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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFBBACE it is the complementary color #500445CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFBBACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFBBACE shade: #B4FBB5CE, #C5FFC8CE, #D6FFDBCE, #E7FFEECE and #F8FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFBBACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFBBACE shade: #AFFBBACE, #9EE9A7CE, #8DD794CE, #7CC581CE and #6BB36ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFBBACE shade: #B1FBBC, #BBFBB1, #CEFBB1, #E2FBB1 and #F6FBB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFBBACE shade: #B1FBBC, #B1FBD0, #B1FBE4, #B1FBF8 and #B1EBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFBBACE shade matches the following richer shades: #B1FBBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFBBACE shade: #B1FBBC, #B8F4C1, #BFEEC5, #C5E7CA and #CCE1CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFBBACE shade: #CFFBB1, #BBFBB1, #B1FBBB, #B1FBCF and #B1FBE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFBBACE shade: #63F778, #8AF99A, #B1FBBC, #D9FDDE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFBBACE shade: #AFFBBA, #B1E2FB and #FBB1C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFBBACE shade: #AFFBBA, #BBB1FB and #FBBBB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFBBACE shade: #AFFBBA, #B1E2FB, #FBB1F1 and #FBCAB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFBBACE shade: #AFFBBA, #B1CCFB, #FBB1F1 and #FBE0B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 21 / 1

HEX #AFFBBACE

RGBA 175 251 186 0.81

HSLA 128.68, 0.9%, 0.84%, 0.81

LABA 92.42, -35.95, 23.88, 0.81

 

Complementary color

CMYK 0 / 77 / 11 / 56

HEX #500445CE

RGBA 80 4 69 0.81

HSLA 308.68, 0.9%, 0.16%, 0.81

LABA 16.61, 39.32, -19.14, 0.81

 

CMYK 23 / 0 / 23 / 1

HEX #B4FBB5CE

RGBA 180 251 181 0.81

HSLA 120.85, 0.9%, 0.85%, 0.81

LABA 92.59, -35.22, 26.7, 0.81

 

CMYK 18 / 0 / 17 / 0

HEX #C5FFC8CE

RGBA 197 255 200 0.81

HSLA 123.1, 1%, 0.89%, 0.81

LABA 94.98, -28.51, 20.47, 0.81

 

CMYK 13 / 0 / 11 / 0

HEX #D6FFDBCE

RGBA 214 255 219 0.81

HSLA 127.32, 1%, 0.92%, 0.81

LABA 96.38, -19.76, 12.88, 0.81

 

CMYK 8 / 0 / 5 / 0

HEX #E7FFEECE

RGBA 231 255 238 0.81

HSLA 137.5, 1%, 0.95%, 0.81

LABA 97.91, -10.87, 5.46, 0.81

 

CMYK 2 / 0 / 0 / 0

HEX #F8FFFFCE

RGBA 248 255 255 0.81

HSLA 180, 1%, 0.99%, 0.81

LABA 99.49, -2.29, -0.81, 0.81

 

CMYK 25 / 0 / 21 / 1

HEX #AFFBBACE

RGBA 175 251 186 0.81

HSLA 128.68, 0.9%, 0.84%, 0.81

LABA 92.42, -35.95, 23.88, 0.81

 

CMYK 26 / 0 / 23 / 7

HEX #9EE9A7CE

RGBA 158 233 167 0.81

HSLA 127.2, 0.63%, 0.77%, 0.81

LABA 86.17, -36.2, 24.9, 0.81

 

CMYK 28 / 0 / 25 / 13

HEX #8DD794CE

RGBA 141 215 148 0.81

HSLA 125.68, 0.48%, 0.7%, 0.81

LABA 79.84, -36.46, 25.98, 0.81

 

CMYK 30 / 0 / 28 / 18

HEX #7CC581CE

RGBA 124 197 129 0.81

HSLA 124.11, 0.39%, 0.63%, 0.81

LABA 73.42, -36.71, 27.12, 0.81

 

