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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF56C it is the complementary color #500A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF56C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF56C shade: #B4F567, #C5FF7A, #D6FF8D, #E7FFA0 and #F8FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF56C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF56C shade: #AFF56C, #9EE359, #8DD146, #7CBF33 and #6BAD20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF56C shade: #AEF56B, #D4F56B, #F5F16B, #F5CC6B and #F5A76B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF56C shade: #AEF56B, #89F56B, #6BF572, #6BF597 and #6BF5BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF56C shade matches the following richer shades: #AEF56B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF56C shade: #AEF56B, #AFE878, #AFDB85, #AFCE92 and #B0C29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF56C shade: #F5F06B, #D5F56B, #B0F56B, #8BF56B and #6BF570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF56C shade: #84EF1E, #99F245, #AEF56B, #C3F792 and #D8FAB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF56C shade: #AFF56C, #6BF5CB and #F56BE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF56C shade: #AFF56C, #6BB0F5 and #F56BB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF56C shade: #AFF56C, #6BF5CB, #B06BF5 and #F56B94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF56C shade: #AFF56C, #6BF5F5, #B06BF5 and #F56B6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 56 / 4

HEX #AFF56C

RGB 175 245 108

HSL 90.66, 0.87%, 0.69%

LAB 89.63, -43.65, 58.09

 

Complementary color

CMYK 46 / 93 / 0 / 42

HEX #500A93

RGB 80 10 147

HSL 270.66, 0.87%, 0.31%

LAB 23.77, 53.78, -58.5

 

CMYK 27 / 0 / 58 / 4

HEX #B4F567

RGB 180 245 103

HSL 87.46, 0.88%, 0.68%

LAB 89.85, -42.35, 60.6

 

CMYK 23 / 0 / 52 / 0

HEX #C5FF7A

RGB 197 255 122

HSL 86.17, 1%, 0.74%

LAB 93.79, -38.93, 57.03

 

CMYK 16 / 0 / 45 / 0

HEX #D6FF8D

RGB 214 255 141

HSL 81.58, 1%, 0.78%

LAB 95.05, -30.82, 50

 

CMYK 9 / 0 / 37 / 0

HEX #E7FFA0

RGB 231 255 160

HSL 75.16, 1%, 0.81%

LAB 96.43, -22.45, 42.83

 

CMYK 3 / 0 / 30 / 0

HEX #F8FFB3

RGB 248 255 179

HSL 65.53, 1%, 0.85%

LAB 97.93, -13.9, 35.63

 

CMYK 29 / 0 / 56 / 4

HEX #AFF56C

RGB 175 245 108

HSL 90.66, 0.87%, 0.69%

LAB 89.63, -43.65, 58.09

 

CMYK 30 / 0 / 61 / 11

HEX #9EE359

RGB 158 227 89

HSL 90, 0.71%, 0.62%

LAB 83.4, -43.53, 59.02

 

CMYK 33 / 0 / 67 / 18

HEX #8DD146

RGB 141 209 70

HSL 89.35, 0.6%, 0.55%

LAB 77.1, -43.3, 59.73

 

CMYK 35 / 0 / 73 / 25

HEX #7CBF33

RGB 124 191 51

HSL 88.71, 0.58%, 0.47%

LAB 70.72, -42.94, 60.06

 

CMYK 38 / 0 / 82 / 32

HEX #6BAD20

RGB 107 173 32

HSL 88.09, 0.69%, 0.4%

LAB 64.26, -42.38, 59.66

 

CMYK 29 / 0 / 56 / 4

HEX #AEF56B

RGB 174 245 107

HSL 90.87, 0.87%, 0.69%

LAB 89.56, -44.09, 58.44

 

CMYK 13 / 0 / 56 / 4

HEX #D4F56B

RGB 212 245 107

HSL 74.35, 0.87%, 0.69%

LAB 91.85, -30.16, 61.66

 

CMYK 0 / 2 / 56 / 4

HEX #F5F16B

RGB 245 241 107

HSL 58.26, 0.87%, 0.69%

LAB 93.18, -15.32, 63.81

 

CMYK 0 / 17 / 56 / 4

HEX #F5CC6B

RGB 245 204 107

HSL 42.17, 0.87%, 0.69%

LAB 83.79, 3.28, 53.05

 

CMYK 0 / 32 / 56 / 4

HEX #F5A76B

RGB 245 167 107

HSL 26.09, 0.87%, 0.69%

LAB 74.9, 22.66, 42.38

 

CMYK 29 / 0 / 56 / 4

HEX #AEF56B

RGB 174 245 107

HSL 90.87, 0.87%, 0.69%

LAB 89.56, -44.09, 58.44

 

CMYK 44 / 0 / 56 / 4

HEX #89F56B

RGB 137 245 107

HSL 106.96, 0.87%, 0.69%

LAB 87.82, -56, 55.97

 

CMYK 56 / 0 / 53 / 4

HEX #6BF572

RGB 107 245 114

HSL 123.04, 0.87%, 0.69%

LAB 86.82, -63.11, 51.38

 

CMYK 56 / 0 / 38 / 4

HEX #6BF597

RGB 107 245 151

HSL 139.13, 0.87%, 0.69%

LAB 87.32, -57.68, 34.21

 

CMYK 56 / 0 / 23 / 4

HEX #6BF5BC

RGB 107 245 188

HSL 155.22, 0.87%, 0.69%

LAB 88, -50.67, 16.28

 

CMYK 29 / 0 / 56 / 4

HEX #AEF56B

RGB 174 245 107

HSL 90.87, 0.87%, 0.69%

LAB 89.56, -44.09, 58.44

 

