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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE82F it is the complementary color #5017D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE82F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE82F shade: #B4E82A, #C5FA3D, #D6FF50, #E7FF63 and #F8FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE82F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE82F shade: #AFE82F, #9ED61C, #8DC409, #7CB200 and #6BA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE82F shade: #AFE830, #E1E830, #E8BE30, #E88C30 and #E85B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE82F shade: #AFE830, #7EE830, #4CE830, #30E846 and #30E877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE82F shade matches the following richer shades: #AFE830 and #B7FB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE82F shade: #AFE830, #A8D543, #A1C356, #9AB068 and #939E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE82F shade: #E8BD30, #E2E830, #B1E830, #80E830 and #4FE830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE82F shade: #81B214, #9CD718, #AFE830, #BEEC56 and #CCF07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE82F shade: #AFE82F, #30E88C and #D630E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE82F shade: #AFE82F, #30B1E8 and #E830B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE82F shade: #AFE82F, #30E88C, #6830E8 and #E8308C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE82F shade: #AFE82F, #30E8C3, #6830E8 and #E83055

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 80 / 9

HEX #AFE82F

RGB 175 232 47

HSL 78.49, 0.8%, 0.55%

LAB 85.52, -42.06, 76.18

 

Complementary color

CMYK 62 / 89 / 0 / 18

HEX #5017D0

RGB 80 23 208

HSL 258.49, 0.8%, 0.45%

LAB 31.51, 65.4, -82.24

 

CMYK 22 / 0 / 82 / 9

HEX #B4E82A

RGB 180 232 42

HSL 76.42, 0.81%, 0.54%

LAB 85.8, -40.34, 77.79

 

CMYK 21 / 0 / 76 / 2

HEX #C5FA3D

RGB 197 250 61

HSL 76.83, 0.95%, 0.61%

LAB 91.94, -41.05, 78.61

 

CMYK 16 / 0 / 69 / 0

HEX #D6FF50

RGB 214 255 80

HSL 74.06, 1%, 0.66%

LAB 94.48, -35.83, 75.22

 

CMYK 9 / 0 / 61 / 0

HEX #E7FF63

RGB 231 255 99

HSL 69.23, 1%, 0.69%

LAB 95.75, -28.08, 69.68

 

CMYK 3 / 0 / 54 / 0

HEX #F8FF76

RGB 248 255 118

HSL 63.07, 1%, 0.73%

LAB 97.14, -20.07, 63.57

 

CMYK 25 / 0 / 80 / 9

HEX #AFE82F

RGB 175 232 47

HSL 78.49, 0.8%, 0.55%

LAB 85.52, -42.06, 76.18

 

CMYK 26 / 0 / 87 / 16

HEX #9ED61C

RGB 158 214 28

HSL 78.06, 0.77%, 0.47%

LAB 79.3, -41.27, 74.74

 

CMYK 28 / 0 / 95 / 23

HEX #8DC409

RGB 141 196 9

HSL 77.65, 0.91%, 0.4%

LAB 73, -40.28, 72

 

CMYK 30 / 0 / 100 / 30

HEX #7CB200

RGB 124 178 0

HSL 78.2, 1%, 0.35%

LAB 66.62, -39.06, 67.64

 

CMYK 33 / 0 / 100 / 37

HEX #6BA000

RGB 107 160 0

HSL 79.88, 1%, 0.31%

LAB 60.13, -37.68, 62.24

 

CMYK 25 / 0 / 79 / 9

HEX #AFE830

RGB 175 232 48

HSL 78.59, 0.8%, 0.55%

LAB 85.52, -42.02, 75.92

 

CMYK 3 / 0 / 79 / 9

HEX #E1E830

RGB 225 232 48

HSL 62.28, 0.8%, 0.55%

LAB 88.89, -22.15, 80.19

 

CMYK 0 / 18 / 79 / 9

HEX #E8BE30

RGB 232 190 48

HSL 46.3, 0.8%, 0.55%

LAB 78.58, 1.87, 71.33

 

CMYK 0 / 40 / 79 / 9

HEX #E88C30

RGB 232 140 48

HSL 30, 0.8%, 0.55%

LAB 66.62, 28.3, 60.48

 

CMYK 0 / 61 / 79 / 9

HEX #E85B30

RGB 232 91 48

HSL 14.02, 0.8%, 0.55%

LAB 56.93, 52.54, 51.3

 

CMYK 25 / 0 / 79 / 9

HEX #AFE830

RGB 175 232 48

HSL 78.59, 0.8%, 0.55%

LAB 85.52, -42.02, 75.92

 

CMYK 46 / 0 / 79 / 9

HEX #7EE830

RGB 126 232 48

HSL 94.57, 0.8%, 0.55%

LAB 83.11, -58.86, 72.82

 

CMYK 67 / 0 / 79 / 9

HEX #4CE830

RGB 76 232 48

HSL 110.87, 0.8%, 0.55%

LAB 81.55, -71.28, 70.8

 

CMYK 79 / 0 / 70 / 9

HEX #30E846

RGB 48 232 70

HSL 127.17, 0.8%, 0.55%

LAB 81.17, -74.01, 63.12

 

CMYK 79 / 0 / 49 / 9

HEX #30E877

RGB 48 232 119

HSL 143.15, 0.8%, 0.55%

LAB 81.66, -68.1, 42.4

 

CMYK 25 / 0 / 79 / 9

HEX #AFE830

RGB 175 232 48

HSL 78.59, 0.8%, 0.55%

LAB 85.52, -42.02, 75.92

 

CMYK 27 / 0 / 88 / 2

HEX #B7FB1E

RGB 183 251 30

HSL 78.46, 0.97%, 0.55%

LAB 91.3, -47.74, 84.92

 

