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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEA5E it is the complementary color #5015A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEA5E shade: #B4EA59, #C5FC6C, #D6FF7F, #E7FF92 and #F8FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEA5E shade: #AFEA5E, #9ED84B, #8DC638, #7CB425 and #6BA212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEA5E shade: #AEEA5D, #D4EA5D, #EAD95D, #EAB35D and #EA8D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEA5E shade: #AEEA5D, #88EA5D, #62EA5D, #5DEA7D and #5DEAA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEA5E shade matches the following richer shades: #AEEA5D and #B1F94E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEA5E shade: #AEEA5D, #ACDB6B, #AACC7A, #A7BD89 and #A5AE98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEA5E shade: #EAD95D, #D5EA5D, #AFEA5D, #89EA5D and #64EA5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEA5E shade: #89D81C, #9CE538, #AEEA5D, #C0EF81 and #D3F3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEA5E shade: #AFEA5E, #5DEAB4 and #EA5DE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEA5E shade: #AFEA5E, #5DAFEA and #EA5DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEA5E shade: #AFEA5E, #5DEAB4, #975DEA and #EA5D93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEA5E shade: #AFEA5E, #5DEADE, #975DEA and #EA5D68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 60 / 8

HEX #AFEA5E

RGB 175 234 94

HSL 85.29, 0.77%, 0.64%

LAB 86.39, -40.08, 60.48

 

Complementary color

CMYK 50 / 87 / 0 / 37

HEX #5015A1

RGB 80 21 161

HSL 265.29, 0.77%, 0.36%

LAB 26.2, 54.22, -63.09

 

CMYK 23 / 0 / 62 / 8

HEX #B4EA59

RGB 180 234 89

HSL 82.34, 0.78%, 0.63%

LAB 86.64, -38.65, 62.92

 

CMYK 22 / 0 / 57 / 1

HEX #C5FC6C

RGB 197 252 108

HSL 82.92, 0.96%, 0.71%

LAB 92.83, -38.88, 62.08

 

CMYK 16 / 0 / 50 / 0

HEX #D6FF7F

RGB 214 255 127

HSL 79.22, 1%, 0.75%

LAB 94.89, -32.26, 56.31

 

CMYK 9 / 0 / 43 / 0

HEX #E7FF92

RGB 231 255 146

HSL 73.21, 1%, 0.79%

LAB 96.24, -24.01, 49.35

 

CMYK 3 / 0 / 35 / 0

HEX #F8FFA5

RGB 248 255 165

HSL 64.67, 1%, 0.82%

LAB 97.71, -15.57, 42.27

 

CMYK 25 / 0 / 60 / 8

HEX #AFEA5E

RGB 175 234 94

HSL 85.29, 0.77%, 0.64%

LAB 86.39, -40.08, 60.48

 

CMYK 27 / 0 / 65 / 15

HEX #9ED84B

RGB 158 216 75

HSL 84.68, 0.64%, 0.57%

LAB 80.12, -39.83, 61.22

 

CMYK 29 / 0 / 72 / 22

HEX #8DC638

RGB 141 198 56

HSL 84.08, 0.56%, 0.5%

LAB 73.76, -39.47, 61.6

 

CMYK 31 / 0 / 79 / 29

HEX #7CB425

RGB 124 180 37

HSL 83.5, 0.66%, 0.43%

LAB 67.32, -38.93, 61.36

 

CMYK 34 / 0 / 89 / 36

HEX #6BA212

RGB 107 162 18

HSL 82.92, 0.8%, 0.35%

LAB 60.79, -38.16, 60

 

CMYK 26 / 0 / 60 / 8

HEX #AEEA5D

RGB 174 234 93

HSL 85.53, 0.77%, 0.64%

LAB 86.32, -40.53, 60.81

 

CMYK 9 / 0 / 60 / 8

HEX #D4EA5D

RGB 212 234 93

HSL 69.36, 0.77%, 0.64%

LAB 88.75, -26.07, 64.17

 

