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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B026B9 it is the complementary color #4FD946. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B026B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B026B9 shade: #B526B4, #C638C7, #D74ADA, #E85CED and #F96EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B026B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B026B9 shade: #B026B9, #9F14A6, #8E0293, #7D0080 and #6C006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B026B9 shade: #B126BA, #BA269B, #BA2673, #BA264B and #BA2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B026B9 shade: #B126BA, #8926BA, #6126BA, #3926BA and #2626BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B026B9 shade matches the following richer shades: #B126BA, #C114CC and #D102DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B026B9 shade: #B126BA, #A138A8, #914A96, #815D84 and #716F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B026B9 shade: #6126BA, #8926BA, #B026BA, #BA269D and #BA2675

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B026B9 shade: #701876, #911F98, #B126BA, #CC34D5 and #D456DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B026B9 shade: #B026B9, #BA3A26 and #26BA75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B026B9 shade: #B026B9, #BAB026 and #26BAB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B026B9 shade: #B026B9, #BA3A26, #30BA26 and #26A7BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B026B9 shade: #B026B9, #BA6626, #30BA26 and #267ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 79 / 0 / 27

HEX #B026B9

RGB 176 38 185

HSL 296.33, 0.66%, 0.44%

LAB 44.4, 69.76, -47.2

 

Complementary color

CMYK 64 / 0 / 68 / 15

HEX #4FD946

RGB 79 217 70

HSL 116.33, 0.66%, 0.56%

LAB 77.12, -64.22, 59.02

 

CMYK 0 / 79 / 1 / 29

HEX #B526B4

RGB 181 38 180

HSL 300.42, 0.65%, 0.43%

LAB 44.95, 69.93, -43.34

 

CMYK 1 / 72 / 0 / 22

HEX #C638C7

RGB 198 56 199

HSL 299.58, 0.56%, 0.5%

LAB 50.64, 71.19, -45.2

 

CMYK 1 / 66 / 0 / 15

HEX #D74ADA

RGB 215 74 218

HSL 298.75, 0.66%, 0.57%

LAB 56.49, 71.75, -46.61

 

CMYK 2 / 61 / 0 / 7

HEX #E85CED

RGB 232 92 237

HSL 297.93, 0.8%, 0.65%

LAB 62.44, 71.84, -47.69

 

CMYK 2 / 57 / 0 / 0

HEX #F96EFF

RGB 249 110 255

HSL 297.52, 1%, 0.72%

LAB 68.4, 71.47, -48.07

 

CMYK 5 / 79 / 0 / 27

HEX #B026B9

RGB 176 38 185

HSL 296.33, 0.66%, 0.44%

LAB 44.4, 69.76, -47.2

 

CMYK 4 / 88 / 0 / 35

HEX #9F14A6

RGB 159 20 166

HSL 297.12, 0.78%, 0.36%

LAB 38.94, 67.51, -44.84

 

CMYK 3 / 99 / 0 / 42

HEX #8E0293

RGB 142 2 147

HSL 297.93, 0.97%, 0.29%

LAB 33.78, 64.06, -41.76

 

CMYK 2 / 100 / 0 / 50

HEX #7D0080

RGB 125 0 128

HSL 298.59, 1%, 0.25%

LAB 29.21, 58.42, -37.45

 

CMYK 1 / 100 / 0 / 57

HEX #6C006D

RGB 108 0 109

HSL 299.45, 1%, 0.21%

LAB 24.62, 52.36, -32.86

 

CMYK 5 / 80 / 0 / 27

HEX #B126BA

RGB 177 38 186

HSL 296.35, 0.66%, 0.44%

LAB 44.63, 70.12, -47.42

 

CMYK 0 / 80 / 17 / 27

HEX #BA269B

RGB 186 38 155

HSL 312.57, 0.66%, 0.44%

LAB 44.51, 67.31, -29.11

 

