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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B019C7 it is the complementary color #4FE638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B019C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B019C7 shade: #B519C2, #C62BD5, #D73DE8, #E84FFB and #F961FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B019C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B019C7 shade: #B019C7, #9F07B4, #8E00A1, #7D008E and #6C007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B019C7 shade: #B119C8, #C819B0, #C81980, #C81951 and #C81922

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B019C7 shade: #B119C8, #8119C8, #5219C8, #2319C8 and #1919C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B019C7 shade matches the following richer shades: #B119C8 and #BE07DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B019C7 shade: #B119C8, #A32BB6, #963DA3, #894F91 and #7B617F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B019C7 shade: #5319C8, #8219C8, #B019C8, #C819B0 and #C81982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B019C7 shade: #70107E, #9014A3, #B119C8, #CB26E4 and #D44AE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B019C7 shade: #B019C7, #C82419 and #19C86A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B019C7 shade: #B019C7, #C8B019 and #19C8B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B019C7 shade: #B019C7, #C82419, #30C819 and #19BCC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B019C7 shade: #B019C7, #C85919, #30C819 and #1988C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 87 / 0 / 22

HEX #B019C7

RGB 176 25 199

HSL 292.07, 0.78%, 0.44%

LAB 44.3, 74.97, -55.54

 

Complementary color

CMYK 66 / 0 / 76 / 10

HEX #4FE638

RGB 79 230 56

HSL 112.07, 0.78%, 0.56%

LAB 81.04, -69.59, 67.97

 

CMYK 7 / 87 / 0 / 24

HEX #B519C2

RGB 181 25 194

HSL 295.38, 0.77%, 0.43%

LAB 44.82, 74.99, -51.75

 

CMYK 7 / 80 / 0 / 16

HEX #C62BD5

RGB 198 43 213

HSL 294.71, 0.67%, 0.5%

LAB 50.14, 77.21, -54.04

 

CMYK 7 / 74 / 0 / 9

HEX #D73DE8

RGB 215 61 232

HSL 294.04, 0.79%, 0.57%

LAB 55.7, 78.51, -55.77

 

CMYK 8 / 69 / 0 / 2

HEX #E84FFB

RGB 232 79 251

HSL 293.37, 0.96%, 0.65%

LAB 61.41, 79.16, -57.1

 

CMYK 2 / 62 / 0 / 0

HEX #F961FF

RGB 249 97 255

HSL 297.72, 1%, 0.69%

LAB 66.45, 76.82, -51.14

 

CMYK 12 / 87 / 0 / 22

HEX #B019C7

RGB 176 25 199

HSL 292.07, 0.78%, 0.44%

LAB 44.3, 74.97, -55.54

 

CMYK 12 / 96 / 0 / 29

HEX #9F07B4

RGB 159 7 180

HSL 292.72, 0.93%, 0.37%

LAB 39.27, 71.57, -52.65

 

CMYK 12 / 100 / 0 / 37

HEX #8E00A1

RGB 142 0 161

HSL 292.92, 1%, 0.32%

LAB 34.65, 66.61, -48.89

 

CMYK 12 / 100 / 0 / 44

HEX #7D008E

RGB 125 0 142

HSL 292.82, 1%, 0.28%

LAB 30.19, 60.75, -44.61

 

CMYK 12 / 100 / 0 / 52

HEX #6C007B

RGB 108 0 123

HSL 292.68, 1%, 0.24%

LAB 25.62, 54.75, -40.23

 

CMYK 12 / 88 / 0 / 22

HEX #B119C8

RGB 177 25 200

HSL 292.11, 0.78%, 0.44%

LAB 44.54, 75.31, -55.74

 

CMYK 0 / 88 / 12 / 22

HEX #C819B0

RGB 200 25 176

HSL 308.23, 0.78%, 0.44%

LAB 47.12, 75.79, -37.34

 

CMYK 0 / 88 / 36 / 22

HEX #C81980

RGB 200 25 128

HSL 324.69, 0.78%, 0.44%

LAB 44.99, 70.06, -11.76

 

CMYK 0 / 88 / 60 / 22

HEX #C81951

RGB 200 25 81

HSL 340.8, 0.78%, 0.44%

LAB 43.61, 66.19, 15.48

 

CMYK 0 / 88 / 83 / 22

HEX #C81922

RGB 200 25 34

HSL 356.91, 0.78%, 0.44%

LAB 42.9, 64.14, 42.86

 

CMYK 12 / 88 / 0 / 22

HEX #B119C8

RGB 177 25 200

HSL 292.11, 0.78%, 0.44%

LAB 44.54, 75.31, -55.74

 

CMYK 36 / 88 / 0 / 22

HEX #8119C8

RGB 129 25 200

HSL 275.66, 0.78%, 0.44%

LAB 36.99, 68.13, -68.34

 

CMYK 59 / 88 / 0 / 22

HEX #5219C8

RGB 82 25 200

HSL 259.54, 0.78%, 0.44%

LAB 31.02, 62.97, -78.39

 

CMYK 83 / 88 / 0 / 22

HEX #2319C8

RGB 35 25 200

HSL 243.43, 0.78%, 0.44%

LAB 27.36, 60.16, -84.57

 

CMYK 88 / 88 / 0 / 22

HEX #1919C8

RGB 25 25 200

HSL 240, 0.78%, 0.44%

LAB 26.94, 59.86, -85.28

 

CMYK 12 / 88 / 0 / 22

HEX #B119C8

RGB 177 25 200

HSL 292.11, 0.78%, 0.44%

LAB 44.54, 75.31, -55.74

 

CMYK 13 / 97 / 0 / 15

HEX #BE07DA

RGB 190 7 218

HSL 292.04, 0.94%, 0.44%

LAB 47.19, 82.47, -61.73

 

