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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B053E9 it is the complementary color #4FAC16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B053E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B053E9 shade: #B553E4, #C665F7, #D777FF, #E889FF and #F99BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B053E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B053E9 shade: #B053E9, #9F41D6, #8E2FC3, #7D1DB0 and #6C0B9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B053E9 shade: #B053E8, #D853E8, #E853D0, #E853A8 and #E85380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B053E9 shade: #B053E8, #8753E8, #5F53E8 and #5353E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B053E9 shade matches the following richer shades: #B053E8 and #B343F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B053E9 shade: #B053E8, #AC63D9, #A872C9, #A482B9 and #A092A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B053E9 shade: #5F53E8, #8753E8, #AF53E8, #D753E8 and #E853D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B053E9 shade: #8A1ACE, #9F2EE3, #B053E8, #C078ED and #D19CF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B053E9 shade: #B053E9, #E8536E and #53E873

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B053E9 shade: #B053E9, #E8AF53 and #53E8AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B053E9 shade: #B053E9, #E8536E, #8CE853 and #53E8CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B053E9 shade: #B053E9, #E86453, #8CE853 and #53D7E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 64 / 0 / 9

HEX #B053E9

RGB 176 83 233

HSL 277.2, 0.77%, 0.62%

LAB 53.28, 62.17, -60.52

 

Complementary color

CMYK 54 / 0 / 87 / 33

HEX #4FAC16

RGB 79 172 22

HSL 97.2, 0.77%, 0.38%

LAB 62.7, -51.43, 60.3

 

CMYK 21 / 64 / 0 / 11

HEX #B553E4

RGB 181 83 228

HSL 280.55, 0.73%, 0.61%

LAB 53.61, 62.22, -57.13

 

CMYK 20 / 59 / 0 / 3

HEX #C665F7

RGB 198 101 247

HSL 279.86, 0.9%, 0.68%

LAB 59.91, 61.7, -57.54

 

CMYK 16 / 53 / 0 / 0

HEX #D777FF

RGB 215 119 255

HSL 282.35, 1%, 0.73%

LAB 65.64, 58.79, -52.71

 

CMYK 9 / 46 / 0 / 0

HEX #E889FF

RGB 232 137 255

HSL 288.31, 1%, 0.77%

LAB 71.05, 54.34, -44.05

 

CMYK 2 / 39 / 0 / 0

HEX #F99BFF

RGB 249 155 255

HSL 296.4, 1%, 0.8%

LAB 76.56, 50.06, -35.33

 

CMYK 24 / 64 / 0 / 9

HEX #B053E9

RGB 176 83 233

HSL 277.2, 0.77%, 0.62%

LAB 53.28, 62.17, -60.52

 

CMYK 26 / 70 / 0 / 16

HEX #9F41D6

RGB 159 65 214

HSL 277.85, 0.65%, 0.55%

LAB 46.98, 62.5, -60

 

CMYK 27 / 76 / 0 / 24

HEX #8E2FC3

RGB 142 47 195

HSL 278.51, 0.61%, 0.47%

LAB 40.77, 62.38, -59.17

 

CMYK 29 / 84 / 0 / 31

HEX #7D1DB0

RGB 125 29 176

HSL 279.18, 0.72%, 0.4%

LAB 34.75, 61.49, -57.87

 

CMYK 31 / 93 / 0 / 38

HEX #6C0B9D

RGB 108 11 157

HSL 279.86, 0.87%, 0.33%

LAB 29.06, 59.29, -55.8

 

CMYK 24 / 64 / 0 / 9

HEX #B053E8

RGB 176 83 232

HSL 277.45, 0.76%, 0.62%

LAB 53.21, 61.96, -60.05

 

CMYK 7 / 64 / 0 / 9

HEX #D853E8

RGB 216 83 232

HSL 293.56, 0.76%, 0.62%

LAB 58.61, 70.89, -51.12

 

CMYK 0 / 64 / 10 / 9

HEX #E853D0

RGB 232 83 208

HSL 309.66, 0.76%, 0.62%

LAB 59.8, 70.8, -35.57

 

CMYK 0 / 64 / 28 / 9

HEX #E853A8

RGB 232 83 168

HSL 325.77, 0.76%, 0.62%

LAB 58.2, 65.32, -15.08

 

CMYK 0 / 64 / 45 / 9

HEX #E85380

RGB 232 83 128

HSL 341.88, 0.76%, 0.62%

LAB 56.98, 60.97, 6.53

 

CMYK 24 / 64 / 0 / 9

HEX #B053E8

RGB 176 83 232

HSL 277.45, 0.76%, 0.62%

LAB 53.21, 61.96, -60.05

 

CMYK 42 / 64 / 0 / 9

HEX #8753E8

RGB 135 83 232

HSL 260.94, 0.76%, 0.62%

LAB 48.47, 53.43, -67.96

 

CMYK 59 / 64 / 0 / 9

HEX #5F53E8

RGB 95 83 232

HSL 244.83, 0.76%, 0.62%

LAB 44.87, 46.39, -73.98

 

CMYK 64 / 64 / 0 / 9

HEX #5353E8

RGB 83 83 232

HSL 240, 0.76%, 0.62%

LAB 44.02, 44.65, -75.39

 

CMYK 24 / 64 / 0 / 9

HEX #B053E8

RGB 176 83 232

HSL 277.45, 0.76%, 0.62%

LAB 53.21, 61.96, -60.05

 

CMYK 28 / 73 / 0 / 3

HEX #B343F8

RGB 179 67 248

HSL 277.13, 0.93%, 0.62%

LAB 52.26, 72.63, -70.54

 

