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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEEA8 it is the complementary color #501157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEEA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEEA8 shade: #B4EEA3, #C5FFB6, #D6FFC9, #E7FFDC and #F8FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEEA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEEA8 shade: #AFEEA8, #9EDC95, #8DCA82, #7CB86F and #6BA65C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEEA8 shade: #B1EEAA, #C3EEAA, #D6EEAA, #E8EEAA and #EEE2AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEEA8 shade: #B1EEAA, #AAEEB5, #AAEEC8, #AAEEDA and #AAEEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEEA8 shade matches the following richer shades: #B1EEAA, #AAF6A2 and #A3FF99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEEA8 shade: #B1EEAA, #B7E6B2, #BEDEBA, #C4D5C3 and #CBCDCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEEA8 shade: #D5EEAA, #C3EEAA, #B1EEAA, #AAEEB5 and #AAEEC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEEA8 shade: #71E165, #91E787, #B1EEAA, #D0F5CC and #F0FCEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEEA8 shade: #AFEEA8, #AAE7EE and #EEAACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEEA8 shade: #AFEEA8, #AAB1EE and #EEAAB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEEA8 shade: #AFEEA8, #AAE7EE, #E7AAEE and #EEB1AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEEA8 shade: #AFEEA8, #AAD3EE, #E7AAEE and #EEC5AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 29 / 7

HEX #AFEEA8

RGB 175 238 168

HSL 114, 0.67%, 0.8%

LAB 88.49, -32.92, 27.69

 

Complementary color

CMYK 8 / 80 / 0 / 66

HEX #501157

RGB 80 17 87

HSL 294, 0.67%, 0.2%

LAB 19.2, 38.44, -27.33

 

CMYK 24 / 0 / 32 / 7

HEX #B4EEA3

RGB 180 238 163

HSL 106.4, 0.69%, 0.79%

LAB 88.68, -32.04, 30.54

 

CMYK 23 / 0 / 29 / 0

HEX #C5FFB6

RGB 197 255 182

HSL 107.67, 1%, 0.86%

LAB 94.64, -31.4, 29.14

 

CMYK 16 / 0 / 21 / 0

HEX #D6FFC9

RGB 214 255 201

HSL 105.56, 1%, 0.89%

LAB 96.01, -22.76, 21.55

 

CMYK 9 / 0 / 14 / 0

HEX #E7FFDC

RGB 231 255 220

HSL 101.14, 1%, 0.93%

LAB 97.5, -13.95, 14.11

 

CMYK 3 / 0 / 6 / 0

HEX #F8FFEF

RGB 248 255 239

HSL 86.25, 1%, 0.97%

LAB 99.11, -5.07, 6.83

 

CMYK 26 / 0 / 29 / 7

HEX #AFEEA8

RGB 175 238 168

HSL 114, 0.67%, 0.8%

LAB 88.49, -32.92, 27.69

 

CMYK 28 / 0 / 32 / 14

HEX #9EDC95

RGB 158 220 149

HSL 112.39, 0.5%, 0.72%

LAB 82.18, -33.14, 28.76

 

CMYK 30 / 0 / 36 / 21

HEX #8DCA82

RGB 141 202 130

HSL 110.83, 0.4%, 0.65%

LAB 75.77, -33.35, 29.88

 

CMYK 33 / 0 / 40 / 28

HEX #7CB86F

RGB 124 184 111

HSL 109.32, 0.34%, 0.58%

LAB 69.27, -33.56, 31.07

 

CMYK 36 / 0 / 45 / 35

HEX #6BA65C

RGB 107 166 92

HSL 107.84, 0.29%, 0.51%

LAB 62.65, -33.74, 32.31

 

CMYK 26 / 0 / 29 / 7

HEX #B1EEAA

RGB 177 238 170

HSL 113.82, 0.67%, 0.8%

LAB 88.64, -31.95, 26.89

 

CMYK 18 / 0 / 29 / 7

HEX #C3EEAA

RGB 195 238 170

HSL 97.94, 0.67%, 0.8%

LAB 89.7, -25.88, 28.5

 