CMYK 25 / 0 / 79 / 9

HEX #AFE830

RGB 175 232 48

HSL 78.59, 0.8%, 0.55%

LAB 85.52, -42.02, 75.92

 

CMYK 21 / 0 / 69 / 16

HEX #A8D543

RGB 168 213 67

HSL 78.49, 0.63%, 0.55%

LAB 79.79, -35.25, 64.16

 

CMYK 17 / 0 / 56 / 24

HEX #A1C356

RGB 161 195 86

HSL 78.72, 0.48%, 0.55%

LAB 74.37, -28.11, 50.18

 

CMYK 13 / 0 / 41 / 31

HEX #9AB068

RGB 154 176 104

HSL 78.33, 0.31%, 0.55%

LAB 68.69, -19.59, 34.35

 

CMYK 7 / 0 / 22 / 38

HEX #939E7B

RGB 147 158 123

HSL 78.86, 0.15%, 0.55%

LAB 63.41, -10.27, 17.01

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 3 / 0 / 79 / 9

HEX #E2E830

RGB 226 232 48

HSL 61.96, 0.8%, 0.55%

LAB 88.97, -21.74, 80.28

 

CMYK 24 / 0 / 79 / 9

HEX #B1E830

RGB 177 232 48

HSL 77.93, 0.8%, 0.55%

LAB 85.64, -41.27, 76.07

 

CMYK 45 / 0 / 79 / 9

HEX #80E830

RGB 128 232 48

HSL 93.91, 0.8%, 0.55%

LAB 83.19, -58.25, 72.92

 

CMYK 66 / 0 / 79 / 9

HEX #4FE830

RGB 79 232 48

HSL 109.89, 0.8%, 0.55%

LAB 81.61, -70.7, 70.89

 

CMYK 28 / 0 / 89 / 30

HEX #81B214

RGB 129 178 20

HSL 78.61, 0.8%, 0.39%

LAB 66.94, -36.73, 65.26

 

CMYK 27 / 0 / 89 / 16

HEX #9CD718

RGB 156 215 24

HSL 78.53, 0.8%, 0.47%

LAB 79.46, -42.57, 75.54

 

CMYK 25 / 0 / 79 / 9

HEX #AFE830

RGB 175 232 48

HSL 78.59, 0.8%, 0.55%

LAB 85.52, -42.02, 75.92

 

CMYK 19 / 0 / 64 / 7

HEX #BEEC56

RGB 190 236 86

HSL 78.4, 0.8%, 0.63%

LAB 87.78, -36.02, 65.55

 

CMYK 15 / 0 / 49 / 6

HEX #CCF07B

RGB 204 240 123

HSL 78.46, 0.8%, 0.71%

LAB 90.13, -29.41, 52.3

 

CMYK 25 / 0 / 80 / 9

HEX #AFE82F

RGB 175 232 47

HSL 78.49, 0.8%, 0.55%

LAB 85.52, -42.06, 76.18

 

CMYK 79 / 0 / 40 / 9

HEX #30E88C

RGB 48 232 140

HSL 150, 0.8%, 0.55%

LAB 81.97, -64.54, 32.42

 

CMYK 8 / 79 / 0 / 9

HEX #D630E8

RGB 214 48 232

HSL 294.13, 0.8%, 0.55%

LAB 54.28, 81.97, -58.06

 

CMYK 25 / 0 / 80 / 9

HEX #AFE82F

RGB 175 232 47

HSL 78.49, 0.8%, 0.55%

LAB 85.52, -42.06, 76.18

 

CMYK 79 / 24 / 0 / 9

HEX #30B1E8

RGB 48 177 232

HSL 197.93, 0.8%, 0.55%

LAB 67.95, -15.8, -37.23

 

CMYK 0 / 79 / 24 / 9

HEX #E830B1

RGB 232 48 177

HSL 317.93, 0.8%, 0.55%

LAB 54.49, 77.8, -25.98

 

CMYK 25 / 0 / 80 / 9

HEX #AFE82F

RGB 175 232 47

HSL 78.49, 0.8%, 0.55%

LAB 85.52, -42.06, 76.18

 

CMYK 79 / 0 / 40 / 9

HEX #30E88C

RGB 48 232 140

HSL 150, 0.8%, 0.55%

LAB 81.97, -64.54, 32.42

 

CMYK 55 / 79 / 0 / 9

HEX #6830E8

RGB 104 48 232

HSL 258.26, 0.8%, 0.55%

LAB 39.38, 65.13, -82.94

 

CMYK 0 / 79 / 40 / 9

HEX #E8308C

RGB 232 48 140

HSL 330, 0.8%, 0.55%

LAB 53.13, 73.8, -6.21

 

CMYK 25 / 0 / 80 / 9

HEX #AFE82F

RGB 175 232 47

HSL 78.49, 0.8%, 0.55%

LAB 85.52, -42.06, 76.18

 

CMYK 79 / 0 / 16 / 9

HEX #30E8C3

RGB 48 232 195

HSL 167.93, 0.8%, 0.55%

LAB 83.06, -52.53, 5.43

 

CMYK 55 / 79 / 0 / 9

HEX #6830E8

RGB 104 48 232

HSL 258.26, 0.8%, 0.55%

LAB 39.38, 65.13, -82.94

 

CMYK 0 / 79 / 63 / 9

HEX #E83055

RGB 232 48 85

HSL 347.93, 0.8%, 0.55%

LAB 51.75, 69.64, 24.97

 

Description

Color code: HEX #AFE82F | qconv.com Color code: HEX #AFE82F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 232 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 232 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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