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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFC5E it is the complementary color #5003A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFC5E shade: #B4FC59, #C5FF6C, #D6FF7F, #E7FF92 and #F8FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFC5E shade: #AFFC5E, #9EEA4B, #8DD838, #7CC625 and #6BB412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFC5E shade: #AFFC5F, #DAFC5F, #FCF45F, #FCC95F and #FC9F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFC5E shade: #AFFC5F, #85FC5F, #5FFC63, #5FFC8D and #5FFCB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFC5E shade matches the following richer shades: #AFFC5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFC5E shade: #AFFC5F, #AFEF6C, #AFE179, #AED487 and #AEC794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFC5E shade: #FCF45F, #DAFC5F, #B0FC5F, #86FC5F and #5FFC62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFC5E shade: #87FA0E, #9BFB37, #AFFC5F, #C4FD87 and #D8FDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFC5E shade: #AFFC5E, #5FFCCA and #FC5FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFC5E shade: #AFFC5E, #5FB0FC and #FC5FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFC5E shade: #AFFC5E, #5FFCCA, #AB5FFC and #FC5F91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFC5E shade: #AFFC5E, #5FFCF9, #AB5FFC and #FC5F62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 63 / 1

HEX #AFFC5E

RGB 175 252 94

HSL 89.24, 0.96%, 0.68%

LAB 91.48, -47.86, 66.08

 

Complementary color

CMYK 50 / 98 / 0 / 37

HEX #5003A1

RGB 80 3 161

HSL 269.24, 0.96%, 0.32%

LAB 24.78, 58.49, -65.44

 

CMYK 29 / 0 / 65 / 1

HEX #B4FC59

RGB 180 252 89

HSL 86.5, 0.96%, 0.67%

LAB 91.71, -46.49, 68.38

 

CMYK 23 / 0 / 58 / 0

HEX #C5FF6C

RGB 197 255 108

HSL 83.67, 1%, 0.71%

LAB 93.66, -40.21, 63.02

 

CMYK 16 / 0 / 50 / 0

HEX #D6FF7F

RGB 214 255 127

HSL 79.22, 1%, 0.75%

LAB 94.89, -32.26, 56.31

 

CMYK 9 / 0 / 43 / 0

HEX #E7FF92

RGB 231 255 146

HSL 73.21, 1%, 0.79%

LAB 96.24, -24.01, 49.35

 

CMYK 3 / 0 / 35 / 0

HEX #F8FFA5

RGB 248 255 165

HSL 64.67, 1%, 0.82%

LAB 97.71, -15.57, 42.27

 

CMYK 31 / 0 / 63 / 1

HEX #AFFC5E

RGB 175 252 94

HSL 89.24, 0.96%, 0.68%

LAB 91.48, -47.86, 66.08

 

CMYK 32 / 0 / 68 / 8

HEX #9EEA4B

RGB 158 234 75

HSL 88.68, 0.79%, 0.61%

LAB 85.31, -47.59, 66.66

 

CMYK 35 / 0 / 74 / 15

HEX #8DD838

RGB 141 216 56

HSL 88.13, 0.67%, 0.53%

LAB 79.08, -47.2, 66.83

 

CMYK 37 / 0 / 81 / 22

HEX #7CC625

RGB 124 198 37

HSL 87.58, 0.69%, 0.46%

LAB 72.76, -46.62, 66.31

 

CMYK 41 / 0 / 90 / 29

HEX #6BB412

RGB 107 180 18

HSL 87.04, 0.82%, 0.39%

LAB 66.38, -45.79, 64.68

 

CMYK 31 / 0 / 62 / 1

HEX #AFFC5F

RGB 175 252 95

HSL 89.43, 0.96%, 0.68%

LAB 91.49, -47.78, 65.68

 

CMYK 13 / 0 / 62 / 1

HEX #DAFC5F

RGB 218 252 95

HSL 72.99, 0.96%, 0.68%

LAB 94.03, -32, 69.18

 

CMYK 0 / 3 / 62 / 1

HEX #FCF45F

RGB 252 244 95

HSL 56.94, 0.96%, 0.68%

LAB 94.41, -14.76, 70.32

 

CMYK 0 / 20 / 62 / 1

HEX #FCC95F

RGB 252 201 95

HSL 40.51, 0.96%, 0.68%

LAB 83.6, 6.88, 58.57

 

CMYK 0 / 37 / 62 / 1

HEX #FC9F5F

RGB 252 159 95

HSL 24.46, 0.96%, 0.68%

LAB 73.75, 28.81, 47.29

 

CMYK 31 / 0 / 62 / 1

HEX #AFFC5F

RGB 175 252 95

HSL 89.43, 0.96%, 0.68%

LAB 91.49, -47.78, 65.68

 

CMYK 47 / 0 / 62 / 1

HEX #85FC5F

RGB 133 252 95

HSL 105.48, 0.96%, 0.68%

LAB 89.6, -61.04, 63.07

 

CMYK 62 / 0 / 61 / 1

HEX #5FFC63

RGB 95 252 99

HSL 121.53, 0.96%, 0.68%

LAB 88.43, -69.93, 59.76

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8D

RGB 95 252 141

HSL 137.58, 0.96%, 0.68%

LAB 88.91, -64.43, 41.14

 

CMYK 62 / 0 / 27 / 1

HEX #5FFCB8

RGB 95 252 184

HSL 154.01, 0.96%, 0.68%

LAB 89.63, -56.64, 20.58

 

CMYK 31 / 0 / 62 / 1

HEX #AFFC5F

RGB 175 252 95

HSL 89.43, 0.96%, 0.68%

LAB 91.49, -47.78, 65.68

 

CMYK 31 / 0 / 62 / 1

HEX #AFFC5F

RGB 175 252 95

HSL 89.43, 0.96%, 0.68%

LAB 91.49, -47.78, 65.68

 

