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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFB8ACE it is the complementary color #500475CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFB8ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFB8ACE shade: #B4FB85CE, #C5FF98CE, #D6FFABCE, #E7FFBECE and #F8FFD1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFB8ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFB8ACE shade: #AFFB8ACE, #9EE977CE, #8DD764CE, #7CC551CE and #6BB33ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFB8ACE shade: #AEFB89, #CDFB89, #ECFB89, #FBEB89 and #FBCC89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFB8ACE shade: #AEFB89, #8FFB89, #89FBA1, #89FBC0 and #89FBDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFB8ACE shade matches the following richer shades: #AEFB89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFB8ACE shade: #AEFB89, #B2F193, #B5E79D, #B8DDA7 and #BCD3B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFB8ACE shade: #ECFB89, #CDFB89, #AFFB89, #90FB89 and #89FBA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFB8ACE shade: #78F839, #93F961, #AEFB89, #C9FCB1 and #E5FED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFB8ACE shade: #AFFB8A, #89FBEC and #FB89DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFB8ACE shade: #AFFB8A, #89AFFB and #FB89AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFB8ACE shade: #AFFB8A, #89FBEC, #D589FB and #FB8998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFB8ACE shade: #AFFB8A, #89E8FB, #D589FB and #FB9C89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 36 / 1

HEX #AFFB8ACE

RGBA 175 251 138 0.81

HSLA 100.35, 0.93%, 0.76%, 0.81

LABA 91.66, -42.99, 46.71, 0.81

 

Complementary color

CMYK 26 / 78 / 0 / 44

HEX #500475CE

RGBA 80 4 117 0.81

HSLA 280.35, 0.93%, 0.24%, 0.81

LABA 20.35, 48.45, -45.19, 0.81

 

CMYK 23 / 0 / 38 / 1

HEX #B4FB85CE

RGBA 180 251 133 0.81

HSLA 96.1, 0.94%, 0.75%, 0.81

LABA 91.86, -41.91, 49.39, 0.81

 

CMYK 18 / 0 / 33 / 0

HEX #C5FF98CE

RGBA 197 255 152 0.81

HSLA 93.79, 1%, 0.8%, 0.81

LABA 94.17, -35.57, 43.39, 0.81

 

CMYK 13 / 0 / 27 / 0

HEX #D6FFABCE

RGBA 214 255 171 0.81

HSLA 89.29, 1%, 0.84%, 0.81

LABA 95.48, -27.17, 35.95, 0.81

 

CMYK 8 / 0 / 21 / 0

HEX #E7FFBECE

RGBA 231 255 190 0.81

HSLA 82.15, 1%, 0.87%, 0.81

LABA 96.91, -18.56, 28.55, 0.81

 

CMYK 2 / 0 / 15 / 0

HEX #F8FFD1CE

RGBA 248 255 209 0.81

HSLA 69.13, 1%, 0.91%, 0.81

LABA 98.46, -9.81, 21.25, 0.81

 

CMYK 25 / 0 / 36 / 1

HEX #AFFB8ACE

RGBA 175 251 138 0.81

HSLA 100.35, 0.93%, 0.76%, 0.81

LABA 91.66, -42.99, 46.71, 0.81

 

CMYK 26 / 0 / 40 / 7

HEX #9EE977CE

RGBA 158 233 119 0.81

HSLA 99.47, 0.72%, 0.69%, 0.81

LABA 85.44, -43.08, 47.86, 0.81

 

CMYK 28 / 0 / 43 / 13

HEX #8DD764CE

RGBA 141 215 100 0.81

HSLA 98.61, 0.59%, 0.62%, 0.81

LABA 79.15, -43.12, 49, 0.81

 

CMYK 30 / 0 / 48 / 18

HEX #7CC551CE

RGBA 124 197 81 0.81

HSLA 97.76, 0.5%, 0.55%, 0.81

LABA 72.77, -43.08, 50.06, 0.81

 

CMYK 33 / 0 / 53 / 24

HEX #6BB33ECE

RGBA 107 179 62 0.81

HSLA 96.92, 0.49%, 0.47%, 0.81

LABA 66.3, -42.93, 50.96, 0.81

 