CMYK 29 / 0 / 56 / 4

HEX #AEF56B

RGB 174 245 107

HSL 90.87, 0.87%, 0.69%

LAB 89.56, -44.09, 58.44

 

CMYK 25 / 0 / 48 / 9

HEX #AFE878

RGB 175 232 120

HSL 90.54, 0.71%, 0.69%

LAB 86.1, -36.65, 48.4

 

CMYK 20 / 0 / 39 / 14

HEX #AFDB85

RGB 175 219 133

HSL 90.7, 0.54%, 0.69%

LAB 82.63, -29.06, 37.69

 

CMYK 15 / 0 / 29 / 19

HEX #AFCE92

RGB 175 206 146

HSL 91, 0.38%, 0.69%

LAB 79.23, -20.96, 26.53

 

CMYK 9 / 0 / 19 / 24

HEX #B0C29E

RGB 176 194 158

HSL 90, 0.23%, 0.69%

LAB 76.24, -12.67, 16.08

 

CMYK 0 / 2 / 56 / 4

HEX #F5F06B

RGB 245 240 107

HSL 57.83, 0.87%, 0.69%

LAB 92.92, -14.83, 63.52

 

CMYK 13 / 0 / 56 / 4

HEX #D5F56B

RGB 213 245 107

HSL 73.91, 0.87%, 0.69%

LAB 91.91, -29.78, 61.75

 

CMYK 28 / 0 / 56 / 4

HEX #B0F56B

RGB 176 245 107

HSL 90, 0.87%, 0.69%

LAB 89.67, -43.39, 58.6

 

CMYK 43 / 0 / 56 / 4

HEX #8BF56B

RGB 139 245 107

HSL 106.09, 0.87%, 0.69%

LAB 87.9, -55.41, 56.09

 

CMYK 56 / 0 / 54 / 4

HEX #6BF570

RGB 107 245 112

HSL 122.17, 0.87%, 0.69%

LAB 86.8, -63.36, 52.26

 

CMYK 45 / 0 / 87 / 6

HEX #84EF1E

RGB 132 239 30

HSL 90.72, 0.87%, 0.53%

LAB 85.37, -60.32, 78.97

 

CMYK 37 / 0 / 71 / 5

HEX #99F245

RGB 153 242 69

HSL 90.87, 0.87%, 0.61%

LAB 87.34, -52.98, 70.79

 

CMYK 29 / 0 / 56 / 4

HEX #AEF56B

RGB 174 245 107

HSL 90.87, 0.87%, 0.69%

LAB 89.56, -44.09, 58.44

 

CMYK 21 / 0 / 41 / 3

HEX #C3F792

RGB 195 247 146

HSL 90.89, 0.86%, 0.77%

LAB 91.77, -33.36, 43.22

 

CMYK 14 / 0 / 26 / 2

HEX #D8FAB8

RGB 216 250 184

HSL 90.91, 0.87%, 0.85%

LAB 94.5, -22.27, 28.12

 

CMYK 29 / 0 / 56 / 4

HEX #AFF56C

RGB 175 245 108

HSL 90.66, 0.87%, 0.69%

LAB 89.63, -43.65, 58.09

 

CMYK 56 / 0 / 17 / 4

HEX #6BF5CB

RGB 107 245 203

HSL 161.74, 0.87%, 0.69%

LAB 88.32, -47.41, 8.97

 

CMYK 0 / 56 / 6 / 4

HEX #F56BE7

RGB 245 107 231

HSL 306.09, 0.87%, 0.69%

LAB 66.29, 67.79, -38.19

 

CMYK 29 / 0 / 56 / 4

HEX #AFF56C

RGB 175 245 108

HSL 90.66, 0.87%, 0.69%

LAB 89.63, -43.65, 58.09

 

CMYK 56 / 28 / 0 / 4

HEX #6BB0F5

RGB 107 176 245

HSL 210, 0.87%, 0.69%

LAB 70.01, -2.18, -40.95

 

CMYK 0 / 56 / 28 / 4

HEX #F56BB0

RGB 245 107 176

HSL 330, 0.87%, 0.69%

LAB 64.21, 59.9, -10.44

 

CMYK 29 / 0 / 56 / 4

HEX #AFF56C

RGB 175 245 108

HSL 90.66, 0.87%, 0.69%

LAB 89.63, -43.65, 58.09

 

CMYK 56 / 0 / 17 / 4

HEX #6BF5CB

RGB 107 245 203

HSL 161.74, 0.87%, 0.69%

LAB 88.32, -47.41, 8.97

 

CMYK 28 / 56 / 0 / 4

HEX #B06BF5

RGB 176 107 245

HSL 270, 0.87%, 0.69%

LAB 58.36, 53.08, -59.06

 

CMYK 0 / 56 / 40 / 4

HEX #F56B94

RGB 245 107 148

HSL 342.17, 0.87%, 0.69%

LAB 63.4, 56.66, 4.39

 

CMYK 29 / 0 / 56 / 4

HEX #AFF56C

RGB 175 245 108

HSL 90.66, 0.87%, 0.69%

LAB 89.63, -43.65, 58.09

 

CMYK 56 / 0 / 0 / 4

HEX #6BF5F5

RGB 107 245 245

HSL 180, 0.87%, 0.69%

LAB 89.4, -37.17, -11.34

 

CMYK 28 / 56 / 0 / 4

HEX #B06BF5

RGB 176 107 245

HSL 270, 0.87%, 0.69%

LAB 58.36, 53.08, -59.06

 

CMYK 0 / 56 / 56 / 4

HEX #F56B6B

RGB 245 107 107

HSL 0, 0.87%, 0.69%

LAB 62.5, 52.97, 26.62

 

Description

Color code: HEX #AFF56C | qconv.com Color code: HEX #AFF56C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 245 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 245 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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