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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE734 it is the complementary color #5018CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE734. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE734 shade: #B4E72F, #C5F942, #D6FF55, #E7FF68 and #F8FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE734. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE734 shade: #AFE734, #9ED521, #8DC30E, #7CB100 and #6B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE734 shade: #AEE732, #DFE732, #E7BE32, #E78D32 and #E75C32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE734 shade: #AEE732, #7DE732, #4CE732, #32E748 and #32E779

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE734 shade matches the following richer shades: #AEE732 and #B5F91F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE734 shade: #AEE732, #A7D444, #A0C257, #99AF69 and #929D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE734 shade: #E7BD32, #E1E732, #B1E732, #80E732 and #50E732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE734 shade: #80B115, #9BD619, #AEE732, #BDEB57 and #CBF07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE734 shade: #AFE734, #32E78C and #D532E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE734 shade: #AFE734, #32B1E7 and #E732B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE734 shade: #AFE734, #32E78C, #6832E7 and #E7328C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE734 shade: #AFE734, #32E7C3, #6832E7 and #E73256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 77 / 9

HEX #AFE734

RGB 175 231 52

HSL 78.77, 0.79%, 0.55%

LAB 85.26, -41.42, 74.57

 

Complementary color

CMYK 61 / 88 / 0 / 20

HEX #5018CB

RGB 80 24 203

HSL 258.77, 0.79%, 0.45%

LAB 31.04, 63.86, -80.1

 

CMYK 22 / 0 / 80 / 9

HEX #B4E72F

RGB 180 231 47

HSL 76.63, 0.79%, 0.55%

LAB 85.53, -39.72, 76.3

 

CMYK 21 / 0 / 73 / 2

HEX #C5F942

RGB 197 249 66

HSL 77.05, 0.94%, 0.62%

LAB 91.69, -40.37, 76.84

 

CMYK 16 / 0 / 67 / 0

HEX #D6FF55

RGB 214 255 85

HSL 74.47, 1%, 0.67%

LAB 94.51, -35.54, 73.44

 

CMYK 9 / 0 / 59 / 0

HEX #E7FF68

RGB 231 255 104

HSL 69.54, 1%, 0.7%

LAB 95.79, -27.74, 67.69

 

CMYK 3 / 0 / 52 / 0

HEX #F8FF7B

RGB 248 255 123

HSL 63.18, 1%, 0.74%

LAB 97.19, -19.68, 61.41

 

CMYK 24 / 0 / 77 / 9

HEX #AFE734

RGB 175 231 52

HSL 78.77, 0.79%, 0.55%

LAB 85.26, -41.42, 74.57

 

CMYK 26 / 0 / 85 / 16

HEX #9ED521

RGB 158 213 33

HSL 78.33, 0.73%, 0.48%

LAB 79.02, -40.69, 73.49

 

CMYK 28 / 0 / 93 / 24

HEX #8DC30E

RGB 141 195 14

HSL 77.9, 0.87%, 0.41%

LAB 72.71, -39.76, 71.2

 

CMYK 30 / 0 / 100 / 31

HEX #7CB100

RGB 124 177 0

HSL 77.97, 1%, 0.35%

LAB 66.31, -38.62, 67.41

 

CMYK 33 / 0 / 100 / 38

HEX #6B9F00

RGB 107 159 0

HSL 79.62, 1%, 0.31%

LAB 59.82, -37.24, 62

 

CMYK 25 / 0 / 78 / 9

HEX #AEE732

RGB 174 231 50

HSL 78.9, 0.79%, 0.55%

LAB 85.19, -41.88, 75.05

 

CMYK 3 / 0 / 78 / 9

HEX #DFE732

RGB 223 231 50

HSL 62.65, 0.79%, 0.55%

LAB 88.48, -22.43, 79.24

 

CMYK 0 / 18 / 78 / 9

HEX #E7BE32

RGB 231 190 50

HSL 46.41, 0.79%, 0.55%

LAB 78.49, 1.51, 70.58

 

CMYK 0 / 39 / 78 / 9

HEX #E78D32

RGB 231 141 50

HSL 30.17, 0.79%, 0.55%

LAB 66.72, 27.43, 59.75

 

CMYK 0 / 60 / 78 / 9

HEX #E75C32

RGB 231 92 50

HSL 13.92, 0.79%, 0.55%

LAB 56.95, 51.81, 50.31

 

CMYK 25 / 0 / 78 / 9

HEX #AEE732

RGB 174 231 50

HSL 78.9, 0.79%, 0.55%

LAB 85.19, -41.88, 75.05

 

CMYK 46 / 0 / 78 / 9

HEX #7DE732

RGB 125 231 50

HSL 95.14, 0.79%, 0.55%

LAB 82.78, -58.68, 71.94

 

CMYK 67 / 0 / 78 / 9

HEX #4CE732

RGB 76 231 50

HSL 111.38, 0.79%, 0.55%

LAB 81.25, -70.85, 69.96

 

CMYK 78 / 0 / 69 / 9

HEX #32E748

RGB 50 231 72

HSL 127.29, 0.79%, 0.55%

LAB 80.9, -73.29, 62.1

 

CMYK 78 / 0 / 48 / 9

HEX #32E779

RGB 50 231 121

HSL 143.54, 0.79%, 0.55%

LAB 81.41, -67.23, 41.12

 

CMYK 25 / 0 / 78 / 9

HEX #AEE732

RGB 174 231 50

HSL 78.9, 0.79%, 0.55%

LAB 85.19, -41.88, 75.05

 

CMYK 27 / 0 / 88 / 2

HEX #B5F91F

RGB 181 249 31

HSL 78.72, 0.95%, 0.55%

LAB 90.63, -47.61, 84.15

 

