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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEB7E it is the complementary color #501481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEB7E shade: #B4EB79, #C5FD8C, #D6FF9F, #E7FFB2 and #F8FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEB7E shade: #AFEB7E, #9ED96B, #8DC758, #7CB545 and #6BA332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEB7E shade: #AFEB7F, #CCEB7F, #E9EB7F, #EBCF7F and #EBB27F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEB7E shade: #AFEB7F, #92EB7F, #7FEB88, #7FEBA5 and #7FEBC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEB7E shade matches the following richer shades: #AFEB7F and #AEF673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEB7E shade: #AFEB7F, #B0DF8B, #B2D396, #B3C7A2 and #B4BBAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEB7E shade: #E9EB7F, #CCEB7F, #AFEB7F, #92EB7F and #7FEB88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEB7E shade: #83DF37, #99E55B, #AFEB7F, #C5F0A2 and #DBF6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEB7E shade: #AFEB7E, #7FEBD0 and #EB7FDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEB7E shade: #AFEB7E, #7FAFEB and #EB7FAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEB7E shade: #AFEB7E, #7FEBD0, #BA7FEB and #EB7F9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEB7E shade: #AFEB7E, #7FE5EB, #BA7FEB and #EB847F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 46 / 8

HEX #AFEB7E

RGB 175 235 126

HSL 93.03, 0.73%, 0.71%

LAB 87.01, -37.32, 46.66

 

Complementary color

CMYK 38 / 84 / 0 / 49

HEX #501481

RGB 80 20 129

HSL 273.03, 0.73%, 0.29%

LAB 22.97, 46.7, -48.56

 

CMYK 23 / 0 / 49 / 8

HEX #B4EB79

RGB 180 235 121

HSL 88.95, 0.74%, 0.7%

LAB 87.24, -36.12, 49.39

 

CMYK 22 / 0 / 45 / 1

HEX #C5FD8C

RGB 197 253 140

HSL 89.73, 0.97%, 0.77%

LAB 93.46, -36.11, 48.26

 

CMYK 16 / 0 / 38 / 0

HEX #D6FF9F

RGB 214 255 159

HSL 85.63, 1%, 0.81%

LAB 95.3, -28.73, 41.63

 

CMYK 9 / 0 / 30 / 0

HEX #E7FFB2

RGB 231 255 178

HSL 78.7, 1%, 0.85%

LAB 96.71, -20.2, 34.29

 

CMYK 3 / 0 / 23 / 0

HEX #F8FFC5

RGB 248 255 197

HSL 67.24, 1%, 0.89%

LAB 98.24, -11.53, 27.01

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7E

RGB 175 235 126

HSL 93.03, 0.73%, 0.71%

LAB 87.01, -37.32, 46.66

 

CMYK 27 / 0 / 51 / 15

HEX #9ED96B

RGB 158 217 107

HSL 92.18, 0.59%, 0.64%

LAB 80.71, -37.35, 47.8

 

CMYK 29 / 0 / 56 / 22

HEX #8DC758

RGB 141 199 88

HSL 91.35, 0.5%, 0.56%

LAB 74.33, -37.32, 48.9

 

CMYK 31 / 0 / 62 / 29

HEX #7CB545

RGB 124 181 69

HSL 90.54, 0.45%, 0.49%

LAB 67.85, -37.2, 49.88

 

CMYK 34 / 0 / 69 / 36

HEX #6BA332

RGB 107 163 50

HSL 89.73, 0.53%, 0.42%

LAB 61.26, -36.95, 50.58

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7F

RGB 175 235 127

HSL 93.33, 0.73%, 0.71%

LAB 87.03, -37.21, 46.2

 

CMYK 13 / 0 / 46 / 8

HEX #CCEB7F

RGB 204 235 127

HSL 77.22, 0.73%, 0.71%

LAB 88.82, -26.65, 48.81

 

CMYK 1 / 0 / 46 / 8

HEX #E9EB7F

RGB 233 235 127

HSL 61.11, 0.73%, 0.71%

LAB 90.9, -15.49, 51.83

 

CMYK 0 / 12 / 46 / 8

HEX #EBCF7F

RGB 235 207 127

HSL 44.44, 0.73%, 0.71%

LAB 83.87, -0.6, 43.2

 

CMYK 0 / 24 / 46 / 8

HEX #EBB27F

RGB 235 178 127

HSL 28.33, 0.73%, 0.71%

LAB 76.7, 14.58, 34.05

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7F

RGB 175 235 127

HSL 93.33, 0.73%, 0.71%

LAB 87.03, -37.21, 46.2

 

CMYK 38 / 0 / 46 / 8

HEX #92EB7F

RGB 146 235 127

HSL 109.44, 0.73%, 0.71%

LAB 85.53, -46.82, 44.01

 

CMYK 46 / 0 / 42 / 8

HEX #7FEB88

RGB 127 235 136

HSL 125, 0.73%, 0.71%

LAB 84.85, -51.13, 38.57

 

CMYK 46 / 0 / 30 / 8

HEX #7FEBA5

RGB 127 235 165

HSL 141.11, 0.73%, 0.71%

LAB 85.32, -46.32, 24.54

 

CMYK 46 / 0 / 17 / 8

HEX #7FEBC2

RGB 127 235 194

HSL 157.22, 0.73%, 0.71%

LAB 85.92, -40.58, 10.32

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7F

RGB 175 235 127

HSL 93.33, 0.73%, 0.71%

LAB 87.03, -37.21, 46.2

 

