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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFC39 it is the complementary color #5003C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AFFC39: #B4FC34, #C5FF47, #D6FF5A, #E7FF6D and #F8FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AFFC39: #AFFC39, #9EEA26, #8DD813, #7CC600 and #6BB400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

Complementary color

CMYK 60 / 98 / 0 / 22

HEX #5003C6

RGB 80 3 198

HSL 263.69, 0.97%, 0.39%

LAB 29.03, 67.02, -80.53

 

CMYK 29 / 0 / 79 / 1

HEX #B4FC34

RGB 180 252 52

HSL 81.6, 0.97%, 0.6%

LAB 91.49, -48.57, 80.35

 

CMYK 23 / 0 / 72 / 0

HEX #C5FF47

RGB 197 255 71

HSL 78.91, 1%, 0.64%

LAB 93.38, -42.74, 76.86

 

CMYK 16 / 0 / 65 / 0

HEX #D6FF5A

RGB 214 255 90

HSL 74.91, 1%, 0.68%

LAB 94.55, -35.23, 71.6

 

CMYK 9 / 0 / 57 / 0

HEX #E7FF6D

RGB 231 255 109

HSL 69.86, 1%, 0.71%

LAB 95.84, -27.37, 65.64

 

CMYK 3 / 0 / 50 / 0

HEX #F8FF80

RGB 248 255 128

HSL 63.31, 1%, 0.75%

LAB 97.24, -19.26, 59.23

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

CMYK 32 / 0 / 84 / 8

HEX #9EEA26

RGB 158 234 38

HSL 83.27, 0.82%, 0.53%

LAB 85.13, -49.47, 77.65

 

CMYK 35 / 0 / 91 / 15

HEX #8DD813

RGB 141 216 19

HSL 82.84, 0.84%, 0.46%

LAB 78.94, -48.6, 75.55

 

CMYK 37 / 0 / 100 / 22

HEX #7CC600

RGB 124 198 0

HSL 82.42, 1%, 0.39%

LAB 72.68, -47.54, 72.31

 

CMYK 41 / 0 / 100 / 29

HEX #6BB400

RGB 107 180 0

HSL 84.33, 1%, 0.35%

LAB 66.34, -46.15, 67.05

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

CMYK 42 / 0 / 77 / 1

HEX #91FC3B

RGB 145 252 59

HSL 93.26, 0.97%, 0.61%

LAB 89.84, -60.04, 76.27

 

CMYK 55 / 0 / 77 / 1

HEX #71FC3B

RGB 113 252 59

HSL 103.21, 0.97%, 0.61%

LAB 88.66, -69.05, 74.74

 

CMYK 68 / 0 / 77 / 1

HEX #51FC3B

RGB 81 252 59

HSL 113.16, 0.97%, 0.61%

LAB 87.82, -75.96, 73.63

 

CMYK 77 / 0 / 73 / 1

HEX #3BFC44

RGB 59 252 68

HSL 122.8, 0.97%, 0.61%

LAB 87.47, -78.76, 70.32

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

CMYK 31 / 0 / 77 / 81

HEX #21300B

RGB 33 48 11

HSL 84.32, 0.63%, 0.12%

LAB 17.74, -13.55, 20.58

 

CMYK 30 / 0 / 78 / 61

HEX #456316

RGB 69 99 22

HSL 83.38, 0.64%, 0.24%

LAB 38.28, -23.78, 37.79

 

CMYK 31 / 0 / 77 / 41

HEX #689622

RGB 104 150 34

HSL 83.79, 0.63%, 0.36%

LAB 56.95, -33.26, 52.19

 

CMYK 30 / 0 / 78 / 21

HEX #8CC92D

RGB 140 201 45

HSL 83.46, 0.63%, 0.48%

LAB 74.53, -41.76, 65.97

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

CMYK 77 / 0 / 32 / 1

HEX #3BFCAB

RGB 59 252 171

HSL 154.82, 0.97%, 0.61%

LAB 88.68, -64.53, 25.78

 

CMYK 2 / 77 / 0 / 1

HEX #F83BFC

RGB 248 59 252

HSL 298.76, 0.97%, 0.61%

LAB 61.75, 88.59, -56.96

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

CMYK 77 / 29 / 0 / 1

HEX #3BB2FC

RGB 59 178 252

HSL 203.01, 0.97%, 0.61%

LAB 69.33, -8.4, -45.93

 

CMYK 0 / 77 / 29 / 1

HEX #FC3BB2

RGB 252 59 178

HSL 323.01, 0.97%, 0.61%

LAB 59.01, 79.62, -19.34

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

CMYK 77 / 0 / 32 / 1

HEX #3BFCAB

RGB 59 252 171

HSL 154.82, 0.97%, 0.61%

LAB 88.68, -64.53, 25.78

 

CMYK 47 / 77 / 0 / 1

HEX #853BFC

RGB 133 59 252

HSL 263.01, 0.97%, 0.61%

LAB 45.83, 69.36, -83.5

 

CMYK 0 / 77 / 45 / 1

HEX #FC3B8B

RGB 252 59 139

HSL 335.13, 0.97%, 0.61%

LAB 57.74, 75.77, 1.58

 

CMYK 31 / 0 / 77 / 1

HEX #AFFC39

RGB 175 252 57

HSL 83.69, 0.97%, 0.61%

LAB 91.25, -50.14, 78.67

 

CMYK 77 / 0 / 9 / 1

HEX #3BFCE5

RGB 59 252 229

HSL 172.85, 0.97%, 0.61%

LAB 89.96, -51.05, -2.31

 

CMYK 47 / 77 / 0 / 1

HEX #853BFC

RGB 133 59 252

HSL 263.01, 0.97%, 0.61%

LAB 45.83, 69.36, -83.5

 

CMYK 0 / 77 / 68 / 1

HEX #FC3B51

RGB 252 59 81

HSL 353.16, 0.97%, 0.61%

LAB 56.5, 71.9, 34.11

 

Description

Color code: HEX #AFFC39 | qconv.com Color code: HEX #AFFC39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 252 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 252 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 77% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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