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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFD6E it is the complementary color #500291. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFD6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFD6E shade: #B4FD69, #C5FF7C, #D6FF8F, #E7FFA2 and #F8FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFD6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFD6E shade: #AFFD6E, #9EEB5B, #8DD948, #7CC735 and #6BB522

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFD6E shade: #AFFD6D, #D5FD6D, #FCFD6D, #FDD76D and #FDB06D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFD6E shade: #AFFD6D, #88FD6D, #6DFD79, #6DFDA0 and #6DFDC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFD6E shade matches the following richer shades: #AFFD6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFD6E shade: #AFFD6D, #B0F179, #B1E585, #B2D991 and #B3CD9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFD6E shade: #FDFD6D, #D7FD6D, #B0FD6D, #8AFD6D and #6DFD77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFD6E shade: #82FC1C, #98FC45, #AFFD6D, #C5FD96 and #DBFEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFD6E shade: #AFFD6E, #6DFDD7 and #FD6DEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFD6E shade: #AFFD6E, #6DB0FD and #FD6DB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFD6E shade: #AFFD6E, #6DFDD7, #BA6DFD and #FD6D94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFD6E shade: #AFFD6E, #6DF8FD, #BA6DFD and #FD726D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 57 / 1

HEX #AFFD6E

RGB 175 253 110

HSL 92.73, 0.97%, 0.71%

LAB 91.9, -46.89, 59.84

 

Complementary color

CMYK 45 / 99 / 0 / 43

HEX #500291

RGB 80 2 145

HSL 272.73, 0.97%, 0.29%

LAB 22.98, 55.08, -58.57

 

CMYK 29 / 0 / 58 / 1

HEX #B4FD69

RGB 180 253 105

HSL 89.59, 0.97%, 0.7%

LAB 92.12, -45.63, 62.31

 

CMYK 23 / 0 / 51 / 0

HEX #C5FF7C

RGB 197 255 124

HSL 86.56, 1%, 0.74%

LAB 93.82, -38.73, 56.15

 

CMYK 16 / 0 / 44 / 0

HEX #D6FF8F

RGB 214 255 143

HSL 81.96, 1%, 0.78%

LAB 95.08, -30.6, 49.08

 

CMYK 9 / 0 / 36 / 0

HEX #E7FFA2

RGB 231 255 162

HSL 75.48, 1%, 0.82%

LAB 96.46, -22.21, 41.89

 

CMYK 3 / 0 / 29 / 0

HEX #F8FFB5

RGB 248 255 181

HSL 65.68, 1%, 0.85%

LAB 97.96, -13.65, 34.68

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6E

RGB 175 253 110

HSL 92.73, 0.97%, 0.71%

LAB 91.9, -46.89, 59.84

 

CMYK 33 / 0 / 61 / 8

HEX #9EEB5B

RGB 158 235 91

HSL 92.08, 0.78%, 0.64%

LAB 85.73, -46.77, 60.75

 

CMYK 35 / 0 / 67 / 15

HEX #8DD948

RGB 141 217 72

HSL 91.45, 0.66%, 0.57%

LAB 79.47, -46.56, 61.45

 

CMYK 38 / 0 / 73 / 22

HEX #7CC735

RGB 124 199 53

HSL 90.82, 0.58%, 0.49%

LAB 73.15, -46.19, 61.75

 

CMYK 41 / 0 / 81 / 29

HEX #6BB522

RGB 107 181 34

HSL 90.2, 0.68%, 0.42%

LAB 66.74, -45.62, 61.36

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6D

RGB 175 253 109

HSL 92.5, 0.97%, 0.71%

LAB 91.89, -46.99, 60.26

 

CMYK 16 / 0 / 57 / 1

HEX #D5FD6D

RGB 213 253 109

HSL 76.67, 0.97%, 0.71%

LAB 94.1, -33.31, 63.36

 

CMYK 0 / 0 / 57 / 1

HEX #FCFD6D

RGB 252 253 109

HSL 60.42, 0.97%, 0.71%

LAB 96.84, -18.2, 67.18

 

CMYK 0 / 15 / 57 / 1

HEX #FDD76D

RGB 253 215 109

HSL 44.17, 0.97%, 0.71%

LAB 87.28, 1.05, 56.38

 

CMYK 0 / 30 / 57 / 1

HEX #FDB06D

RGB 253 176 109

HSL 27.92, 0.97%, 0.71%

LAB 77.9, 21.3, 45.24

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6D

RGB 175 253 109

HSL 92.5, 0.97%, 0.71%

LAB 91.89, -46.99, 60.26

 

CMYK 46 / 0 / 57 / 1

HEX #88FD6D

RGB 136 253 109

HSL 108.75, 0.97%, 0.71%

LAB 90.13, -59.19, 57.77

 

CMYK 57 / 0 / 52 / 1

HEX #6DFD79

RGB 109 253 121

HSL 125, 0.97%, 0.71%

LAB 89.34, -64.68, 51.22

 

CMYK 57 / 0 / 37 / 1

HEX #6DFDA0

RGB 109 253 160

HSL 141.25, 0.97%, 0.71%

LAB 89.88, -58.82, 33.11

 

CMYK 57 / 0 / 21 / 1

HEX #6DFDC7

RGB 109 253 199

HSL 157.5, 0.97%, 0.71%

LAB 90.61, -51.26, 14.3

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6D

RGB 175 253 109

HSL 92.5, 0.97%, 0.71%

LAB 91.89, -46.99, 60.26

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6D

RGB 175 253 109

HSL 92.5, 0.97%, 0.71%

LAB 91.89, -46.99, 60.26

 

