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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B007D9 it is the complementary color #4FF826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B007D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B007D9 shade: #B507D4, #C619E7, #D72BFA, #E83DFF and #F94FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B007D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B007D9 shade: #B007D9, #9F00C6, #8E00B3, #7D00A0 and #6C008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B007D9 shade: #B107DA, #DA07CA, #DA0791, #DA0758 and #DA071F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B007D9 shade: #B107DA, #7807DA, #3F07DA and #0707DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B007D9 shade matches the following richer shades: #B107DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B007D9 shade: #B107DA, #A519C8, #9A2BB5, #8F3DA3 and #844F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B007D9 shade: #3F07DA, #7707DA, #AF07DA, #DA07CC and #DA0793

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B007D9 shade: #70048A, #9005B2, #B107DA, #CB12F8 and #D43AF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B007D9 shade: #B007D9, #DA0707 and #07DA5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B007D9 shade: #B007D9, #DAAF07 and #07DAAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B007D9 shade: #B007D9, #DA0707, #31DA07 and #07DADA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B007D9 shade: #B007D9, #DA4607, #31DA07 and #079ADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 97 / 0 / 15

HEX #B007D9

RGB 176 7 217

HSL 288.29, 0.94%, 0.44%

LAB 44.79, 80.31, -65.15

 

Complementary color

CMYK 68 / 0 / 85 / 3

HEX #4FF826

RGB 79 248 38

HSL 108.29, 0.94%, 0.56%

LAB 86.47, -76.15, 77.74

 

CMYK 15 / 97 / 0 / 17

HEX #B507D4

RGB 181 7 212

HSL 290.93, 0.94%, 0.43%

LAB 45.26, 80.18, -61.47

 

CMYK 14 / 89 / 0 / 9

HEX #C619E7

RGB 198 25 231

HSL 290.39, 0.81%, 0.5%

LAB 50.06, 83.79, -64.41

 

CMYK 14 / 83 / 0 / 2

HEX #D72BFA

RGB 215 43 250

HSL 289.86, 0.95%, 0.57%

LAB 55.15, 86.28, -66.72

 

CMYK 9 / 76 / 0 / 0

HEX #E83DFF

RGB 232 61 255

HSL 292.89, 1%, 0.62%

LAB 59.63, 85.55, -62.16

 

CMYK 2 / 69 / 0 / 0

HEX #F94FFF

RGB 249 79 255

HSL 297.95, 1%, 0.65%

LAB 64.12, 83.36, -54.84

 

CMYK 19 / 97 / 0 / 15

HEX #B007D9

RGB 176 7 217

HSL 288.29, 0.94%, 0.44%

LAB 44.79, 80.31, -65.15

 

CMYK 20 / 100 / 0 / 22

HEX #9F00C6

RGB 159 0 198

HSL 288.18, 1%, 0.39%

LAB 40.33, 75.39, -61.53

 

CMYK 21 / 100 / 0 / 30

HEX #8E00B3

RGB 142 0 179

HSL 287.6, 1%, 0.35%

LAB 35.99, 69.73, -57.51

 

CMYK 22 / 100 / 0 / 37

HEX #7D00A0

RGB 125 0 160

HSL 286.88, 1%, 0.31%

LAB 31.57, 63.95, -53.41

 

CMYK 23 / 100 / 0 / 45

HEX #6C008D

RGB 108 0 141

HSL 285.96, 1%, 0.28%

LAB 27.05, 58.05, -49.23

 

CMYK 19 / 97 / 0 / 15

HEX #B107DA

RGB 177 7 218

HSL 288.34, 0.94%, 0.44%

LAB 45.03, 80.62, -65.33

 

CMYK 0 / 97 / 7 / 15

HEX #DA07CA

RGB 218 7 202

HSL 304.55, 0.94%, 0.44%

LAB 51.06, 84.54, -46.05

 

CMYK 0 / 97 / 33 / 15

HEX #DA0791

RGB 218 7 145

HSL 320.76, 0.94%, 0.44%

LAB 48.39, 77.75, -16.61

 

CMYK 0 / 97 / 60 / 15

HEX #DA0758

RGB 218 7 88

HSL 336.97, 0.94%, 0.44%

LAB 46.66, 73.16, 15.87

 

CMYK 0 / 97 / 86 / 15

HEX #DA071F

RGB 218 7 31

HSL 353.18, 0.94%, 0.44%

LAB 45.85, 70.94, 48.45

 

CMYK 19 / 97 / 0 / 15

HEX #B107DA

RGB 177 7 218

HSL 288.34, 0.94%, 0.44%

LAB 45.03, 80.62, -65.33

 

CMYK 45 / 97 / 0 / 15

HEX #7807DA

RGB 120 7 218

HSL 272.13, 0.94%, 0.44%

LAB 36.38, 73.96, -79.83

 

CMYK 71 / 97 / 0 / 15

HEX #3F07DA

RGB 63 7 218

HSL 255.92, 0.94%, 0.44%

LAB 30.09, 70.23, -90.45

 

CMYK 97 / 97 / 0 / 15

HEX #0707DA

RGB 7 7 218

HSL 240, 0.94%, 0.44%

LAB 27.46, 69.08, -94.9

 

CMYK 19 / 97 / 0 / 15

HEX #B107DA

RGB 177 7 218

HSL 288.34, 0.94%, 0.44%

LAB 45.03, 80.62, -65.33

 

CMYK 19 / 97 / 0 / 15

HEX #B107DA

RGB 177 7 218

HSL 288.34, 0.94%, 0.44%

LAB 45.03, 80.62, -65.33

 

