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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEFF1 it is the complementary color #50100E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEFF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEFF1 shade: #B4EFEC, #C5FFFF, #D6FFFF, #E7FFFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEFF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEFF1 shade: #AFEFF1, #9EDDDE, #8DCBCB, #7CB9B8 and #6BA7A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEFF1 shade: #B1EFF1, #B1DEF1, #B1CDF1, #B1BBF1 and #B8B1F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEFF1 shade: #B1EFF1, #B1DEF1, #B1CDF1, #B1BBF1 and #B1B1F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEFF1 shade matches the following richer shades: #B1EFF1 and #AAF6F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEFF1 shade: #B1EFF1, #B8E8EA, #C0E1E2, #C7DADB and #CFD3D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEFF1 shade: #B1F1D0, #B1F1E1, #B1F0F1, #B1DFF1 and #B1CEF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEFF1 shade: #6BE1E5, #8EE8EB, #B1EFF1, #D4F6F7 and #F7FDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEFF1 shade: #AFEFF1, #BFB1F1 and #F1D9B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEFF1 shade: #AFEFF1, #F1B1F0 and #F0F1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEFF1 shade: #AFEFF1, #BFB1F1, #F1B2B1 and #E3F1B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEFF1 shade: #AFEFF1, #D2B1F1, #F1B2B1 and #D0F1B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 1 / 0 / 5

HEX #AFEFF1

RGB 175 239 241

HSL 181.82, 0.7%, 0.82%

LAB 90.41, -19.47, -7.46

 

Complementary color

CMYK 0 / 80 / 83 / 69

HEX #50100E

RGB 80 16 14

HSL 1.82, 0.7%, 0.18%

LAB 16.04, 29.38, 18.59

 

CMYK 25 / 0 / 1 / 6

HEX #B4EFEC

RGB 180 239 236

HSL 176.95, 0.65%, 0.82%

LAB 90.55, -19.13, -4.62

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 27 / 1 / 0 / 5

HEX #AFEFF1

RGB 175 239 241

HSL 181.82, 0.7%, 0.82%

LAB 90.41, -19.47, -7.46

 

CMYK 29 / 0 / 0 / 13

HEX #9EDDDE

RGB 158 221 222

HSL 180.94, 0.49%, 0.75%

LAB 84.1, -19.55, -6.91

 

CMYK 31 / 0 / 0 / 20

HEX #8DCBCB

RGB 141 203 203

HSL 180, 0.37%, 0.67%

LAB 77.69, -19.64, -6.35

 

CMYK 33 / 0 / 1 / 27

HEX #7CB9B8

RGB 124 185 184

HSL 179.02, 0.3%, 0.61%

LAB 71.18, -19.74, -5.76

 

CMYK 36 / 0 / 1 / 35

HEX #6BA7A5

RGB 107 167 165

HSL 178, 0.25%, 0.54%

LAB 64.55, -19.83, -5.14

 

CMYK 27 / 1 / 0 / 5

HEX #B1EFF1

RGB 177 239 241

HSL 181.88, 0.7%, 0.82%

LAB 90.52, -18.9, -7.29

 

CMYK 27 / 8 / 0 / 5

HEX #B1DEF1

RGB 177 222 241

HSL 197.81, 0.7%, 0.82%

LAB 85.98, -10.33, -14.05

 

CMYK 27 / 15 / 0 / 5

HEX #B1CDF1

RGB 177 205 241

HSL 213.75, 0.7%, 0.82%

LAB 81.49, -1.45, -20.81

 

CMYK 27 / 22 / 0 / 5

HEX #B1BBF1

RGB 177 187 241

HSL 230.63, 0.7%, 0.82%

LAB 76.82, 8.26, -27.92

 

CMYK 24 / 27 / 0 / 5

HEX #B8B1F1

RGB 184 177 241

HSL 246.56, 0.7%, 0.82%

LAB 74.82, 15.82, -30.96

 

CMYK 27 / 1 / 0 / 5

HEX #B1EFF1

RGB 177 239 241

HSL 181.88, 0.7%, 0.82%

LAB 90.52, -18.9, -7.29

 

CMYK 27 / 8 / 0 / 5

HEX #B1DEF1

RGB 177 222 241

HSL 197.81, 0.7%, 0.82%

LAB 85.98, -10.33, -14.05

 

CMYK 27 / 15 / 0 / 5

HEX #B1CDF1

RGB 177 205 241

HSL 213.75, 0.7%, 0.82%

LAB 81.49, -1.45, -20.81

 

CMYK 27 / 22 / 0 / 5

HEX #B1BBF1

RGB 177 187 241

HSL 230.63, 0.7%, 0.82%

LAB 76.82, 8.26, -27.92

 

CMYK 27 / 27 / 0 / 5

HEX #B1B1F1

RGB 177 177 241

HSL 240, 0.7%, 0.82%

LAB 74.28, 13.76, -31.83

 

CMYK 27 / 1 / 0 / 5

HEX #B1EFF1

RGB 177 239 241

HSL 181.88, 0.7%, 0.82%

LAB 90.52, -18.9, -7.29

 

CMYK 32 / 1 / 0 / 2

HEX #AAF6F9

RGB 170 246 249

HSL 182.28, 0.87%, 0.82%

LAB 92.26, -22.48, -8.91

 

CMYK 27 / 1 / 0 / 5

HEX #B1EFF1

RGB 177 239 241

HSL 181.88, 0.7%, 0.82%

LAB 90.52, -18.9, -7.29

 

CMYK 21 / 1 / 0 / 8

HEX #B8E8EA

RGB 184 232 234

HSL 182.4, 0.54%, 0.82%

LAB 88.85, -14.89, -6.05

 

