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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEE66 it is the complementary color #501199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEE66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEE66 shade: #B4EE61, #C5FF74, #D6FF87, #E7FF9A and #F8FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEE66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEE66 shade: #AFEE66, #9EDC53, #8DCA40, #7CB82D and #6BA61A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEE66 shade: #B0EE68, #D4EE68, #EEE468, #EEC068 and #EE9B68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEE66 shade: #B0EE68, #8CEE68, #68EE68, #68EE8C and #68EEB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEE66 shade matches the following richer shades: #B0EE68 and #B1FC5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEE66 shade: #B0EE68, #AFE175, #AED383, #ADC590 and #ACB89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEE66 shade: #EEE368, #D5EE68, #B2EE68, #8EEE68 and #6AEE68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEE66 shade: #89E61D, #9CEA42, #B0EE68, #C3F28D and #D7F6B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEE66 shade: #AFEE66, #68EEBF and #EE68E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEE66 shade: #AFEE66, #68B2EE and #EE68B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEE66 shade: #AFEE66, #68EEBF, #A468EE and #EE6897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEE66 shade: #AFEE66, #68EEE7, #A468EE and #EE686E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 57 / 7

HEX #AFEE66

RGB 175 238 102

HSL 87.79, 0.8%, 0.67%

LAB 87.59, -41.15, 58.39

 

Complementary color

CMYK 48 / 89 / 0 / 40

HEX #501199

RGB 80 17 153

HSL 267.79, 0.8%, 0.33%

LAB 24.97, 53.46, -60.22

 

CMYK 24 / 0 / 59 / 7

HEX #B4EE61

RGB 180 238 97

HSL 84.68, 0.81%, 0.66%

LAB 87.83, -39.78, 60.89

 

CMYK 23 / 0 / 55 / 0

HEX #C5FF74

RGB 197 255 116

HSL 85.04, 1%, 0.73%

LAB 93.73, -39.5, 59.64

 

CMYK 16 / 0 / 47 / 0

HEX #D6FF87

RGB 214 255 135

HSL 80.5, 1%, 0.76%

LAB 94.98, -31.46, 52.73

 

CMYK 9 / 0 / 40 / 0

HEX #E7FF9A

RGB 231 255 154

HSL 74.26, 1%, 0.8%

LAB 96.34, -23.14, 45.64

 

CMYK 3 / 0 / 32 / 0

HEX #F8FFAD

RGB 248 255 173

HSL 65.12, 1%, 0.84%

LAB 97.83, -14.63, 38.49

 

CMYK 26 / 0 / 57 / 7

HEX #AFEE66

RGB 175 238 102

HSL 87.79, 0.8%, 0.67%

LAB 87.59, -41.15, 58.39

 

CMYK 28 / 0 / 62 / 14

HEX #9EDC53

RGB 158 220 83

HSL 87.15, 0.66%, 0.59%

LAB 81.34, -40.98, 59.26

 

CMYK 30 / 0 / 68 / 21

HEX #8DCA40

RGB 141 202 64

HSL 86.52, 0.57%, 0.52%

LAB 75, -40.7, 59.88

 

CMYK 33 / 0 / 76 / 28

HEX #7CB82D

RGB 124 184 45

HSL 85.9, 0.61%, 0.45%

LAB 68.57, -40.27, 60.02

 

CMYK 36 / 0 / 84 / 35

HEX #6BA61A

RGB 107 166 26

HSL 85.29, 0.73%, 0.38%

LAB 62.06, -39.64, 59.29

 

CMYK 26 / 0 / 56 / 7

HEX #B0EE68

RGB 176 238 104

HSL 87.76, 0.8%, 0.67%

LAB 87.67, -40.61, 57.61

 

CMYK 11 / 0 / 56 / 7

HEX #D4EE68

RGB 212 238 104

HSL 71.64, 0.8%, 0.67%

LAB 89.93, -27.13, 60.79

 