CMYK 0 / 80 / 38 / 27

HEX #BA2673

RGB 186 38 115

HSL 328.78, 0.66%, 0.44%

LAB 42.86, 62.49, -7.21

 

CMYK 0 / 80 / 60 / 27

HEX #BA264B

RGB 186 38 75

HSL 345, 0.66%, 0.44%

LAB 41.74, 59.1, 16.26

 

CMYK 0 / 80 / 80 / 27

HEX #BA2626

RGB 186 38 38

HSL 0, 0.66%, 0.44%

LAB 41.16, 57.29, 38.01

 

CMYK 5 / 80 / 0 / 27

HEX #B126BA

RGB 177 38 186

HSL 296.35, 0.66%, 0.44%

LAB 44.63, 70.12, -47.42

 

CMYK 26 / 80 / 0 / 27

HEX #8926BA

RGB 137 38 186

HSL 280.14, 0.66%, 0.44%

LAB 38.29, 62.77, -57.96

 

CMYK 48 / 80 / 0 / 27

HEX #6126BA

RGB 97 38 186

HSL 263.92, 0.66%, 0.44%

LAB 32.86, 56.48, -67.05

 

CMYK 69 / 80 / 0 / 27

HEX #3926BA

RGB 57 38 186

HSL 247.7, 0.66%, 0.44%

LAB 28.91, 51.89, -73.71

 

CMYK 80 / 80 / 0 / 27

HEX #2626BA

RGB 38 38 186

HSL 240, 0.66%, 0.44%

LAB 27.69, 50.48, -75.76

 

CMYK 5 / 80 / 0 / 27

HEX #B126BA

RGB 177 38 186

HSL 296.35, 0.66%, 0.44%

LAB 44.63, 70.12, -47.42

 

CMYK 5 / 90 / 0 / 20

HEX #C114CC

RGB 193 20 204

HSL 296.41, 0.82%, 0.44%

LAB 47.23, 79.37, -53.58

 

CMYK 6 / 99 / 0 / 13

HEX #D102DF

RGB 209 2 223

HSL 296.2, 0.98%, 0.44%

LAB 50.6, 86.48, -58.91

 

CMYK 5 / 80 / 0 / 27

HEX #B126BA

RGB 177 38 186

HSL 296.35, 0.66%, 0.44%

LAB 44.63, 70.12, -47.42

 

CMYK 4 / 67 / 0 / 34

HEX #A138A8

RGB 161 56 168

HSL 296.25, 0.5%, 0.44%

LAB 43.11, 57.6, -39.36

 

CMYK 3 / 51 / 0 / 41

HEX #914A96

RGB 145 74 150

HSL 296.05, 0.34%, 0.44%

LAB 42.94, 41.49, -29.02

 

CMYK 2 / 30 / 0 / 48

HEX #815D84

RGB 129 93 132

HSL 295.38, 0.17%, 0.44%

LAB 44.46, 21.82, -15.99

 

CMYK 1 / 3 / 0 / 55

HEX #716F72

RGB 113 111 114

HSL 280, 0.01%, 0.44%

LAB 47.1, 1.38, -1.4

 

CMYK 48 / 80 / 0 / 27

HEX #6126BA

RGB 97 38 186

HSL 263.92, 0.66%, 0.44%

LAB 32.86, 56.48, -67.05

 

CMYK 26 / 80 / 0 / 27

HEX #8926BA

RGB 137 38 186

HSL 280.14, 0.66%, 0.44%

LAB 38.29, 62.77, -57.96

 

CMYK 5 / 80 / 0 / 27

HEX #B026BA

RGB 176 38 186

HSL 295.95, 0.66%, 0.44%

LAB 44.46, 69.92, -47.69

 

CMYK 0 / 80 / 16 / 27

HEX #BA269D

RGB 186 38 157

HSL 311.76, 0.66%, 0.44%

LAB 44.6, 67.58, -30.16

 

CMYK 0 / 80 / 37 / 27

HEX #BA2675

RGB 186 38 117

HSL 327.97, 0.66%, 0.44%

LAB 42.93, 62.7, -8.34

 

