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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFC29 it is the complementary color #5003D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFC29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFC29 shade: #B4FC24, #C5FF37, #D6FF4A, #E7FF5D and #F8FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFC29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFC29 shade: #AFFC29, #9EEA16, #8DD803, #7CC600 and #6BB400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFC29 shade: #AEFC27, #E7FC27, #FCD727, #FC9D27 and #FC6427

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFC29 shade: #AEFC27, #75FC27, #3BFC27, #27FC4C and #27FC85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFC29 shade matches the following richer shades: #AEFC27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFC29 shade: #AEFC27, #A9EA39, #A4D84A, #A0C65C and #9BB56E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFC29 shade: #FCD527, #EAFC27, #B1FC27, #79FC27 and #40FC27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFC29 shade: #83CD03, #9DF604, #AEFC27, #BDFC50 and #CDFD78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFC29 shade: #AFFC29, #27FC9C and #F127FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFC29 shade: #AFFC29, #27B1FC and #FC27B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFC29 shade: #AFFC29, #27FC9C, #7127FC and #FC2787

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFC29 shade: #AFFC29, #27FCDC, #7127FC and #FC2747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 84 / 1

HEX #AFFC29

RGB 175 252 41

HSL 81.9, 0.97%, 0.57%

LAB 91.19, -50.75, 82.58

 

Complementary color

CMYK 63 / 99 / 0 / 16

HEX #5003D6

RGB 80 3 214

HSL 261.9, 0.97%, 0.43%

LAB 30.94, 70.72, -86.68

 

CMYK 29 / 0 / 86 / 1

HEX #B4FC24

RGB 180 252 36

HSL 80, 0.97%, 0.56%

LAB 91.44, -49.1, 83.91

 

CMYK 23 / 0 / 78 / 0

HEX #C5FF37

RGB 197 255 55

HSL 77.4, 1%, 0.61%

LAB 93.31, -43.48, 81.55

 

CMYK 16 / 0 / 71 / 0

HEX #D6FF4A

RGB 214 255 74

HSL 73.59, 1%, 0.65%

LAB 94.44, -36.16, 77.25

 

CMYK 9 / 0 / 64 / 0

HEX #E7FF5D

RGB 231 255 93

HSL 68.89, 1%, 0.68%

LAB 95.71, -28.47, 72.01

 

CMYK 3 / 0 / 56 / 0

HEX #F8FF70

RGB 248 255 112

HSL 62.94, 1%, 0.72%

LAB 97.08, -20.52, 66.1

 

CMYK 31 / 0 / 84 / 1

HEX #AFFC29

RGB 175 252 41

HSL 81.9, 0.97%, 0.57%

LAB 91.19, -50.75, 82.58

 

CMYK 32 / 0 / 91 / 8

HEX #9EEA16

RGB 158 234 22

HSL 81.51, 0.83%, 0.5%

LAB 85.08, -49.89, 80.49

 

CMYK 35 / 0 / 99 / 15

HEX #8DD803

RGB 141 216 3

HSL 81.13, 0.97%, 0.43%

LAB 78.91, -48.84, 77.22

 

CMYK 37 / 0 / 100 / 22

HEX #7CC600

RGB 124 198 0

HSL 82.42, 1%, 0.39%

LAB 72.68, -47.54, 72.31

 

CMYK 41 / 0 / 100 / 29

HEX #6BB400

RGB 107 180 0

HSL 84.33, 1%, 0.35%

LAB 66.34, -46.15, 67.05

 

CMYK 31 / 0 / 85 / 1

HEX #AEFC27

RGB 174 252 39

HSL 81.97, 0.97%, 0.57%

LAB 91.13, -51.17, 82.93

 

CMYK 8 / 0 / 85 / 1

HEX #E7FC27

RGB 231 252 39

HSL 65.92, 0.97%, 0.57%

LAB 94.63, -29.39, 87.29

 

CMYK 0 / 15 / 85 / 1

HEX #FCD727

RGB 252 215 39

HSL 49.58, 0.97%, 0.57%

LAB 86.72, -2.68, 81.47

 

CMYK 0 / 38 / 85 / 1

HEX #FC9D27

RGB 252 157 39

HSL 33.24, 0.97%, 0.57%

LAB 72.86, 27.39, 70.06

 

CMYK 0 / 60 / 85 / 1

HEX #FC6427

RGB 252 100 39

HSL 17.18, 0.97%, 0.57%

LAB 61.62, 55.34, 60.68

 

CMYK 31 / 0 / 85 / 1

HEX #AEFC27

RGB 174 252 39

HSL 81.97, 0.97%, 0.57%

LAB 91.13, -51.17, 82.93

 

CMYK 54 / 0 / 85 / 1

HEX #75FC27

RGB 117 252 39

HSL 98.03, 0.97%, 0.57%

LAB 88.71, -68.95, 79.89

 

CMYK 77 / 0 / 85 / 1

HEX #3BFC27

RGB 59 252 39

HSL 114.37, 0.97%, 0.57%

LAB 87.34, -80.4, 78.15

 

CMYK 85 / 0 / 70 / 1

HEX #27FC4C

RGB 39 252 76

HSL 130.42, 0.97%, 0.57%

LAB 87.28, -80.24, 67.27

 

CMYK 85 / 0 / 47 / 1

HEX #27FC85

RGB 39 252 133

HSL 146.48, 0.97%, 0.57%

LAB 87.85, -73.29, 43.44

 

CMYK 31 / 0 / 85 / 1

HEX #AEFC27

RGB 174 252 39

HSL 81.97, 0.97%, 0.57%

LAB 91.13, -51.17, 82.93

 

CMYK 31 / 0 / 85 / 1

HEX #AEFC27

RGB 174 252 39

HSL 81.97, 0.97%, 0.57%

LAB 91.13, -51.17, 82.93

 

