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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B020B3 it is the complementary color #4FDF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B020B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B020B3 shade: #B520AE, #C632C1, #D744D4, #E856E7 and #F968FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B020B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B020B3 shade: #B020B3, #9F0EA0, #8E008D, #7D007A and #6C0067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B020B3 shade: #AF1FB2, #B21F8D, #B21F66, #B21F3E and #B21F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B020B3 shade: #AF1FB2, #871FB2, #601FB2, #381FB2 and #1F1FB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B020B3 shade matches the following richer shades: #AF1FB2 and #BF0EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B020B3 shade: #AF1FB2, #9F30A1, #8E4190, #7E527F and #6E636E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B020B3 shade: #5F1FB2, #861FB2, #AD1FB2, #B21F90 and #B21F69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B020B3 shade: #6A136C, #8C198F, #AF1FB2, #D126D5 and #DB45DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B020B3 shade: #B020B3, #B2381F and #1FB272

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B020B3 shade: #B020B3, #B2AD1F and #1FB2AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B020B3 shade: #B020B3, #B2381F, #24B21F and #1F99B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B020B3 shade: #B020B3, #B2641F, #24B21F and #1F6DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 82 / 0 / 30

HEX #B020B3

RGB 176 32 179

HSL 298.78, 0.7%, 0.41%

LAB 43.53, 70.27, -45.06

 

Complementary color

CMYK 65 / 0 / 66 / 13

HEX #4FDF4C

RGB 79 223 76

HSL 118.78, 0.7%, 0.59%

LAB 79.02, -65.69, 58.69

 

CMYK 0 / 82 / 4 / 29

HEX #B520AE

RGB 181 32 174

HSL 302.82, 0.7%, 0.42%

LAB 44.11, 70.46, -41.14

 

CMYK 0 / 75 / 3 / 22

HEX #C632C1

RGB 198 50 193

HSL 302.03, 0.6%, 0.49%

LAB 49.66, 72.1, -43.28

 

CMYK 0 / 68 / 1 / 16

HEX #D744D4

RGB 215 68 212

HSL 301.22, 0.65%, 0.55%

LAB 55.42, 72.94, -44.91

 

CMYK 0 / 63 / 0 / 9

HEX #E856E7

RGB 232 86 231

HSL 300.41, 0.76%, 0.62%

LAB 61.29, 73.23, -46.17

 

CMYK 0 / 58 / 0 / 2

HEX #F968FA

RGB 249 104 250

HSL 299.59, 0.94%, 0.69%

LAB 67.23, 73.16, -47.16

 

CMYK 2 / 82 / 0 / 30

HEX #B020B3

RGB 176 32 179

HSL 298.78, 0.7%, 0.41%

LAB 43.53, 70.27, -45.06

 

CMYK 1 / 91 / 0 / 37

HEX #9F0EA0

RGB 159 14 160

HSL 299.59, 0.84%, 0.34%

LAB 38.24, 67.52, -42.35

 

CMYK 0 / 100 / 1 / 44

HEX #8E008D

RGB 142 0 141

HSL 300.42, 1%, 0.28%

LAB 33.29, 63.39, -38.83

 

CMYK 0 / 100 / 2 / 51

HEX #7D007A

RGB 125 0 122

HSL 301.44, 1%, 0.25%

LAB 28.81, 57.47, -34.29

 

CMYK 0 / 100 / 5 / 58

HEX #6C0067

RGB 108 0 103

HSL 302.78, 1%, 0.21%

LAB 24.22, 51.4, -29.6

 

CMYK 2 / 83 / 0 / 30

HEX #AF1FB2

RGB 175 31 178

HSL 298.78, 0.7%, 0.41%

LAB 43.22, 70.15, -44.97

 

CMYK 0 / 83 / 21 / 30

HEX #B21F8D

RGB 178 31 141

HSL 315.1, 0.7%, 0.41%

LAB 41.8, 65.4, -24.97

 

