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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B033C4 it is the complementary color #4FCC3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B033C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B033C4 shade: #B533BF, #C645D2, #D757E5, #E869F8 and #F97BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B033C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B033C4 shade: #B033C4, #9F21B1, #8E0F9E, #7D008B and #6C0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B033C4 shade: #AF32C3, #C332B0, #C33289, #C33262 and #C3323B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B033C4 shade: #AF32C3, #8832C3, #6132C3, #3A32C3 and #3232C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B033C4 shade matches the following richer shades: #AF32C3, #BD1ED6 and #CB0BEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B033C4 shade: #AF32C3, #A046AF, #925A9B, #846E87 and #758173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B033C4 shade: #6032C3, #8632C3, #AD32C3, #C332B2 and #C3328B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B033C4 shade: #742181, #912AA2, #AF32C3, #BF4DD1 and #CB6EDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B033C4 shade: #B033C4, #C33932 and #32C373

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B033C4 shade: #B033C4, #C3AD32 and #32C3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B033C4 shade: #B033C4, #C33932, #48C332 and #32BBC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B033C4 shade: #B033C4, #C36532, #48C332 and #3290C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 74 / 0 / 23

HEX #B033C4

RGB 176 51 196

HSL 291.72, 0.59%, 0.48%

LAB 46.42, 67.74, -50.39

 

Complementary color

CMYK 61 / 0 / 71 / 20

HEX #4FCC3B

RGB 79 204 59

HSL 111.72, 0.59%, 0.52%

LAB 73, -60.69, 58.89

 

CMYK 5 / 73 / 0 / 25

HEX #B533BF

RGB 181 51 191

HSL 295.71, 0.58%, 0.47%

LAB 46.91, 67.9, -46.66

 

CMYK 6 / 67 / 0 / 18

HEX #C645D2

RGB 198 69 210

HSL 294.89, 0.61%, 0.55%

LAB 52.86, 68.45, -47.99

 

CMYK 6 / 62 / 0 / 10

HEX #D757E5

RGB 215 87 229

HSL 294.08, 0.73%, 0.62%

LAB 58.9, 68.5, -48.99

 

CMYK 6 / 58 / 0 / 3

HEX #E869F8

RGB 232 105 248

HSL 293.29, 0.91%, 0.69%

LAB 64.99, 68.25, -49.75

 

CMYK 2 / 52 / 0 / 0

HEX #F97BFF

RGB 249 123 255

HSL 297.27, 1%, 0.74%

LAB 70.54, 65.67, -44.7

 

CMYK 10 / 74 / 0 / 23

HEX #B033C4

RGB 176 51 196

HSL 291.72, 0.59%, 0.48%

LAB 46.42, 67.74, -50.39

 

CMYK 10 / 81 / 0 / 31

HEX #9F21B1

RGB 159 33 177

HSL 292.5, 0.69%, 0.41%

LAB 40.63, 66.49, -48.69

 

CMYK 10 / 91 / 0 / 38

HEX #8E0F9E

RGB 142 15 158

HSL 293.29, 0.83%, 0.34%

LAB 35.13, 64.07, -46.3

 

CMYK 10 / 100 / 0 / 45

HEX #7D008B

RGB 125 0 139

HSL 293.96, 1%, 0.27%

LAB 29.97, 60.24, -43.1

 

CMYK 10 / 100 / 0 / 53

HEX #6C0078

RGB 108 0 120

HSL 294, 1%, 0.24%

LAB 25.39, 54.22, -38.68

 

CMYK 10 / 74 / 0 / 24

HEX #AF32C3

RGB 175 50 195

HSL 291.72, 0.59%, 0.48%

LAB 46.09, 67.7, -50.35

 

CMYK 0 / 74 / 10 / 24

HEX #C332B0

RGB 195 50 176

HSL 307.86, 0.59%, 0.48%

LAB 48.28, 68.87, -35.56

 