CMYK 28 / 0 / 76 / 8

HEX #A9EA39

RGB 169 234 57

HSL 82.03, 0.81%, 0.57%

LAB 85.79, -44.72, 73.46

 

CMYK 24 / 0 / 66 / 15

HEX #A4D84A

RGB 164 216 74

HSL 81.97, 0.65%, 0.57%

LAB 80.46, -37.67, 62.08

 

CMYK 19 / 0 / 54 / 22

HEX #A0C65C

RGB 160 198 92

HSL 81.51, 0.48%, 0.57%

LAB 75.22, -29.37, 48.37

 

CMYK 14 / 0 / 39 / 29

HEX #9BB56E

RGB 155 181 110

HSL 81.97, 0.32%, 0.57%

LAB 70.28, -20.97, 33.27

 

CMYK 0 / 15 / 85 / 1

HEX #FCD527

RGB 252 213 39

HSL 49.01, 0.97%, 0.57%

LAB 86.22, -1.67, 81.06

 

CMYK 7 / 0 / 85 / 1

HEX #EAFC27

RGB 234 252 39

HSL 65.07, 0.97%, 0.57%

LAB 94.85, -28.19, 87.55

 

CMYK 30 / 0 / 85 / 1

HEX #B1FC27

RGB 177 252 39

HSL 81.13, 0.97%, 0.57%

LAB 91.29, -50.1, 83.12

 

CMYK 52 / 0 / 85 / 1

HEX #79FC27

RGB 121 252 39

HSL 96.9, 0.97%, 0.57%

LAB 88.84, -67.89, 80.06

 

CMYK 75 / 0 / 85 / 1

HEX #40FC27

RGB 64 252 39

HSL 112.96, 0.97%, 0.57%

LAB 87.42, -79.72, 78.25

 

CMYK 36 / 0 / 99 / 20

HEX #83CD03

RGB 131 205 3

HSL 81.98, 0.97%, 0.41%

LAB 75.14, -47.89, 74.06

 

CMYK 36 / 0 / 98 / 4

HEX #9DF604

RGB 157 246 4

HSL 82.07, 0.97%, 0.49%

LAB 88.49, -55.33, 84.93

 

CMYK 31 / 0 / 85 / 1

HEX #AEFC27

RGB 174 252 39

HSL 81.97, 0.97%, 0.57%

LAB 91.13, -51.17, 82.93

 

CMYK 25 / 0 / 68 / 1

HEX #BDFC50

RGB 189 252 80

HSL 81.98, 0.97%, 0.65%

LAB 92.14, -43.87, 72.36

 

CMYK 19 / 0 / 53 / 1

HEX #CDFD78

RGB 205 253 120

HSL 81.65, 0.97%, 0.73%

LAB 93.7, -35.32, 57.94

 

CMYK 31 / 0 / 84 / 1

HEX #AFFC29

RGB 175 252 41

HSL 81.9, 0.97%, 0.57%

LAB 91.19, -50.75, 82.58

 

CMYK 85 / 0 / 38 / 1

HEX #27FC9C

RGB 39 252 156

HSL 152.96, 0.97%, 0.57%

LAB 88.19, -69.31, 32.62

 

CMYK 4 / 85 / 0 / 1

HEX #F127FC

RGB 241 39 252

HSL 296.9, 0.97%, 0.57%

LAB 59.14, 91.69, -61.2

 

CMYK 31 / 0 / 84 / 1

HEX #AFFC29

RGB 175 252 41

HSL 81.9, 0.97%, 0.57%

LAB 91.19, -50.75, 82.58

 

CMYK 85 / 30 / 0 / 1

HEX #27B1FC

RGB 39 177 252

HSL 201.13, 0.97%, 0.57%

LAB 68.68, -9.62, -46.97

 

CMYK 0 / 85 / 30 / 1

HEX #FC27B1

RGB 252 39 177

HSL 321.13, 0.97%, 0.57%

LAB 57.39, 84.07, -21.23

 

CMYK 31 / 0 / 84 / 1

HEX #AFFC29

RGB 175 252 41

HSL 81.9, 0.97%, 0.57%

LAB 91.19, -50.75, 82.58

 

CMYK 85 / 0 / 38 / 1

HEX #27FC9C

RGB 39 252 156

HSL 152.96, 0.97%, 0.57%

LAB 88.19, -69.31, 32.62

 

CMYK 55 / 85 / 0 / 1

HEX #7127FC

RGB 113 39 252

HSL 260.85, 0.97%, 0.57%

LAB 41.2, 74.26, -91.2

 

CMYK 0 / 85 / 46 / 1

HEX #FC2787

RGB 252 39 135

HSL 332.96, 0.97%, 0.57%

LAB 55.98, 80.13, 1.4

 

CMYK 31 / 0 / 84 / 1

HEX #AFFC29

RGB 175 252 41

HSL 81.9, 0.97%, 0.57%

LAB 91.19, -50.75, 82.58

 

CMYK 85 / 0 / 13 / 1

HEX #27FCDC

RGB 39 252 220

HSL 170.99, 0.97%, 0.57%

LAB 89.5, -54.99, 1.67

 

CMYK 55 / 85 / 0 / 1

HEX #7127FC

RGB 113 39 252

HSL 260.85, 0.97%, 0.57%

LAB 41.2, 74.26, -91.2

 

CMYK 0 / 85 / 72 / 1

HEX #FC2747

RGB 252 39 71

HSL 350.99, 0.97%, 0.57%

LAB 54.66, 76.3, 37.68

 

Description

Color code: HEX #AFFC29 | qconv.com Color code: HEX #AFFC29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 252 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 252 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 84 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 84% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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