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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B03767 it is the complementary color #4FC898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B03767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B03767 shade: #B53762, #C64975, #D75B88, #E86D9B and #F97FAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B03767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B03767 shade: #B03767, #9F2554, #8E1341, #7D012E and #6C001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B03767 shade: #AE3766, #AE3746 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B03767 shade: #AE3766, #AE3787, #AE37A7, #9637AE and #7637AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B03767 shade matches the following richer shades: #AE3766, #C12563 and #D4125F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B03767 shade: #AE3766, #9C4A6A, #895C6E, #776F72 and #648176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B03767 shade: #AE37A6, #AE3787, #AE3767, #AE3747 and #AE4737

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B03767 shade: #702342, #8F2D54, #AE3766, #C6497B and #CF6991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B03767 shade: #B03767, #AE9737 and #3797AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B03767 shade: #B03767, #67AE37 and #3767AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B03767 shade: #B03767, #AE9737, #37AE7F and #374FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B03767 shade: #B03767, #A2AE37, #37AE7F and #4337AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 41 / 31

HEX #B03767

RGB 176 55 103

HSL 336.2, 0.52%, 0.45%

LAB 42.68, 52.77, -0.22

 

Complementary color

CMYK 61 / 0 / 24 / 22

HEX #4FC898

RGB 79 200 152

HSL 156.2, 0.52%, 0.55%

LAB 73.05, -45.12, 14.12

 

CMYK 0 / 70 / 46 / 29

HEX #B53762

RGB 181 55 98

HSL 339.52, 0.53%, 0.46%

LAB 43.42, 53.78, 4.07

 

CMYK 0 / 63 / 41 / 22

HEX #C64975

RGB 198 73 117

HSL 338.88, 0.52%, 0.53%

LAB 49.56, 53.55, 1.69

 

CMYK 0 / 58 / 37 / 16

HEX #D75B88

RGB 215 91 136

HSL 338.23, 0.61%, 0.6%

LAB 55.79, 53.01, -0.23

 

CMYK 0 / 53 / 33 / 9

HEX #E86D9B

RGB 232 109 155

HSL 337.56, 0.73%, 0.67%

LAB 62.05, 52.31, -1.83

 

CMYK 0 / 49 / 30 / 2

HEX #F97FAE

RGB 249 127 174

HSL 336.89, 0.91%, 0.74%

LAB 68.3, 51.53, -3.18

 

CMYK 0 / 69 / 41 / 31

HEX #B03767

RGB 176 55 103

HSL 336.2, 0.52%, 0.45%

LAB 42.68, 52.77, -0.22

 

CMYK 0 / 77 / 47 / 38

HEX #9F2554

RGB 159 37 84

HSL 336.89, 0.62%, 0.38%

LAB 36.62, 52.45, 2.59

 

CMYK 0 / 87 / 54 / 44

HEX #8E1341

RGB 142 19 65

HSL 337.56, 0.76%, 0.32%

LAB 30.87, 51.15, 6.33

 

CMYK 0 / 99 / 63 / 51

HEX #7D012E

RGB 125 1 46

HSL 338.23, 0.98%, 0.25%

LAB 25.5, 48.69, 11.17

 

CMYK 0 / 100 / 75 / 58

HEX #6C001B

RGB 108 0 27

HSL 345, 1%, 0.21%

LAB 21.08, 43.38, 17.86

 

CMYK 0 / 68 / 41 / 32

HEX #AE3766

RGB 174 55 102

HSL 336.3, 0.52%, 0.45%

LAB 42.29, 52.06, -0.2

 

CMYK 0 / 68 / 60 / 32

HEX #AE3746

RGB 174 55 70

HSL 352.44, 0.52%, 0.45%

LAB 41.49, 49.23, 18.64

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 68 / 41 / 32

HEX #AE3766

RGB 174 55 102

HSL 336.3, 0.52%, 0.45%

LAB 42.29, 52.06, -0.2

 

CMYK 0 / 68 / 22 / 32

HEX #AE3787

RGB 174 55 135

HSL 319.66, 0.52%, 0.45%

LAB 43.48, 56.08, -18.77

 

CMYK 0 / 68 / 4 / 32

HEX #AE37A7

RGB 174 55 167

HSL 303.53, 0.52%, 0.45%

LAB 44.97, 60.92, -35.69

 

CMYK 14 / 68 / 0 / 32

HEX #9637AE

RGB 150 55 174

HSL 287.9, 0.52%, 0.45%

LAB 41.65, 56.57, -45.36

 

CMYK 32 / 68 / 0 / 32

HEX #7637AE

RGB 118 55 174

HSL 271.76, 0.52%, 0.45%

LAB 37.19, 49.54, -52.76

 

CMYK 0 / 68 / 41 / 32

HEX #AE3766

RGB 174 55 102

HSL 336.3, 0.52%, 0.45%

LAB 42.29, 52.06, -0.2

 

CMYK 0 / 81 / 49 / 24

HEX #C12563

RGB 193 37 99

HSL 336.15, 0.68%, 0.45%

LAB 43.6, 63.07, 4

 

CMYK 0 / 92 / 55 / 17

HEX #D4125F

RGB 212 18 95

HSL 336.19, 0.84%, 0.45%

LAB 45.98, 71.11, 10.4

 

CMYK 0 / 68 / 41 / 32

HEX #AE3766

RGB 174 55 102

HSL 336.3, 0.52%, 0.45%

LAB 42.29, 52.06, -0.2

 

