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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B04E60 it is the complementary color #4FB19F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B04E60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B04E60 shade: #B54E5B, #C6606E, #D77281, #E88494 and #F996A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B04E60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B04E60 shade: #B04E60, #9F3C4D, #8E2A3A, #7D1827 and #6C0614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B04E60 shade: #B14E60 and #B14E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B04E60 shade: #B14E60, #B14E7B, #B14E96, #B14EB0 and #974EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B04E60 shade matches the following richer shades: #B14E60, #C63953, #DA2546 and #EF1039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B04E60 shade: #B14E60, #9D626D, #88777A, #738C87 and #5FA094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B04E60 shade: #B14E97, #B14E7C, #B14E62, #B1544E and #B16F4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B04E60 shade: #783541, #954151, #B14E60, #BE6A7A and #CA8793

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B04E60 shade: #B04E60, #B1B14E and #4E89B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B04E60 shade: #B04E60, #62B14E and #4E62B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B04E60 shade: #B04E60, #B1B14E, #4EB19D and #4E4EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B04E60 shade: #B04E60, #93B14E, #4EB19D and #6C4EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 45 / 31

HEX #B04E60

RGB 176 78 96

HSL 348.98, 0.39%, 0.5%

LAB 46.34, 41.68, 9.35

 

Complementary color

CMYK 55 / 0 / 10 / 31

HEX #4FB19F

RGB 79 177 159

HSL 168.98, 0.39%, 0.5%

LAB 66.22, -33.17, 0.52

 

CMYK 0 / 57 / 50 / 29

HEX #B54E5B

RGB 181 78 91

HSL 352.43, 0.41%, 0.51%

LAB 47.01, 42.97, 13.44

 

CMYK 0 / 52 / 44 / 22

HEX #C6606E

RGB 198 96 110

HSL 351.76, 0.47%, 0.58%

LAB 53.49, 41.99, 11.47

 

CMYK 0 / 47 / 40 / 16

HEX #D77281

RGB 215 114 129

HSL 351.09, 0.56%, 0.65%

LAB 59.95, 40.99, 9.83

 

CMYK 0 / 43 / 36 / 9

HEX #E88494

RGB 232 132 148

HSL 350.4, 0.68%, 0.71%

LAB 66.36, 40.02, 8.41

 

CMYK 0 / 40 / 33 / 2

HEX #F996A7

RGB 249 150 167

HSL 349.7, 0.89%, 0.78%

LAB 72.72, 39.1, 7.16

 

CMYK 0 / 56 / 45 / 31

HEX #B04E60

RGB 176 78 96

HSL 348.98, 0.39%, 0.5%

LAB 46.34, 41.68, 9.35

 

CMYK 0 / 62 / 52 / 38

HEX #9F3C4D

RGB 159 60 77

HSL 349.7, 0.45%, 0.43%

LAB 39.81, 42.53, 11.56

 

CMYK 0 / 70 / 59 / 44

HEX #8E2A3A

RGB 142 42 58

HSL 350.4, 0.54%, 0.36%

LAB 33.38, 43.1, 14.38

 

CMYK 0 / 81 / 69 / 51

HEX #7D1827

RGB 125 24 39

HSL 351.09, 0.68%, 0.29%

LAB 27.19, 43.02, 18.12

 

CMYK 0 / 94 / 81 / 58

HEX #6C0614

RGB 108 6 20

HSL 351.76, 0.89%, 0.22%

LAB 21.46, 41.67, 23.05

 

CMYK 0 / 56 / 46 / 31

HEX #B14E60

RGB 177 78 96

HSL 349.09, 0.39%, 0.5%

LAB 46.5, 42.04, 9.59

 

CMYK 0 / 56 / 56 / 31

HEX #B14E4E

RGB 177 78 78

HSL 0, 0.39%, 0.5%

LAB 46.1, 40.37, 19.96

 

CMYK 0 / 56 / 46 / 31

HEX #B14E60

RGB 177 78 96

HSL 349.09, 0.39%, 0.5%

LAB 46.5, 42.04, 9.59

 

CMYK 0 / 56 / 31 / 31

HEX #B14E7B

RGB 177 78 123

HSL 332.73, 0.39%, 0.5%

LAB 47.27, 45.2, -5.7

 

CMYK 0 / 56 / 15 / 31

HEX #B14E96

RGB 177 78 150

HSL 316.36, 0.39%, 0.5%

LAB 48.26, 49.1, -20.42

 

CMYK 0 / 56 / 1 / 31

HEX #B14EB0

RGB 177 78 176

HSL 300.61, 0.39%, 0.5%

LAB 49.41, 53.47, -33.98

 

CMYK 15 / 56 / 0 / 31

HEX #974EB1

RGB 151 78 177

HSL 284.24, 0.39%, 0.5%

LAB 45.91, 46.62, -40.33

 

CMYK 0 / 56 / 46 / 31

HEX #B14E60

RGB 177 78 96

HSL 349.09, 0.39%, 0.5%

LAB 46.5, 42.04, 9.59

 

CMYK 0 / 71 / 58 / 22

HEX #C63953

RGB 198 57 83

HSL 348.94, 0.55%, 0.5%

LAB 46.39, 56.96, 17.94

 

CMYK 0 / 83 / 68 / 15

HEX #DA2546

RGB 218 37 70

HSL 349.06, 0.71%, 0.5%

LAB 47.84, 67.8, 28.47

 

CMYK 0 / 93 / 76 / 6

HEX #EF1039

RGB 239 16 57

HSL 348.97, 0.87%, 0.5%

LAB 50.71, 75.97, 40.56

 

