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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF861 it is the complementary color #50079E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF861. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF861 shade: #B4F85C, #C5FF6F, #D6FF82, #E7FF95 and #F8FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF861. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF861 shade: #AFF861, #9EE64E, #8DD43B, #7CC228 and #6BB015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF861 shade: #B0F862, #D8F862, #F8F062, #F8C862 and #F89F62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF861 shade: #B0F862, #87F862, #62F866, #62F88E and #62F8B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF861 shade matches the following richer shades: #B0F862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF861 shade: #B0F862, #AFEB70, #AFDE7D, #AFD18A and #AEC497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF861 shade: #F8F162, #D8F862, #B0F862, #88F862 and #62F865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF861 shade: #88F513, #9CF73B, #B0F862, #C4FA8A and #D8FCB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF861 shade: #AFF861, #62F8C9 and #F862EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF861 shade: #AFF861, #62B0F8 and #F862B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF861 shade: #AFF861, #62F8C9, #AB62F8 and #F86292

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF861 shade: #AFF861, #62F8F6, #AB62F8 and #F86265

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 61 / 3

HEX #AFF861

RGB 175 248 97

HSL 89.01, 0.92%, 0.68%

LAB 90.37, -45.92, 63.64

 

Complementary color

CMYK 49 / 96 / 0 / 38

HEX #50079E

RGB 80 7 158

HSL 269.01, 0.92%, 0.32%

LAB 24.72, 56.97, -63.7

 

CMYK 27 / 0 / 63 / 3

HEX #B4F85C

RGB 180 248 92

HSL 86.15, 0.92%, 0.67%

LAB 90.6, -44.56, 66.01

 

CMYK 23 / 0 / 56 / 0

HEX #C5FF6F

RGB 197 255 111

HSL 84.17, 1%, 0.72%

LAB 93.68, -39.95, 61.77

 

CMYK 16 / 0 / 49 / 0

HEX #D6FF82

RGB 214 255 130

HSL 79.68, 1%, 0.75%

LAB 94.92, -31.96, 54.98

 

CMYK 9 / 0 / 42 / 0

HEX #E7FF95

RGB 231 255 149

HSL 73.58, 1%, 0.79%

LAB 96.28, -23.69, 47.96

 

CMYK 3 / 0 / 34 / 0

HEX #F8FFA8

RGB 248 255 168

HSL 64.83, 1%, 0.83%

LAB 97.75, -15.23, 40.86

 

CMYK 29 / 0 / 61 / 3

HEX #AFF861

RGB 175 248 97

HSL 89.01, 0.92%, 0.68%

LAB 90.37, -45.92, 63.64

 

CMYK 31 / 0 / 66 / 10

HEX #9EE64E

RGB 158 230 78

HSL 88.42, 0.75%, 0.6%

LAB 84.18, -45.69, 64.33

 

CMYK 33 / 0 / 72 / 17

HEX #8DD43B

RGB 141 212 59

HSL 87.84, 0.64%, 0.53%

LAB 77.91, -45.34, 64.67

 

CMYK 36 / 0 / 79 / 24

HEX #7CC228

RGB 124 194 40

HSL 87.27, 0.66%, 0.46%

LAB 71.57, -44.82, 64.39

 

CMYK 39 / 0 / 88 / 31

HEX #6BB015

RGB 107 176 21

HSL 86.71, 0.79%, 0.39%

LAB 65.15, -44.06, 63.08

 

CMYK 29 / 0 / 60 / 3

HEX #B0F862

RGB 176 248 98

HSL 88.8, 0.91%, 0.68%

LAB 90.44, -45.48, 63.31

 

CMYK 13 / 0 / 60 / 3

HEX #D8F862

RGB 216 248 98

HSL 72.8, 0.91%, 0.68%

LAB 92.85, -30.71, 66.65

 

CMYK 0 / 3 / 60 / 3

HEX #F8F062

RGB 248 240 98

HSL 56.8, 0.91%, 0.68%

LAB 93.08, -14.23, 67.59

 

CMYK 0 / 19 / 60 / 3

HEX #F8C862

RGB 248 200 98

HSL 40.8, 0.91%, 0.68%

LAB 82.99, 5.94, 56.41

 

CMYK 0 / 36 / 60 / 3

HEX #F89F62

RGB 248 159 98

HSL 24.4, 0.91%, 0.68%

LAB 73.31, 27.41, 45.13

 

CMYK 29 / 0 / 60 / 3

HEX #B0F862

RGB 176 248 98

HSL 88.8, 0.91%, 0.68%

LAB 90.44, -45.48, 63.31

 

CMYK 46 / 0 / 60 / 3

HEX #87F862

RGB 135 248 98

HSL 105.2, 0.91%, 0.68%

LAB 88.53, -58.66, 60.65

 

CMYK 60 / 0 / 59 / 3

HEX #62F866

RGB 98 248 102

HSL 121.6, 0.91%, 0.68%

LAB 87.33, -67.61, 57.26

 

CMYK 60 / 0 / 43 / 3

HEX #62F88E

RGB 98 248 142

HSL 137.6, 0.91%, 0.68%

LAB 87.82, -62.2, 39.26

 

CMYK 60 / 0 / 26 / 3

HEX #62F8B7

RGB 98 248 183

HSL 154, 0.91%, 0.68%

LAB 88.52, -54.7, 19.55

 

CMYK 29 / 0 / 60 / 3

HEX #B0F862

RGB 176 248 98

HSL 88.8, 0.91%, 0.68%

LAB 90.44, -45.48, 63.31

 

CMYK 29 / 0 / 60 / 3

HEX #B0F862

RGB 176 248 98

HSL 88.8, 0.91%, 0.68%

LAB 90.44, -45.48, 63.31

 

