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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B05158 it is the complementary color #4FAEA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B05158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B05158 shade: #B55153, #C66366, #D77579, #E8878C and #F9999F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B05158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B05158 shade: #B05158, #9F3F45, #8E2D32, #7D1B1F and #6C090C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B05158 shade: #B04F56 and #B04F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B05158 shade: #B04F56, #B04F70, #B04F8A, #B04FA5 and #A14FB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B05158 shade matches the following richer shades: #B04F56, #C53A45, #D92633 and #EE1121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B05158 shade: #B04F56, #9B6468, #877879, #728D8B and #5DA29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B05158 shade: #B04F8B, #B04F71, #B04F57, #B0614F and #B07B4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B05158 shade: #77353A, #934248, #B04F56, #BD6C72 and #CA888D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B05158 shade: #B05158, #A5B04F and #4F7EB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B05158 shade: #B05158, #57B04F and #4F57B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B05158 shade: #B05158, #A5B04F, #4FB0A8 and #5A4FB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B05158 shade: #B05158, #88B04F, #4FB0A8 and #774FB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 50 / 31

HEX #B05158

RGB 176 81 88

HSL 355.58, 0.38%, 0.5%

LAB 46.74, 39.38, 14.75

 

Complementary color

CMYK 55 / 0 / 4 / 32

HEX #4FAEA7

RGB 79 174 167

HSL 175.58, 0.38%, 0.5%

LAB 65.53, -29.65, -4.93

 

CMYK 0 / 55 / 54 / 29

HEX #B55153

RGB 181 81 83

HSL 358.8, 0.4%, 0.51%

LAB 47.41, 40.77, 18.81

 

CMYK 0 / 50 / 48 / 22

HEX #C66366

RGB 198 99 102

HSL 358.18, 0.46%, 0.58%

LAB 53.91, 39.66, 16.77

 

CMYK 0 / 46 / 44 / 16

HEX #D77579

RGB 215 117 121

HSL 357.55, 0.55%, 0.65%

LAB 60.38, 38.58, 15.04

 

CMYK 0 / 42 / 40 / 9

HEX #E8878C

RGB 232 135 140

HSL 356.91, 0.68%, 0.72%

LAB 66.81, 37.55, 13.54

 

CMYK 0 / 39 / 36 / 2

HEX #F9999F

RGB 249 153 159

HSL 356.25, 0.89%, 0.79%

LAB 73.17, 36.59, 12.22

 

CMYK 0 / 54 / 50 / 31

HEX #B05158

RGB 176 81 88

HSL 355.58, 0.38%, 0.5%

LAB 46.74, 39.38, 14.75

 

CMYK 0 / 60 / 57 / 38

HEX #9F3F45

RGB 159 63 69

HSL 356.25, 0.43%, 0.44%

LAB 40.17, 40.41, 17.04

 

CMYK 0 / 68 / 65 / 44

HEX #8E2D32

RGB 142 45 50

HSL 356.91, 0.52%, 0.37%

LAB 33.69, 41.25, 19.93

 

CMYK 0 / 78 / 75 / 51

HEX #7D1B1F

RGB 125 27 31

HSL 357.55, 0.64%, 0.3%

LAB 27.42, 41.57, 23.63

 

CMYK 0 / 92 / 89 / 58

HEX #6C090C

RGB 108 9 12

HSL 358.18, 0.85%, 0.23%

LAB 21.62, 40.73, 27.67

 

CMYK 0 / 55 / 51 / 31

HEX #B04F56

RGB 176 79 86

HSL 355.67, 0.38%, 0.5%

LAB 46.3, 40.2, 15.37

 

CMYK 0 / 55 / 55 / 31

HEX #B04F4F

RGB 176 79 79

HSL 0, 0.38%, 0.5%

LAB 46.16, 39.59, 19.4

 

CMYK 0 / 55 / 51 / 31

HEX #B04F56

RGB 176 79 86

HSL 355.67, 0.38%, 0.5%

LAB 46.3, 40.2, 15.37

 

CMYK 0 / 55 / 36 / 31

HEX #B04F70

RGB 176 79 112

HSL 339.59, 0.38%, 0.5%

LAB 46.96, 42.98, 0.5

 

CMYK 0 / 55 / 22 / 31

HEX #B04F8A

RGB 176 79 138

HSL 323.51, 0.38%, 0.5%

LAB 47.82, 46.48, -13.92

 

CMYK 0 / 55 / 6 / 31

HEX #B04FA5

RGB 176 79 165

HSL 306.8, 0.38%, 0.5%

LAB 48.93, 50.79, -28.28

 

CMYK 9 / 55 / 0 / 31

HEX #A14FB0

RGB 161 79 176

HSL 290.72, 0.38%, 0.5%

LAB 47.37, 48.62, -37.35

 

CMYK 0 / 55 / 51 / 31

HEX #B04F56

RGB 176 79 86

HSL 355.67, 0.38%, 0.5%

LAB 46.3, 40.2, 15.37

 

CMYK 0 / 71 / 65 / 23

HEX #C53A45

RGB 197 58 69

HSL 355.25, 0.55%, 0.5%

LAB 46.08, 55.38, 26.01

 

CMYK 0 / 82 / 76 / 15

HEX #D92633

RGB 217 38 51

HSL 355.64, 0.7%, 0.5%

LAB 47.47, 66.52, 39.18

 

CMYK 0 / 93 / 86 / 7

HEX #EE1121

RGB 238 17 33

HSL 355.66, 0.87%, 0.5%

LAB 50.32, 75.01, 52.87

 

CMYK 0 / 55 / 51 / 31

HEX #B04F56

RGB 176 79 86

HSL 355.67, 0.38%, 0.5%

LAB 46.3, 40.2, 15.37

 

