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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B02BBC it is the complementary color #4FD443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B02BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B02BBC shade: #B52BB7, #C63DCA, #D74FDD, #E861F0 and #F973FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B02BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B02BBC shade: #B02BBC, #9F19A9, #8E0796, #7D0083 and #6C0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B02BBC shade: #AF2ABB, #BB2AA0, #BB2A79, #BB2A52 and #BB2A2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B02BBC shade: #AF2ABB, #882ABB, #612ABB, #3A2ABB and #2A2ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B02BBC shade matches the following richer shades: #AF2ABB, #BF18CE and #CE05E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B02BBC shade: #AF2ABB, #A03DA8, #905096, #816283 and #717571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B02BBC shade: #622ABB, #882ABB, #AF2ABB, #BB2AA1 and #BB2A7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B02BBC shade: #701B78, #902399, #AF2ABB, #C63CD3 and #D05EDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B02BBC shade: #B02BBC, #BB3B2A and #2ABB75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B02BBC shade: #B02BBC, #BBAF2A and #2ABBAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B02BBC shade: #B02BBC, #BB3B2A, #37BB2A and #2AAABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B02BBC shade: #B02BBC, #BB672A, #37BB2A and #2A7FBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 77 / 0 / 26

HEX #B02BBC

RGB 176 43 188

HSL 295.03, 0.63%, 0.45%

LAB 45.07, 68.87, -47.9

 

Complementary color

CMYK 63 / 0 / 68 / 17

HEX #4FD443

RGB 79 212 67

HSL 115.03, 0.63%, 0.55%

LAB 75.55, -62.78, 58.52

 

CMYK 1 / 77 / 0 / 28

HEX #B52BB7

RGB 181 43 183

HSL 299.14, 0.62%, 0.44%

LAB 45.59, 69.04, -44.08

 

CMYK 2 / 70 / 0 / 21

HEX #C63DCA

RGB 198 61 202

HSL 298.3, 0.57%, 0.52%

LAB 51.39, 70, -45.73

 

CMYK 3 / 64 / 0 / 13

HEX #D74FDD

RGB 215 79 221

HSL 297.46, 0.68%, 0.59%

LAB 57.33, 70.35, -46.98

 

CMYK 3 / 60 / 0 / 6

HEX #E861F0

RGB 232 97 240

HSL 296.64, 0.83%, 0.66%

LAB 63.34, 70.29, -47.94

 

CMYK 2 / 55 / 0 / 0

HEX #F973FF

RGB 249 115 255

HSL 297.43, 1%, 0.73%

LAB 69.2, 69.28, -46.81

 

CMYK 6 / 77 / 0 / 26

HEX #B02BBC

RGB 176 43 188

HSL 295.03, 0.63%, 0.45%

LAB 45.07, 68.87, -47.9

 

CMYK 6 / 85 / 0 / 34

HEX #9F19A9

RGB 159 25 169

HSL 295.83, 0.74%, 0.38%

LAB 39.46, 67.03, -45.8

 

CMYK 5 / 95 / 0 / 41

HEX #8E0796

RGB 142 7 150

HSL 296.64, 0.91%, 0.31%

LAB 34.2, 63.87, -42.92

 

CMYK 5 / 100 / 0 / 49

HEX #7D0083

RGB 125 0 131

HSL 297.25, 1%, 0.26%

LAB 29.41, 58.91, -39.01

 

CMYK 4 / 100 / 0 / 56

HEX #6C0070

RGB 108 0 112

HSL 297.86, 1%, 0.22%

LAB 24.82, 52.86, -34.47

 

CMYK 6 / 78 / 0 / 27

HEX #AF2ABB

RGB 175 42 187

HSL 295.03, 0.63%, 0.45%

LAB 44.74, 68.79, -47.84

 

CMYK 0 / 78 / 14 / 27

HEX #BB2AA0

RGB 187 42 160

HSL 311.17, 0.63%, 0.45%

LAB 45.3, 67.13, -30.85

 