CMYK 18 / 88 / 0 / 22

HEX #A519C8

RGB 165 25 200

HSL 288, 0.78%, 0.44%

LAB 42.56, 73.37, -59.03

 

CMYK 15 / 76 / 0 / 29

HEX #9A2BB5

RGB 154 43 181

HSL 288.26, 0.62%, 0.44%

LAB 41.11, 63.28, -50.32

 

CMYK 12 / 63 / 0 / 36

HEX #8F3DA3

RGB 143 61 163

HSL 288.24, 0.46%, 0.44%

LAB 40.93, 50.04, -40.01

 

CMYK 9 / 46 / 0 / 43

HEX #844F91

RGB 132 79 145

HSL 288.18, 0.29%, 0.44%

LAB 42.06, 33.75, -27.51

 

CMYK 71 / 97 / 0 / 15

HEX #3F07DA

RGB 63 7 218

HSL 255.92, 0.94%, 0.44%

LAB 30.09, 70.23, -90.45

 

CMYK 45 / 97 / 0 / 15

HEX #7707DA

RGB 119 7 218

HSL 271.85, 0.94%, 0.44%

LAB 36.24, 73.87, -80.05

 

CMYK 20 / 97 / 0 / 15

HEX #AF07DA

RGB 175 7 218

HSL 287.77, 0.94%, 0.44%

LAB 44.7, 80.34, -65.87

 

CMYK 0 / 97 / 6 / 15

HEX #DA07CC

RGB 218 7 204

HSL 303.98, 0.94%, 0.44%

LAB 51.17, 84.81, -47.03

 

CMYK 0 / 97 / 33 / 15

HEX #DA0793

RGB 218 7 147

HSL 320.19, 0.94%, 0.44%

LAB 48.47, 77.95, -17.7

 

CMYK 19 / 97 / 0 / 46

HEX #70048A

RGB 112 4 138

HSL 288.36, 0.94%, 0.28%

LAB 27.75, 57.35, -46.18

 

CMYK 19 / 97 / 0 / 30

HEX #9005B2

RGB 144 5 178

HSL 288.21, 0.95%, 0.36%

LAB 36.47, 69.21, -56.13

 

CMYK 19 / 97 / 0 / 15

HEX #B107DA

RGB 177 7 218

HSL 288.34, 0.94%, 0.44%

LAB 45.03, 80.62, -65.33

 

CMYK 18 / 93 / 0 / 3

HEX #CB12F8

RGB 203 18 248

HSL 288.26, 0.94%, 0.52%

LAB 51.73, 88.25, -71.23

 

CMYK 15 / 77 / 0 / 2

HEX #D43AF9

RGB 212 58 249

HSL 288.38, 0.94%, 0.6%

LAB 55.95, 81.76, -64.9

 

CMYK 19 / 97 / 0 / 15

HEX #B007D9

RGB 176 7 217

HSL 288.29, 0.94%, 0.44%

LAB 44.79, 80.31, -65.15

 

CMYK 0 / 97 / 97 / 15

HEX #DA0707

RGB 218 7 7

HSL 0, 0.94%, 0.44%

LAB 45.73, 70.62, 57.65

 

CMYK 97 / 0 / 58 / 15

HEX #07DA5B

RGB 7 218 91

HSL 143.89, 0.94%, 0.44%

LAB 76.64, -70.45, 49.35

 

CMYK 19 / 97 / 0 / 15

HEX #B007D9

RGB 176 7 217

HSL 288.29, 0.94%, 0.44%

LAB 44.79, 80.31, -65.15

 

CMYK 0 / 20 / 97 / 15

HEX #DAAF07

RGB 218 175 7

HSL 47.77, 0.94%, 0.44%

LAB 73.27, 2.82, 75.1

 

CMYK 97 / 0 / 20 / 15

HEX #07DAAF

RGB 7 218 175

HSL 167.77, 0.94%, 0.44%

LAB 78.04, -54.3, 8.76

 

CMYK 19 / 97 / 0 / 15

HEX #B007D9

RGB 176 7 217

HSL 288.29, 0.94%, 0.44%

LAB 44.79, 80.31, -65.15

 

CMYK 0 / 97 / 97 / 15

HEX #DA0707

RGB 218 7 7

HSL 0, 0.94%, 0.44%

LAB 45.73, 70.62, 57.65

 

CMYK 78 / 0 / 97 / 15

HEX #31DA07

RGB 49 218 7

HSL 108.06, 0.94%, 0.44%

LAB 76.56, -72.85, 73.72

 

CMYK 97 / 0 / 0 / 15

HEX #07DADA

RGB 7 218 218

HSL 180, 0.94%, 0.44%

LAB 79.19, -42.54, -12.52

 

CMYK 19 / 97 / 0 / 15

HEX #B007D9

RGB 176 7 217

HSL 288.29, 0.94%, 0.44%

LAB 44.79, 80.31, -65.15

 

CMYK 0 / 68 / 97 / 15

HEX #DA4607

RGB 218 70 7

HSL 17.91, 0.94%, 0.44%

LAB 51.04, 55.74, 60.41

 

CMYK 78 / 0 / 97 / 15

HEX #31DA07

RGB 49 218 7

HSL 108.06, 0.94%, 0.44%

LAB 76.56, -72.85, 73.72

 

CMYK 97 / 29 / 0 / 15

HEX #079ADA

RGB 7 154 218

HSL 198.2, 0.94%, 0.44%

LAB 60.09, -10.62, -41.84

 

Description

Color code: HEX #B007D9 | qconv.com Color code: HEX #B007D9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 7 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 7 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 97 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 97% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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