CMYK 0 / 56 / 46 / 31

HEX #B14E60

RGB 177 78 96

HSL 349.09, 0.39%, 0.5%

LAB 46.5, 42.04, 9.59

 

CMYK 0 / 38 / 31 / 38

HEX #9D626D

RGB 157 98 109

HSL 348.81, 0.23%, 0.5%

LAB 48.27, 25.4, 3.88

 

CMYK 0 / 13 / 10 / 47

HEX #88777A

RGB 136 119 122

HSL 349.41, 0.07%, 0.5%

LAB 51.65, 7.11, 0.77

 

CMYK 18 / 0 / 4 / 45

HEX #738C87

RGB 115 140 135

HSL 168, 0.1%, 0.5%

LAB 56.24, -9.96, -0.3

 

CMYK 41 / 0 / 7 / 37

HEX #5FA094

RGB 95 160 148

HSL 168.92, 0.25%, 0.5%

LAB 61.41, -23.72, -0.28

 

CMYK 0 / 56 / 15 / 31

HEX #B14E97

RGB 177 78 151

HSL 315.76, 0.39%, 0.5%

LAB 48.3, 49.26, -20.96

 

CMYK 0 / 56 / 30 / 31

HEX #B14E7C

RGB 177 78 124

HSL 332.12, 0.39%, 0.5%

LAB 47.3, 45.33, -6.25

 

CMYK 0 / 56 / 45 / 31

HEX #B14E62

RGB 177 78 98

HSL 347.88, 0.39%, 0.5%

LAB 46.55, 42.24, 8.45

 

CMYK 0 / 53 / 56 / 31

HEX #B1544E

RGB 177 84 78

HSL 3.64, 0.39%, 0.5%

LAB 47.28, 37.33, 21.52

 

CMYK 0 / 37 / 56 / 31

HEX #B16F4E

RGB 177 111 78

HSL 20, 0.39%, 0.5%

LAB 53.24, 22.73, 29.19

 

CMYK 0 / 56 / 46 / 53

HEX #783541

RGB 120 53 65

HSL 349.25, 0.39%, 0.34%

LAB 31.63, 30.54, 6.81

 

CMYK 0 / 56 / 46 / 42

HEX #954151

RGB 149 65 81

HSL 348.57, 0.39%, 0.42%

LAB 39.18, 36.9, 7.92

 

CMYK 0 / 56 / 46 / 31

HEX #B14E60

RGB 177 78 96

HSL 349.09, 0.39%, 0.5%

LAB 46.5, 42.04, 9.59

 

CMYK 0 / 44 / 36 / 25

HEX #BE6A7A

RGB 190 106 122

HSL 348.57, 0.39%, 0.58%

LAB 54.72, 35.23, 5.99

 

CMYK 0 / 33 / 27 / 21

HEX #CA8793

RGB 202 135 147

HSL 349.25, 0.39%, 0.66%

LAB 63.34, 27.31, 4.15

 

CMYK 0 / 56 / 45 / 31

HEX #B04E60

RGB 176 78 96

HSL 348.98, 0.39%, 0.5%

LAB 46.34, 41.68, 9.35

 

CMYK 0 / 0 / 56 / 31

HEX #B1B14E

RGB 177 177 78

HSL 60, 0.39%, 0.5%

LAB 70.41, -13.31, 49.68

 

CMYK 56 / 23 / 0 / 31

HEX #4E89B1

RGB 78 137 177

HSL 204.24, 0.39%, 0.5%

LAB 54.75, -7.43, -26.91

 

CMYK 0 / 56 / 45 / 31

HEX #B04E60

RGB 176 78 96

HSL 348.98, 0.39%, 0.5%

LAB 46.34, 41.68, 9.35

 

CMYK 45 / 0 / 56 / 31

HEX #62B14E

RGB 98 177 78

HSL 107.88, 0.39%, 0.5%

LAB 65.43, -43.37, 42.63

 

CMYK 56 / 45 / 0 / 31

HEX #4E62B1

RGB 78 98 177

HSL 227.88, 0.39%, 0.5%

LAB 43.55, 16.17, -44.51

 

CMYK 0 / 56 / 45 / 31

HEX #B04E60

RGB 176 78 96

HSL 348.98, 0.39%, 0.5%

LAB 46.34, 41.68, 9.35

 

CMYK 0 / 0 / 56 / 31

HEX #B1B14E

RGB 177 177 78

HSL 60, 0.39%, 0.5%

LAB 70.41, -13.31, 49.68

 

CMYK 56 / 0 / 11 / 31

HEX #4EB19D

RGB 78 177 157

HSL 167.88, 0.39%, 0.5%

LAB 66.13, -33.88, 1.5

 

CMYK 56 / 56 / 0 / 31

HEX #4E4EB1

RGB 78 78 177

HSL 240, 0.39%, 0.5%

LAB 38.27, 28.87, -52.98

 

CMYK 0 / 56 / 45 / 31

HEX #B04E60

RGB 176 78 96

HSL 348.98, 0.39%, 0.5%

LAB 46.34, 41.68, 9.35

 

CMYK 17 / 0 / 56 / 31

HEX #93B14E

RGB 147 177 78

HSL 78.18, 0.39%, 0.5%

LAB 68.17, -25.67, 46.52

 

CMYK 56 / 0 / 11 / 31

HEX #4EB19D

RGB 78 177 157

HSL 167.88, 0.39%, 0.5%

LAB 66.13, -33.88, 1.5

 

CMYK 39 / 56 / 0 / 31

HEX #6C4EB1

RGB 108 78 177

HSL 258.18, 0.39%, 0.5%

LAB 40.91, 35.53, -48.59

 

Description

Color code: HEX #B04E60 | qconv.com Color code: HEX #B04E60 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 78 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 78 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 45 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 45% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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