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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B014B3 it is the complementary color #4FEB4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B014B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B014B3 shade: #B514AE, #C626C1, #D738D4, #E84AE7 and #F95CFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B014B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B014B3 shade: #B014B3, #9F02A0, #8E008D, #7D007A and #6C0067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B014B3 shade: #B014B3, #B3148B, #B31460, #B31435 and #B31414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B014B3 shade: #B014B3, #8514B3, #5A14B3, #2F14B3 and #1414B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B014B3 shade matches the following richer shades: #B014B3 and #BF04C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B014B3 shade: #B014B3, #A124A3, #913493, #824483 and #725473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B014B3 shade: #5914B3, #8314B3, #AE14B3, #B3148E and #B31463

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B014B3 shade: #670C69, #8C108E, #B014B3, #D518D8 and #E531E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B014B3 shade: #B014B3, #B32E14 and #14B36E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B014B3 shade: #B014B3, #B3AE14 and #14B3AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B014B3 shade: #B014B3, #B32E14, #19B314 and #1498B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B014B3 shade: #B014B3, #B35E14, #19B314 and #1469B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

Complementary color

CMYK 66 / 0 / 68 / 8

HEX #4FEB4C

RGB 79 235 76

HSL 118.87, 0.8%, 0.61%

LAB 82.7, -69.67, 62.64

 

CMYK 0 / 89 / 4 / 29

HEX #B514AE

RGB 181 20 174

HSL 302.61, 0.8%, 0.39%

LAB 43.33, 72.73, -42.37

 

CMYK 0 / 81 / 3 / 22

HEX #C626C1

RGB 198 38 193

HSL 301.88, 0.68%, 0.46%

LAB 48.56, 75.27, -45.02

 

CMYK 0 / 74 / 1 / 16

HEX #D738D4

RGB 215 56 212

HSL 301.13, 0.67%, 0.53%

LAB 54.06, 76.81, -47.06

 

CMYK 0 / 68 / 0 / 9

HEX #E84AE7

RGB 232 74 231

HSL 300.38, 0.77%, 0.6%

LAB 59.73, 77.62, -48.64

 

CMYK 0 / 63 / 0 / 2

HEX #F95CFA

RGB 249 92 250

HSL 299.62, 0.94%, 0.67%

LAB 65.51, 77.93, -49.88

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 1 / 99 / 0 / 37

HEX #9F02A0

RGB 159 2 160

HSL 299.62, 0.98%, 0.32%

LAB 37.76, 68.94, -43.12

 

CMYK 0 / 100 / 1 / 44

HEX #8E008D

RGB 142 0 141

HSL 300.42, 1%, 0.28%

LAB 33.29, 63.39, -38.83

 

CMYK 0 / 100 / 2 / 51

HEX #7D007A

RGB 125 0 122

HSL 301.44, 1%, 0.25%

LAB 28.81, 57.47, -34.29

 

CMYK 0 / 100 / 5 / 58

HEX #6C0067

RGB 108 0 103

HSL 302.78, 1%, 0.21%

LAB 24.22, 51.4, -29.6

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 0 / 89 / 22 / 30

HEX #B3148B

RGB 179 20 139

HSL 315.09, 0.8%, 0.39%

LAB 41.13, 67.56, -24.76

 

CMYK 0 / 89 / 46 / 30

HEX #B31460

RGB 179 20 96

HSL 331.32, 0.8%, 0.39%

LAB 39.46, 62.99, -0.46

 

CMYK 0 / 89 / 70 / 30

HEX #B31435

RGB 179 20 53

HSL 347.55, 0.8%, 0.39%

LAB 38.45, 60.12, 25.57

 

CMYK 0 / 89 / 89 / 30

HEX #B31414

RGB 179 20 20

HSL 0, 0.8%, 0.39%

LAB 38.08, 59.07, 44.07

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 26 / 89 / 0 / 30

HEX #8514B3

RGB 133 20 179

HSL 282.64, 0.8%, 0.39%

LAB 35.48, 65.54, -58.41

 

CMYK 50 / 89 / 0 / 30

HEX #5A14B3

RGB 90 20 179

HSL 266.42, 0.8%, 0.39%

LAB 29.23, 60, -68.89

 

CMYK 74 / 89 / 0 / 30

HEX #2F14B3

RGB 47 20 179

HSL 250.19, 0.8%, 0.39%

LAB 24.83, 56.55, -76.33

 

CMYK 89 / 89 / 0 / 30

HEX #1414B3

RGB 20 20 179

HSL 240, 0.8%, 0.39%

LAB 23.35, 55.51, -78.83

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 2 / 98 / 0 / 24

HEX #BF04C3

RGB 191 4 195

HSL 298.74, 0.96%, 0.39%

LAB 45.78, 79.3, -50.71

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 1 / 78 / 0 / 36

HEX #A124A3

RGB 161 36 163

HSL 299.06, 0.64%, 0.39%

LAB 40.38, 63.69, -40.71

 

