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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF34B it is the complementary color #500CB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF34B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF34B shade: #B4F346, #C5FF59, #D6FF6C, #E7FF7F and #F8FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF34B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF34B shade: #AFF34B, #9EE138, #8DCF25, #7CBD12 and #6BAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF34B shade: #AEF349, #DCF349, #F3DC49, #F3AE49 and #F38049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF34B shade: #AEF349, #80F349, #52F349, #49F36D and #49F39B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF34B shade matches the following richer shades: #AEF349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF34B shade: #AEF349, #ABE459, #A8D468, #A5C478 and #A2B588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF34B shade: #F3DD49, #DDF349, #AFF349, #82F349 and #54F349

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF34B shade: #88DC0E, #9DF122, #AEF349, #C0F670 and #D1F896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF34B shade: #AFF34B, #49F3AF and #F349F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF34B shade: #AFF34B, #49AFF3 and #F349AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF34B shade: #AFF34B, #49F3AF, #8D49F3 and #F3498D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF34B shade: #AFF34B, #49F3E2, #8D49F3 and #F3495A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 69 / 5

HEX #AFF34B

RGB 175 243 75

HSL 84.29, 0.88%, 0.62%

LAB 88.79, -45.39, 70.51

 

Complementary color

CMYK 56 / 93 / 0 / 29

HEX #500CB4

RGB 80 12 180

HSL 264.29, 0.88%, 0.38%

LAB 27.47, 61.18, -72.44

 

CMYK 26 / 0 / 71 / 5

HEX #B4F346

RGB 180 243 70

HSL 81.85, 0.88%, 0.61%

LAB 89.04, -43.87, 72.6

 

CMYK 23 / 0 / 65 / 0

HEX #C5FF59

RGB 197 255 89

HSL 80.96, 1%, 0.67%

LAB 93.5, -41.66, 70.56

 

CMYK 16 / 0 / 58 / 0

HEX #D6FF6C

RGB 214 255 108

HSL 76.73, 1%, 0.71%

LAB 94.7, -33.93, 64.48

 

CMYK 9 / 0 / 50 / 0

HEX #E7FF7F

RGB 231 255 127

HSL 71.25, 1%, 0.75%

LAB 96.01, -25.88, 57.93

 

CMYK 3 / 0 / 43 / 0

HEX #F8FF92

RGB 248 255 146

HSL 63.85, 1%, 0.79%

LAB 97.45, -17.6, 51.12

 

CMYK 28 / 0 / 69 / 5

HEX #AFF34B

RGB 175 243 75

HSL 84.29, 0.88%, 0.62%

LAB 88.79, -45.39, 70.51

 

CMYK 30 / 0 / 75 / 12

HEX #9EE138

RGB 158 225 56

HSL 83.79, 0.74%, 0.55%

LAB 82.6, -44.93, 70.53

 

CMYK 32 / 0 / 82 / 19

HEX #8DCF25

RGB 141 207 37

HSL 83.29, 0.7%, 0.48%

LAB 76.33, -44.32, 69.83

 

CMYK 34 / 0 / 90 / 26

HEX #7CBD12

RGB 124 189 18

HSL 82.81, 0.83%, 0.41%

LAB 69.98, -43.48, 68.01

 

CMYK 37 / 0 / 100 / 33

HEX #6BAB00

RGB 107 171 0

HSL 82.46, 1%, 0.34%

LAB 63.55, -42.42, 64.88

 

CMYK 28 / 0 / 70 / 5

HEX #AEF349

RGB 174 243 73

HSL 84.35, 0.88%, 0.62%

LAB 88.72, -45.87, 71.13

 

CMYK 9 / 0 / 70 / 5

HEX #DCF349

RGB 220 243 73

HSL 68.12, 0.88%, 0.62%

LAB 91.59, -28.35, 74.94

 

CMYK 0 / 9 / 70 / 5

HEX #F3DC49

RGB 243 220 73

HSL 51.88, 0.88%, 0.62%

LAB 87.35, -7.78, 71.36

 

CMYK 0 / 28 / 70 / 5

HEX #F3AE49

RGB 243 174 73

HSL 35.65, 0.88%, 0.62%

LAB 75.95, 15.98, 59.78

 

CMYK 0 / 47 / 70 / 5

HEX #F38049

RGB 243 128 73

HSL 19.41, 0.88%, 0.62%

LAB 65.73, 39.96, 48.8

 

CMYK 28 / 0 / 70 / 5

HEX #AEF349

RGB 174 243 73

HSL 84.35, 0.88%, 0.62%

LAB 88.72, -45.87, 71.13

 

CMYK 47 / 0 / 70 / 5

HEX #80F349

RGB 128 243 73

HSL 100.59, 0.88%, 0.62%

LAB 86.59, -60.89, 68.28

 

CMYK 66 / 0 / 70 / 5

HEX #52F349

RGB 82 243 73

HSL 116.82, 0.88%, 0.62%

LAB 85.19, -71.95, 66.39

 

CMYK 70 / 0 / 55 / 5

HEX #49F36D

RGB 73 243 109

HSL 132.71, 0.88%, 0.62%

LAB 85.31, -69.78, 51.64

 

CMYK 70 / 0 / 36 / 5

HEX #49F39B

RGB 73 243 155

HSL 148.94, 0.88%, 0.62%

LAB 85.95, -62.52, 30.22

 

CMYK 28 / 0 / 70 / 5

HEX #AEF349

RGB 174 243 73

HSL 84.35, 0.88%, 0.62%

LAB 88.72, -45.87, 71.13

 

CMYK 28 / 0 / 70 / 5

HEX #AEF349

RGB 174 243 73

HSL 84.35, 0.88%, 0.62%

LAB 88.72, -45.87, 71.13

 