CMYK 0 / 83 / 43 / 30

HEX #B21F66

RGB 178 31 102

HSL 331.02, 0.7%, 0.41%

LAB 40.25, 60.99, -3.11

 

CMYK 0 / 83 / 65 / 30

HEX #B21F3E

RGB 178 31 62

HSL 347.35, 0.7%, 0.41%

LAB 39.23, 57.94, 20.84

 

CMYK 0 / 83 / 83 / 30

HEX #B21F1F

RGB 178 31 31

HSL 0, 0.7%, 0.41%

LAB 38.8, 56.64, 39

 

CMYK 2 / 83 / 0 / 30

HEX #AF1FB2

RGB 175 31 178

HSL 298.78, 0.7%, 0.41%

LAB 43.22, 70.15, -44.97

 

CMYK 24 / 83 / 0 / 30

HEX #871FB2

RGB 135 31 178

HSL 282.45, 0.7%, 0.41%

LAB 36.64, 62.96, -55.91

 

CMYK 46 / 83 / 0 / 30

HEX #601FB2

RGB 96 31 178

HSL 266.53, 0.7%, 0.41%

LAB 31.07, 57.02, -65.24

 

CMYK 69 / 83 / 0 / 30

HEX #381FB2

RGB 56 31 178

HSL 250.2, 0.7%, 0.41%

LAB 26.83, 52.64, -72.38

 

CMYK 83 / 83 / 0 / 30

HEX #1F1FB2

RGB 31 31 178

HSL 240, 0.7%, 0.41%

LAB 25.22, 51.01, -75.11

 

CMYK 2 / 83 / 0 / 30

HEX #AF1FB2

RGB 175 31 178

HSL 298.78, 0.7%, 0.41%

LAB 43.22, 70.15, -44.97

 

CMYK 2 / 93 / 0 / 24

HEX #BF0EC3

RGB 191 14 195

HSL 298.67, 0.87%, 0.41%

LAB 46.08, 78.39, -50.22

 

CMYK 2 / 83 / 0 / 30

HEX #AF1FB2

RGB 175 31 178

HSL 298.78, 0.7%, 0.41%

LAB 43.22, 70.15, -44.97

 

CMYK 1 / 70 / 0 / 37

HEX #9F30A1

RGB 159 48 161

HSL 298.94, 0.54%, 0.41%

LAB 41.31, 58.99, -38.06

 

CMYK 1 / 55 / 0 / 44

HEX #8E4190

RGB 142 65 144

HSL 298.48, 0.38%, 0.41%

LAB 40.48, 44.09, -29.28

 

CMYK 1 / 35 / 0 / 50

HEX #7E527F

RGB 126 82 127

HSL 298.67, 0.22%, 0.41%

LAB 41.22, 26.25, -17.95

 

CMYK 0 / 10 / 0 / 57

HEX #6E636E

RGB 110 99 110

HSL 300, 0.05%, 0.41%

LAB 43.31, 6.57, -4.61

 

CMYK 47 / 83 / 0 / 30

HEX #5F1FB2

RGB 95 31 178

HSL 266.12, 0.7%, 0.41%

LAB 30.94, 56.89, -65.46

 

CMYK 25 / 83 / 0 / 30

HEX #861FB2

RGB 134 31 178

HSL 282.04, 0.7%, 0.41%

LAB 36.49, 62.79, -56.17

 

CMYK 3 / 83 / 0 / 30

HEX #AD1FB2

RGB 173 31 178

HSL 297.96, 0.7%, 0.41%

LAB 42.88, 69.77, -45.54

 

CMYK 0 / 83 / 19 / 30

HEX #B21F90

RGB 178 31 144

HSL 313.88, 0.7%, 0.41%

LAB 41.94, 65.8, -26.58

 

CMYK 0 / 83 / 41 / 30

HEX #B21F69

RGB 178 31 105

HSL 329.8, 0.7%, 0.41%

LAB 40.35, 61.28, -4.85

 