CMYK 0 / 78 / 35 / 27

HEX #BB2A79

RGB 187 42 121

HSL 327.31, 0.63%, 0.45%

LAB 43.66, 62.25, -9.7

 

CMYK 0 / 78 / 56 / 27

HEX #BB2A52

RGB 187 42 82

HSL 343.45, 0.63%, 0.45%

LAB 42.51, 58.69, 12.94

 

CMYK 0 / 78 / 77 / 27

HEX #BB2A2B

RGB 187 42 43

HSL 359.59, 0.63%, 0.45%

LAB 41.84, 56.56, 35.94

 

CMYK 6 / 78 / 0 / 27

HEX #AF2ABB

RGB 175 42 187

HSL 295.03, 0.63%, 0.45%

LAB 44.74, 68.79, -47.84

 

CMYK 27 / 78 / 0 / 27

HEX #882ABB

RGB 136 42 187

HSL 278.9, 0.63%, 0.45%

LAB 38.69, 61.43, -57.91

 

CMYK 48 / 78 / 0 / 27

HEX #612ABB

RGB 97 42 187

HSL 262.76, 0.63%, 0.45%

LAB 33.53, 55.06, -66.54

 

CMYK 69 / 78 / 0 / 27

HEX #3A2ABB

RGB 58 42 187

HSL 246.62, 0.63%, 0.45%

LAB 29.77, 50.31, -72.87

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 6 / 78 / 0 / 27

HEX #AF2ABB

RGB 175 42 187

HSL 295.03, 0.63%, 0.45%

LAB 44.74, 68.79, -47.84

 

CMYK 7 / 88 / 0 / 19

HEX #BF18CE

RGB 191 24 206

HSL 295.05, 0.79%, 0.45%

LAB 47.22, 78.77, -54.77

 

CMYK 8 / 98 / 0 / 12

HEX #CE05E0

RGB 206 5 224

HSL 295.07, 0.96%, 0.45%

LAB 50.23, 85.95, -60.1

 

CMYK 6 / 78 / 0 / 27

HEX #AF2ABB

RGB 175 42 187

HSL 295.03, 0.63%, 0.45%

LAB 44.74, 68.79, -47.84

 

CMYK 5 / 64 / 0 / 34

HEX #A03DA8

RGB 160 61 168

HSL 295.51, 0.47%, 0.45%

LAB 43.71, 55.26, -38.42

 

CMYK 4 / 47 / 0 / 41

HEX #905096

RGB 144 80 150

HSL 294.86, 0.3%, 0.45%

LAB 44.04, 37.97, -27.31

 

CMYK 2 / 25 / 0 / 49

HEX #816283

RGB 129 98 131

HSL 296.36, 0.14%, 0.45%

LAB 45.69, 18.64, -13.52

 

CMYK 3 / 0 / 3 / 54

HEX #717571

RGB 113 117 113

HSL 120, 0.02%, 0.45%

LAB 48.79, -2.33, 1.67

 

CMYK 48 / 78 / 0 / 27

HEX #622ABB

RGB 98 42 187

HSL 263.17, 0.63%, 0.45%

LAB 33.65, 55.2, -66.34

 

CMYK 27 / 78 / 0 / 27

HEX #882ABB

RGB 136 42 187

HSL 278.9, 0.63%, 0.45%

LAB 38.69, 61.43, -57.91

 

CMYK 6 / 78 / 0 / 27

HEX #AF2ABB

RGB 175 42 187

HSL 295.03, 0.63%, 0.45%

LAB 44.74, 68.79, -47.84

 

CMYK 0 / 78 / 14 / 27

HEX #BB2AA1

RGB 187 42 161

HSL 310.76, 0.63%, 0.45%

LAB 45.35, 67.27, -31.37

 

CMYK 0 / 78 / 35 / 27

HEX #BB2A7A

RGB 187 42 122

HSL 326.9, 0.63%, 0.45%

LAB 43.69, 62.36, -10.27

 

