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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF88F it is the complementary color #500770. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF88F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF88F shade: #B4F88A, #C5FF9D, #D6FFB0, #E7FFC3 and #F8FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF88F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF88F shade: #AFF88F, #9EE67C, #8DD469, #7CC256 and #6BB043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF88F shade: #B0F891, #CCF891, #E8F891, #F8EC91 and #F8D091

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF88F shade: #B0F891, #94F891, #91F8A9, #91F8C5 and #91F8E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF88F shade matches the following richer shades: #B0F891

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF88F shade: #B0F891, #B4EE9A, #B8E5A4, #BBDBAD and #BFD2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF88F shade: #E8F891, #CDF891, #B1F891, #96F891 and #91F8A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF88F shade: #79F343, #94F56A, #B0F891, #CCFAB8 and #E8FDDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF88F shade: #AFF88F, #91F8EC and #F891DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF88F shade: #AFF88F, #91B1F8 and #F891B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF88F shade: #AFF88F, #91F8EC, #D791F8 and #F8919D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF88F shade: #AFF88F, #91E5F8, #D791F8 and #F8A491

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 42 / 3

HEX #AFF88F

RGB 175 248 143

HSL 101.71, 0.88%, 0.77%

LAB 90.89, -41.04, 43.32

 

Complementary color

CMYK 29 / 94 / 0 / 56

HEX #500770

RGB 80 7 112

HSL 281.71, 0.88%, 0.23%

LAB 20.15, 46.61, -42.28

 

CMYK 27 / 0 / 44 / 3

HEX #B4F88A

RGB 180 248 138

HSL 97.09, 0.89%, 0.76%

LAB 91.09, -39.99, 46.04

 

CMYK 23 / 0 / 38 / 0

HEX #C5FF9D

RGB 197 255 157

HSL 95.51, 1%, 0.81%

LAB 94.24, -34.93, 41.04

 

CMYK 16 / 0 / 31 / 0

HEX #D6FFB0

RGB 214 255 176

HSL 91.14, 1%, 0.85%

LAB 95.56, -26.49, 33.56

 

CMYK 9 / 0 / 24 / 0

HEX #E7FFC3

RGB 231 255 195

HSL 84, 1%, 0.88%

LAB 97, -17.84, 26.14

 

CMYK 3 / 0 / 16 / 0

HEX #F8FFD6

RGB 248 255 214

HSL 70.24, 1%, 0.92%

LAB 98.56, -9.07, 18.84

 

CMYK 29 / 0 / 42 / 3

HEX #AFF88F

RGB 175 248 143

HSL 101.71, 0.88%, 0.77%

LAB 90.89, -41.04, 43.32

 

CMYK 31 / 0 / 46 / 10

HEX #9EE67C

RGB 158 230 124

HSL 100.75, 0.68%, 0.69%

LAB 84.65, -41.16, 44.48

 

CMYK 33 / 0 / 50 / 17

HEX #8DD469

RGB 141 212 105

HSL 99.81, 0.55%, 0.62%

LAB 78.33, -41.24, 45.65

 

CMYK 36 / 0 / 56 / 24

HEX #7CC256

RGB 124 194 86

HSL 98.89, 0.47%, 0.55%

LAB 71.92, -41.27, 46.79

 

CMYK 39 / 0 / 62 / 31

HEX #6BB043

RGB 107 176 67

HSL 97.98, 0.45%, 0.48%

LAB 65.42, -41.19, 47.82

 

CMYK 29 / 0 / 42 / 3

HEX #B0F891

RGB 176 248 145

HSL 101.94, 0.88%, 0.77%

LAB 90.97, -40.45, 42.46

 

CMYK 18 / 0 / 42 / 3

HEX #CCF891

RGB 204 248 145

HSL 85.63, 0.88%, 0.77%

LAB 92.58, -30.74, 44.85

 

CMYK 6 / 0 / 42 / 3

HEX #E8F891

RGB 232 248 145

HSL 69.32, 0.88%, 0.77%

LAB 94.46, -20.4, 47.61

 

CMYK 0 / 5 / 42 / 3

HEX #F8EC91

RGB 248 236 145

HSL 53.01, 0.88%, 0.77%

LAB 92.57, -8.38, 45.49

 

CMYK 0 / 16 / 42 / 3

HEX #F8D091

RGB 248 208 145

HSL 36.7, 0.88%, 0.77%

LAB 85.56, 5.85, 36.5

 

CMYK 29 / 0 / 42 / 3

HEX #B0F891

RGB 176 248 145

HSL 101.94, 0.88%, 0.77%

LAB 90.97, -40.45, 42.46

 

CMYK 40 / 0 / 42 / 3

HEX #94F891

RGB 148 248 145

HSL 118.25, 0.88%, 0.77%

LAB 89.62, -49.23, 40.46

 

CMYK 42 / 0 / 32 / 3

HEX #91F8A9

RGB 145 248 169

HSL 133.98, 0.88%, 0.77%

LAB 89.87, -46.33, 28.8

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C5

RGB 145 248 197

HSL 150.29, 0.88%, 0.77%

LAB 90.41, -41.18, 15.23

 

CMYK 42 / 0 / 9 / 3

HEX #91F8E1

RGB 145 248 225

HSL 166.6, 0.88%, 0.77%

LAB 91.05, -35.29, 1.65

 

CMYK 29 / 0 / 42 / 3

HEX #B0F891

RGB 176 248 145

HSL 101.94, 0.88%, 0.77%

LAB 90.97, -40.45, 42.46

 

CMYK 29 / 0 / 42 / 3

HEX #B0F891

RGB 176 248 145

HSL 101.94, 0.88%, 0.77%

LAB 90.97, -40.45, 42.46

 