CMYK 10 / 0 / 29 / 7

HEX #D6EEAA

RGB 214 238 170

HSL 81.18, 0.67%, 0.8%

LAB 90.94, -19.16, 30.39

 

CMYK 3 / 0 / 29 / 7

HEX #E8EEAA

RGB 232 238 170

HSL 65.29, 0.67%, 0.8%

LAB 92.22, -12.58, 32.34

 

CMYK 0 / 5 / 29 / 7

HEX #EEE2AA

RGB 238 226 170

HSL 49.41, 0.67%, 0.8%

LAB 89.61, -4.32, 28.91

 

CMYK 26 / 0 / 29 / 7

HEX #B1EEAA

RGB 177 238 170

HSL 113.82, 0.67%, 0.8%

LAB 88.64, -31.95, 26.89

 

CMYK 29 / 0 / 24 / 7

HEX #AAEEB5

RGB 170 238 181

HSL 129.71, 0.67%, 0.8%

LAB 88.46, -32.37, 20.94

 

CMYK 29 / 0 / 16 / 7

HEX #AAEEC8

RGB 170 238 200

HSL 146.47, 0.67%, 0.8%

LAB 88.86, -28.91, 11.64

 

CMYK 29 / 0 / 8 / 7

HEX #AAEEDA

RGB 170 238 218

HSL 162.35, 0.67%, 0.8%

LAB 89.28, -25.33, 2.86

 

CMYK 29 / 0 / 0 / 7

HEX #AAEEED

RGB 170 238 237

HSL 179.12, 0.67%, 0.8%

LAB 89.77, -21.26, -6.34

 

CMYK 26 / 0 / 29 / 7

HEX #B1EEAA

RGB 177 238 170

HSL 113.82, 0.67%, 0.8%

LAB 88.64, -31.95, 26.89

 

CMYK 31 / 0 / 34 / 4

HEX #AAF6A2

RGB 170 246 162

HSL 114.29, 0.82%, 0.8%

LAB 90.35, -39.11, 33.18

 

CMYK 36 / 0 / 40 / 0

HEX #A3FF99

RGB 163 255 153

HSL 114.12, 1%, 0.8%

LAB 92.4, -46.55, 40.27

 

CMYK 26 / 0 / 29 / 7

HEX #B1EEAA

RGB 177 238 170

HSL 113.82, 0.67%, 0.8%

LAB 88.64, -31.95, 26.89

 

CMYK 20 / 0 / 23 / 10

HEX #B7E6B2

RGB 183 230 178

HSL 114.23, 0.51%, 0.8%

LAB 86.94, -24.87, 20.48

 

CMYK 14 / 0 / 16 / 13

HEX #BEDEBA

RGB 190 222 186

HSL 113.33, 0.35%, 0.8%

LAB 85.37, -17.23, 14.18

 

CMYK 8 / 0 / 8 / 16

HEX #C4D5C3

RGB 196 213 195

HSL 116.67, 0.18%, 0.8%

LAB 83.58, -9.04, 6.94

 

CMYK 1 / 0 / 1 / 20

HEX #CBCDCB

RGB 203 205 203

HSL 120, 0.02%, 0.8%

LAB 82.2, -1.05, 0.74

 

CMYK 11 / 0 / 29 / 7

HEX #D5EEAA

RGB 213 238 170

HSL 82.06, 0.67%, 0.8%

LAB 90.87, -19.52, 30.28

 

CMYK 18 / 0 / 29 / 7

HEX #C3EEAA

RGB 195 238 170

HSL 97.94, 0.67%, 0.8%

LAB 89.7, -25.88, 28.5

 

CMYK 26 / 0 / 29 / 7

HEX #B1EEAA

RGB 177 238 170

HSL 113.82, 0.67%, 0.8%

LAB 88.64, -31.95, 26.89

 

CMYK 29 / 0 / 24 / 7

HEX #AAEEB5

RGB 170 238 181

HSL 129.71, 0.67%, 0.8%

LAB 88.46, -32.37, 20.94

 

