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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEB97 it is the complementary color #501468. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEB97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEB97 shade: #B4EB92, #C5FDA5, #D6FFB8, #E7FFCB and #F8FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEB97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEB97 shade: #AFEB97, #9ED984, #8DC771, #7CB55E and #6BA34B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEB97 shade: #B0EB98, #C6EB98, #DDEB98, #EBE498 and #EBCD98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEB97 shade: #B0EB98, #9AEB98, #98EBAD, #98EBC4 and #98EBDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEB97 shade matches the following richer shades: #B0EB98 and #ACF58E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEB97 shade: #B0EB98, #B4E2A2, #B8D8AC, #BDCEB6 and #C1C4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEB97 shade: #DEEB98, #C7EB98, #B1EB98, #9BEB98 and #98EBAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEB97 shade: #7BDE53, #95E576, #B0EB98, #CBF2BB and #E5F9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEB97 shade: #AFEB97, #98EBE3 and #EB98D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEB97 shade: #AFEB97, #98B1EB and #EB98B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEB97 shade: #AFEB97, #98EBE3, #D298EB and #EB98A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEB97 shade: #AFEB97, #98DBEB, #D298EB and #EBA998

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 36 / 8

HEX #AFEB97

RGB 175 235 151

HSL 102.86, 0.68%, 0.76%

LAB 87.37, -34.09, 34.81

 

Complementary color

CMYK 23 / 81 / 0 / 59

HEX #501468

RGB 80 20 104

HSL 282.86, 0.68%, 0.24%

LAB 20.85, 40.89, -35.94

 

CMYK 23 / 0 / 38 / 8

HEX #B4EB92

RGB 180 235 146

HSL 97.08, 0.69%, 0.75%

LAB 87.58, -33.07, 37.64

 

CMYK 22 / 0 / 35 / 1

HEX #C5FDA5

RGB 197 253 165

HSL 98.18, 0.96%, 0.82%

LAB 93.81, -32.95, 36.54

 

CMYK 16 / 0 / 28 / 0

HEX #D6FFB8

RGB 214 255 184

HSL 94.65, 1%, 0.86%

LAB 95.7, -25.35, 29.73

 

CMYK 9 / 0 / 20 / 0

HEX #E7FFCB

RGB 231 255 203

HSL 87.69, 1%, 0.9%

LAB 97.15, -16.65, 22.29

 

CMYK 3 / 0 / 13 / 0

HEX #F8FFDE

RGB 248 255 222

HSL 72.73, 1%, 0.94%

LAB 98.73, -7.84, 14.99

 

CMYK 26 / 0 / 36 / 8

HEX #AFEB97

RGB 175 235 151

HSL 102.86, 0.68%, 0.76%

LAB 87.37, -34.09, 34.81

 

CMYK 27 / 0 / 39 / 15

HEX #9ED984

RGB 158 217 132

HSL 101.65, 0.53%, 0.68%

LAB 81.05, -34.25, 35.95

 

CMYK 29 / 0 / 43 / 22

HEX #8DC771

RGB 141 199 113

HSL 100.47, 0.43%, 0.61%

LAB 74.64, -34.39, 37.13

 

CMYK 31 / 0 / 48 / 29

HEX #7CB55E

RGB 124 181 94

HSL 99.31, 0.37%, 0.54%

LAB 68.12, -34.5, 38.34

 

CMYK 34 / 0 / 54 / 36

HEX #6BA34B

RGB 107 163 75

HSL 98.18, 0.37%, 0.47%

LAB 61.51, -34.56, 39.54

 

CMYK 25 / 0 / 35 / 8

HEX #B0EB98

RGB 176 235 152

HSL 102.65, 0.67%, 0.76%

LAB 87.44, -33.61, 34.42

 

CMYK 16 / 0 / 35 / 8

HEX #C6EB98

RGB 198 235 152

HSL 86.75, 0.67%, 0.76%

LAB 88.78, -25.91, 36.42

 