CMYK 0 / 35 / 33 / 39

HEX #9B6468

RGB 155 100 104

HSL 355.64, 0.22%, 0.5%

LAB 48.36, 22.78, 6.97

 

CMYK 0 / 11 / 10 / 47

HEX #877879

RGB 135 120 121

HSL 356, 0.06%, 0.5%

LAB 51.8, 5.96, 1.56

 

CMYK 19 / 0 / 1 / 45

HEX #728D8B

RGB 114 141 139

HSL 175.56, 0.11%, 0.5%

LAB 56.58, -9.96, -2.11

 

CMYK 43 / 0 / 3 / 36

HEX #5DA29D

RGB 93 162 157

HSL 175.65, 0.27%, 0.5%

LAB 62.17, -23.03, -4.24

 

CMYK 0 / 55 / 21 / 31

HEX #B04F8B

RGB 176 79 139

HSL 322.89, 0.38%, 0.5%

LAB 47.86, 46.62, -14.46

 

CMYK 0 / 55 / 36 / 31

HEX #B04F71

RGB 176 79 113

HSL 338.97, 0.38%, 0.5%

LAB 46.99, 43.1, -0.06

 

CMYK 0 / 55 / 51 / 31

HEX #B04F57

RGB 176 79 87

HSL 355.05, 0.38%, 0.5%

LAB 46.33, 40.3, 14.79

 

CMYK 0 / 45 / 55 / 31

HEX #B0614F

RGB 176 97 79

HSL 11.13, 0.38%, 0.5%

LAB 49.91, 30.12, 24.33

 

CMYK 0 / 30 / 55 / 31

HEX #B07B4F

RGB 176 123 79

HSL 27.22, 0.38%, 0.5%

LAB 56.05, 15.67, 32.13

 

CMYK 0 / 55 / 51 / 53

HEX #77353A

RGB 119 53 58

HSL 355.45, 0.38%, 0.34%

LAB 31.29, 29.39, 10.87

 

CMYK 0 / 55 / 51 / 42

HEX #934248

RGB 147 66 72

HSL 355.56, 0.38%, 0.42%

LAB 38.84, 34.71, 13.04

 

CMYK 0 / 55 / 51 / 31

HEX #B04F56

RGB 176 79 86

HSL 355.67, 0.38%, 0.5%

LAB 46.3, 40.2, 15.37

 

CMYK 0 / 43 / 40 / 26

HEX #BD6C72

RGB 189 108 114

HSL 355.56, 0.38%, 0.58%

LAB 54.82, 32.82, 10.81

 

CMYK 0 / 33 / 30 / 21

HEX #CA888D

RGB 202 136 141

HSL 355.45, 0.38%, 0.66%

LAB 63.42, 25.93, 7.67

 

CMYK 0 / 54 / 50 / 31

HEX #B05158

RGB 176 81 88

HSL 355.58, 0.38%, 0.5%

LAB 46.74, 39.38, 14.75

 

CMYK 6 / 0 / 55 / 31

HEX #A5B04F

RGB 165 176 79

HSL 66.8, 0.38%, 0.5%

LAB 69.19, -17.74, 47.57

 

CMYK 55 / 28 / 0 / 31

HEX #4F7EB0

RGB 79 126 176

HSL 210.93, 0.38%, 0.5%

LAB 51.52, -1.14, -31.35

 

CMYK 0 / 54 / 50 / 31

HEX #B05158

RGB 176 81 88

HSL 355.58, 0.38%, 0.5%

LAB 46.74, 39.38, 14.75

 

CMYK 51 / 0 / 55 / 31

HEX #57B04F

RGB 87 176 79

HSL 115.05, 0.38%, 0.5%

LAB 64.68, -46.11, 41.15

 

CMYK 55 / 51 / 0 / 31

HEX #4F57B0

RGB 79 87 176

HSL 235.05, 0.38%, 0.5%

LAB 40.59, 23.03, -48.65

 

CMYK 0 / 54 / 50 / 31

HEX #B05158

RGB 176 81 88

HSL 355.58, 0.38%, 0.5%

LAB 46.74, 39.38, 14.75

 

CMYK 6 / 0 / 55 / 31

HEX #A5B04F

RGB 165 176 79

HSL 66.8, 0.38%, 0.5%

LAB 69.19, -17.74, 47.57

 

CMYK 55 / 0 / 5 / 31

HEX #4FB0A8

RGB 79 176 168

HSL 175.05, 0.38%, 0.5%

LAB 66.17, -30.35, -4.55

 

CMYK 49 / 55 / 0 / 31

HEX #5A4FB0

RGB 90 79 176

HSL 246.8, 0.38%, 0.5%

LAB 39.41, 30.45, -50.51

 

CMYK 0 / 54 / 50 / 31

HEX #B05158

RGB 176 81 88

HSL 355.58, 0.38%, 0.5%

LAB 46.74, 39.38, 14.75

 

CMYK 23 / 0 / 55 / 31

HEX #88B04F

RGB 136 176 79

HSL 84.74, 0.38%, 0.5%

LAB 67.16, -29.42, 44.7

 

CMYK 55 / 0 / 5 / 31

HEX #4FB0A8

RGB 79 176 168

HSL 175.05, 0.38%, 0.5%

LAB 66.17, -30.35, -4.55

 

CMYK 32 / 55 / 0 / 31

HEX #774FB0

RGB 119 79 176

HSL 264.74, 0.38%, 0.5%

LAB 42.23, 37.42, -45.83

 

Description

Color code: HEX #B05158 | qconv.com Color code: HEX #B05158 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 81 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 81 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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