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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE728 it is the complementary color #5018D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE728 shade: #B4E723, #C5F936, #D6FF49, #E7FF5C and #F8FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE728 shade: #AFE728, #9ED515, #8DC302, #7CB100 and #6B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE728 shade: #AFE727, #E3E727, #E7B827, #E78427 and #E75027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE728 shade: #AFE727, #7BE727, #47E727, #27E73B and #27E76F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE728 shade matches the following richer shades: #AFE727 and #B7FA14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE728 shade: #AFE727, #A7D43B, #9FC04E, #97AD61 and #8F9975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE728 shade: #E7B727, #E4E727, #B1E727, #7EE727 and #4AE727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE728 shade: #7DA913, #98CE17, #AFE727, #BDEB4C and #CAEF72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE728 shade: #AFE728, #27E784 and #D127E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE728 shade: #AFE728, #27B1E7 and #E727B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE728 shade: #AFE728, #27E784, #5E27E7 and #E7278A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE728 shade: #AFE728, #27E7BD, #5E27E7 and #E72751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 83 / 9

HEX #AFE728

RGB 175 231 40

HSL 77.59, 0.8%, 0.53%

LAB 85.21, -41.88, 77.64

 

Complementary color

CMYK 63 / 89 / 0 / 16

HEX #5018D7

RGB 80 24 215

HSL 257.59, 0.8%, 0.47%

LAB 32.4, 66.87, -84.82

 

CMYK 22 / 0 / 85 / 9

HEX #B4E723

RGB 180 231 35

HSL 75.61, 0.8%, 0.52%

LAB 85.49, -40.12, 79.09

 

CMYK 21 / 0 / 78 / 2

HEX #C5F936

RGB 197 249 54

HSL 76, 0.94%, 0.59%

LAB 91.63, -40.9, 80.31

 

CMYK 16 / 0 / 71 / 0

HEX #D6FF49

RGB 214 255 73

HSL 73.52, 1%, 0.64%

LAB 94.44, -36.21, 77.58

 

CMYK 9 / 0 / 64 / 0

HEX #E7FF5C

RGB 231 255 92

HSL 68.83, 1%, 0.68%

LAB 95.7, -28.54, 72.39

 

CMYK 3 / 0 / 56 / 0

HEX #F8FF6F

RGB 248 255 111

HSL 62.92, 1%, 0.72%

LAB 97.07, -20.6, 66.51

 

CMYK 24 / 0 / 83 / 9

HEX #AFE728

RGB 175 231 40

HSL 77.59, 0.8%, 0.53%

LAB 85.21, -41.88, 77.64

 

CMYK 26 / 0 / 90 / 16

HEX #9ED515

RGB 158 213 21

HSL 77.19, 0.82%, 0.46%

LAB 78.99, -41, 75.68

 

CMYK 28 / 0 / 99 / 24

HEX #8DC302

RGB 141 195 2

HSL 76.79, 0.98%, 0.39%

LAB 72.69, -39.94, 72.51

 

CMYK 30 / 0 / 100 / 31

HEX #7CB100

RGB 124 177 0

HSL 77.97, 1%, 0.35%

LAB 66.31, -38.62, 67.41

 

CMYK 33 / 0 / 100 / 38

HEX #6B9F00

RGB 107 159 0

HSL 79.62, 1%, 0.31%

LAB 59.82, -37.24, 62

 

CMYK 24 / 0 / 83 / 9

HEX #AFE727

RGB 175 231 39

HSL 77.5, 0.8%, 0.53%

LAB 85.21, -41.91, 77.86

 

CMYK 2 / 0 / 83 / 9

HEX #E3E727

RGB 227 231 39

HSL 61.25, 0.8%, 0.53%

LAB 88.75, -21.1, 82.28

 

CMYK 0 / 20 / 83 / 9

HEX #E7B827

RGB 231 184 39

HSL 45.31, 0.8%, 0.53%

LAB 76.93, 4.3, 72.51

 

CMYK 0 / 43 / 83 / 9

HEX #E78427

RGB 231 132 39

HSL 29.06, 0.8%, 0.53%

LAB 64.67, 31.81, 62.06

 