CMYK 0 / 4 / 56 / 7

HEX #EEE468

RGB 238 228 104

HSL 55.52, 0.8%, 0.67%

LAB 89.24, -11.95, 60.53

 

CMYK 0 / 19 / 56 / 7

HEX #EEC068

RGB 238 192 104

HSL 39.4, 0.8%, 0.67%

LAB 80.11, 6.41, 49.99

 

CMYK 0 / 35 / 56 / 7

HEX #EE9B68

RGB 238 155 104

HSL 22.84, 0.8%, 0.67%

LAB 71.3, 25.95, 39.31

 

CMYK 26 / 0 / 56 / 7

HEX #B0EE68

RGB 176 238 104

HSL 87.76, 0.8%, 0.67%

LAB 87.67, -40.61, 57.61

 

CMYK 41 / 0 / 56 / 7

HEX #8CEE68

RGB 140 238 104

HSL 103.88, 0.8%, 0.67%

LAB 85.87, -52.62, 55.06

 

CMYK 56 / 0 / 56 / 7

HEX #68EE68

RGB 104 238 104

HSL 120, 0.8%, 0.67%

LAB 84.53, -62.47, 53.16

 

CMYK 56 / 0 / 41 / 7

HEX #68EE8C

RGB 104 238 140

HSL 136.12, 0.8%, 0.67%

LAB 84.99, -57.45, 36.61

 

CMYK 56 / 0 / 26 / 7

HEX #68EEB0

RGB 104 238 176

HSL 152.24, 0.8%, 0.67%

LAB 85.62, -50.87, 19.15

 

CMYK 26 / 0 / 56 / 7

HEX #B0EE68

RGB 176 238 104

HSL 87.76, 0.8%, 0.67%

LAB 87.67, -40.61, 57.61

 

CMYK 30 / 0 / 64 / 1

HEX #B1FC5A

RGB 177 252 90

HSL 87.78, 0.96%, 0.67%

LAB 91.55, -47.47, 67.77

 

CMYK 26 / 0 / 56 / 7

HEX #B0EE68

RGB 176 238 104

HSL 87.76, 0.8%, 0.67%

LAB 87.67, -40.61, 57.61

 

CMYK 22 / 0 / 48 / 12

HEX #AFE175

RGB 175 225 117

HSL 87.78, 0.64%, 0.67%

LAB 84.1, -33.78, 47.38

 

CMYK 18 / 0 / 38 / 17

HEX #AED383

RGB 174 211 131

HSL 87.75, 0.48%, 0.67%

LAB 80.31, -25.86, 35.68

 

CMYK 12 / 0 / 27 / 23

HEX #ADC590

RGB 173 197 144

HSL 87.17, 0.31%, 0.67%

LAB 76.58, -17.49, 23.97

 

CMYK 7 / 0 / 14 / 28

HEX #ACB89E

RGB 172 184 158

HSL 87.69, 0.15%, 0.67%

LAB 73.23, -8.92, 11.8

 

CMYK 0 / 5 / 56 / 7

HEX #EEE368

RGB 238 227 104

HSL 55.07, 0.8%, 0.67%

LAB 88.98, -11.46, 60.24

 

CMYK 11 / 0 / 56 / 7

HEX #D5EE68

RGB 213 238 104

HSL 71.19, 0.8%, 0.67%

LAB 90, -26.74, 60.88

 

CMYK 25 / 0 / 56 / 7

HEX #B2EE68

RGB 178 238 104

HSL 86.87, 0.8%, 0.67%

LAB 87.78, -39.89, 57.77

 

CMYK 40 / 0 / 56 / 7

HEX #8EEE68

RGB 142 238 104

HSL 102.99, 0.8%, 0.67%

LAB 85.96, -52.01, 55.19

 

CMYK 55 / 0 / 56 / 7

HEX #6AEE68

RGB 106 238 104

HSL 119.1, 0.8%, 0.67%

LAB 84.59, -61.99, 53.25

 