CMYK 5 / 80 / 0 / 54

HEX #701876

RGB 112 24 118

HSL 296.17, 0.66%, 0.28%

LAB 27.86, 49.16, -33.41

 

CMYK 5 / 80 / 0 / 40

HEX #911F98

RGB 145 31 152

HSL 296.53, 0.66%, 0.36%

LAB 36.49, 59.99, -40.43

 

CMYK 5 / 80 / 0 / 27

HEX #B126BA

RGB 177 38 186

HSL 296.35, 0.66%, 0.44%

LAB 44.63, 70.12, -47.42

 

CMYK 4 / 76 / 0 / 16

HEX #CC34D5

RGB 204 52 213

HSL 296.65, 0.66%, 0.52%

LAB 51.95, 75.92, -51.1

 

CMYK 4 / 61 / 0 / 14

HEX #D456DC

RGB 212 86 220

HSL 296.42, 0.66%, 0.6%

LAB 57.87, 66.63, -45.59

 

CMYK 5 / 79 / 0 / 27

HEX #B026B9

RGB 176 38 185

HSL 296.33, 0.66%, 0.44%

LAB 44.4, 69.76, -47.2

 

CMYK 0 / 69 / 80 / 27

HEX #BA3A26

RGB 186 58 38

HSL 8.11, 0.66%, 0.44%

LAB 43.66, 50.36, 40.54

 

CMYK 80 / 0 / 37 / 27

HEX #26BA75

RGB 38 186 117

HSL 152.03, 0.66%, 0.44%

LAB 67.14, -53.37, 24.58

 

CMYK 5 / 79 / 0 / 27

HEX #B026B9

RGB 176 38 185

HSL 296.33, 0.66%, 0.44%

LAB 44.4, 69.76, -47.2

 

CMYK 0 / 5 / 80 / 27

HEX #BAB026

RGB 186 176 38

HSL 55.95, 0.66%, 0.44%

LAB 70.61, -11.16, 65.69

 

CMYK 80 / 0 / 5 / 27

HEX #26BAB0

RGB 38 186 176

HSL 175.95, 0.66%, 0.44%

LAB 68.51, -38.87, -5.62

 

CMYK 5 / 79 / 0 / 27

HEX #B026B9

RGB 176 38 185

HSL 296.33, 0.66%, 0.44%

LAB 44.4, 69.76, -47.2

 

CMYK 0 / 69 / 80 / 27

HEX #BA3A26

RGB 186 58 38

HSL 8.11, 0.66%, 0.44%

LAB 43.66, 50.36, 40.54

 

CMYK 74 / 0 / 80 / 27

HEX #30BA26

RGB 48 186 38

HSL 115.95, 0.66%, 0.44%

LAB 66.43, -62.31, 59.23

 

CMYK 80 / 10 / 0 / 27

HEX #26A7BA

RGB 38 167 186

HSL 187.7, 0.66%, 0.44%

LAB 63.01, -26.81, -19.42

 

CMYK 5 / 79 / 0 / 27

HEX #B026B9

RGB 176 38 185

HSL 296.33, 0.66%, 0.44%

LAB 44.4, 69.76, -47.2

 

CMYK 0 / 45 / 80 / 27

HEX #BA6626

RGB 186 102 38

HSL 25.95, 0.66%, 0.44%

LAB 51.93, 29.05, 48.62

 

CMYK 74 / 0 / 80 / 27

HEX #30BA26

RGB 48 186 38

HSL 115.95, 0.66%, 0.44%

LAB 66.43, -62.31, 59.23

 

CMYK 80 / 34 / 0 / 27

HEX #267ABA

RGB 38 122 186

HSL 205.95, 0.66%, 0.44%

LAB 49.35, -2.05, -40.63

 

Description

Color code: HEX #B026B9 | qconv.com Color code: HEX #B026B9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 38 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 38 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 79 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 79% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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