CMYK 25 / 0 / 61 / 11

HEX #ABE459

RGB 171 228 89

HSL 84.6, 0.72%, 0.62%

LAB 84.41, -39.29, 60.34

 

CMYK 21 / 0 / 51 / 17

HEX #A8D468

RGB 168 212 104

HSL 84.44, 0.56%, 0.62%

LAB 79.85, -31.72, 48.32

 

CMYK 16 / 0 / 39 / 23

HEX #A5C478

RGB 165 196 120

HSL 84.47, 0.39%, 0.62%

LAB 75.35, -23.32, 34.77

 

CMYK 10 / 0 / 25 / 29

HEX #A2B588

RGB 162 181 136

HSL 85.33, 0.23%, 0.62%

LAB 71.22, -14.62, 20.81

 

CMYK 0 / 9 / 70 / 5

HEX #F3DD49

RGB 243 221 73

HSL 52.24, 0.88%, 0.62%

LAB 87.61, -8.28, 71.61

 

CMYK 9 / 0 / 70 / 5

HEX #DDF349

RGB 221 243 73

HSL 67.76, 0.88%, 0.62%

LAB 91.66, -27.95, 75.03

 

CMYK 28 / 0 / 70 / 5

HEX #AFF349

RGB 175 243 73

HSL 84, 0.88%, 0.62%

LAB 88.78, -45.51, 71.21

 

CMYK 47 / 0 / 70 / 5

HEX #82F349

RGB 130 243 73

HSL 99.88, 0.88%, 0.62%

LAB 86.67, -60.31, 68.38

 

CMYK 65 / 0 / 70 / 5

HEX #54F349

RGB 84 243 73

HSL 116.12, 0.88%, 0.62%

LAB 85.23, -71.57, 66.45

 

CMYK 38 / 0 / 94 / 14

HEX #88DC0E

RGB 136 220 14

HSL 84.47, 0.88%, 0.46%

LAB 79.87, -52.06, 76.83

 

CMYK 35 / 0 / 86 / 5

HEX #9DF122

RGB 157 241 34

HSL 84.35, 0.88%, 0.54%

LAB 87.09, -52.8, 80.14

 

CMYK 28 / 0 / 70 / 5

HEX #AEF349

RGB 174 243 73

HSL 84.35, 0.88%, 0.62%

LAB 88.72, -45.87, 71.13

 

CMYK 22 / 0 / 54 / 4

HEX #C0F670

RGB 192 246 112

HSL 84.18, 0.88%, 0.7%

LAB 90.91, -37.66, 58.06

 

CMYK 16 / 0 / 40 / 3

HEX #D1F896

RGB 209 248 150

HSL 83.88, 0.88%, 0.78%

LAB 92.97, -28.34, 42.97

 

CMYK 28 / 0 / 69 / 5

HEX #AFF34B

RGB 175 243 75

HSL 84.29, 0.88%, 0.62%

LAB 88.79, -45.39, 70.51

 

CMYK 70 / 0 / 28 / 5

HEX #49F3AF

RGB 73 243 175

HSL 156, 0.88%, 0.62%

LAB 86.31, -58.55, 20.51

 

CMYK 0 / 70 / 0 / 5

HEX #F349F3

RGB 243 73 243

HSL 300, 0.88%, 0.62%

LAB 61.9, 82.18, -51.78

 

CMYK 28 / 0 / 69 / 5

HEX #AFF34B

RGB 175 243 75

HSL 84.29, 0.88%, 0.62%

LAB 88.79, -45.39, 70.51

 

CMYK 70 / 28 / 0 / 5

HEX #49AFF3

RGB 73 175 243

HSL 204, 0.88%, 0.62%

LAB 68.42, -8.07, -42.44

 

CMYK 0 / 70 / 28 / 5

HEX #F349AF

RGB 243 73 175

HSL 324, 0.88%, 0.62%

LAB 58.9, 72.79, -17.91

 

CMYK 28 / 0 / 69 / 5

HEX #AFF34B

RGB 175 243 75

HSL 84.29, 0.88%, 0.62%

LAB 88.79, -45.39, 70.51

 

CMYK 70 / 0 / 28 / 5

HEX #49F3AF

RGB 73 243 175

HSL 156, 0.88%, 0.62%

LAB 86.31, -58.55, 20.51

 

CMYK 42 / 70 / 0 / 5

HEX #8D49F3

RGB 141 73 243

HSL 264, 0.88%, 0.62%

LAB 48.13, 62.27, -74.66

 

CMYK 0 / 70 / 42 / 5

HEX #F3498D

RGB 243 73 141

HSL 336, 0.88%, 0.62%

LAB 57.79, 69.17, 0.29

 

CMYK 28 / 0 / 69 / 5

HEX #AFF34B

RGB 175 243 75

HSL 84.29, 0.88%, 0.62%

LAB 88.79, -45.39, 70.51

 

CMYK 70 / 0 / 7 / 5

HEX #49F3E2

RGB 73 243 226

HSL 174, 0.88%, 0.62%

LAB 87.49, -46.45, -4.34

 

CMYK 42 / 70 / 0 / 5

HEX #8D49F3

RGB 141 73 243

HSL 264, 0.88%, 0.62%

LAB 48.13, 62.27, -74.66

 

CMYK 0 / 70 / 63 / 5

HEX #F3495A

RGB 243 73 90

HSL 354, 0.88%, 0.62%

LAB 56.64, 65.26, 28.72

 

Description

Color code: HEX #AFF34B | qconv.com Color code: HEX #AFF34B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 243 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 243 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 69 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 69% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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