CMYK 31 / 0 / 45 / 2

HEX #AEFB89

RGB 174 251 137

HSL 100.53, 0.93%, 0.76%

LAB 91.59, -43.44, 47.09

 

CMYK 18 / 0 / 45 / 2

HEX #CDFB89

RGB 205 251 137

HSL 84.21, 0.93%, 0.76%

LAB 93.35, -32.68, 49.67

 

CMYK 6 / 0 / 45 / 2

HEX #ECFB89

RGB 236 251 137

HSL 67.89, 0.93%, 0.76%

LAB 95.43, -21.13, 52.68

 

CMYK 0 / 6 / 45 / 2

HEX #FBEB89

RGB 251 235 137

HSL 51.58, 0.93%, 0.76%

LAB 92.46, -7.49, 49.29

 

CMYK 0 / 19 / 45 / 2

HEX #FBCC89

RGB 251 204 137

HSL 35.26, 0.93%, 0.76%

LAB 84.74, 8.29, 39.57

 

CMYK 31 / 0 / 45 / 2

HEX #AEFB89

RGB 174 251 137

HSL 100.53, 0.93%, 0.76%

LAB 91.59, -43.44, 47.09

 

CMYK 43 / 0 / 45 / 2

HEX #8FFB89

RGB 143 251 137

HSL 116.84, 0.93%, 0.76%

LAB 90.16, -53.03, 44.98

 

CMYK 45 / 0 / 36 / 2

HEX #89FBA1

RGB 137 251 161

HSL 132.63, 0.93%, 0.76%

LAB 90.27, -51.1, 33.31

 

CMYK 45 / 0 / 24 / 2

HEX #89FBC0

RGB 137 251 192

HSL 148.95, 0.93%, 0.76%

LAB 90.83, -45.54, 18.35

 

CMYK 45 / 0 / 12 / 2

HEX #89FBDE

RGB 137 251 222

HSL 164.74, 0.93%, 0.76%

LAB 91.5, -39.26, 3.82

 

CMYK 31 / 0 / 45 / 2

HEX #AEFB89

RGB 174 251 137

HSL 100.53, 0.93%, 0.76%

LAB 91.59, -43.44, 47.09

 

CMYK 31 / 0 / 45 / 2

HEX #AEFB89

RGB 174 251 137

HSL 100.53, 0.93%, 0.76%

LAB 91.59, -43.44, 47.09

 

CMYK 26 / 0 / 39 / 5

HEX #B2F193

RGB 178 241 147

HSL 100.21, 0.77%, 0.76%

LAB 89.15, -36.37, 39.16

 

CMYK 22 / 0 / 32 / 9

HEX #B5E79D

RGB 181 231 157

HSL 100.54, 0.61%, 0.76%

LAB 86.71, -29.31, 30.96

 

CMYK 17 / 0 / 24 / 13

HEX #B8DDA7

RGB 184 221 167

HSL 101.11, 0.44%, 0.76%

LAB 84.33, -21.94, 22.61

 

CMYK 11 / 0 / 17 / 17

HEX #BCD3B0

RGB 188 211 176

HSL 99.43, 0.28%, 0.76%

LAB 82.06, -14.09, 14.77

 

CMYK 6 / 0 / 45 / 2

HEX #ECFB89

RGB 236 251 137

HSL 67.89, 0.93%, 0.76%

LAB 95.43, -21.13, 52.68

 

CMYK 18 / 0 / 45 / 2

HEX #CDFB89

RGB 205 251 137

HSL 84.21, 0.93%, 0.76%

LAB 93.35, -32.68, 49.67

 

CMYK 30 / 0 / 45 / 2

HEX #AFFB89

RGB 175 251 137

HSL 100, 0.93%, 0.76%

LAB 91.65, -43.11, 47.17

 

CMYK 43 / 0 / 45 / 2

HEX #90FB89

RGB 144 251 137

HSL 116.32, 0.93%, 0.76%

LAB 90.2, -52.74, 45.04

 

