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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFC53 it is the complementary color #5003AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFC53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFC53 shade: #B4FC4E, #C5FF61, #D6FF74, #E7FF87 and #F8FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFC53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFC53 shade: #AFFC53, #9EEA40, #8DD82D, #7CC61A and #6BB407

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFC53 shade: #B0FC54, #DDFC54, #FCEE54, #FCC154 and #FC9454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFC53 shade: #B0FC54, #82FC54, #55FC54, #54FC81 and #54FCAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFC53 shade matches the following richer shades: #B0FC54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFC53 shade: #B0FC54, #AFEE62, #ADE070, #ACD27E and #ABC48C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFC53 shade: #FCEE54, #DEFC54, #B1FC54, #84FC54 and #57FC54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFC53 shade: #8AFA04, #9DFC2C, #B0FC54, #C3FD7D and #D5FEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFC53 shade: #AFFC53, #54FCC2 and #FC54F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFC53 shade: #AFFC53, #54B1FC and #FC54B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFC53 shade: #AFFC53, #54FCC2, #A054FC and #FC548F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFC53 shade: #AFFC53, #54FCF4, #A054FC and #FC545D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 67 / 1

HEX #AFFC53

RGB 175 252 83

HSL 87.34, 0.97%, 0.66%

LAB 91.4, -48.67, 70.25

 

Complementary color

CMYK 53 / 98 / 0 / 33

HEX #5003AC

RGB 80 3 172

HSL 267.34, 0.97%, 0.34%

LAB 26.01, 61.01, -70.07

 

CMYK 29 / 0 / 69 / 1

HEX #B4FC4E

RGB 180 252 78

HSL 84.83, 0.97%, 0.65%

LAB 91.63, -47.24, 72.4

 

CMYK 23 / 0 / 62 / 0

HEX #C5FF61

RGB 197 255 97

HSL 82.03, 1%, 0.69%

LAB 93.56, -41.09, 67.48

 

CMYK 16 / 0 / 55 / 0

HEX #D6FF74

RGB 214 255 116

HSL 77.7, 1%, 0.73%

LAB 94.77, -33.26, 61.11

 

CMYK 9 / 0 / 47 / 0

HEX #E7FF87

RGB 231 255 135

HSL 72, 1%, 0.76%

LAB 96.1, -25.13, 54.36

 

CMYK 3 / 0 / 40 / 0

HEX #F8FF9A

RGB 248 255 154

HSL 64.16, 1%, 0.8%

LAB 97.56, -16.78, 47.42

 

CMYK 31 / 0 / 67 / 1

HEX #AFFC53

RGB 175 252 83

HSL 87.34, 0.97%, 0.66%

LAB 91.4, -48.67, 70.25

 

CMYK 32 / 0 / 73 / 8

HEX #9EEA40

RGB 158 234 64

HSL 86.82, 0.8%, 0.58%

LAB 85.24, -48.29, 70.49

 

CMYK 35 / 0 / 79 / 15

HEX #8DD82D

RGB 141 216 45

HSL 86.32, 0.69%, 0.51%

LAB 79.02, -47.76, 70.14

 

CMYK 37 / 0 / 87 / 22

HEX #7CC61A

RGB 124 198 26

HSL 85.81, 0.77%, 0.44%

LAB 72.73, -47.02, 68.85

 

CMYK 41 / 0 / 96 / 29

HEX #6BB407

RGB 107 180 7

HSL 85.32, 0.93%, 0.37%

LAB 66.35, -46.03, 66.2

 

CMYK 30 / 0 / 67 / 1

HEX #B0FC54

RGB 176 252 84

HSL 87.14, 0.97%, 0.66%

LAB 91.46, -48.25, 69.96

 

CMYK 12 / 0 / 67 / 1

HEX #DDFC54

RGB 221 252 84

HSL 71.07, 0.97%, 0.66%

LAB 94.16, -31.53, 73.59

 

CMYK 0 / 6 / 67 / 1

HEX #FCEE54

RGB 252 238 84

HSL 55, 0.97%, 0.66%

LAB 92.79, -12.45, 72.94

 

CMYK 0 / 23 / 67 / 1

HEX #FCC154

RGB 252 193 84

HSL 38.93, 0.97%, 0.66%

LAB 81.55, 10.37, 61.22

 

CMYK 0 / 41 / 67 / 1

HEX #FC9454

RGB 252 148 84

HSL 22.86, 0.97%, 0.66%

LAB 71.22, 33.85, 49.84

 

CMYK 30 / 0 / 67 / 1

HEX #B0FC54

RGB 176 252 84

HSL 87.14, 0.97%, 0.66%

LAB 91.46, -48.25, 69.96

 

CMYK 48 / 0 / 67 / 1

HEX #82FC54

RGB 130 252 84

HSL 103.57, 0.97%, 0.66%

LAB 89.4, -62.82, 67.16

 

CMYK 66 / 0 / 67 / 1

HEX #55FC54

RGB 85 252 84

HSL 119.64, 0.97%, 0.66%

LAB 88.06, -73.36, 65.34

 

CMYK 67 / 0 / 49 / 1

HEX #54FC81

RGB 84 252 129

HSL 136.07, 0.97%, 0.66%

LAB 88.49, -68.26, 46.3

 

CMYK 67 / 0 / 31 / 1

HEX #54FCAE

RGB 84 252 174

HSL 152.14, 0.97%, 0.66%

LAB 89.19, -60.53, 25.02

 

CMYK 30 / 0 / 67 / 1

HEX #B0FC54

RGB 176 252 84

HSL 87.14, 0.97%, 0.66%

LAB 91.46, -48.25, 69.96

 

CMYK 30 / 0 / 67 / 1

HEX #B0FC54

RGB 176 252 84

HSL 87.14, 0.97%, 0.66%

LAB 91.46, -48.25, 69.96

 

