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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B02786 it is the complementary color #4FD879. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B02786. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B02786: #B52781, #C63994, #D74BA7, #E85DBA and #F96FCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B02786. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B02786: #B02786, #9F1573, #8E0360, #7D004D and #6C003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

Complementary color

CMYK 63 / 0 / 44 / 15

HEX #4FD879

RGB 79 216 121

HSL 138.39, 0.64%, 0.58%

LAB 77.37, -57.44, 36.1

 

CMYK 0 / 78 / 29 / 29

HEX #B52781

RGB 181 39 129

HSL 321.97, 0.65%, 0.43%

LAB 42.55, 62.53, -16.41

 

CMYK 0 / 71 / 25 / 22

HEX #C63994

RGB 198 57 148

HSL 321.28, 0.55%, 0.5%

LAB 48.35, 63.44, -18.8

 

CMYK 0 / 65 / 22 / 16

HEX #D74BA7

RGB 215 75 167

HSL 320.57, 0.64%, 0.57%

LAB 54.31, 63.7, -20.66

 

CMYK 0 / 60 / 20 / 9

HEX #E85DBA

RGB 232 93 186

HSL 319.86, 0.75%, 0.64%

LAB 60.36, 63.57, -22.16

 

CMYK 0 / 55 / 18 / 2

HEX #F96FCD

RGB 249 111 205

HSL 319.13, 0.92%, 0.71%

LAB 66.46, 63.18, -23.38

 

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

CMYK 0 / 87 / 28 / 38

HEX #9F1573

RGB 159 21 115

HSL 319.13, 0.77%, 0.35%

LAB 36.26, 60.05, -17.7

 

CMYK 0 / 98 / 32 / 44

HEX #8E0360

RGB 142 3 96

HSL 319.86, 0.96%, 0.28%

LAB 31.02, 56.9, -13.88

 

CMYK 0 / 100 / 38 / 51

HEX #7D004D

RGB 125 0 77

HSL 323.04, 1%, 0.25%

LAB 26.44, 51.52, -8.64

 

CMYK 0 / 100 / 46 / 58

HEX #6C003A

RGB 108 0 58

HSL 327.78, 1%, 0.21%

LAB 21.92, 45.61, -2.79

 

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

CMYK 0 / 78 / 37 / 31

HEX #AF266F

RGB 175 38 111

HSL 328.03, 0.64%, 0.42%

LAB 40.65, 59.24, -8.23

 

CMYK 0 / 78 / 50 / 31

HEX #AF2658

RGB 175 38 88

HSL 338.1, 0.64%, 0.42%

LAB 39.92, 57.01, 5.19

 

CMYK 0 / 78 / 63 / 31

HEX #AF2641

RGB 175 38 65

HSL 348.18, 0.64%, 0.42%

LAB 39.38, 55.31, 19.03

 

CMYK 0 / 78 / 75 / 31

HEX #AF262B

RGB 175 38 43

HSL 357.81, 0.64%, 0.42%

LAB 39.03, 54.18, 32.18

 

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

CMYK 0 / 78 / 24 / 11

HEX #E332AD

RGB 227 50 173

HSL 318.31, 0.76%, 0.54%

LAB 53.63, 75.69, -25.05

 

CMYK 0 / 78 / 22 / 91

HEX #170512

RGB 23 5 18

HSL 316.67, 0.64%, 0.05%

LAB 3.02, 8.15, -3.51

 

CMYK 0 / 78 / 24 / 71

HEX #4A1038

RGB 74 16 56

HSL 318.62, 0.64%, 0.18%

LAB 16.06, 31.6, -10.94

 

CMYK 0 / 78 / 24 / 51

HEX #7D1C5F

RGB 125 28 95

HSL 318.56, 0.63%, 0.3%

LAB 29.45, 47.28, -15.92

 

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

CMYK 0 / 39 / 78 / 31

HEX #AF6B26

RGB 175 107 38

HSL 30.22, 0.64%, 0.42%

LAB 51.58, 21.59, 47.76

 

CMYK 78 / 0 / 8 / 31

HEX #26AFA1

RGB 38 175 161

HSL 173.87, 0.64%, 0.42%

LAB 64.68, -38.17, -2.96

 

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

CMYK 23 / 0 / 78 / 31

HEX #86AF26

RGB 134 175 38

HSL 77.96, 0.64%, 0.42%

LAB 66.42, -32.73, 60.44

 

CMYK 78 / 23 / 0 / 31

HEX #2686AF

RGB 38 134 175

HSL 197.96, 0.64%, 0.42%

LAB 52.46, -13.04, -29.41

 

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

CMYK 0 / 39 / 78 / 31

HEX #AF6B26

RGB 175 107 38

HSL 30.22, 0.64%, 0.42%

LAB 51.58, 21.59, 47.76

 

CMYK 78 / 0 / 55 / 31

HEX #26AF4F

RGB 38 175 79

HSL 137.96, 0.64%, 0.42%

LAB 63.04, -56.03, 38.87

 

CMYK 78 / 39 / 0 / 31

HEX #266BAF

RGB 38 107 175

HSL 209.78, 0.64%, 0.42%

LAB 44.27, 3, -42.3

 

CMYK 0 / 78 / 24 / 31

HEX #B02786

RGB 176 39 134

HSL 318.39, 0.64%, 0.42%

LAB 41.85, 61.93, -20.64

 

CMYK 0 / 15 / 78 / 31

HEX #AF9426

RGB 175 148 38

HSL 48.18, 0.64%, 0.42%

LAB 62.03, -1.2, 57.59

 

CMYK 78 / 0 / 55 / 31

HEX #26AF4F

RGB 38 175 79

HSL 137.96, 0.64%, 0.42%

LAB 63.04, -56.03, 38.87

 

CMYK 78 / 63 / 0 / 31

HEX #2641AF

RGB 38 65 175

HSL 228.18, 0.64%, 0.42%

LAB 32.45, 30.51, -61.37

 

Description

Color code: HEX #B02786 | qconv.com Color code: HEX #B02786 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 39 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 39 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 24 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 24% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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