CMYK 25 / 0 / 78 / 9

HEX #AEE732

RGB 174 231 50

HSL 78.9, 0.79%, 0.55%

LAB 85.19, -41.88, 75.05

 

CMYK 21 / 0 / 68 / 17

HEX #A7D444

RGB 167 212 68

HSL 78.75, 0.63%, 0.55%

LAB 79.45, -35.12, 63.42

 

CMYK 18 / 0 / 55 / 24

HEX #A0C257

RGB 160 194 87

HSL 79.07, 0.47%, 0.55%

LAB 74.03, -27.93, 49.31

 

CMYK 13 / 0 / 40 / 31

HEX #99AF69

RGB 153 175 105

HSL 78.86, 0.3%, 0.55%

LAB 68.35, -19.35, 33.38

 

CMYK 7 / 0 / 21 / 38

HEX #929D7C

RGB 146 157 124

HSL 80, 0.14%, 0.55%

LAB 63.08, -9.95, 15.98

 

CMYK 0 / 18 / 78 / 9

HEX #E7BD32

RGB 231 189 50

HSL 46.08, 0.79%, 0.55%

LAB 78.24, 2.03, 70.36

 

CMYK 3 / 0 / 78 / 9

HEX #E1E732

RGB 225 231 50

HSL 61.99, 0.79%, 0.55%

LAB 88.63, -21.6, 79.43

 

CMYK 23 / 0 / 78 / 9

HEX #B1E732

RGB 177 231 50

HSL 77.9, 0.79%, 0.55%

LAB 85.37, -40.75, 75.27

 

CMYK 45 / 0 / 78 / 9

HEX #80E732

RGB 128 231 50

HSL 94.14, 0.79%, 0.55%

LAB 82.9, -57.77, 72.1

 

CMYK 65 / 0 / 78 / 9

HEX #50E732

RGB 80 231 50

HSL 110.06, 0.79%, 0.55%

LAB 81.34, -70.07, 70.08

 

CMYK 28 / 0 / 88 / 31

HEX #80B115

RGB 128 177 21

HSL 78.85, 0.79%, 0.39%

LAB 66.59, -36.65, 64.75

 

CMYK 28 / 0 / 88 / 16

HEX #9BD619

RGB 155 214 25

HSL 78.73, 0.79%, 0.47%

LAB 79.12, -42.49, 75.07

 

CMYK 25 / 0 / 78 / 9

HEX #AEE732

RGB 174 231 50

HSL 78.9, 0.79%, 0.55%

LAB 85.19, -41.88, 75.05

 

CMYK 20 / 0 / 63 / 8

HEX #BDEB57

RGB 189 235 87

HSL 78.65, 0.79%, 0.63%

LAB 87.45, -35.87, 64.78

 

CMYK 15 / 0 / 49 / 6

HEX #CBF07B

RGB 203 240 123

HSL 78.97, 0.8%, 0.71%

LAB 90.07, -29.79, 52.2

 

CMYK 24 / 0 / 77 / 9

HEX #AFE734

RGB 175 231 52

HSL 78.77, 0.79%, 0.55%

LAB 85.26, -41.42, 74.57

 

CMYK 78 / 0 / 39 / 9

HEX #32E78C

RGB 50 231 140

HSL 149.83, 0.79%, 0.55%

LAB 81.69, -63.97, 32.06

 

CMYK 8 / 78 / 0 / 9

HEX #D532E7

RGB 213 50 231

HSL 294.03, 0.79%, 0.55%

LAB 54.24, 81.11, -57.57

 

CMYK 24 / 0 / 77 / 9

HEX #AFE734

RGB 175 231 52

HSL 78.77, 0.79%, 0.55%

LAB 85.26, -41.42, 74.57

 

CMYK 78 / 23 / 0 / 9

HEX #32B1E7

RGB 50 177 231

HSL 197.9, 0.79%, 0.55%

LAB 67.94, -15.94, -36.69

 

CMYK 0 / 78 / 23 / 9

HEX #E732B1

RGB 231 50 177

HSL 317.9, 0.79%, 0.55%

LAB 54.5, 77.07, -26

 

CMYK 24 / 0 / 77 / 9

HEX #AFE734

RGB 175 231 52

HSL 78.77, 0.79%, 0.55%

LAB 85.26, -41.42, 74.57

 

CMYK 78 / 0 / 39 / 9

HEX #32E78C

RGB 50 231 140

HSL 149.83, 0.79%, 0.55%

LAB 81.69, -63.97, 32.06

 

CMYK 55 / 78 / 0 / 9

HEX #6832E7

RGB 104 50 231

HSL 257.9, 0.79%, 0.55%

LAB 39.57, 64.05, -82.07

 

CMYK 0 / 78 / 39 / 9

HEX #E7328C

RGB 231 50 140

HSL 330.17, 0.79%, 0.55%

LAB 53.13, 73.04, -6.23

 

CMYK 24 / 0 / 77 / 9

HEX #AFE734

RGB 175 231 52

HSL 78.77, 0.79%, 0.55%

LAB 85.26, -41.42, 74.57

 

CMYK 78 / 0 / 16 / 9

HEX #32E7C3

RGB 50 231 195

HSL 168.07, 0.79%, 0.55%

LAB 82.79, -51.94, 5.04

 

CMYK 55 / 78 / 0 / 9

HEX #6832E7

RGB 104 50 231

HSL 257.9, 0.79%, 0.55%

LAB 39.57, 64.05, -82.07

 

CMYK 0 / 78 / 63 / 9

HEX #E73256

RGB 231 50 86

HSL 348.07, 0.79%, 0.55%

LAB 51.77, 68.89, 24.36

 

Description

Color code: HEX #AFE734 | qconv.com Color code: HEX #AFE734 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 231 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 231 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 77% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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