CMYK 29 / 0 / 16 / 7

HEX #AAEEC7

RGB 170 238 199

HSL 145.59, 0.67%, 0.8%

LAB 88.84, -29.1, 12.13

 

CMYK 50 / 0 / 55 / 12

HEX #71E165

RGB 113 225 101

HSL 114.19, 0.67%, 0.64%

LAB 80.91, -55.65, 50.32

 

CMYK 37 / 0 / 42 / 9

HEX #91E787

RGB 145 231 135

HSL 113.75, 0.67%, 0.72%

LAB 84.44, -44.33, 38.7

 

CMYK 26 / 0 / 29 / 7

HEX #B1EEAA

RGB 177 238 170

HSL 113.82, 0.67%, 0.8%

LAB 88.64, -31.95, 26.89

 

CMYK 15 / 0 / 17 / 4

HEX #D0F5CC

RGB 208 245 204

HSL 114.15, 0.67%, 0.88%

LAB 93.05, -19.44, 15.81

 

CMYK 5 / 0 / 5 / 1

HEX #F0FCEF

RGB 240 252 239

HSL 115.38, 0.68%, 0.96%

LAB 97.78, -6.24, 4.85

 

CMYK 26 / 0 / 29 / 7

HEX #AFEEA8

RGB 175 238 168

HSL 114, 0.67%, 0.8%

LAB 88.49, -32.92, 27.69

 

CMYK 29 / 3 / 0 / 7

HEX #AAE7EE

RGB 170 231 238

HSL 186.18, 0.67%, 0.8%

LAB 87.91, -17.56, -9.63

 

CMYK 0 / 29 / 14 / 7

HEX #EEAACC

RGB 238 170 204

HSL 330, 0.67%, 0.8%

LAB 76.85, 29.96, -7.3

 

CMYK 26 / 0 / 29 / 7

HEX #AFEEA8

RGB 175 238 168

HSL 114, 0.67%, 0.8%

LAB 88.49, -32.92, 27.69

 

CMYK 29 / 26 / 0 / 7

HEX #AAB1EE

RGB 170 177 238

HSL 233.82, 0.67%, 0.8%

LAB 73.65, 11, -31.22

 

CMYK 0 / 29 / 26 / 7

HEX #EEAAB1

RGB 238 170 177

HSL 353.82, 0.67%, 0.8%

LAB 76.13, 25.93, 6.39

 

CMYK 26 / 0 / 29 / 7

HEX #AFEEA8

RGB 175 238 168

HSL 114, 0.67%, 0.8%

LAB 88.49, -32.92, 27.69

 

CMYK 29 / 3 / 0 / 7

HEX #AAE7EE

RGB 170 231 238

HSL 186.18, 0.67%, 0.8%

LAB 87.91, -17.56, -9.63

 

CMYK 3 / 29 / 0 / 7

HEX #E7AAEE

RGB 231 170 238

HSL 293.82, 0.67%, 0.8%

LAB 77.23, 33.56, -25.28

 

CMYK 0 / 26 / 29 / 7

HEX #EEB1AA

RGB 238 177 170

HSL 6.18, 0.67%, 0.8%

LAB 77.59, 21.26, 12.28

 

CMYK 26 / 0 / 29 / 7

HEX #AFEEA8

RGB 175 238 168

HSL 114, 0.67%, 0.8%

LAB 88.49, -32.92, 27.69

 

CMYK 29 / 11 / 0 / 7

HEX #AAD3EE

RGB 170 211 238

HSL 203.82, 0.67%, 0.8%

LAB 82.54, -7.33, -17.66

 

CMYK 3 / 29 / 0 / 7

HEX #E7AAEE

RGB 231 170 238

HSL 293.82, 0.67%, 0.8%

LAB 77.23, 33.56, -25.28

 

CMYK 0 / 17 / 29 / 7

HEX #EEC5AA

RGB 238 197 170

HSL 23.82, 0.67%, 0.8%

LAB 82.39, 10.68, 19

 

Description

Color code: HEX #AFEEA8 | qconv.com Color code: HEX #AFEEA8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 238 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 238 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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