CMYK 12 / 88 / 0 / 22

HEX #B119C8

RGB 177 25 200

HSL 292.11, 0.78%, 0.44%

LAB 44.54, 75.31, -55.74

 

CMYK 10 / 76 / 0 / 29

HEX #A32BB6

RGB 163 43 182

HSL 291.8, 0.62%, 0.44%

LAB 42.6, 65.24, -48.44

 

CMYK 8 / 63 / 0 / 36

HEX #963DA3

RGB 150 61 163

HSL 292.35, 0.46%, 0.44%

LAB 41.95, 51.81, -38.33

 

CMYK 6 / 46 / 0 / 43

HEX #894F91

RGB 137 79 145

HSL 292.73, 0.29%, 0.44%

LAB 42.69, 35.32, -26.48

 

CMYK 3 / 24 / 0 / 50

HEX #7B617F

RGB 123 97 127

HSL 292, 0.13%, 0.44%

LAB 44.65, 16.22, -12.75

 

CMYK 59 / 88 / 0 / 22

HEX #5319C8

RGB 83 25 200

HSL 259.89, 0.78%, 0.44%

LAB 31.12, 63.06, -78.21

 

CMYK 35 / 88 / 0 / 22

HEX #8219C8

RGB 130 25 200

HSL 276, 0.78%, 0.44%

LAB 37.14, 68.26, -68.1

 

CMYK 12 / 88 / 0 / 22

HEX #B019C8

RGB 176 25 200

HSL 291.77, 0.78%, 0.44%

LAB 44.37, 75.14, -56.01

 

CMYK 0 / 88 / 12 / 22

HEX #C819B0

RGB 200 25 176

HSL 308.23, 0.78%, 0.44%

LAB 47.12, 75.79, -37.34

 

CMYK 0 / 88 / 35 / 22

HEX #C81982

RGB 200 25 130

HSL 324, 0.78%, 0.44%

LAB 45.06, 70.27, -12.87

 

CMYK 11 / 87 / 0 / 51

HEX #70107E

RGB 112 16 126

HSL 292.36, 0.77%, 0.28%

LAB 27.63, 52.85, -38.85

 

CMYK 12 / 88 / 0 / 36

HEX #9014A3

RGB 144 20 163

HSL 292.03, 0.78%, 0.36%

LAB 36.13, 64.36, -47.69

 

CMYK 12 / 88 / 0 / 22

HEX #B119C8

RGB 177 25 200

HSL 292.11, 0.78%, 0.44%

LAB 44.54, 75.31, -55.74

 

CMYK 11 / 83 / 0 / 11

HEX #CB26E4

RGB 203 38 228

HSL 292.11, 0.78%, 0.52%

LAB 51.48, 81.72, -60.39

 

CMYK 9 / 68 / 0 / 9

HEX #D44AE9

RGB 212 74 233

HSL 292.08, 0.78%, 0.6%

LAB 56.86, 73.65, -54.5

 

CMYK 12 / 87 / 0 / 22

HEX #B019C7

RGB 176 25 199

HSL 292.07, 0.78%, 0.44%

LAB 44.3, 74.97, -55.54

 

CMYK 0 / 82 / 88 / 22

HEX #C82419

RGB 200 36 25

HSL 3.77, 0.78%, 0.44%

LAB 43.67, 61.55, 48

 

CMYK 88 / 0 / 47 / 22

HEX #19C86A

RGB 25 200 106

HSL 147.77, 0.78%, 0.44%

LAB 71.25, -61.57, 35.61

 

CMYK 12 / 87 / 0 / 22

HEX #B019C7

RGB 176 25 199

HSL 292.07, 0.78%, 0.44%

LAB 44.3, 74.97, -55.54

 

CMYK 0 / 12 / 88 / 22

HEX #C8B019

RGB 200 176 25

HSL 51.77, 0.78%, 0.44%

LAB 71.83, -5.37, 70.5

 

CMYK 88 / 0 / 12 / 22

HEX #19C8B0

RGB 25 200 176

HSL 171.77, 0.78%, 0.44%

LAB 72.66, -45.97, 0.47

 

CMYK 12 / 87 / 0 / 22

HEX #B019C7

RGB 176 25 199

HSL 292.07, 0.78%, 0.44%

LAB 44.3, 74.97, -55.54

 

CMYK 0 / 82 / 88 / 22

HEX #C82419

RGB 200 36 25

HSL 3.77, 0.78%, 0.44%

LAB 43.67, 61.55, 48

 

CMYK 76 / 0 / 88 / 22

HEX #30C819

RGB 48 200 25

HSL 112.11, 0.78%, 0.44%

LAB 70.88, -67.24, 66.49

 

CMYK 88 / 6 / 0 / 22

HEX #19BCC8

RGB 25 188 200

HSL 184.11, 0.78%, 0.44%

LAB 69.71, -33.59, -17.01

 

CMYK 12 / 87 / 0 / 22

HEX #B019C7

RGB 176 25 199

HSL 292.07, 0.78%, 0.44%

LAB 44.3, 74.97, -55.54

 

CMYK 0 / 56 / 88 / 22

HEX #C85919

RGB 200 89 25

HSL 21.94, 0.78%, 0.44%

LAB 51.26, 41.05, 54.06

 

CMYK 76 / 0 / 88 / 22

HEX #30C819

RGB 48 200 25

HSL 112.11, 0.78%, 0.44%

LAB 70.88, -67.24, 66.49

 

CMYK 88 / 32 / 0 / 22

HEX #1988C8

RGB 25 136 200

HSL 201.94, 0.78%, 0.44%

LAB 54.01, -6.22, -41.28

 

Description

Color code: HEX #B019C7 | qconv.com Color code: HEX #B019C7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 25 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 25 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 87 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 87% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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