CMYK 0 / 7 / 60 / 8

HEX #EAD95D

RGB 234 217 93

HSL 52.77, 0.77%, 0.64%

LAB 85.96, -8.86, 61.61

 

CMYK 0 / 24 / 60 / 8

HEX #EAB35D

RGB 234 179 93

HSL 36.6, 0.77%, 0.64%

LAB 76.39, 10.78, 50.83

 

CMYK 0 / 40 / 60 / 8

HEX #EA8D5D

RGB 234 141 93

HSL 20.43, 0.77%, 0.64%

LAB 67.53, 30.92, 40.33

 

CMYK 26 / 0 / 60 / 8

HEX #AEEA5D

RGB 174 234 93

HSL 85.53, 0.77%, 0.64%

LAB 86.32, -40.53, 60.81

 

CMYK 42 / 0 / 60 / 8

HEX #88EA5D

RGB 136 234 93

HSL 101.7, 0.77%, 0.64%

LAB 84.42, -53.35, 58.16

 

CMYK 58 / 0 / 60 / 8

HEX #62EA5D

RGB 98 234 93

HSL 117.87, 0.77%, 0.64%

LAB 83.04, -63.67, 56.22

 

CMYK 60 / 0 / 47 / 8

HEX #5DEA7D

RGB 93 234 125

HSL 133.62, 0.77%, 0.64%

LAB 83.26, -60.67, 41.71

 

CMYK 60 / 0 / 30 / 8

HEX #5DEAA3

RGB 93 234 163

HSL 149.79, 0.77%, 0.64%

LAB 83.87, -54.08, 23.4

 

CMYK 26 / 0 / 60 / 8

HEX #AEEA5D

RGB 174 234 93

HSL 85.53, 0.77%, 0.64%

LAB 86.32, -40.53, 60.81

 

CMYK 29 / 0 / 69 / 2

HEX #B1F94E

RGB 177 249 78

HSL 85.26, 0.93%, 0.64%

LAB 90.62, -47.04, 71.32

 

CMYK 26 / 0 / 60 / 8

HEX #AEEA5D

RGB 174 234 93

HSL 85.53, 0.77%, 0.64%

LAB 86.32, -40.53, 60.81

 

CMYK 21 / 0 / 51 / 14

HEX #ACDB6B

RGB 172 219 107

HSL 85.18, 0.61%, 0.64%

LAB 82.11, -33.18, 49.67

 

CMYK 17 / 0 / 40 / 20

HEX #AACC7A

RGB 170 204 122

HSL 84.88, 0.45%, 0.64%

LAB 77.96, -25.1, 37.17

 

CMYK 12 / 0 / 28 / 26

HEX #A7BD89

RGB 167 189 137

HSL 85.38, 0.28%, 0.64%

LAB 73.82, -16.71, 23.87

 

CMYK 5 / 0 / 13 / 32

HEX #A5AE98

RGB 165 174 152

HSL 84.55, 0.12%, 0.64%

LAB 69.85, -7.21, 10.22

 

CMYK 0 / 7 / 60 / 8

HEX #EAD95D

RGB 234 217 93

HSL 52.77, 0.77%, 0.64%

LAB 85.96, -8.86, 61.61

 

CMYK 9 / 0 / 60 / 8

HEX #D5EA5D

RGB 213 234 93

HSL 68.94, 0.77%, 0.64%

LAB 88.82, -25.67, 64.27

 

CMYK 25 / 0 / 60 / 8

HEX #AFEA5D

RGB 175 234 93

HSL 85.11, 0.77%, 0.64%

LAB 86.38, -40.16, 60.89

 

CMYK 41 / 0 / 60 / 8

HEX #89EA5D

RGB 137 234 93

HSL 101.28, 0.77%, 0.64%

LAB 84.46, -53.04, 58.22

 

CMYK 57 / 0 / 60 / 8

HEX #64EA5D

RGB 100 234 93

HSL 117.02, 0.77%, 0.64%

LAB 83.1, -63.2, 56.31

 