CMYK 7 / 78 / 0 / 53

HEX #701B78

RGB 112 27 120

HSL 294.84, 0.63%, 0.29%

LAB 28.34, 48.52, -33.92

 

CMYK 6 / 77 / 0 / 40

HEX #902399

RGB 144 35 153

HSL 295.42, 0.63%, 0.37%

LAB 36.8, 58.75, -40.56

 

CMYK 6 / 78 / 0 / 27

HEX #AF2ABB

RGB 175 42 187

HSL 295.03, 0.63%, 0.45%

LAB 44.74, 68.79, -47.84

 

CMYK 6 / 72 / 0 / 17

HEX #C63CD3

RGB 198 60 211

HSL 294.83, 0.63%, 0.53%

LAB 51.77, 71.86, -50.29

 

CMYK 5 / 57 / 0 / 15

HEX #D05EDA

RGB 208 94 218

HSL 295.16, 0.63%, 0.61%

LAB 58.49, 61.79, -43.52

 

CMYK 6 / 77 / 0 / 26

HEX #B02BBC

RGB 176 43 188

HSL 295.03, 0.63%, 0.45%

LAB 45.07, 68.87, -47.9

 

CMYK 0 / 68 / 78 / 27

HEX #BB3B2A

RGB 187 59 42

HSL 7.03, 0.63%, 0.45%

LAB 44.03, 50.43, 38.83

 

CMYK 78 / 0 / 37 / 27

HEX #2ABB75

RGB 42 187 117

HSL 151.03, 0.63%, 0.45%

LAB 67.51, -53.28, 25.09

 

CMYK 6 / 77 / 0 / 26

HEX #B02BBC

RGB 176 43 188

HSL 295.03, 0.63%, 0.45%

LAB 45.07, 68.87, -47.9

 

CMYK 0 / 6 / 78 / 27

HEX #BBAF2A

RGB 187 175 42

HSL 55.03, 0.63%, 0.45%

LAB 70.45, -10.06, 64.35

 

CMYK 78 / 0 / 6 / 27

HEX #2ABBAF

RGB 42 187 175

HSL 175.03, 0.63%, 0.45%

LAB 68.84, -39.22, -4.56

 

CMYK 6 / 77 / 0 / 26

HEX #B02BBC

RGB 176 43 188

HSL 295.03, 0.63%, 0.45%

LAB 45.07, 68.87, -47.9

 

CMYK 0 / 68 / 78 / 27

HEX #BB3B2A

RGB 187 59 42

HSL 7.03, 0.63%, 0.45%

LAB 44.03, 50.43, 38.83

 

CMYK 71 / 0 / 78 / 27

HEX #37BB2A

RGB 55 187 42

HSL 114.62, 0.63%, 0.45%

LAB 66.92, -61.17, 58.51

 

CMYK 78 / 9 / 0 / 27

HEX #2AAABB

RGB 42 170 187

HSL 187.03, 0.63%, 0.45%

LAB 64.02, -27.59, -18.43

 

CMYK 6 / 77 / 0 / 26

HEX #B02BBC

RGB 176 43 188

HSL 295.03, 0.63%, 0.45%

LAB 45.07, 68.87, -47.9

 

CMYK 0 / 45 / 78 / 27

HEX #BB672A

RGB 187 103 42

HSL 25.24, 0.63%, 0.45%

LAB 52.32, 29.09, 47.26

 

CMYK 71 / 0 / 78 / 27

HEX #37BB2A

RGB 55 187 42

HSL 114.62, 0.63%, 0.45%

LAB 66.92, -61.17, 58.51

 

CMYK 78 / 32 / 0 / 27

HEX #2A7FBB

RGB 42 127 187

HSL 204.83, 0.63%, 0.45%

LAB 50.99, -4.22, -38.6

 

Description

Color code: HEX #B02BBC | qconv.com Color code: HEX #B02BBC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 43 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 43 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 77 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 77% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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