CMYK 45 / 0 / 36 / 2

HEX #89FBA0

RGB 137 251 160

HSL 132.11, 0.93%, 0.76%

LAB 90.25, -51.26, 33.78

 

CMYK 52 / 0 / 77 / 3

HEX #78F839

RGB 120 248 57

HSL 100.21, 0.93%, 0.6%

LAB 87.69, -65.95, 74.48

 

CMYK 41 / 0 / 61 / 2

HEX #93F961

RGB 147 249 97

HSL 100.26, 0.93%, 0.68%

LAB 89.31, -55.56, 62.08

 

CMYK 31 / 0 / 45 / 2

HEX #AEFB89

RGB 174 251 137

HSL 100.53, 0.93%, 0.76%

LAB 91.59, -43.44, 47.09

 

CMYK 20 / 0 / 30 / 1

HEX #C9FCB1

RGB 201 252 177

HSL 100.8, 0.93%, 0.84%

LAB 93.97, -29.41, 30.79

 

CMYK 10 / 0 / 15 / 0

HEX #E5FED9

RGB 229 254 217

HSL 100.54, 0.95%, 0.92%

LAB 97.05, -14.63, 14.98

 

CMYK 30 / 0 / 45 / 2

HEX #AFFB8A

RGB 175 251 138

HSL 100.35, 0.93%, 0.76%

LAB 91.66, -42.99, 46.71

 

CMYK 45 / 0 / 6 / 2

HEX #89FBEC

RGB 137 251 236

HSL 172.11, 0.93%, 0.76%

LAB 91.85, -36.06, -2.93

 

CMYK 0 / 45 / 12 / 2

HEX #FB89DC

RGB 251 137 220

HSL 316.32, 0.93%, 0.76%

LAB 71.94, 53.76, -23.32

 

CMYK 30 / 0 / 45 / 2

HEX #AFFB8A

RGB 175 251 138

HSL 100.35, 0.93%, 0.76%

LAB 91.66, -42.99, 46.71

 

CMYK 45 / 30 / 0 / 2

HEX #89AFFB

RGB 137 175 251

HSL 220, 0.93%, 0.76%

LAB 71.52, 6.79, -41.74

 

CMYK 0 / 45 / 30 / 2

HEX #FB89AF

RGB 251 137 175

HSL 340, 0.93%, 0.76%

LAB 70.52, 47.39, -0.45

 

CMYK 30 / 0 / 45 / 2

HEX #AFFB8A

RGB 175 251 138

HSL 100.35, 0.93%, 0.76%

LAB 91.66, -42.99, 46.71

 

CMYK 45 / 0 / 6 / 2

HEX #89FBEC

RGB 137 251 236

HSL 172.11, 0.93%, 0.76%

LAB 91.85, -36.06, -2.93

 

CMYK 15 / 45 / 0 / 2

HEX #D589FB

RGB 213 137 251

HSL 280, 0.93%, 0.76%

LAB 68.75, 48.29, -45.63

 

CMYK 0 / 45 / 39 / 2

HEX #FB8998

RGB 251 137 152

HSL 352.11, 0.93%, 0.76%

LAB 69.94, 44.69, 11.58

 

CMYK 30 / 0 / 45 / 2

HEX #AFFB8A

RGB 175 251 138

HSL 100.35, 0.93%, 0.76%

LAB 91.66, -42.99, 46.71

 

CMYK 45 / 8 / 0 / 2

HEX #89E8FB

RGB 137 232 251

HSL 190, 0.93%, 0.76%

LAB 87, -23.32, -17.98

 

CMYK 15 / 45 / 0 / 2

HEX #D589FB

RGB 213 137 251

HSL 280, 0.93%, 0.76%

LAB 68.75, 48.29, -45.63

 

CMYK 0 / 38 / 45 / 2

HEX #FB9C89

RGB 251 156 137

HSL 10, 0.93%, 0.76%

LAB 73.61, 33.4, 24.93

 

Description

Color code: HEX #AFFB8ACE | qconv.com Color code: HEX #AFFB8ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 251 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 251 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 36 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 36% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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