CMYK 0 / 53 / 32 / 39

HEX #9C4A6A

RGB 156 74 106

HSL 336.59, 0.36%, 0.45%

LAB 42.77, 37.79, -2.32

 

CMYK 0 / 33 / 20 / 46

HEX #895C6E

RGB 137 92 110

HSL 336, 0.2%, 0.45%

LAB 44.37, 21.25, -2.71

 

CMYK 0 / 7 / 4 / 53

HEX #776F72

RGB 119 111 114

HSL 337.5, 0.03%, 0.45%

LAB 47.63, 3.69, -0.55

 

CMYK 22 / 0 / 9 / 49

HEX #648176

RGB 100 129 118

HSL 157.24, 0.13%, 0.45%

LAB 51.52, -12.8, 2.56

 

CMYK 0 / 68 / 5 / 32

HEX #AE37A6

RGB 174 55 166

HSL 304.03, 0.52%, 0.45%

LAB 44.92, 60.76, -35.18

 

CMYK 0 / 68 / 22 / 32

HEX #AE3787

RGB 174 55 135

HSL 319.66, 0.52%, 0.45%

LAB 43.48, 56.08, -18.77

 

CMYK 0 / 68 / 41 / 32

HEX #AE3767

RGB 174 55 103

HSL 335.8, 0.52%, 0.45%

LAB 42.32, 52.17, -0.78

 

CMYK 0 / 68 / 59 / 32

HEX #AE3747

RGB 174 55 71

HSL 351.93, 0.52%, 0.45%

LAB 41.51, 49.3, 18.05

 

CMYK 0 / 59 / 68 / 32

HEX #AE4737

RGB 174 71 55

HSL 8.07, 0.52%, 0.45%

LAB 43.92, 41.09, 30.75

 

CMYK 0 / 69 / 41 / 56

HEX #702342

RGB 112 35 66

HSL 335.84, 0.52%, 0.29%

LAB 26.85, 36.84, -0.9

 

CMYK 0 / 69 / 41 / 44

HEX #8F2D54

RGB 143 45 84

HSL 336.12, 0.52%, 0.37%

LAB 34.71, 44.62, -0.54

 

CMYK 0 / 68 / 41 / 32

HEX #AE3766

RGB 174 55 102

HSL 336.3, 0.52%, 0.45%

LAB 42.29, 52.06, -0.2

 

CMYK 0 / 63 / 38 / 22

HEX #C6497B

RGB 198 73 123

HSL 336, 0.52%, 0.53%

LAB 49.74, 54.2, -1.68

 

CMYK 0 / 49 / 30 / 19

HEX #CF6991

RGB 207 105 145

HSL 336.47, 0.52%, 0.61%

LAB 57.48, 44.71, -3.17

 

CMYK 0 / 69 / 41 / 31

HEX #B03767

RGB 176 55 103

HSL 336.2, 0.52%, 0.45%

LAB 42.68, 52.77, -0.22

 

CMYK 0 / 13 / 68 / 32

HEX #AE9737

RGB 174 151 55

HSL 48.4, 0.52%, 0.45%

LAB 62.85, -2.45, 51.71

 

CMYK 68 / 13 / 0 / 32

HEX #3797AE

RGB 55 151 174

HSL 191.6, 0.52%, 0.45%

LAB 58.04, -20.34, -20.2

 

CMYK 0 / 69 / 41 / 31

HEX #B03767

RGB 176 55 103

HSL 336.2, 0.52%, 0.45%

LAB 42.68, 52.77, -0.22

 

CMYK 41 / 0 / 68 / 32

HEX #67AE37

RGB 103 174 55

HSL 95.8, 0.52%, 0.45%

LAB 64.51, -42.75, 51.89

 

CMYK 68 / 41 / 0 / 32

HEX #3767AE

RGB 55 103 174

HSL 215.8, 0.52%, 0.45%

LAB 43.61, 7.54, -42.73

 

CMYK 0 / 69 / 41 / 31

HEX #B03767

RGB 176 55 103

HSL 336.2, 0.52%, 0.45%

LAB 42.68, 52.77, -0.22

 

CMYK 0 / 13 / 68 / 32

HEX #AE9737

RGB 174 151 55

HSL 48.4, 0.52%, 0.45%

LAB 62.85, -2.45, 51.71

 

CMYK 68 / 0 / 27 / 32

HEX #37AE7F

RGB 55 174 127

HSL 156.3, 0.52%, 0.45%

LAB 63.85, -44.12, 14.73

 

CMYK 68 / 55 / 0 / 32

HEX #374FAE

RGB 55 79 174

HSL 227.9, 0.52%, 0.45%

LAB 36.86, 23.09, -53.57

 

CMYK 0 / 69 / 41 / 31

HEX #B03767

RGB 176 55 103

HSL 336.2, 0.52%, 0.45%

LAB 42.68, 52.77, -0.22

 

CMYK 7 / 0 / 68 / 32

HEX #A2AE37

RGB 162 174 55

HSL 66.05, 0.52%, 0.45%

LAB 68.19, -19.73, 56.84

 

CMYK 68 / 0 / 27 / 32

HEX #37AE7F

RGB 55 174 127

HSL 156.3, 0.52%, 0.45%

LAB 63.85, -44.12, 14.73

 

CMYK 61 / 68 / 0 / 32

HEX #4337AE

RGB 67 55 174

HSL 246.05, 0.52%, 0.45%

LAB 31.77, 40.12, -61.83

 

Description

Color code: HEX #B03767 | qconv.com Color code: HEX #B03767 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 55 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 55 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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