0.67%, 0.41%

LAB 64.17, -5.62, 60.51

 

CMYK 0 / 53 / 80 / 58

HEX #6A3215

RGB 106 50 21

HSL 20.47, 0.67%, 0.25%

LAB 27.84, 22.77, 29.06

 

CMYK 0 / 52 / 80 / 45

HEX #8C431C

RGB 140 67 28

HSL 20.89, 0.67%, 0.33%

LAB 37.25, 28.3, 36.69

 

CMYK 0 / 53 / 80 / 31

HEX #AF5323

RGB 175 83 35

HSL 20.57, 0.67%, 0.41%

LAB 46.21, 34.5, 43.93

 

CMYK 0 / 52 / 80 / 18

HEX #D16429

RGB 209 100 41

HSL 21.07, 0.67%, 0.49%

LAB 54.9, 39.51, 51.3

 

CMYK 0 / 44 / 67 / 14

HEX #DB7B49

RGB 219 123 73

HSL 20.55, 0.67%, 0.57%

LAB 61.4, 33.09, 43.03

 

CMYK 0 / 52 / 80 / 31

HEX #B05423

RGB 176 84 35

HSL 20.85, 0.67%, 0.41%

LAB 46.57, 34.39, 44.33

 

CMYK 43 / 0 / 80 / 31

HEX #64AF23

RGB 100 175 35

HSL 92.14, 0.67%, 0.41%

LAB 64.56, -45.49, 58.95

 

CMYK 80 / 75 / 0 / 31

HEX #232CAF

RGB 35 44 175

HSL 236.14, 0.67%, 0.41%

LAB 27.45, 43.4, -69.61

 

CMYK 0 / 52 / 80 / 31

HEX #B05423

RGB 176 84 35

HSL 20.85, 0.67%, 0.41%

LAB 46.57, 34.39, 44.33

 

CMYK 80 / 0 / 54 / 31

HEX #23AF51

RGB 35 175 81

HSL 139.71, 0.67%, 0.41%

LAB 63.02, -56.11, 37.85

 

CMYK 54 / 80 / 0 / 31

HEX #5123AF

RGB 81 35 175

HSL 259.71, 0.67%, 0.41%

LAB 29.53, 52.7, -66.05

 

CMYK 0 / 52 / 80 / 31

HEX #B05423

RGB 176 84 35

HSL 20.85, 0.67%, 0.41%

LAB 46.57, 34.39, 44.33

 

CMYK 43 / 0 / 80 / 31

HEX #64AF23

RGB 100 175 35

HSL 92.14, 0.67%, 0.41%

LAB 64.56, -45.49, 58.95

 

CMYK 80 / 27 / 0 / 31

HEX #2380AF

RGB 35 128 175

HSL 200.14, 0.67%, 0.41%

LAB 50.56, -9.95, -32.38

 

CMYK 38 / 80 / 0 / 31

HEX #6D23AF

RGB 109 35 175

HSL 271.71, 0.67%, 0.41%

LAB 33.02, 56.75, -60.18

 

CMYK 0 / 52 / 80 / 31

HEX #B05423

RGB 176 84 35

HSL 20.85, 0.67%, 0.41%

LAB 46.57, 34.39, 44.33

 

CMYK 67 / 0 / 80 / 31

HEX #3AAF23

RGB 58 175 35

HSL 110.14, 0.67%, 0.41%

LAB 63.08, -57.07, 57.03

 

CMYK 80 / 27 / 0 / 31

HEX #2380AF

RGB 35 128 175

HSL 200.14, 0.67%, 0.41%

LAB 50.56, -9.95, -32.38

 

CMYK 14 / 80 / 0 / 31

HEX #9723AF

RGB 151 35 175

HSL 289.71, 0.67%, 0.41%

LAB 39.37, 64.09, -49.59

 

Description

Color code: HEX #B054233F | qconv.com Color code: HEX #B054233F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 84 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 84 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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