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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B01BDF it is the complementary color #4FE420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B01BDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B01BDF shade: #B51BDA, #C62DED, #D73FFF, #E851FF and #F963FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B01BDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B01BDF shade: #B01BDF, #9F09CC, #8E00B9, #7D00A6 and #6C0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B01BDF shade: #B01BDE, #DE1BD9, #DE1BA4, #DE1B6F and #DE1B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B01BDF shade: #B01BDE, #7B1BDE, #471BDE and #1B1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B01BDF shade matches the following richer shades: #B01BDE and #BA07F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B01BDF shade: #B01BDE, #A530CA, #9B44B6, #9058A2 and #866C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B01BDF shade: #461BDE, #7A1BDE, #AE1BDE, #DE1BDB and #DE1BA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B01BDF shade: #761295, #9317BA, #B01BDE, #BE3CE7 and #CA61EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B01BDF shade: #B01BDF, #DE1B25 and #1BDE60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B01BDF shade: #B01BDF, #DEAE1B and #1BDEAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B01BDF shade: #B01BDF, #DE1B25, #4CDE1B and #1BDED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B01BDF shade: #B01BDF, #DE4C1B, #4CDE1B and #1BAEDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 88 / 0 / 13

HEX #B01BDF

RGB 176 27 223

HSL 285.61, 0.78%, 0.49%

LAB 46.1, 78.77, -66.45

 

Complementary color

CMYK 65 / 0 / 86 / 11

HEX #4FE420

RGB 79 228 32

HSL 105.61, 0.78%, 0.51%

LAB 80.32, -70.16, 73.57

 

CMYK 17 / 88 / 0 / 15

HEX #B51BDA

RGB 181 27 218

HSL 288.38, 0.78%, 0.48%

LAB 46.54, 78.65, -62.85

 

CMYK 16 / 81 / 0 / 7

HEX #C62DED

RGB 198 45 237

HSL 287.81, 0.84%, 0.55%

LAB 51.83, 80.78, -64.93

 

CMYK 16 / 75 / 0 / 0

HEX #D73FFF

RGB 215 63 255

HSL 287.5, 1%, 0.62%

LAB 57.29, 81.85, -66.05

 

CMYK 9 / 68 / 0 / 0

HEX #E851FF

RGB 232 81 255

HSL 292.07, 1%, 0.66%

LAB 61.88, 79.12, -58.56

 

CMYK 2 / 61 / 0 / 0

HEX #F963FF

RGB 249 99 255

HSL 297.69, 1%, 0.69%

LAB 66.74, 76.03, -50.69

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDF

RGB 176 27 223

HSL 285.61, 0.78%, 0.49%

LAB 46.1, 78.77, -66.45

 

CMYK 22 / 96 / 0 / 20

HEX #9F09CC

RGB 159 9 204

HSL 286.15, 0.92%, 0.42%

LAB 41.1, 75.5, -63.77

 

CMYK 23 / 100 / 0 / 27

HEX #8E00B9

RGB 142 0 185

HSL 286.05, 1%, 0.36%

LAB 36.47, 70.8, -60.3

 

CMYK 25 / 100 / 0 / 35

HEX #7D00A6

RGB 125 0 166

HSL 285.18, 1%, 0.33%

LAB 32.06, 65.06, -56.24

 

CMYK 27 / 100 / 0 / 42

HEX #6C0093

RGB 108 0 147

HSL 284.08, 1%, 0.29%

LAB 27.56, 59.19, -52.12

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDE

RGB 176 27 222

HSL 285.85, 0.78%, 0.49%

LAB 46.03, 78.59, -66

 

CMYK 0 / 88 / 2 / 13

HEX #DE1BD9

RGB 222 27 217

HSL 301.54, 0.78%, 0.49%

LAB 53.3, 85.24, -51.04

 

CMYK 0 / 88 / 26 / 13

HEX #DE1BA4

RGB 222 27 164

HSL 317.85, 0.78%, 0.49%

LAB 50.68, 78.38, -24.38

 

CMYK 0 / 88 / 50 / 13

HEX #DE1B6F

RGB 222 27 111

HSL 334.15, 0.78%, 0.49%

LAB 48.84, 73.32, 4.84

 

CMYK 0 / 88 / 73 / 13

HEX #DE1B3B

RGB 222 27 59

HSL 350.15, 0.78%, 0.49%

LAB 47.79, 70.35, 35.18

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDE

RGB 176 27 222

HSL 285.85, 0.78%, 0.49%

LAB 46.03, 78.59, -66

 

CMYK 45 / 88 / 0 / 13

HEX #7B1BDE

RGB 123 27 222

HSL 269.54, 0.78%, 0.49%

LAB 38.32, 71.66, -78.91

 

CMYK 68 / 88 / 0 / 13

HEX #471BDE

RGB 71 27 222

HSL 253.54, 0.78%, 0.49%

LAB 32.69, 67.19, -88.4

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDE

RGB 176 27 222

HSL 285.85, 0.78%, 0.49%

LAB 46.03, 78.59, -66

 

CMYK 23 / 97 / 0 / 5

HEX #BA07F3

RGB 186 7 243

HSL 285.51, 0.94%, 0.49%

LAB 48.34, 86.12, -74.06

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDE

RGB 176 27 222

HSL 285.85, 0.78%, 0.49%

LAB 46.03, 78.59, -66

 