CMYK 33 / 0 / 31 / 24

HEX #6BB36ECE

RGBA 107 179 110 0.81

HSLA 122.5, 0.32%, 0.56%, 0.81

LABA 66.89, -36.95, 28.33, 0.81

 

CMYK 29 / 0 / 25 / 2

HEX #B1FBBC

RGB 177 251 188

HSL 128.92, 0.9%, 0.84%

LAB 92.56, -35, 23.07

 

CMYK 25 / 0 / 29 / 2

HEX #BBFBB1

RGB 187 251 177

HSL 111.89, 0.9%, 0.84%

LAB 92.9, -33.61, 29.2

 

CMYK 18 / 0 / 29 / 2

HEX #CEFBB1

RGB 206 251 177

HSL 96.49, 0.9%, 0.84%

LAB 94.01, -27.23, 30.89

 

CMYK 10 / 0 / 29 / 2

HEX #E2FBB1

RGB 226 251 177

HSL 80.27, 0.9%, 0.84%

LAB 95.3, -20.2, 32.86

 

CMYK 2 / 0 / 29 / 2

HEX #F6FBB1

RGB 246 251 177

HSL 64.05, 0.9%, 0.84%

LAB 96.72, -12.93, 35

 

CMYK 29 / 0 / 25 / 2

HEX #B1FBBC

RGB 177 251 188

HSL 128.92, 0.9%, 0.84%

LAB 92.56, -35, 23.07

 

CMYK 29 / 0 / 17 / 2

HEX #B1FBD0

RGB 177 251 208

HSL 145.14, 0.9%, 0.84%

LAB 92.97, -31.42, 13.39

 

CMYK 29 / 0 / 9 / 2

HEX #B1FBE4

RGB 177 251 228

HSL 161.35, 0.9%, 0.84%

LAB 93.43, -27.49, 3.73

 

CMYK 29 / 0 / 1 / 2

HEX #B1FBF8

RGB 177 251 248

HSL 177.57, 0.9%, 0.84%

LAB 93.93, -23.24, -5.88

 

CMYK 29 / 6 / 0 / 2

HEX #B1EBFB

RGB 177 235 251

HSL 192.97, 0.9%, 0.84%

LAB 89.73, -14.66, -13.68

 

CMYK 29 / 0 / 25 / 2

HEX #B1FBBC

RGB 177 251 188

HSL 128.92, 0.9%, 0.84%

LAB 92.56, -35, 23.07

 

CMYK 29 / 0 / 25 / 2

HEX #B1FBBC

RGB 177 251 188

HSL 128.92, 0.9%, 0.84%

LAB 92.56, -35, 23.07

 

CMYK 25 / 0 / 21 / 4

HEX #B8F4C1

RGB 184 244 193

HSL 129, 0.73%, 0.84%

LAB 91.12, -28.68, 18.56

 

CMYK 20 / 0 / 17 / 7

HEX #BFEEC5

RGB 191 238 197

HSL 127.66, 0.58%, 0.84%

LAB 89.98, -22.85, 14.95

 

CMYK 15 / 0 / 13 / 9

HEX #C5E7CA

RGB 197 231 202

HSL 128.82, 0.41%, 0.84%

LAB 88.58, -16.55, 10.42

 

CMYK 9 / 0 / 8 / 12

HEX #CCE1CF

RGB 204 225 207

HSL 128.57, 0.26%, 0.84%

LAB 87.58, -10.3, 6.42

 

CMYK 18 / 0 / 29 / 2

HEX #CFFBB1

RGB 207 251 177

HSL 95.68, 0.9%, 0.84%

LAB 94.07, -26.89, 30.99

 

CMYK 25 / 0 / 29 / 2

HEX #BBFBB1

RGB 187 251 177

HSL 111.89, 0.9%, 0.84%

LAB 92.9, -33.61, 29.2

 

CMYK 29 / 0 / 25 / 2

HEX #B1FBBB

RGB 177 251 187

HSL 128.11, 0.9%, 0.84%

LAB 92.54, -35.17, 23.56

 