CMYK 27 / 0 / 55 / 6

HEX #AFEF6C

RGB 175 239 108

HSL 89.31, 0.8%, 0.68%

LAB 87.93, -41.02, 56.13

 

CMYK 22 / 0 / 46 / 12

HEX #AFE179

RGB 175 225 121

HSL 88.85, 0.63%, 0.68%

LAB 84.15, -33.33, 45.52

 

CMYK 18 / 0 / 36 / 17

HEX #AED487

RGB 174 212 135

HSL 89.61, 0.47%, 0.68%

LAB 80.65, -25.81, 34.09

 

CMYK 13 / 0 / 26 / 22

HEX #AEC794

RGB 174 199 148

HSL 89.41, 0.31%, 0.68%

LAB 77.27, -17.53, 22.81

 

CMYK 0 / 3 / 62 / 1

HEX #FCF45F

RGB 252 244 95

HSL 56.94, 0.96%, 0.68%

LAB 94.41, -14.76, 70.32

 

CMYK 13 / 0 / 62 / 1

HEX #DAFC5F

RGB 218 252 95

HSL 72.99, 0.96%, 0.68%

LAB 94.03, -32, 69.18

 

CMYK 30 / 0 / 62 / 1

HEX #B0FC5F

RGB 176 252 95

HSL 89.04, 0.96%, 0.68%

LAB 91.54, -47.43, 65.76

 

CMYK 47 / 0 / 62 / 1

HEX #86FC5F

RGB 134 252 95

HSL 105.1, 0.96%, 0.68%

LAB 89.63, -60.75, 63.12

 

CMYK 62 / 0 / 61 / 1

HEX #5FFC62

RGB 95 252 98

HSL 121.15, 0.96%, 0.68%

LAB 88.42, -70.04, 60.17

 

CMYK 46 / 0 / 94 / 2

HEX #87FA0E

RGB 135 250 14

HSL 89.24, 0.96%, 0.52%

LAB 88.71, -63.8, 83.91

 

CMYK 38 / 0 / 78 / 2

HEX #9BFB37

RGB 155 251 55

HSL 89.39, 0.96%, 0.6%

LAB 89.97, -56.66, 77.69

 

CMYK 31 / 0 / 62 / 1

HEX #AFFC5F

RGB 175 252 95

HSL 89.43, 0.96%, 0.68%

LAB 91.49, -47.78, 65.68

 

CMYK 23 / 0 / 47 / 1

HEX #C4FD87

RGB 196 253 135

HSL 88.98, 0.97%, 0.76%

LAB 93.34, -37.03, 50.47

 

CMYK 15 / 0 / 30 / 1

HEX #D8FDB0

RGB 216 253 176

HSL 88.83, 0.95%, 0.84%

LAB 95.15, -24.84, 33.04

 

CMYK 31 / 0 / 63 / 1

HEX #AFFC5E

RGB 175 252 94

HSL 89.24, 0.96%, 0.68%

LAB 91.48, -47.86, 66.08

 

CMYK 62 / 0 / 20 / 1

HEX #5FFCCA

RGB 95 252 202

HSL 160.89, 0.96%, 0.68%

LAB 90.01, -52.79, 11.85

 

CMYK 0 / 62 / 5 / 1

HEX #FC5FEF

RGB 252 95 239

HSL 304.97, 0.96%, 0.68%

LAB 65.84, 75.74, -43.27

 

CMYK 31 / 0 / 63 / 1

HEX #AFFC5E

RGB 175 252 94

HSL 89.24, 0.96%, 0.68%

LAB 91.48, -47.86, 66.08

 

CMYK 62 / 30 / 0 / 1

HEX #5FB0FC

RGB 95 176 252

HSL 209.04, 0.96%, 0.68%

LAB 69.83, -2.22, -45.06

 

CMYK 0 / 62 / 30 / 1

HEX #FC5FB0

RGB 252 95 176

HSL 329.04, 0.96%, 0.68%

LAB 63.35, 67.08, -11.61

 

CMYK 31 / 0 / 63 / 1

HEX #AFFC5E

RGB 175 252 94

HSL 89.24, 0.96%, 0.68%

LAB 91.48, -47.86, 66.08

 

CMYK 62 / 0 / 20 / 1

HEX #5FFCCA

RGB 95 252 202

HSL 160.89, 0.96%, 0.68%

LAB 90.01, -52.79, 11.85

 

CMYK 32 / 62 / 0 / 1

HEX #AB5FFC

RGB 171 95 252

HSL 269.04, 0.96%, 0.68%

LAB 55.96, 59.65, -66.83

 

CMYK 0 / 62 / 42 / 1

HEX #FC5F91

RGB 252 95 145

HSL 340.89, 0.96%, 0.68%

LAB 62.44, 63.75, 4.88

 

CMYK 31 / 0 / 63 / 1

HEX #AFFC5E

RGB 175 252 94

HSL 89.24, 0.96%, 0.68%

LAB 91.48, -47.86, 66.08

 

CMYK 62 / 0 / 1 / 1

HEX #5FFCF9

RGB 95 252 249

HSL 178.85, 0.96%, 0.68%

LAB 91.19, -41.28, -10.8

 

CMYK 32 / 62 / 0 / 1

HEX #AB5FFC

RGB 171 95 252

HSL 269.04, 0.96%, 0.68%

LAB 55.96, 59.65, -66.83

 

CMYK 0 / 62 / 61 / 1

HEX #FC5F62

RGB 252 95 98

HSL 358.85, 0.96%, 0.68%

LAB 61.45, 59.99, 30.58

 

Description

Color code: HEX #AFFC5E | qconv.com Color code: HEX #AFFC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 252 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 252 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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