CMYK 27 / 0 / 50 / 5

HEX #B0F179

RGB 176 241 121

HSL 92.5, 0.81%, 0.71%

LAB 88.7, -40.22, 51.1

 

CMYK 23 / 0 / 42 / 10

HEX #B1E585

RGB 177 229 133

HSL 92.5, 0.65%, 0.71%

LAB 85.54, -33.03, 41.44

 

CMYK 18 / 0 / 33 / 15

HEX #B2D991

RGB 178 217 145

HSL 92.5, 0.49%, 0.71%

LAB 82.45, -25.4, 31.39

 

CMYK 13 / 0 / 23 / 20

HEX #B3CD9D

RGB 179 205 157

HSL 92.5, 0.32%, 0.71%

LAB 79.43, -17.34, 21.07

 

CMYK 0 / 0 / 57 / 1

HEX #FDFD6D

RGB 253 253 109

HSL 60, 0.97%, 0.71%

LAB 96.92, -17.81, 67.29

 

CMYK 15 / 0 / 57 / 1

HEX #D7FD6D

RGB 215 253 109

HSL 75.83, 0.97%, 0.71%

LAB 94.23, -32.56, 63.54

 

CMYK 30 / 0 / 57 / 1

HEX #B0FD6D

RGB 176 253 109

HSL 92.08, 0.97%, 0.71%

LAB 91.95, -46.65, 60.34

 

CMYK 45 / 0 / 57 / 1

HEX #8AFD6D

RGB 138 253 109

HSL 107.92, 0.97%, 0.71%

LAB 90.21, -58.62, 57.88

 

CMYK 57 / 0 / 53 / 1

HEX #6DFD77

RGB 109 253 119

HSL 124.17, 0.97%, 0.71%

LAB 89.32, -64.94, 52.11

 

CMYK 48 / 0 / 89 / 1

HEX #82FC1C

RGB 130 252 28

HSL 92.68, 0.97%, 0.55%

LAB 89.13, -65.72, 82.44

 

CMYK 40 / 0 / 73 / 1

HEX #98FC45

RGB 152 252 69

HSL 92.79, 0.97%, 0.63%

LAB 90.2, -57.27, 73.6

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6D

RGB 175 253 109

HSL 92.5, 0.97%, 0.71%

LAB 91.89, -46.99, 60.26

 

CMYK 22 / 0 / 41 / 1

HEX #C5FD96

RGB 197 253 150

HSL 92.62, 0.96%, 0.79%

LAB 93.59, -34.91, 43.62

 

CMYK 14 / 0 / 25 / 0

HEX #DBFEBF

RGB 219 254 191

HSL 93.33, 0.97%, 0.87%

LAB 95.87, -22.12, 26.49

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6E

RGB 175 253 110

HSL 92.73, 0.97%, 0.71%

LAB 91.9, -46.89, 59.84

 

CMYK 57 / 0 / 15 / 1

HEX #6DFDD7

RGB 109 253 215

HSL 164.17, 0.97%, 0.71%

LAB 90.97, -47.72, 6.55

 

CMYK 0 / 57 / 8 / 1

HEX #FD6DEA

RGB 253 109 234

HSL 307.92, 0.97%, 0.71%

LAB 67.84, 69.49, -37.35

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6E

RGB 175 253 110

HSL 92.73, 0.97%, 0.71%

LAB 91.9, -46.89, 59.84

 

CMYK 57 / 30 / 0 / 1

HEX #6DB0FD

RGB 109 176 253

HSL 212.08, 0.97%, 0.71%

LAB 70.45, 0.69, -44.59

 

CMYK 0 / 57 / 30 / 1

HEX #FD6DB0

RGB 253 109 176

HSL 332.08, 0.97%, 0.71%

LAB 65.71, 61.43, -8.07

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6E

RGB 175 253 110

HSL 92.73, 0.97%, 0.71%

LAB 91.9, -46.89, 59.84

 

CMYK 57 / 0 / 15 / 1

HEX #6DFDD7

RGB 109 253 215

HSL 164.17, 0.97%, 0.71%

LAB 90.97, -47.72, 6.55

 

CMYK 26 / 57 / 0 / 1

HEX #BA6DFD

RGB 186 109 253

HSL 272.08, 0.97%, 0.71%

LAB 60.31, 56.25, -60.3

 

CMYK 0 / 57 / 42 / 1

HEX #FD6D94

RGB 253 109 148

HSL 343.75, 0.97%, 0.71%

LAB 64.93, 58.32, 6.75

 

CMYK 31 / 0 / 57 / 1

HEX #AFFD6E

RGB 175 253 110

HSL 92.73, 0.97%, 0.71%

LAB 91.9, -46.89, 59.84

 

CMYK 57 / 2 / 0 / 1

HEX #6DF8FD

RGB 109 248 253

HSL 182.08, 0.97%, 0.71%

LAB 90.54, -36.1, -13.81

 

CMYK 26 / 57 / 0 / 1

HEX #BA6DFD

RGB 186 109 253

HSL 272.08, 0.97%, 0.71%

LAB 60.31, 56.25, -60.3

 

CMYK 0 / 55 / 57 / 1

HEX #FD726D

RGB 253 114 109

HSL 2.08, 0.97%, 0.71%

LAB 64.98, 52.65, 28.97

 

Description

Color code: HEX #AFFD6E | qconv.com Color code: HEX #AFFD6E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 253 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 253 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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