CMYK 0 / 74 / 30 / 24

HEX #C33289

RGB 195 50 137

HSL 324, 0.59%, 0.48%

LAB 46.56, 63.66, -14.94

 

CMYK 0 / 74 / 50 / 24

HEX #C33262

RGB 195 50 98

HSL 340.14, 0.59%, 0.48%

LAB 45.31, 59.68, 7.12

 

CMYK 0 / 74 / 70 / 24

HEX #C3323B

RGB 195 50 59

HSL 356.28, 0.59%, 0.48%

LAB 44.52, 57.08, 30

 

CMYK 10 / 74 / 0 / 24

HEX #AF32C3

RGB 175 50 195

HSL 291.72, 0.59%, 0.48%

LAB 46.09, 67.7, -50.35

 

CMYK 30 / 74 / 0 / 24

HEX #8832C3

RGB 136 50 195

HSL 275.59, 0.59%, 0.48%

LAB 40.34, 60.13, -59.92

 

CMYK 50 / 74 / 0 / 24

HEX #6132C3

RGB 97 50 195

HSL 259.45, 0.59%, 0.48%

LAB 35.52, 53.54, -67.98

 

CMYK 70 / 74 / 0 / 24

HEX #3A32C3

RGB 58 50 195

HSL 243.31, 0.59%, 0.48%

LAB 32.08, 48.61, -73.77

 

CMYK 74 / 74 / 0 / 24

HEX #3232C3

RGB 50 50 195

HSL 240, 0.59%, 0.48%

LAB 31.58, 47.88, -74.61

 

CMYK 10 / 74 / 0 / 24

HEX #AF32C3

RGB 175 50 195

HSL 291.72, 0.59%, 0.48%

LAB 46.09, 67.7, -50.35

 

CMYK 12 / 86 / 0 / 16

HEX #BD1ED6

RGB 189 30 214

HSL 291.85, 0.75%, 0.48%

LAB 47.76, 78.69, -58.53

 

CMYK 13 / 95 / 0 / 8

HEX #CB0BEA

RGB 203 11 234

HSL 291.66, 0.91%, 0.48%

LAB 50.54, 86.62, -65.29

 

CMYK 10 / 74 / 0 / 24

HEX #AF32C3

RGB 175 50 195

HSL 291.72, 0.59%, 0.48%

LAB 46.09, 67.7, -50.35

 

CMYK 9 / 60 / 0 / 31

HEX #A046AF

RGB 160 70 175

HSL 291.43, 0.43%, 0.48%

LAB 45.56, 52.52, -39.62

 

CMYK 6 / 42 / 0 / 39

HEX #925A9B

RGB 146 90 155

HSL 291.69, 0.27%, 0.48%

LAB 46.7, 34.06, -26.15

 

CMYK 2 / 19 / 0 / 47

HEX #846E87

RGB 132 110 135

HSL 292.8, 0.1%, 0.48%

LAB 49.26, 13.42, -10.49

 

CMYK 9 / 0 / 11 / 49

HEX #758173

RGB 117 129 115

HSL 111.43, 0.06%, 0.48%

LAB 52.64, -7.25, 6.09

 

CMYK 51 / 74 / 0 / 24

HEX #6032C3

RGB 96 50 195

HSL 259.03, 0.59%, 0.48%

LAB 35.42, 53.39, -68.16

 

CMYK 31 / 74 / 0 / 24

HEX #8632C3

RGB 134 50 195

HSL 274.76, 0.59%, 0.48%

LAB 40.06, 59.76, -60.38

 

CMYK 11 / 74 / 0 / 24

HEX #AD32C3

RGB 173 50 195

HSL 290.9, 0.59%, 0.48%

LAB 45.78, 67.29, -50.87

 

CMYK 0 / 74 / 9 / 24

HEX #C332B2

RGB 195 50 178

HSL 307.03, 0.59%, 0.48%

LAB 48.38, 69.17, -36.58

 

CMYK 0 / 74 / 29 / 24

HEX #C3328B

RGB 195 50 139

HSL 323.17, 0.59%, 0.48%

LAB 46.64, 63.9, -16.04

 