CMYK 24 / 0 / 35 / 7

HEX #B4EE9A

RGB 180 238 154

HSL 101.43, 0.71%, 0.77%

LAB 88.54, -33.35, 34.89

 

CMYK 20 / 0 / 28 / 10

HEX #B8E5A4

RGB 184 229 164

HSL 101.54, 0.56%, 0.77%

LAB 86.46, -26.28, 27.07

 

CMYK 15 / 0 / 21 / 14

HEX #BBDBAD

RGB 187 219 173

HSL 101.74, 0.39%, 0.77%

LAB 84.09, -18.94, 19.18

 

CMYK 9 / 0 / 13 / 18

HEX #BFD2B7

RGB 191 210 183

HSL 102.22, 0.23%, 0.77%

LAB 82.16, -11.34, 11.22

 

CMYK 6 / 0 / 42 / 3

HEX #E8F891

RGB 232 248 145

HSL 69.32, 0.88%, 0.77%

LAB 94.46, -20.4, 47.61

 

CMYK 17 / 0 / 42 / 3

HEX #CDF891

RGB 205 248 145

HSL 85.05, 0.88%, 0.77%

LAB 92.64, -30.38, 44.94

 

CMYK 29 / 0 / 42 / 3

HEX #B1F891

RGB 177 248 145

HSL 101.36, 0.88%, 0.77%

LAB 91.02, -40.11, 42.54

 

CMYK 40 / 0 / 42 / 3

HEX #96F891

RGB 150 248 145

HSL 117.09, 0.88%, 0.77%

LAB 89.7, -48.64, 40.59

 

CMYK 42 / 0 / 33 / 3

HEX #91F8A7

RGB 145 248 167

HSL 132.82, 0.88%, 0.77%

LAB 89.83, -46.67, 29.77

 

CMYK 50 / 0 / 72 / 5

HEX #79F343

RGB 121 243 67

HSL 101.59, 0.88%, 0.61%

LAB 86.29, -63.28, 69.98

 

CMYK 40 / 0 / 57 / 4

HEX #94F56A

RGB 148 245 106

HSL 101.87, 0.87%, 0.69%

LAB 88.28, -52.78, 57.07

 

CMYK 29 / 0 / 42 / 3

HEX #B0F891

RGB 176 248 145

HSL 101.94, 0.88%, 0.77%

LAB 90.97, -40.45, 42.46

 

CMYK 18 / 0 / 26 / 2

HEX #CCFAB8

RGB 204 250 184

HSL 101.82, 0.87%, 0.85%

LAB 93.74, -26.4, 26.97

 

CMYK 8 / 0 / 12 / 1

HEX #E8FDDE

RGB 232 253 222

HSL 100.65, 0.89%, 0.93%

LAB 97.1, -12.3, 12.52

 

CMYK 29 / 0 / 42 / 3

HEX #AFF88F

RGB 175 248 143

HSL 101.71, 0.88%, 0.77%

LAB 90.89, -41.04, 43.32

 

CMYK 42 / 0 / 5 / 3

HEX #91F8EC

RGB 145 248 236

HSL 173.01, 0.88%, 0.77%

LAB 91.33, -32.79, -3.66

 

CMYK 0 / 42 / 12 / 3

HEX #F891DB

RGB 248 145 219

HSL 316.89, 0.88%, 0.77%

LAB 73.1, 48.69, -21.03

 

CMYK 29 / 0 / 42 / 3

HEX #AFF88F

RGB 175 248 143

HSL 101.71, 0.88%, 0.77%

LAB 90.89, -41.04, 43.32

 

CMYK 42 / 29 / 0 / 3

HEX #91B1F8

RGB 145 177 248

HSL 221.36, 0.88%, 0.77%

LAB 72.39, 6.8, -38.72

 

CMYK 0 / 42 / 29 / 3

HEX #F891B1

RGB 248 145 177

HSL 341.36, 0.88%, 0.77%

LAB 71.81, 42.58, 0.28

 

CMYK 29 / 0 / 42 / 3

HEX #AFF88F

RGB 175 248 143

HSL 101.71, 0.88%, 0.77%

LAB 90.89, -41.04, 43.32

 

CMYK 42 / 0 / 5 / 3

HEX #91F8EC

RGB 145 248 236

HSL 173.01, 0.88%, 0.77%

LAB 91.33, -32.79, -3.66

 

CMYK 13 / 42 / 0 / 3

HEX #D791F8

RGB 215 145 248

HSL 280.78, 0.88%, 0.77%

LAB 70.51, 44.01, -41.22

 

CMYK 0 / 42 / 37 / 3

HEX #F8919D

RGB 248 145 157

HSL 353.01, 0.88%, 0.77%

LAB 71.31, 40.12, 10.68

 

CMYK 29 / 0 / 42 / 3

HEX #AFF88F

RGB 175 248 143

HSL 101.71, 0.88%, 0.77%

LAB 90.89, -41.04, 43.32

 

CMYK 42 / 8 / 0 / 3

HEX #91E5F8

RGB 145 229 248

HSL 191.07, 0.88%, 0.77%

LAB 86.42, -20.72, -17.24

 

CMYK 13 / 42 / 0 / 3

HEX #D791F8

RGB 215 145 248

HSL 280.78, 0.88%, 0.77%

LAB 70.51, 44.01, -41.22

 

CMYK 0 / 34 / 42 / 3

HEX #F8A491

RGB 248 164 145

HSL 11.07, 0.88%, 0.77%

LAB 75.17, 28.91, 22.65

 

Description

Color code: HEX #AFF88F | qconv.com Color code: HEX #AFF88F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 248 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 248 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 42 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 42% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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