CMYK 6 / 0 / 35 / 8

HEX #DDEB98

RGB 221 235 152

HSL 70.12, 0.67%, 0.76%

LAB 90.35, -17.44, 38.77

 

CMYK 0 / 3 / 35 / 8

HEX #EBE498

RGB 235 228 152

HSL 54.94, 0.67%, 0.76%

LAB 89.59, -8.65, 37.98

 

CMYK 0 / 13 / 35 / 8

HEX #EBCD98

RGB 235 205 152

HSL 38.31, 0.67%, 0.76%

LAB 83.75, 3.1, 30.29

 

CMYK 25 / 0 / 35 / 8

HEX #B0EB98

RGB 176 235 152

HSL 102.65, 0.67%, 0.76%

LAB 87.44, -33.61, 34.42

 

CMYK 34 / 0 / 35 / 8

HEX #9AEB98

RGB 154 235 152

HSL 118.55, 0.67%, 0.76%

LAB 86.28, -40.77, 32.67

 

CMYK 35 / 0 / 26 / 8

HEX #98EBAD

RGB 152 235 173

HSL 135.18, 0.67%, 0.76%

LAB 86.56, -37.9, 22.29

 

CMYK 35 / 0 / 17 / 8

HEX #98EBC4

RGB 152 235 196

HSL 151.81, 0.67%, 0.76%

LAB 87.03, -33.56, 11.01

 

CMYK 35 / 0 / 7 / 8

HEX #98EBDA

RGB 152 235 218

HSL 167.71, 0.67%, 0.76%

LAB 87.56, -28.94, 0.25

 

CMYK 25 / 0 / 35 / 8

HEX #B0EB98

RGB 176 235 152

HSL 102.65, 0.67%, 0.76%

LAB 87.44, -33.61, 34.42

 

CMYK 30 / 0 / 42 / 4

HEX #ACF58E

RGB 172 245 142

HSL 102.52, 0.84%, 0.76%

LAB 89.87, -40.83, 42.48

 

CMYK 25 / 0 / 35 / 8

HEX #B0EB98

RGB 176 235 152

HSL 102.65, 0.67%, 0.76%

LAB 87.44, -33.61, 34.42

 

CMYK 20 / 0 / 28 / 11

HEX #B4E2A2

RGB 180 226 162

HSL 103.13, 0.52%, 0.76%

LAB 85.35, -26.52, 26.56

 

CMYK 15 / 0 / 20 / 15

HEX #B8D8AC

RGB 184 216 172

HSL 103.64, 0.36%, 0.76%

LAB 83.06, -18.66, 18.24

 

CMYK 8 / 0 / 12 / 19

HEX #BDCEB6

RGB 189 206 182

HSL 102.5, 0.2%, 0.76%

LAB 80.93, -10.16, 9.98

 

CMYK 2 / 0 / 2 / 23

HEX #C1C4C0

RGB 193 196 192

HSL 105, 0.03%, 0.76%

LAB 78.82, -1.77, 1.63

 

CMYK 6 / 0 / 35 / 8

HEX #DEEB98

RGB 222 235 152

HSL 69.4, 0.67%, 0.76%

LAB 90.42, -17.06, 38.87

 

CMYK 15 / 0 / 35 / 8

HEX #C7EB98

RGB 199 235 152

HSL 86.02, 0.67%, 0.76%

LAB 88.84, -25.55, 36.51

 

CMYK 25 / 0 / 35 / 8

HEX #B1EB98

RGB 177 235 152

HSL 101.93, 0.67%, 0.76%

LAB 87.5, -33.27, 34.5

 

CMYK 34 / 0 / 35 / 8

HEX #9BEB98

RGB 155 235 152

HSL 117.83, 0.67%, 0.76%

LAB 86.33, -40.46, 32.74

 

CMYK 35 / 0 / 27 / 8

HEX #98EBAC

RGB 152 235 172

HSL 134.46, 0.67%, 0.76%

LAB 86.54, -38.07, 22.78

 

