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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEE3E it is the complementary color #5011C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEE3E shade: #B4EE39, #C5FF4C, #D6FF5F, #E7FF72 and #F8FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEE3E shade: #AFEE3E, #9EDC2B, #8DCA18, #7CB805 and #6BA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEE3E shade: #AFEE3E, #DEEE3E, #EECE3E, #EE9F3E and #EE6F3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEE3E shade: #AFEE3E, #80EE3E, #50EE3E, #3EEE5B and #3EEE8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEE3E shade matches the following richer shades: #AFEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEE3E shade: #AFEE3E, #AADD4F, #A5CC60, #A0BB71 and #9CAA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEE3E shade: #EECE3E, #DFEE3E, #B0EE3E, #81EE3E and #53EE3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEE3E shade: #87C811, #9FEA18, #AFEE3E, #BFF164 and #CEF48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEE3E shade: #AFEE3E, #3EEE9F and #E53EEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEE3E shade: #AFEE3E, #3EB0EE and #EE3EB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEE3E shade: #AFEE3E, #3EEE9F, #7C3EEE and #EE3E8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEE3E shade: #AFEE3E, #3EEED3, #7C3EEE and #EE3E58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

Complementary color

CMYK 59 / 91 / 0 / 24

HEX #5011C1

RGB 80 17 193

HSL 261.48, 0.84%, 0.41%

LAB 29.3, 63.23, -77.12

 

CMYK 24 / 0 / 76 / 7

HEX #B4EE39

RGB 180 238 57

HSL 79.23, 0.84%, 0.58%

LAB 87.56, -42.37, 75.34

 

CMYK 23 / 0 / 70 / 0

HEX #C5FF4C

RGB 197 255 76

HSL 79.44, 1%, 0.65%

LAB 93.41, -42.47, 75.21

 

CMYK 16 / 0 / 63 / 0

HEX #D6FF5F

RGB 214 255 95

HSL 75.38, 1%, 0.69%

LAB 94.59, -34.89, 69.69

 

CMYK 9 / 0 / 55 / 0

HEX #E7FF72

RGB 231 255 114

HSL 70.21, 1%, 0.72%

LAB 95.88, -26.98, 63.55

 

CMYK 3 / 0 / 48 / 0

HEX #F8FF85

RGB 248 255 133

HSL 63.44, 1%, 0.76%

LAB 97.3, -18.82, 57.01

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 28 / 0 / 80 / 14

HEX #9EDC2B

RGB 158 220 43

HSL 81.02, 0.72%, 0.52%

LAB 81.09, -43.38, 72.89

 

CMYK 30 / 0 / 88 / 21

HEX #8DCA18

RGB 141 202 24

HSL 80.56, 0.79%, 0.44%

LAB 74.81, -42.59, 71.35

 

CMYK 33 / 0 / 97 / 28

HEX #7CB805

RGB 124 184 5

HSL 80.11, 0.95%, 0.37%

LAB 68.44, -41.58, 68.46

 

CMYK 36 / 0 / 100 / 35

HEX #6BA600

RGB 107 166 0

HSL 81.33, 1%, 0.33%

LAB 62, -40.29, 63.68

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 7 / 0 / 74 / 7

HEX #DEEE3E

RGB 222 238 62

HSL 65.45, 0.84%, 0.59%

LAB 90.33, -25.71, 77.4

 

CMYK 0 / 13 / 74 / 7

HEX #EECE3E

RGB 238 206 62

HSL 49.09, 0.84%, 0.59%

LAB 83.27, -3.29, 71.21

 

CMYK 0 / 33 / 74 / 7

HEX #EE9F3E

RGB 238 159 62

HSL 33.07, 0.84%, 0.59%

LAB 71.77, 21.3, 60.02

 

CMYK 0 / 53 / 74 / 7

HEX #EE6F3E

RGB 238 111 62

HSL 16.7, 0.84%, 0.59%

LAB 61.56, 45.95, 49.53

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 46 / 0 / 74 / 7

HEX #80EE3E

RGB 128 238 62

HSL 97.5, 0.84%, 0.59%

LAB 85.04, -59.75, 70.49

 

CMYK 66 / 0 / 74 / 7

HEX #50EE3E

RGB 80 238 62

HSL 113.86, 0.84%, 0.59%

LAB 83.55, -71.55, 68.51

 

CMYK 74 / 0 / 62 / 7

HEX #3EEE5B

RGB 62 238 91

HSL 129.89, 0.84%, 0.59%

LAB 83.4, -71.98, 57.27

 

CMYK 74 / 0 / 42 / 7

HEX #3EEE8B

RGB 62 238 139

HSL 146.25, 0.84%, 0.59%

LAB 83.99, -65.16, 35.61

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 23 / 0 / 64 / 13

HEX #AADD4F

RGB 170 221 79

HSL 81.55, 0.68%, 0.59%

LAB 82.28, -37.3, 62.13

 