CMYK 18 / 76 / 0 / 21

HEX #A530CA

RGB 165 48 202

HSL 285.58, 0.62%, 0.49%

LAB 44.77, 67.7, -56.62

 

CMYK 15 / 63 / 0 / 29

HEX #9B44B6

RGB 155 68 182

HSL 285.79, 0.46%, 0.49%

LAB 44.91, 53.59, -44.81

 

CMYK 11 / 46 / 0 / 36

HEX #9058A2

RGB 144 88 162

HSL 285.41, 0.3%, 0.49%

LAB 46.33, 36.03, -30.88

 

CMYK 6 / 24 / 0 / 44

HEX #866C8E

RGB 134 108 142

HSL 285.88, 0.14%, 0.49%

LAB 49.19, 16.8, -14.73

 

CMYK 68 / 88 / 0 / 13

HEX #461BDE

RGB 70 27 222

HSL 253.23, 0.78%, 0.49%

LAB 32.61, 67.13, -88.54

 

CMYK 45 / 88 / 0 / 13

HEX #7A1BDE

RGB 122 27 222

HSL 269.23, 0.78%, 0.49%

LAB 38.19, 71.56, -79.13

 

CMYK 22 / 88 / 0 / 13

HEX #AE1BDE

RGB 174 27 222

HSL 285.23, 0.78%, 0.49%

LAB 45.71, 78.3, -66.52

 

CMYK 0 / 88 / 1 / 13

HEX #DE1BDB

RGB 222 27 219

HSL 300.92, 0.78%, 0.49%

LAB 53.41, 85.53, -52

 

CMYK 0 / 88 / 25 / 13

HEX #DE1BA7

RGB 222 27 167

HSL 316.92, 0.78%, 0.49%

LAB 50.81, 78.73, -25.96

 

CMYK 21 / 88 / 0 / 42

HEX #761295

RGB 118 18 149

HSL 285.8, 0.78%, 0.33%

LAB 30.53, 57.79, -48.44

 

CMYK 21 / 88 / 0 / 27

HEX #9317BA

RGB 147 23 186

HSL 285.64, 0.78%, 0.41%

LAB 38.48, 68.4, -57.57

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDE

RGB 176 27 222

HSL 285.85, 0.78%, 0.49%

LAB 46.03, 78.59, -66

 

CMYK 18 / 74 / 0 / 9

HEX #BE3CE7

RGB 190 60 231

HSL 285.61, 0.78%, 0.57%

LAB 51.78, 73.83, -61.7

 

CMYK 14 / 59 / 0 / 8

HEX #CA61EB

RGB 202 97 235

HSL 285.65, 0.78%, 0.65%

LAB 59.07, 62.11, -52.18

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDF

RGB 176 27 223

HSL 285.61, 0.78%, 0.49%

LAB 46.1, 78.77, -66.45

 

CMYK 0 / 88 / 83 / 13

HEX #DE1B25

RGB 222 27 37

HSL 356.92, 0.78%, 0.49%

LAB 47.56, 69.67, 47.23

 

CMYK 88 / 0 / 57 / 13

HEX #1BDE60

RGB 27 222 96

HSL 141.23, 0.78%, 0.49%

LAB 78.06, -70.06, 48.78

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDF

RGB 176 27 223

HSL 285.61, 0.78%, 0.49%

LAB 46.1, 78.77, -66.45

 

CMYK 0 / 22 / 88 / 13

HEX #DEAE1B

RGB 222 174 27

HSL 45.23, 0.78%, 0.49%

LAB 73.47, 5.38, 72.28

 

CMYK 88 / 0 / 22 / 13

HEX #1BDEAE

RGB 27 222 174

HSL 165.23, 0.78%, 0.49%

LAB 79.35, -55.3, 11.17

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDF

RGB 176 27 223

HSL 285.61, 0.78%, 0.49%

LAB 46.1, 78.77, -66.45

 

CMYK 0 / 88 / 83 / 13

HEX #DE1B25

RGB 222 27 37

HSL 356.92, 0.78%, 0.49%

LAB 47.56, 69.67, 47.23

 

CMYK 66 / 0 / 88 / 13

HEX #4CDE1B

RGB 76 222 27

HSL 104.92, 0.78%, 0.49%

LAB 78.38, -69.04, 72.82

 

CMYK 88 / 0 / 4 / 13

HEX #1BDED5

RGB 27 222 213

HSL 177.23, 0.78%, 0.49%

LAB 80.34, -45.03, -8.12

 

CMYK 21 / 88 / 0 / 13

HEX #B01BDF

RGB 176 27 223

HSL 285.61, 0.78%, 0.49%

LAB 46.1, 78.77, -66.45

 

CMYK 0 / 66 / 88 / 13

HEX #DE4C1B

RGB 222 76 27

HSL 15.08, 0.78%, 0.49%

LAB 52.71, 54.95, 56.02

 

CMYK 66 / 0 / 88 / 13

HEX #4CDE1B

RGB 76 222 27

HSL 104.92, 0.78%, 0.49%

LAB 78.38, -69.04, 72.82

 

CMYK 88 / 22 / 0 / 13

HEX #1BAEDE

RGB 27 174 222

HSL 194.77, 0.78%, 0.49%

LAB 66.35, -19.23, -34.25

 

Description

Color code: HEX #B01BDF | qconv.com Color code: HEX #B01BDF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 27 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 27 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 88 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 88% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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