CMYK 15 / 0 / 0 / 11

HEX #C0E1E2

RGB 192 225 226

HSL 181.76, 0.37%, 0.82%

LAB 87.26, -10.57, -4.13

 

CMYK 9 / 0 / 0 / 14

HEX #C7DADB

RGB 199 218 219

HSL 183, 0.22%, 0.82%

LAB 85.71, -6.13, -2.67

 

CMYK 2 / 0 / 0 / 17

HEX #CFD3D4

RGB 207 211 212

HSL 192, 0.05%, 0.82%

LAB 84.28, -1.17, -0.98

 

CMYK 27 / 0 / 14 / 5

HEX #B1F1D0

RGB 177 241 208

HSL 149.06, 0.7%, 0.82%

LAB 90.23, -26.69, 9.5

 

CMYK 27 / 0 / 7 / 5

HEX #B1F1E1

RGB 177 241 225

HSL 165, 0.7%, 0.82%

LAB 90.64, -23.3, 1.24

 

CMYK 27 / 0 / 0 / 5

HEX #B1F0F1

RGB 177 240 241

HSL 180.94, 0.7%, 0.82%

LAB 90.79, -19.4, -6.89

 

CMYK 27 / 7 / 0 / 5

HEX #B1DFF1

RGB 177 223 241

HSL 196.88, 0.7%, 0.82%

LAB 86.24, -10.84, -13.65

 

CMYK 27 / 15 / 0 / 5

HEX #B1CEF1

RGB 177 206 241

HSL 212.81, 0.7%, 0.82%

LAB 81.75, -1.98, -20.41

 

CMYK 53 / 2 / 0 / 10

HEX #6BE1E5

RGB 107 225 229

HSL 181.97, 0.7%, 0.66%

LAB 83.25, -32.04, -12.12

 

CMYK 40 / 1 / 0 / 8

HEX #8EE8EB

RGB 142 232 235

HSL 181.94, 0.7%, 0.74%

LAB 86.73, -26.14, -9.95

 

CMYK 27 / 1 / 0 / 5

HEX #B1EFF1

RGB 177 239 241

HSL 181.88, 0.7%, 0.82%

LAB 90.52, -18.9, -7.29

 

CMYK 14 / 0 / 0 / 3

HEX #D4F6F7

RGB 212 246 247

HSL 181.71, 0.69%, 0.9%

LAB 94.58, -10.73, -4.18

 

CMYK 3 / 0 / 0 / 0

HEX #F7FDFE

RGB 247 253 254

HSL 188.57, 0.78%, 0.98%

LAB 98.9, -1.78, -1.18

 

CMYK 27 / 1 / 0 / 5

HEX #AFEFF1

RGB 175 239 241

HSL 181.82, 0.7%, 0.82%

LAB 90.41, -19.47, -7.46

 

CMYK 21 / 27 / 0 / 5

HEX #BFB1F1

RGB 191 177 241

HSL 253.13, 0.7%, 0.82%

LAB 75.37, 17.92, -30.06

 

CMYK 0 / 10 / 27 / 5

HEX #F1D9B1

RGB 241 217 177

HSL 37.5, 0.7%, 0.82%

LAB 87.73, 2.32, 22.75

 

CMYK 27 / 1 / 0 / 5

HEX #AFEFF1

RGB 175 239 241

HSL 181.82, 0.7%, 0.82%

LAB 90.41, -19.47, -7.46

 

CMYK 0 / 27 / 0 / 5

HEX #F1B1F0

RGB 241 177 240

HSL 300.94, 0.7%, 0.82%

LAB 79.86, 33.39, -22.25

 

CMYK 0 / 0 / 27 / 5

HEX #F0F1B1

RGB 240 241 177

HSL 60.94, 0.7%, 0.82%

LAB 93.71, -10.2, 30.9

 

CMYK 27 / 1 / 0 / 5

HEX #AFEFF1

RGB 175 239 241

HSL 181.82, 0.7%, 0.82%

LAB 90.41, -19.47, -7.46

 

CMYK 21 / 27 / 0 / 5

HEX #BFB1F1

RGB 191 177 241

HSL 253.13, 0.7%, 0.82%

LAB 75.37, 17.92, -30.06

 

CMYK 0 / 26 / 27 / 5

HEX #F1B2B1

RGB 241 178 177

HSL 0.94, 0.7%, 0.82%

LAB 78.3, 22.78, 9.53

 

CMYK 6 / 0 / 27 / 5

HEX #E3F1B1

RGB 227 241 177

HSL 73.13, 0.7%, 0.82%

LAB 92.76, -14.96, 29.44

 

CMYK 27 / 1 / 0 / 5

HEX #AFEFF1

RGB 175 239 241

HSL 181.82, 0.7%, 0.82%

LAB 90.41, -19.47, -7.46

 

CMYK 13 / 27 / 0 / 5

HEX #D2B1F1

RGB 210 177 241

HSL 270.94, 0.7%, 0.82%

LAB 76.98, 23.76, -27.45

 

CMYK 0 / 26 / 27 / 5

HEX #F1B2B1

RGB 241 178 177

HSL 0.94, 0.7%, 0.82%

LAB 78.3, 22.78, 9.53

 

CMYK 14 / 0 / 27 / 5

HEX #D0F1B1

RGB 208 241 177

HSL 90.94, 0.7%, 0.82%

LAB 91.46, -21.75, 27.46

 

Description

Color code: HEX #AFEFF1 | qconv.com Color code: HEX #AFEFF1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 239 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 239 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 1 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 1% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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