CMYK 29 / 0 / 53 / 4

HEX #AEF673

RGB 174 246 115

HSL 92.98, 0.88%, 0.71%

LAB 89.93, -43.74, 55.3

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7F

RGB 175 235 127

HSL 93.33, 0.73%, 0.71%

LAB 87.03, -37.21, 46.2

 

CMYK 21 / 0 / 38 / 13

HEX #B0DF8B

RGB 176 223 139

HSL 93.57, 0.57%, 0.71%

LAB 83.9, -29.81, 36.32

 

CMYK 16 / 0 / 29 / 17

HEX #B2D396

RGB 178 211 150

HSL 92.46, 0.41%, 0.71%

LAB 80.88, -21.75, 26.7

 

CMYK 10 / 0 / 19 / 22

HEX #B3C7A2

RGB 179 199 162

HSL 92.43, 0.25%, 0.71%

LAB 77.9, -13.5, 16.28

 

CMYK 4 / 0 / 7 / 27

HEX #B4BBAE

RGB 180 187 174

HSL 92.31, 0.09%, 0.71%

LAB 75.01, -4.83, 5.73

 

CMYK 1 / 0 / 46 / 8

HEX #E9EB7F

RGB 233 235 127

HSL 61.11, 0.73%, 0.71%

LAB 90.9, -15.49, 51.83

 

CMYK 13 / 0 / 46 / 8

HEX #CCEB7F

RGB 204 235 127

HSL 77.22, 0.73%, 0.71%

LAB 88.82, -26.65, 48.81

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7F

RGB 175 235 127

HSL 93.33, 0.73%, 0.71%

LAB 87.03, -37.21, 46.2

 

CMYK 38 / 0 / 46 / 8

HEX #92EB7F

RGB 146 235 127

HSL 109.44, 0.73%, 0.71%

LAB 85.53, -46.82, 44.01

 

CMYK 46 / 0 / 42 / 8

HEX #7FEB88

RGB 127 235 136

HSL 125, 0.73%, 0.71%

LAB 84.85, -51.13, 38.57

 

CMYK 41 / 0 / 75 / 13

HEX #83DF37

RGB 131 223 55

HSL 92.86, 0.72%, 0.55%

LAB 80.67, -53.46, 68.53

 

CMYK 33 / 0 / 60 / 10

HEX #99E55B

RGB 153 229 91

HSL 93.04, 0.73%, 0.63%

LAB 83.74, -45.94, 58.47

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7F

RGB 175 235 127

HSL 93.33, 0.73%, 0.71%

LAB 87.03, -37.21, 46.2

 

CMYK 18 / 0 / 33 / 6

HEX #C5F0A2

RGB 197 240 162

HSL 93.08, 0.72%, 0.79%

LAB 90.23, -27.29, 33.29

 

CMYK 11 / 0 / 20 / 4

HEX #DBF6C6

RGB 219 246 198

HSL 93.75, 0.73%, 0.87%

LAB 93.9, -17.17, 20.2

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7E

RGB 175 235 126

HSL 93.03, 0.73%, 0.71%

LAB 87.01, -37.32, 46.66

 

CMYK 46 / 0 / 11 / 8

HEX #7FEBD0

RGB 127 235 208

HSL 165, 0.73%, 0.71%

LAB 86.25, -37.51, 3.46

 

CMYK 0 / 46 / 7 / 8

HEX #EB7FDA

RGB 235 127 218

HSL 309.44, 0.73%, 0.71%

LAB 67.95, 53.55, -28.51

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7E

RGB 175 235 126

HSL 93.03, 0.73%, 0.71%

LAB 87.01, -37.32, 46.66

 

CMYK 46 / 26 / 0 / 8

HEX #7FAFEB

RGB 127 175 235

HSL 213.33, 0.73%, 0.71%

LAB 70.29, -0.17, -35

 

CMYK 0 / 46 / 26 / 8

HEX #EB7FAF

RGB 235 127 175

HSL 333.33, 0.73%, 0.71%

LAB 66.47, 47.04, -6.65

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7E

RGB 175 235 126

HSL 93.03, 0.73%, 0.71%

LAB 87.01, -37.32, 46.66

 

CMYK 46 / 0 / 11 / 8

HEX #7FEBD0

RGB 127 235 208

HSL 165, 0.73%, 0.71%

LAB 86.25, -37.51, 3.46

 

CMYK 21 / 46 / 0 / 8

HEX #BA7FEB

RGB 186 127 235

HSL 272.78, 0.73%, 0.71%

LAB 63.02, 42.72, -46.04

 

CMYK 0 / 46 / 34 / 8

HEX #EB7F9A

RGB 235 127 154

HSL 345, 0.73%, 0.71%

LAB 65.88, 44.35, 4.37

 

CMYK 26 / 0 / 46 / 8

HEX #AFEB7E

RGB 175 235 126

HSL 93.03, 0.73%, 0.71%

LAB 87.01, -37.32, 46.66

 

CMYK 46 / 3 / 0 / 8

HEX #7FE5EB

RGB 127 229 235

HSL 183.33, 0.73%, 0.71%

LAB 85.28, -28.21, -12.19

 

CMYK 21 / 46 / 0 / 8

HEX #BA7FEB

RGB 186 127 235

HSL 272.78, 0.73%, 0.71%

LAB 63.02, 42.72, -46.04

 

CMYK 0 / 44 / 46 / 8

HEX #EB847F

RGB 235 132 127

HSL 2.78, 0.73%, 0.71%

LAB 66.29, 38.85, 20.19

 

Description

Color code: HEX #AFEB7E | qconv.com Color code: HEX #AFEB7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 235 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 235 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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