CMYK 26 / 0 / 52 / 8

HEX #AFEB70

RGB 175 235 112

HSL 89.27, 0.75%, 0.68%

LAB 86.85, -38.85, 53.04

 

CMYK 21 / 0 / 44 / 13

HEX #AFDE7D

RGB 175 222 125

HSL 89.07, 0.6%, 0.68%

LAB 83.36, -31.47, 42.58

 

CMYK 16 / 0 / 34 / 18

HEX #AFD18A

RGB 175 209 138

HSL 88.73, 0.44%, 0.68%

LAB 79.93, -23.58, 31.61

 

CMYK 11 / 0 / 23 / 23

HEX #AEC497

RGB 174 196 151

HSL 89.33, 0.28%, 0.68%

LAB 76.5, -15.54, 20.16

 

CMYK 0 / 3 / 60 / 3

HEX #F8F162

RGB 248 241 98

HSL 57.2, 0.91%, 0.68%

LAB 93.34, -14.72, 67.86

 

CMYK 13 / 0 / 60 / 3

HEX #D8F862

RGB 216 248 98

HSL 72.8, 0.91%, 0.68%

LAB 92.85, -30.71, 66.65

 

CMYK 29 / 0 / 60 / 3

HEX #B0F862

RGB 176 248 98

HSL 88.8, 0.91%, 0.68%

LAB 90.44, -45.48, 63.31

 

CMYK 45 / 0 / 60 / 3

HEX #88F862

RGB 136 248 98

HSL 104.8, 0.91%, 0.68%

LAB 88.57, -58.37, 60.71

 

CMYK 60 / 0 / 59 / 3

HEX #62F865

RGB 98 248 101

HSL 121.2, 0.91%, 0.68%

LAB 87.32, -67.72, 57.68

 

CMYK 44 / 0 / 92 / 4

HEX #88F513

RGB 136 245 19

HSL 88.94, 0.92%, 0.52%

LAB 87.28, -61.58, 82.24

 

CMYK 37 / 0 / 76 / 3

HEX #9CF73B

RGB 156 247 59

HSL 89.04, 0.92%, 0.6%

LAB 88.88, -54.55, 75.54

 

CMYK 29 / 0 / 60 / 3

HEX #B0F862

RGB 176 248 98

HSL 88.8, 0.91%, 0.68%

LAB 90.44, -45.48, 63.31

 

CMYK 22 / 0 / 45 / 2

HEX #C4FA8A

RGB 196 250 138

HSL 88.93, 0.92%, 0.76%

LAB 92.55, -35.33, 48.07

 

CMYK 14 / 0 / 29 / 1

HEX #D8FCB2

RGB 216 252 178

HSL 89.19, 0.93%, 0.84%

LAB 94.92, -24.09, 31.73

 

CMYK 29 / 0 / 61 / 3

HEX #AFF861

RGB 175 248 97

HSL 89.01, 0.92%, 0.68%

LAB 90.37, -45.92, 63.64

 

CMYK 60 / 0 / 19 / 3

HEX #62F8C9

RGB 98 248 201

HSL 161.2, 0.91%, 0.68%

LAB 88.9, -50.83, 10.8

 

CMYK 0 / 60 / 5 / 3

HEX #F862EC

RGB 248 98 236

HSL 304.8, 0.91%, 0.68%

LAB 65.55, 73.12, -42.09

 

CMYK 29 / 0 / 61 / 3

HEX #AFF861

RGB 175 248 97

HSL 89.01, 0.92%, 0.68%

LAB 90.37, -45.92, 63.64

 

CMYK 60 / 29 / 0 / 3

HEX #62B0F8

RGB 98 176 248

HSL 208.8, 0.91%, 0.68%

LAB 69.77, -2.96, -42.98

 

CMYK 0 / 60 / 29 / 3

HEX #F862B0

RGB 248 98 176

HSL 328.8, 0.91%, 0.68%

LAB 63.2, 64.7, -11.91

 

CMYK 29 / 0 / 61 / 3

HEX #AFF861

RGB 175 248 97

HSL 89.01, 0.92%, 0.68%

LAB 90.37, -45.92, 63.64

 

CMYK 60 / 0 / 19 / 3

HEX #62F8C9

RGB 98 248 201

HSL 161.2, 0.91%, 0.68%

LAB 88.9, -50.83, 10.8

 

CMYK 31 / 60 / 0 / 3

HEX #AB62F8

RGB 171 98 248

HSL 269.2, 0.91%, 0.68%

LAB 56.26, 57.23, -64.13

 

CMYK 0 / 60 / 41 / 3

HEX #F86292

RGB 248 98 146

HSL 340.8, 0.91%, 0.68%

LAB 62.31, 61.36, 4.03

 

CMYK 29 / 0 / 61 / 3

HEX #AFF861

RGB 175 248 97

HSL 89.01, 0.92%, 0.68%

LAB 90.37, -45.92, 63.64

 

CMYK 60 / 0 / 1 / 3

HEX #62F8F6

RGB 98 248 246

HSL 179.2, 0.91%, 0.68%

LAB 90.04, -39.8, -10.95

 

CMYK 31 / 60 / 0 / 3

HEX #AB62F8

RGB 171 98 248

HSL 269.2, 0.91%, 0.68%

LAB 56.26, 57.23, -64.13

 

CMYK 0 / 60 / 59 / 3

HEX #F86265

RGB 248 98 101

HSL 358.8, 0.91%, 0.68%

LAB 61.33, 57.59, 28.6

 

Description

Color code: HEX #AFF861 | qconv.com Color code: HEX #AFF861 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 248 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 248 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 61 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 61% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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