CMYK 45 / 0 / 63 / 13

HEX #7BDE53

RGB 123 222 83

HSL 102.73, 0.68%, 0.6%

LAB 80.22, -53.49, 57.55

 

CMYK 35 / 0 / 48 / 10

HEX #95E576

RGB 149 229 118

HSL 103.24, 0.68%, 0.68%

LAB 83.83, -44.43, 46.25

 

CMYK 25 / 0 / 35 / 8

HEX #B0EB98

RGB 176 235 152

HSL 102.65, 0.67%, 0.76%

LAB 87.44, -33.61, 34.42

 

CMYK 16 / 0 / 23 / 5

HEX #CBF2BB

RGB 203 242 187

HSL 102.55, 0.68%, 0.84%

LAB 91.59, -22.44, 22.47

 

CMYK 8 / 0 / 11 / 2

HEX #E5F9DD

RGB 229 249 221

HSL 102.86, 0.7%, 0.92%

LAB 95.84, -11.5, 11.22

 

CMYK 26 / 0 / 36 / 8

HEX #AFEB97

RGB 175 235 151

HSL 102.86, 0.68%, 0.76%

LAB 87.37, -34.09, 34.81

 

CMYK 35 / 0 / 3 / 8

HEX #98EBE3

RGB 152 235 227

HSL 174.22, 0.67%, 0.76%

LAB 87.79, -26.92, -4.13

 

CMYK 0 / 35 / 11 / 8

HEX #EB98D2

RGB 235 152 210

HSL 318.07, 0.67%, 0.76%

LAB 72.74, 39.44, -16.77

 

CMYK 26 / 0 / 36 / 8

HEX #AFEB97

RGB 175 235 151

HSL 102.86, 0.68%, 0.76%

LAB 87.37, -34.09, 34.81

 

CMYK 35 / 25 / 0 / 8

HEX #98B1EB

RGB 152 177 235

HSL 221.93, 0.67%, 0.76%

LAB 72.31, 5.18, -31.76

 

CMYK 0 / 35 / 25 / 8

HEX #EB98B1

RGB 235 152 177

HSL 341.93, 0.67%, 0.76%

LAB 71.75, 34.39, 0

 

CMYK 26 / 0 / 36 / 8

HEX #AFEB97

RGB 175 235 151

HSL 102.86, 0.68%, 0.76%

LAB 87.37, -34.09, 34.81

 

CMYK 35 / 0 / 3 / 8

HEX #98EBE3

RGB 152 235 227

HSL 174.22, 0.67%, 0.76%

LAB 87.79, -26.92, -4.13

 

CMYK 11 / 35 / 0 / 8

HEX #D298EB

RGB 210 152 235

HSL 281.93, 0.67%, 0.76%

LAB 70.98, 36.12, -33.43

 

CMYK 0 / 35 / 31 / 8

HEX #EB98A1

RGB 235 152 161

HSL 353.49, 0.67%, 0.76%

LAB 71.35, 32.25, 8.29

 

CMYK 26 / 0 / 36 / 8

HEX #AFEB97

RGB 175 235 151

HSL 102.86, 0.68%, 0.76%

LAB 87.37, -34.09, 34.81

 

CMYK 35 / 7 / 0 / 8

HEX #98DBEB

RGB 152 219 235

HSL 191.57, 0.67%, 0.76%

LAB 83.62, -17.14, -14.55

 

CMYK 11 / 35 / 0 / 8

HEX #D298EB

RGB 210 152 235

HSL 281.93, 0.67%, 0.76%

LAB 70.98, 36.12, -33.43

 

CMYK 0 / 28 / 35 / 8

HEX #EBA998

RGB 235 169 152

HSL 12.29, 0.67%, 0.76%

LAB 75.02, 22.1, 18.4

 

Description

Color code: HEX #AFEB97 | qconv.com Color code: HEX #AFEB97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 235 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 235 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 36 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 36% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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