CMYK 26 / 0 / 59 / 7

HEX #AFEE62

RGB 175 238 98

HSL 87, 0.8%, 0.66%

LAB 87.56, -41.5, 60.08

 

CMYK 23 / 0 / 50 / 12

HEX #ADE070

RGB 173 224 112

HSL 87.32, 0.64%, 0.66%

LAB 83.63, -34.59, 49.16

 

CMYK 18 / 0 / 40 / 18

HEX #ACD27E

RGB 172 210 126

HSL 87.14, 0.48%, 0.66%

LAB 79.82, -26.76, 37.56

 

CMYK 13 / 0 / 29 / 23

HEX #ABC48C

RGB 171 196 140

HSL 86.79, 0.32%, 0.66%

LAB 76.09, -18.32, 25.4

 

CMYK 0 / 6 / 67 / 1

HEX #FCEE54

RGB 252 238 84

HSL 55, 0.97%, 0.66%

LAB 92.79, -12.45, 72.94

 

CMYK 12 / 0 / 67 / 1

HEX #DEFC54

RGB 222 252 84

HSL 70.71, 0.97%, 0.66%

LAB 94.22, -31.14, 73.68

 

CMYK 30 / 0 / 67 / 1

HEX #B1FC54

RGB 177 252 84

HSL 86.79, 0.97%, 0.66%

LAB 91.51, -47.9, 70.03

 

CMYK 48 / 0 / 67 / 1

HEX #84FC54

RGB 132 252 84

HSL 102.86, 0.97%, 0.66%

LAB 89.47, -62.26, 67.26

 

CMYK 65 / 0 / 67 / 1

HEX #57FC54

RGB 87 252 84

HSL 118.93, 0.97%, 0.66%

LAB 88.11, -72.98, 65.4

 

CMYK 45 / 0 / 98 / 2

HEX #8AFA04

RGB 138 250 4

HSL 87.32, 0.97%, 0.5%

LAB 88.82, -63.01, 84.83

 

CMYK 38 / 0 / 83 / 1

HEX #9DFC2C

RGB 157 252 44

HSL 87.4, 0.97%, 0.58%

LAB 90.31, -56.84, 80.81

 

CMYK 30 / 0 / 67 / 1

HEX #B0FC54

RGB 176 252 84

HSL 87.14, 0.97%, 0.66%

LAB 91.46, -48.25, 69.96

 

CMYK 23 / 0 / 51 / 1

HEX #C3FD7D

RGB 195 253 125

HSL 87.19, 0.97%, 0.74%

LAB 93.16, -38.45, 54.88

 

CMYK 16 / 0 / 35 / 0

HEX #D5FEA5

RGB 213 254 165

HSL 87.64, 0.98%, 0.82%

LAB 95.05, -27.85, 38.35

 

CMYK 31 / 0 / 67 / 1

HEX #AFFC53

RGB 175 252 83

HSL 87.34, 0.97%, 0.66%

LAB 91.4, -48.67, 70.25

 

CMYK 67 / 0 / 23 / 1

HEX #54FCC2

RGB 84 252 194

HSL 159.29, 0.97%, 0.66%

LAB 89.58, -56.35, 15.33

 

CMYK 0 / 67 / 3 / 1

HEX #FC54F4

RGB 252 84 244

HSL 302.86, 0.97%, 0.66%

LAB 64.62, 80.58, -47.95

 

CMYK 31 / 0 / 67 / 1

HEX #AFFC53

RGB 175 252 83

HSL 87.34, 0.97%, 0.66%

LAB 91.4, -48.67, 70.25

 

CMYK 67 / 30 / 0 / 1

HEX #54B1FC

RGB 84 177 252

HSL 206.79, 0.97%, 0.66%

LAB 69.72, -4.58, -45.26

 

CMYK 0 / 67 / 30 / 1

HEX #FC54B1

RGB 252 84 177

HSL 326.79, 0.97%, 0.66%

LAB 61.84, 71.47, -14.47

 

CMYK 31 / 0 / 67 / 1

HEX #AFFC53

RGB 175 252 83

HSL 87.34, 0.97%, 0.66%

LAB 91.4, -48.67, 70.25

 

CMYK 67 / 0 / 23 / 1

HEX #54FCC2

RGB 84 252 194

HSL 159.29, 0.97%, 0.66%

LAB 89.58, -56.35, 15.33

 

CMYK 37 / 67 / 0 / 1

HEX #A054FC

RGB 160 84 252

HSL 267.14, 0.97%, 0.66%

LAB 52.78, 62.74, -72.03

 

CMYK 0 / 67 / 43 / 1

HEX #FC548F

RGB 252 84 143

HSL 338.93, 0.97%, 0.66%

LAB 60.8, 67.9, 3.67

 

CMYK 31 / 0 / 67 / 1

HEX #AFFC53

RGB 175 252 83

HSL 87.34, 0.97%, 0.66%

LAB 91.4, -48.67, 70.25

 

CMYK 67 / 0 / 3 / 1

HEX #54FCF4

RGB 84 252 244

HSL 177.14, 0.97%, 0.66%

LAB 90.8, -44.19, -8.81

 

CMYK 37 / 67 / 0 / 1

HEX #A054FC

RGB 160 84 252

HSL 267.14, 0.97%, 0.66%

LAB 52.78, 62.74, -72.03

 

CMYK 0 / 67 / 63 / 1

HEX #FC545D

RGB 252 84 93

HSL 356.79, 0.97%, 0.66%

LAB 59.73, 64.11, 31.24

 

Description

Color code: HEX #AFFC53 | qconv.com Color code: HEX #AFFC53 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 252 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 252 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 67 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 67% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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