CMYK 24 / 64 / 0 / 9

HEX #B053E8

RGB 176 83 232

HSL 277.45, 0.76%, 0.62%

LAB 53.21, 61.96, -60.05

 

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

CMYK 16 / 43 / 0 / 21

HEX #A872C9

RGB 168 114 201

HSL 277.24, 0.45%, 0.62%

LAB 56.66, 37.19, -37.11

 

CMYK 11 / 30 / 0 / 27

HEX #A482B9

RGB 164 130 185

HSL 277.09, 0.28%, 0.62%

LAB 59.31, 23.42, -23.94

 

CMYK 5 / 14 / 0 / 34

HEX #A092A9

RGB 160 146 169

HSL 276.52, 0.12%, 0.62%

LAB 62.42, 9.59, -10.17

 

CMYK 59 / 64 / 0 / 9

HEX #5F53E8

RGB 95 83 232

HSL 244.83, 0.76%, 0.62%

LAB 44.87, 46.39, -73.98

 

CMYK 42 / 64 / 0 / 9

HEX #8753E8

RGB 135 83 232

HSL 260.94, 0.76%, 0.62%

LAB 48.47, 53.43, -67.96

 

CMYK 25 / 64 / 0 / 9

HEX #AF53E8

RGB 175 83 232

HSL 277.05, 0.76%, 0.62%

LAB 53.09, 61.74, -60.26

 

CMYK 7 / 64 / 0 / 9

HEX #D753E8

RGB 215 83 232

HSL 293.15, 0.76%, 0.62%

LAB 58.47, 70.66, -51.35

 

CMYK 0 / 64 / 9 / 9

HEX #E853D2

RGB 232 83 210

HSL 308.86, 0.76%, 0.62%

LAB 59.88, 71.1, -36.56

 

CMYK 33 / 87 / 0 / 19

HEX #8A1ACE

RGB 138 26 206

HSL 277.33, 0.78%, 0.45%

LAB 38.9, 70.34, -68.66

 

CMYK 30 / 80 / 0 / 11

HEX #9F2EE3

RGB 159 46 227

HSL 277.46, 0.76%, 0.54%

LAB 45.46, 72.25, -69.89

 

CMYK 24 / 64 / 0 / 9

HEX #B053E8

RGB 176 83 232

HSL 277.45, 0.76%, 0.62%

LAB 53.21, 61.96, -60.05

 

CMYK 19 / 49 / 0 / 7

HEX #C078ED

RGB 192 120 237

HSL 276.92, 0.76%, 0.7%

LAB 62.3, 48.53, -48.25

 

CMYK 14 / 36 / 0 / 5

HEX #D19CF2

RGB 209 156 242

HSL 276.98, 0.77%, 0.78%

LAB 72.06, 35.1, -35.59

 

CMYK 24 / 64 / 0 / 9

HEX #B053E9

RGB 176 83 233

HSL 277.2, 0.77%, 0.62%

LAB 53.28, 62.17, -60.52

 

CMYK 0 / 64 / 53 / 9

HEX #E8536E

RGB 232 83 110

HSL 349.13, 0.76%, 0.62%

LAB 56.55, 59.41, 16.54

 

CMYK 64 / 0 / 50 / 9

HEX #53E873

RGB 83 232 115

HSL 132.89, 0.76%, 0.62%

LAB 82.27, -63.42, 45.21

 

CMYK 24 / 64 / 0 / 9

HEX #B053E9

RGB 176 83 233

HSL 277.2, 0.77%, 0.62%

LAB 53.28, 62.17, -60.52

 

CMYK 0 / 25 / 64 / 9

HEX #E8AF53

RGB 232 175 83

HSL 37.05, 0.76%, 0.62%

LAB 75.1, 11.4, 54.03

 

CMYK 64 / 0 / 25 / 9

HEX #53E8AF

RGB 83 232 175

HSL 157.05, 0.76%, 0.62%

LAB 83.26, -52.63, 16.29

 

CMYK 24 / 64 / 0 / 9

HEX #B053E9

RGB 176 83 233

HSL 277.2, 0.77%, 0.62%

LAB 53.28, 62.17, -60.52

 

CMYK 0 / 64 / 53 / 9

HEX #E8536E

RGB 232 83 110

HSL 349.13, 0.76%, 0.62%

LAB 56.55, 59.41, 16.54

 

CMYK 40 / 0 / 64 / 9

HEX #8CE853

RGB 140 232 83

HSL 97.05, 0.76%, 0.62%

LAB 83.92, -52.19, 61.81

 

CMYK 64 / 0 / 12 / 9

HEX #53E8CD

RGB 83 232 205

HSL 169.13, 0.76%, 0.62%

LAB 83.94, -45.65, 1.52

 

CMYK 24 / 64 / 0 / 9

HEX #B053E9

RGB 176 83 233

HSL 277.2, 0.77%, 0.62%

LAB 53.28, 62.17, -60.52

 

CMYK 0 / 57 / 64 / 9

HEX #E86453

RGB 232 100 83

HSL 6.85, 0.76%, 0.62%

LAB 58.88, 50.06, 35.12

 

CMYK 40 / 0 / 64 / 9

HEX #8CE853

RGB 140 232 83

HSL 97.05, 0.76%, 0.62%

LAB 83.92, -52.19, 61.81

 

CMYK 64 / 7 / 0 / 9

HEX #53D7E8

RGB 83 215 232

HSL 186.85, 0.76%, 0.62%

LAB 79.77, -30.64, -19.02

 

Description

Color code: HEX #B053E9 | qconv.com Color code: HEX #B053E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 83 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 83 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 64 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 64% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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