CMYK 37 / 0 / 87 / 15

HEX #89D81C

RGB 137 216 28

HSL 85.21, 0.77%, 0.48%

LAB 78.76, -49.79, 73.84

 

CMYK 32 / 0 / 76 / 10

HEX #9CE538

RGB 156 229 56

HSL 85.32, 0.77%, 0.56%

LAB 83.65, -47.34, 71.49

 

CMYK 26 / 0 / 60 / 8

HEX #AEEA5D

RGB 174 234 93

HSL 85.53, 0.77%, 0.64%

LAB 86.32, -40.53, 60.81

 

CMYK 20 / 0 / 46 / 6

HEX #C0EF81

RGB 192 239 129

HSL 85.64, 0.77%, 0.72%

LAB 89.17, -32.74, 48.12

 

CMYK 13 / 0 / 32 / 5

HEX #D3F3A6

RGB 211 243 166

HSL 84.94, 0.76%, 0.8%

LAB 92, -23.2, 33.8

 

CMYK 25 / 0 / 60 / 8

HEX #AFEA5E

RGB 175 234 94

HSL 85.29, 0.77%, 0.64%

LAB 86.39, -40.08, 60.48

 

CMYK 60 / 0 / 23 / 8

HEX #5DEAB4

RGB 93 234 180

HSL 157.02, 0.77%, 0.64%

LAB 84.21, -50.57, 15.05

 

CMYK 0 / 60 / 1 / 8

HEX #EA5DE8

RGB 234 93 232

HSL 300.85, 0.77%, 0.64%

LAB 62.63, 71.08, -44.59

 

CMYK 25 / 0 / 60 / 8

HEX #AFEA5E

RGB 175 234 94

HSL 85.29, 0.77%, 0.64%

LAB 86.39, -40.08, 60.48

 

CMYK 60 / 25 / 0 / 8

HEX #5DAFEA

RGB 93 175 234

HSL 205.11, 0.77%, 0.64%

LAB 68.7, -7.74, -37.05

 

CMYK 0 / 60 / 25 / 8

HEX #EA5DAF

RGB 234 93 175

HSL 325.11, 0.77%, 0.64%

LAB 60.26, 62.66, -15.97

 

CMYK 25 / 0 / 60 / 8

HEX #AFEA5E

RGB 175 234 94

HSL 85.29, 0.77%, 0.64%

LAB 86.39, -40.08, 60.48

 

CMYK 60 / 0 / 23 / 8

HEX #5DEAB4

RGB 93 234 180

HSL 157.02, 0.77%, 0.64%

LAB 84.21, -50.57, 15.05

 

CMYK 35 / 60 / 0 / 8

HEX #975DEA

RGB 151 93 234

HSL 264.68, 0.77%, 0.64%

LAB 52.23, 52.03, -62.92

 

CMYK 0 / 60 / 37 / 8

HEX #EA5D93

RGB 234 93 147

HSL 337.02, 0.77%, 0.64%

LAB 59.37, 59.31, -1.1

 

CMYK 25 / 0 / 60 / 8

HEX #AFEA5E

RGB 175 234 94

HSL 85.29, 0.77%, 0.64%

LAB 86.39, -40.08, 60.48

 

CMYK 60 / 0 / 5 / 8

HEX #5DEADE

RGB 93 234 222

HSL 174.89, 0.77%, 0.64%

LAB 85.22, -40.58, -5.53

 

CMYK 35 / 60 / 0 / 8

HEX #975DEA

RGB 151 93 234

HSL 264.68, 0.77%, 0.64%

LAB 52.23, 52.03, -62.92

 

CMYK 0 / 60 / 56 / 8

HEX #EA5D68

RGB 234 93 104

HSL 355.32, 0.77%, 0.64%

LAB 58.34, 55.34, 22.52

 

Description

Color code: HEX #AFEA5E | qconv.com Color code: HEX #AFEA5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 234 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 234 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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