CMYK 10 / 74 / 0 / 49

HEX #742181

RGB 116 33 129

HSL 291.88, 0.59%, 0.32%

LAB 30.37, 48.94, -36.31

 

CMYK 10 / 74 / 0 / 36

HEX #912AA2

RGB 145 42 162

HSL 291.5, 0.59%, 0.4%

LAB 38.35, 58.23, -43.52

 

CMYK 10 / 74 / 0 / 24

HEX #AF32C3

RGB 175 50 195

HSL 291.72, 0.59%, 0.48%

LAB 46.09, 67.7, -50.35

 

CMYK 9 / 63 / 0 / 18

HEX #BF4DD1

RGB 191 77 209

HSL 291.82, 0.59%, 0.56%

LAB 52.94, 63.44, -47.35

 

CMYK 7 / 50 / 0 / 15

HEX #CB6EDA

RGB 203 110 218

HSL 291.67, 0.59%, 0.64%

LAB 60.7, 52.8, -40.08

 

CMYK 10 / 74 / 0 / 23

HEX #B033C4

RGB 176 51 196

HSL 291.72, 0.59%, 0.48%

LAB 46.42, 67.74, -50.39

 

CMYK 0 / 71 / 74 / 24

HEX #C33932

RGB 195 57 50

HSL 2.9, 0.59%, 0.48%

LAB 45.3, 54.17, 36.17

 

CMYK 74 / 0 / 41 / 24

HEX #32C373

RGB 50 195 115

HSL 146.9, 0.59%, 0.48%

LAB 70.14, -55.59, 29.64

 

CMYK 10 / 74 / 0 / 23

HEX #B033C4

RGB 176 51 196

HSL 291.72, 0.59%, 0.48%

LAB 46.42, 67.74, -50.39

 

CMYK 0 / 11 / 74 / 24

HEX #C3AD32

RGB 195 173 50

HSL 50.9, 0.59%, 0.48%

LAB 70.68, -5.19, 62.11

 

CMYK 74 / 0 / 11 / 24

HEX #32C3AD

RGB 50 195 173

HSL 170.9, 0.59%, 0.48%

LAB 71.37, -42.42, 0.25

 

CMYK 10 / 74 / 0 / 23

HEX #B033C4

RGB 176 51 196

HSL 291.72, 0.59%, 0.48%

LAB 46.42, 67.74, -50.39

 

CMYK 0 / 71 / 74 / 24

HEX #C33932

RGB 195 57 50

HSL 2.9, 0.59%, 0.48%

LAB 45.3, 54.17, 36.17

 

CMYK 63 / 0 / 74 / 24

HEX #48C332

RGB 72 195 50

HSL 110.9, 0.59%, 0.48%

LAB 69.92, -59.85, 58.93

 

CMYK 74 / 4 / 0 / 24

HEX #32BBC3

RGB 50 187 195

HSL 183.31, 0.59%, 0.48%

LAB 69.58, -32.53, -14.44

 

CMYK 10 / 74 / 0 / 23

HEX #B033C4

RGB 176 51 196

HSL 291.72, 0.59%, 0.48%

LAB 46.42, 67.74, -50.39

 

CMYK 0 / 48 / 74 / 24

HEX #C36532

RGB 195 101 50

HSL 21.1, 0.59%, 0.48%

LAB 53.1, 33.79, 44.6

 

CMYK 63 / 0 / 74 / 24

HEX #48C332

RGB 72 195 50

HSL 110.9, 0.59%, 0.48%

LAB 69.92, -59.85, 58.93

 

CMYK 74 / 26 / 0 / 24

HEX #3290C3

RGB 50 144 195

HSL 201.1, 0.59%, 0.48%

LAB 56.65, -10.2, -34.27

 

Description

Color code: HEX #B033C4 | qconv.com Color code: HEX #B033C4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 51 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 51 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 74 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 74% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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