CMYK 29 / 0 / 18 / 2

HEX #B1FBCF

RGB 177 251 207

HSL 144.32, 0.9%, 0.84%

LAB 92.95, -31.6, 13.88

 

CMYK 29 / 0 / 10 / 2

HEX #B1FBE2

RGB 177 251 226

HSL 159.73, 0.9%, 0.84%

LAB 93.38, -27.9, 4.69

 

CMYK 60 / 0 / 51 / 3

HEX #63F778

RGB 99 247 120

HSL 128.51, 0.9%, 0.68%

LAB 87.26, -64.85, 49.08

 

CMYK 45 / 0 / 38 / 2

HEX #8AF99A

RGB 138 249 154

HSL 128.65, 0.9%, 0.76%

LAB 89.62, -51.13, 35.94

 

CMYK 29 / 0 / 25 / 2

HEX #B1FBBC

RGB 177 251 188

HSL 128.92, 0.9%, 0.84%

LAB 92.56, -35, 23.07

 

CMYK 14 / 0 / 12 / 1

HEX #D9FDDE

RGB 217 253 222

HSL 128.33, 0.9%, 0.92%

LAB 96.11, -17.28, 10.98

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 30 / 0 / 26 / 2

HEX #AFFBBA

RGB 175 251 186

HSL 128.68, 0.9%, 0.84%

LAB 92.42, -35.95, 23.88

 

CMYK 29 / 10 / 0 / 2

HEX #B1E2FB

RGB 177 226 251

HSL 200.27, 0.9%, 0.84%

LAB 87.34, -10.09, -17.27

 

CMYK 0 / 29 / 22 / 2

HEX #FBB1C5

RGB 251 177 197

HSL 343.78, 0.9%, 0.84%

LAB 79.61, 29.74, 0.71

 

CMYK 30 / 0 / 26 / 2

HEX #AFFBBA

RGB 175 251 186

HSL 128.68, 0.9%, 0.84%

LAB 92.42, -35.95, 23.88

 

CMYK 25 / 29 / 0 / 2

HEX #BBB1FB

RGB 187 177 251

HSL 248.11, 0.9%, 0.84%

LAB 75.44, 19.05, -35.38

 

CMYK 0 / 25 / 29 / 2

HEX #FBBBB1

RGB 251 187 177

HSL 8.11, 0.9%, 0.84%

LAB 81.41, 21.73, 14.09

 

CMYK 30 / 0 / 26 / 2

HEX #AFFBBA

RGB 175 251 186

HSL 128.68, 0.9%, 0.84%

LAB 92.42, -35.95, 23.88

 

CMYK 29 / 10 / 0 / 2

HEX #B1E2FB

RGB 177 226 251

HSL 200.27, 0.9%, 0.84%

LAB 87.34, -10.09, -17.27

 

CMYK 0 / 29 / 4 / 2

HEX #FBB1F1

RGB 251 177 241

HSL 308.11, 0.9%, 0.84%

LAB 80.91, 36.78, -21.11

 

CMYK 0 / 20 / 29 / 2

HEX #FBCAB1

RGB 251 202 177

HSL 20.27, 0.9%, 0.84%

LAB 84.96, 13.86, 19.06

 

CMYK 30 / 0 / 26 / 2

HEX #AFFBBA

RGB 175 251 186

HSL 128.68, 0.9%, 0.84%

LAB 92.42, -35.95, 23.88

 

CMYK 29 / 19 / 0 / 2

HEX #B1CCFB

RGB 177 204 251

HSL 218.11, 0.9%, 0.84%

LAB 81.56, 1.45, -26.02

 

CMYK 0 / 29 / 4 / 2

HEX #FBB1F1

RGB 251 177 241

HSL 308.11, 0.9%, 0.84%

LAB 80.91, 36.78, -21.11

 

CMYK 0 / 11 / 29 / 2

HEX #FBE0B1

RGB 251 224 177

HSL 38.11, 0.9%, 0.84%

LAB 90.32, 2.48, 26.44

 

Description

Color code: HEX #AFFBBACE | qconv.com Color code: HEX #AFFBBACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 251 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 251 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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