CMYK 2 / 82 / 0 / 58

HEX #6A136C

RGB 106 19 108

HSL 298.65, 0.7%, 0.25%

LAB 25.6, 47.59, -30.66

 

CMYK 2 / 83 / 0 / 44

HEX #8C198F

RGB 140 25 143

HSL 298.47, 0.7%, 0.33%

LAB 34.51, 59.07, -38.15

 

CMYK 2 / 83 / 0 / 30

HEX #AF1FB2

RGB 175 31 178

HSL 298.78, 0.7%, 0.41%

LAB 43.22, 70.15, -44.97

 

CMYK 2 / 82 / 0 / 16

HEX #D126D5

RGB 209 38 213

HSL 298.63, 0.7%, 0.49%

LAB 51.55, 80.38, -51.69

 

CMYK 1 / 69 / 0 / 13

HEX #DB45DE

RGB 219 69 222

HSL 298.82, 0.7%, 0.57%

LAB 56.67, 75.08, -48.54

 

CMYK 2 / 82 / 0 / 30

HEX #B020B3

RGB 176 32 179

HSL 298.78, 0.7%, 0.41%

LAB 43.53, 70.27, -45.06

 

CMYK 0 / 69 / 83 / 30

HEX #B2381F

RGB 178 56 31

HSL 10.2, 0.7%, 0.41%

LAB 41.83, 48.22, 41.88

 

CMYK 83 / 0 / 36 / 30

HEX #1FB272

RGB 31 178 114

HSL 153.88, 0.7%, 0.41%

LAB 64.44, -51.72, 22.54

 

CMYK 2 / 82 / 0 / 30

HEX #B020B3

RGB 176 32 179

HSL 298.78, 0.7%, 0.41%

LAB 43.53, 70.27, -45.06

 

CMYK 0 / 3 / 83 / 30

HEX #B2AD1F

RGB 178 173 31

HSL 57.96, 0.7%, 0.41%

LAB 69.08, -13.34, 66.02

 

CMYK 83 / 0 / 3 / 30

HEX #1FB2AD

RGB 31 178 173

HSL 177.96, 0.7%, 0.41%

LAB 65.86, -36.71, -7.89

 

CMYK 2 / 82 / 0 / 30

HEX #B020B3

RGB 176 32 179

HSL 298.78, 0.7%, 0.41%

LAB 43.53, 70.27, -45.06

 

CMYK 0 / 69 / 83 / 30

HEX #B2381F

RGB 178 56 31

HSL 10.2, 0.7%, 0.41%

LAB 41.83, 48.22, 41.88

 

CMYK 80 / 0 / 83 / 30

HEX #24B21F

RGB 36 178 31

HSL 117.96, 0.7%, 0.41%

LAB 63.6, -61.98, 58.51

 

CMYK 83 / 14 / 0 / 30

HEX #1F99B2

RGB 31 153 178

HSL 190.2, 0.7%, 0.41%

LAB 58.31, -22.94, -22.1

 

CMYK 2 / 82 / 0 / 30

HEX #B020B3

RGB 176 32 179

HSL 298.78, 0.7%, 0.41%

LAB 43.53, 70.27, -45.06

 

CMYK 0 / 44 / 83 / 30

HEX #B2641F

RGB 178 100 31

HSL 28.16, 0.7%, 0.41%

LAB 50.31, 26.51, 49.66

 

CMYK 80 / 0 / 83 / 30

HEX #24B21F

RGB 36 178 31

HSL 117.96, 0.7%, 0.41%

LAB 63.6, -61.98, 58.51

 

CMYK 83 / 39 / 0 / 30

HEX #1F6DB2

RGB 31 109 178

HSL 208.16, 0.7%, 0.41%

LAB 44.86, 2.16, -43.12

 

Description

Color code: HEX #B020B3 | qconv.com Color code: HEX #B020B3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 32 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 32 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 82 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 82% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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