CMYK 40 / 0 / 87 / 10

HEX #89E61D

RGB 137 230 29

HSL 87.76, 0.8%, 0.51%

LAB 82.91, -55.33, 77.16

 

CMYK 33 / 0 / 72 / 8

HEX #9CEA42

RGB 156 234 66

HSL 87.86, 0.8%, 0.59%

LAB 85.15, -48.87, 69.69

 

CMYK 26 / 0 / 56 / 7

HEX #B0EE68

RGB 176 238 104

HSL 87.76, 0.8%, 0.67%

LAB 87.67, -40.61, 57.61

 

CMYK 19 / 0 / 42 / 5

HEX #C3F28D

RGB 195 242 141

HSL 87.92, 0.8%, 0.75%

LAB 90.34, -31.66, 43.83

 

CMYK 13 / 0 / 28 / 4

HEX #D7F6B2

RGB 215 246 178

HSL 87.35, 0.79%, 0.83%

LAB 93.26, -21.56, 29.48

 

CMYK 26 / 0 / 57 / 7

HEX #AFEE66

RGB 175 238 102

HSL 87.79, 0.8%, 0.67%

LAB 87.59, -41.15, 58.39

 

CMYK 56 / 0 / 20 / 7

HEX #68EEBF

RGB 104 238 191

HSL 158.96, 0.8%, 0.67%

LAB 85.93, -47.7, 11.8

 

CMYK 0 / 56 / 3 / 7

HEX #EE68E7

RGB 238 104 231

HSL 303.13, 0.8%, 0.67%

LAB 64.84, 67.28, -40.53

 

CMYK 26 / 0 / 57 / 7

HEX #AFEE66

RGB 175 238 102

HSL 87.79, 0.8%, 0.67%

LAB 87.59, -41.15, 58.39

 

CMYK 56 / 25 / 0 / 7

HEX #68B2EE

RGB 104 178 238

HSL 206.87, 0.8%, 0.67%

LAB 70.15, -6.03, -36.95

 

CMYK 0 / 56 / 25 / 7

HEX #EE68B2

RGB 238 104 178

HSL 326.87, 0.8%, 0.67%

LAB 62.75, 59.4, -13.87

 

CMYK 26 / 0 / 57 / 7

HEX #AFEE66

RGB 175 238 102

HSL 87.79, 0.8%, 0.67%

LAB 87.59, -41.15, 58.39

 

CMYK 56 / 0 / 20 / 7

HEX #68EEBF

RGB 104 238 191

HSL 158.96, 0.8%, 0.67%

LAB 85.93, -47.7, 11.8

 

CMYK 31 / 56 / 0 / 7

HEX #A468EE

RGB 164 104 238

HSL 266.87, 0.8%, 0.67%

LAB 56.05, 50.15, -58.93

 

CMYK 0 / 56 / 37 / 7

HEX #EE6897

RGB 238 104 151

HSL 338.96, 0.8%, 0.67%

LAB 61.92, 56.11, 0.39

 

CMYK 26 / 0 / 57 / 7

HEX #AFEE66

RGB 175 238 102

HSL 87.79, 0.8%, 0.67%

LAB 87.59, -41.15, 58.39

 

CMYK 56 / 0 / 3 / 7

HEX #68EEE7

RGB 104 238 231

HSL 176.87, 0.8%, 0.67%

LAB 86.93, -38.14, -7.71

 

CMYK 31 / 56 / 0 / 7

HEX #A468EE

RGB 164 104 238

HSL 266.87, 0.8%, 0.67%

LAB 56.05, 50.15, -58.93

 

CMYK 0 / 56 / 54 / 7

HEX #EE686E

RGB 238 104 110

HSL 357.31, 0.8%, 0.67%

LAB 60.96, 52.18, 22.68

 

Description

Color code: HEX #AFEE66 | qconv.com Color code: HEX #AFEE66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 238 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 238 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 57 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 57% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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