CMYK 19 / 0 / 53 / 20

HEX #A5CC60

RGB 165 204 96

HSL 81.67, 0.51%, 0.59%

LAB 77.3, -29.9, 49.02

 

CMYK 14 / 0 / 40 / 27

HEX #A0BB71

RGB 160 187 113

HSL 81.89, 0.35%, 0.59%

LAB 72.37, -21.66, 34.47

 

CMYK 8 / 0 / 24 / 33

HEX #9CAA82

RGB 156 170 130

HSL 81, 0.19%, 0.59%

LAB 67.6, -12.09, 19.03

 

CMYK 0 / 13 / 74 / 7

HEX #EECE3E

RGB 238 206 62

HSL 49.09, 0.84%, 0.59%

LAB 83.27, -3.29, 71.21

 

CMYK 6 / 0 / 74 / 7

HEX #DFEE3E

RGB 223 238 62

HSL 65.11, 0.84%, 0.59%

LAB 90.41, -25.31, 77.49

 

CMYK 26 / 0 / 74 / 7

HEX #B0EE3E

RGB 176 238 62

HSL 81.14, 0.84%, 0.59%

LAB 87.35, -43.62, 73.52

 

CMYK 46 / 0 / 74 / 7

HEX #81EE3E

RGB 129 238 62

HSL 97.16, 0.84%, 0.59%

LAB 85.08, -59.45, 70.54

 

CMYK 65 / 0 / 74 / 7

HEX #53EE3E

RGB 83 238 62

HSL 112.84, 0.84%, 0.59%

LAB 83.62, -70.97, 68.61

 

CMYK 33 / 0 / 92 / 22

HEX #87C811

RGB 135 200 17

HSL 81.31, 0.84%, 0.43%

LAB 73.87, -44.13, 71.58

 

CMYK 32 / 0 / 90 / 8

HEX #9FEA18

RGB 159 234 24

HSL 81.43, 0.83%, 0.51%

LAB 85.14, -49.5, 80.27

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 21 / 0 / 59 / 5

HEX #BFF164

RGB 191 241 100

HSL 81.28, 0.83%, 0.67%

LAB 89.35, -36.83, 61.49

 

CMYK 16 / 0 / 43 / 4

HEX #CEF48A

RGB 206 244 138

HSL 81.51, 0.83%, 0.75%

LAB 91.53, -28.95, 46.93

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 74 / 0 / 33 / 7

HEX #3EEE9F

RGB 62 238 159

HSL 153.07, 0.84%, 0.59%

LAB 84.32, -61.43, 25.95

 

CMYK 4 / 74 / 0 / 7

HEX #E53EEE

RGB 229 62 238

HSL 296.93, 0.84%, 0.59%

LAB 58.3, 81.94, -54.86

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 74 / 26 / 0 / 7

HEX #3EB0EE

RGB 62 176 238

HSL 201.14, 0.84%, 0.59%

LAB 68.2, -11.72, -40.08

 

CMYK 0 / 74 / 26 / 7

HEX #EE3EB0

RGB 238 62 176

HSL 321.14, 0.84%, 0.59%

LAB 56.84, 75.22, -21.71

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 74 / 0 / 33 / 7

HEX #3EEE9F

RGB 62 238 159

HSL 153.07, 0.84%, 0.59%

LAB 84.32, -61.43, 25.95

 

CMYK 48 / 74 / 0 / 7

HEX #7C3EEE

RGB 124 62 238

HSL 261.14, 0.84%, 0.59%

LAB 44.09, 63.32, -78.52

 

CMYK 0 / 74 / 41 / 7

HEX #EE3E8D

RGB 238 62 141

HSL 333.07, 0.84%, 0.59%

LAB 55.63, 71.45, -2.99

 

CMYK 26 / 0 / 74 / 7

HEX #AFEE3E

RGB 175 238 62

HSL 81.48, 0.84%, 0.59%

LAB 87.3, -43.99, 73.45

 

CMYK 74 / 0 / 11 / 7

HEX #3EEED3

RGB 62 238 211

HSL 170.8, 0.84%, 0.59%

LAB 85.44, -49.53, 0.49

 

CMYK 48 / 74 / 0 / 7

HEX #7C3EEE

RGB 124 62 238

HSL 261.14, 0.84%, 0.59%

LAB 44.09, 63.32, -78.52

 

CMYK 0 / 74 / 63 / 7

HEX #EE3E58

RGB 238 62 88

HSL 351.14, 0.84%, 0.59%

LAB 54.37, 67.4, 26.79

 

Description

Color code: HEX #AFEE3E | qconv.com Color code: HEX #AFEE3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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