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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B03FB4 it is the complementary color #4FC04B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B03FB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B03FB4: #B53FAF, #C651C2, #D763D5, #E875E8 and #F987FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B03FB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B03FB4: #B03FB4, #9F2DA1, #8E1B8E, #7D097B and #6C0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

Complementary color

CMYK 59 / 0 / 61 / 25

HEX #4FC04B

RGB 79 192 75

HSL 117.95, 0.48%, 0.52%

LAB 69.38, -54.88, 48.41

 

CMYK 0 / 65 / 3 / 29

HEX #B53FAF

RGB 181 63 175

HSL 303.05, 0.48%, 0.48%

LAB 47.59, 60.84, -36.22

 

CMYK 0 / 59 / 2 / 22

HEX #C651C2

RGB 198 81 194

HSL 302.05, 0.51%, 0.55%

LAB 53.8, 60.8, -37.33

 

CMYK 0 / 54 / 1 / 16

HEX #D763D5

RGB 215 99 213

HSL 301.03, 0.59%, 0.62%

LAB 60.05, 60.45, -38.18

 

CMYK 0 / 50 / 0 / 9

HEX #E875E8

RGB 232 117 232

HSL 300, 0.71%, 0.68%

LAB 66.29, 59.93, -38.87

 

CMYK 1 / 46 / 0 / 2

HEX #F987FB

RGB 249 135 251

HSL 298.97, 0.94%, 0.76%

LAB 72.52, 59.3, -39.44

 

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

CMYK 1 / 72 / 0 / 37

HEX #9F2DA1

RGB 159 45 161

HSL 298.97, 0.56%, 0.4%

LAB 40.93, 60.06, -38.66

 

CMYK 0 / 81 / 0 / 44

HEX #8E1B8E

RGB 142 27 142

HSL 300, 0.68%, 0.33%

LAB 34.98, 58.79, -36.76

 

CMYK 0 / 93 / 2 / 51

HEX #7D097B

RGB 125 9 123

HSL 301.03, 0.87%, 0.26%

LAB 29.38, 56.15, -34.03

 

CMYK 0 / 100 / 4 / 58

HEX #6C0068

RGB 108 0 104

HSL 302.22, 1%, 0.21%

LAB 24.28, 51.56, -30.15

 

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

CMYK 0 / 65 / 8 / 29

HEX #B53FA7

RGB 181 63 167

HSL 307.12, 0.48%, 0.48%

LAB 47.2, 59.54, -32.12

 

CMYK 0 / 65 / 19 / 29

HEX #B53F93

RGB 181 63 147

HSL 317.29, 0.48%, 0.48%

LAB 46.29, 56.49, -21.6

 

CMYK 0 / 65 / 29 / 29

HEX #B53F80

RGB 181 63 128

HSL 326.95, 0.48%, 0.48%

LAB 45.55, 53.91, -11.25

 

CMYK 0 / 65 / 40 / 29

HEX #B53F6C

RGB 181 63 108

HSL 337.12, 0.48%, 0.48%

LAB 44.89, 51.55, 0.02

 

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

CMYK 2 / 65 / 0 / 9

HEX #E251E7

RGB 226 81 231

HSL 298, 0.76%, 0.61%

LAB 59.73, 73.76, -48.7

 

CMYK 4 / 67 / 0 / 89

HEX #1A091B

RGB 26 9 27

HSL 296.67, 0.5%, 0.07%

LAB 4.46, 10.32, -7.88

 

CMYK 3 / 65 / 0 / 69

HEX #4C1B4E

RGB 76 27 78

HSL 297.65, 0.49%, 0.21%

LAB 19.52, 31.05, -20.79

 

CMYK 2 / 65 / 0 / 49

HEX #7E2D81

RGB 126 45 129

HSL 297.86, 0.48%, 0.34%

LAB 33.77, 46.39, -30.8

 

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

CMYK 0 / 55 / 65 / 29

HEX #B5513F

RGB 181 81 63

HSL 9.15, 0.48%, 0.48%

LAB 47.06, 39.28, 30.18

 

CMYK 65 / 0 / 29 / 29

HEX #3FB580

RGB 63 181 128

HSL 153.05, 0.48%, 0.48%

LAB 66.26, -45.41, 17.56

 

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

CMYK 0 / 3 / 65 / 29

HEX #B5AF3F

RGB 181 175 63

HSL 56.95, 0.48%, 0.48%

LAB 70.07, -11.63, 56.02

 

CMYK 65 / 0 / 3 / 29

HEX #3FB5AF

RGB 63 181 175

HSL 176.95, 0.48%, 0.48%

LAB 67.43, -33.73, -6.61

 

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

CMYK 0 / 55 / 65 / 29

HEX #B5513F

RGB 181 81 63

HSL 9.15, 0.48%, 0.48%

LAB 47.06, 39.28, 30.18

 

CMYK 62 / 0 / 65 / 29

HEX #45B53F

RGB 69 181 63

HSL 116.95, 0.48%, 0.48%

LAB 65.49, -54.48, 49.24

 

CMYK 65 / 10 / 0 / 29

HEX #3FA3B5

RGB 63 163 181

HSL 189.15, 0.48%, 0.48%

LAB 62.16, -23.12, -17.86

 

CMYK 2 / 65 / 0 / 29

HEX #B03FB4

RGB 176 63 180

HSL 297.95, 0.48%, 0.48%

LAB 47.08, 60.48, -40.01

 

CMYK 0 / 36 / 65 / 29

HEX #B5743F

RGB 181 116 63

HSL 26.95, 0.48%, 0.48%

LAB 54.73, 20.51, 39.26

 

CMYK 62 / 0 / 65 / 29

HEX #45B53F

RGB 69 181 63

HSL 116.95, 0.48%, 0.48%

LAB 65.49, -54.48, 49.24

 

CMYK 65 / 29 / 0 / 29

HEX #3F80B5

RGB 63 128 181

HSL 206.95, 0.48%, 0.48%

LAB 51.65, -3.86, -34.08

 

Description

Color code: HEX #B03FB4 | qconv.com Color code: HEX #B03FB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 63 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 63 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 65 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 65% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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