CMYK 1 / 65 / 0 / 42

HEX #913493

RGB 145 52 147

HSL 298.74, 0.48%, 0.39%

LAB 38.87, 51.54, -33.62

 

CMYK 1 / 48 / 0 / 49

HEX #824483

RGB 130 68 131

HSL 299.05, 0.32%, 0.39%

LAB 38.76, 36.38, -24.17

 

CMYK 1 / 27 / 0 / 55

HEX #725473

RGB 114 84 115

HSL 298.06, 0.16%, 0.39%

LAB 39.84, 18.26, -12.83

 

CMYK 50 / 89 / 0 / 30

HEX #5914B3

RGB 89 20 179

HSL 266.04, 0.8%, 0.39%

LAB 29.1, 59.9, -69.11

 

CMYK 27 / 89 / 0 / 30

HEX #8314B3

RGB 131 20 179

HSL 281.89, 0.8%, 0.39%

LAB 35.16, 65.25, -58.94

 

CMYK 3 / 89 / 0 / 30

HEX #AE14B3

RGB 174 20 179

HSL 298.11, 0.8%, 0.39%

LAB 42.39, 72.24, -46.91

 

CMYK 0 / 89 / 21 / 30

HEX #B3148E

RGB 179 20 142

HSL 313.96, 0.8%, 0.39%

LAB 41.27, 67.93, -26.38

 

CMYK 0 / 89 / 45 / 30

HEX #B31463

RGB 179 20 99

HSL 330.19, 0.8%, 0.39%

LAB 39.55, 63.25, -2.22

 

CMYK 2 / 89 / 0 / 59

HEX #670C69

RGB 103 12 105

HSL 298.71, 0.79%, 0.23%

LAB 24.21, 48.27, -30.96

 

CMYK 1 / 89 / 0 / 44

HEX #8C108E

RGB 140 16 142

HSL 299.05, 0.8%, 0.31%

LAB 33.77, 60.87, -38.71

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 1 / 89 / 0 / 15

HEX #D518D8

RGB 213 24 216

HSL 299.06, 0.8%, 0.47%

LAB 51.56, 83.99, -53.34

 

CMYK 1 / 79 / 0 / 9

HEX #E531E8

RGB 229 49 232

HSL 299.02, 0.8%, 0.55%

LAB 56.76, 84.47, -53.94

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 0 / 74 / 89 / 30

HEX #B32E14

RGB 179 46 20

HSL 9.81, 0.8%, 0.39%

LAB 40.55, 52.1, 45.99

 

CMYK 89 / 0 / 39 / 30

HEX #14B36E

RGB 20 179 110

HSL 153.96, 0.8%, 0.39%

LAB 64.58, -53.82, 24.84

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 0 / 3 / 89 / 30

HEX #B3AE14

RGB 179 174 20

HSL 58.11, 0.8%, 0.39%

LAB 69.4, -13.69, 68.76

 

CMYK 89 / 0 / 3 / 30

HEX #14B3AE

RGB 20 179 174

HSL 178.11, 0.8%, 0.39%

LAB 66.09, -37.61, -8.11

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 0 / 74 / 89 / 30

HEX #B32E14

RGB 179 46 20

HSL 9.81, 0.8%, 0.39%

LAB 40.55, 52.1, 45.99

 

CMYK 86 / 0 / 89 / 30

HEX #19B314

RGB 25 179 20

HSL 118.11, 0.8%, 0.39%

LAB 63.75, -64.01, 61.16

 

CMYK 89 / 15 / 0 / 30

HEX #1498B3

RGB 20 152 179

HSL 190.19, 0.8%, 0.39%

LAB 57.9, -22.88, -23.3

 

CMYK 2 / 89 / 0 / 30

HEX #B014B3

RGB 176 20 179

HSL 298.87, 0.8%, 0.39%

LAB 42.74, 72.59, -46.33

 

CMYK 0 / 47 / 89 / 30

HEX #B35E14

RGB 179 94 20

HSL 27.92, 0.8%, 0.39%

LAB 49.06, 29.89, 52.65

 

CMYK 86 / 0 / 89 / 30

HEX #19B314

RGB 25 179 20

HSL 118.11, 0.8%, 0.39%

LAB 63.75, -64.01, 61.16

 

CMYK 89 / 41 / 0 / 30

HEX #1469B3

RGB 20 105 179

HSL 207.92, 0.8%, 0.39%

LAB 43.52, 4.19, -45.86

 

Description

Color code: HEX #B014B3 | qconv.com Color code: HEX #B014B3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 20 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 20 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 89 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 89% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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