CMYK 0 / 65 / 83 / 9

HEX #E75027

RGB 231 80 39

HSL 12.81, 0.8%, 0.53%

LAB 54.94, 56.62, 53.54

 

CMYK 24 / 0 / 83 / 9

HEX #AFE727

RGB 175 231 39

HSL 77.5, 0.8%, 0.53%

LAB 85.21, -41.91, 77.86

 

CMYK 47 / 0 / 83 / 9

HEX #7BE727

RGB 123 231 39

HSL 93.75, 0.8%, 0.53%

LAB 82.65, -59.78, 74.64

 

CMYK 69 / 0 / 83 / 9

HEX #47E727

RGB 71 231 39

HSL 110, 0.8%, 0.53%

LAB 81.09, -72.34, 72.66

 

CMYK 83 / 0 / 74 / 9

HEX #27E73B

RGB 39 231 59

HSL 126.25, 0.8%, 0.53%

LAB 80.68, -75.54, 66.42

 

CMYK 83 / 0 / 52 / 9

HEX #27E76F

RGB 39 231 111

HSL 142.5, 0.8%, 0.53%

LAB 81.14, -69.87, 45.56

 

CMYK 24 / 0 / 83 / 9

HEX #AFE727

RGB 175 231 39

HSL 77.5, 0.8%, 0.53%

LAB 85.21, -41.91, 77.86

 

CMYK 27 / 0 / 92 / 2

HEX #B7FA14

RGB 183 250 20

HSL 77.48, 0.96%, 0.53%

LAB 91, -47.51, 86.07

 

CMYK 24 / 0 / 83 / 9

HEX #AFE727

RGB 175 231 39

HSL 77.5, 0.8%, 0.53%

LAB 85.21, -41.91, 77.86

 

CMYK 21 / 0 / 72 / 17

HEX #A7D43B

RGB 167 212 59

HSL 77.65, 0.64%, 0.53%

LAB 79.4, -35.66, 66.63

 

CMYK 17 / 0 / 59 / 25

HEX #9FC04E

RGB 159 192 78

HSL 77.37, 0.48%, 0.53%

LAB 73.3, -28.16, 52.55

 

CMYK 13 / 0 / 44 / 32

HEX #97AD61

RGB 151 173 97

HSL 77.37, 0.32%, 0.53%

LAB 67.52, -20.1, 36.44

 

CMYK 7 / 0 / 24 / 40

HEX #8F9975

RGB 143 153 117

HSL 76.67, 0.15%, 0.53%

LAB 61.57, -10.09, 17.76

 

CMYK 0 / 21 / 83 / 9

HEX #E7B727

RGB 231 183 39

HSL 45, 0.8%, 0.53%

LAB 76.68, 4.83, 72.3

 

CMYK 1 / 0 / 83 / 9

HEX #E4E727

RGB 228 231 39

HSL 60.94, 0.8%, 0.53%

LAB 88.82, -20.69, 82.37

 

CMYK 23 / 0 / 83 / 9

HEX #B1E727

RGB 177 231 39

HSL 76.88, 0.8%, 0.53%

LAB 85.32, -41.15, 78.01

 

CMYK 45 / 0 / 83 / 9

HEX #7EE727

RGB 126 231 39

HSL 92.81, 0.8%, 0.53%

LAB 82.77, -58.87, 74.79

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 26 / 0 / 89 / 34

HEX #7DA913

RGB 125 169 19

HSL 77.6, 0.8%, 0.37%

LAB 63.98, -34.26, 62.9

 

CMYK 26 / 0 / 89 / 19

HEX #98CE17

RGB 152 206 23

HSL 77.7, 0.8%, 0.45%

LAB 76.61, -40.19, 73.27

 

CMYK 24 / 0 / 83 / 9

HEX #AFE727

RGB 175 231 39

HSL 77.5, 0.8%, 0.53%

LAB 85.21, -41.91, 77.86

 

CMYK 20 / 0 / 68 / 8

HEX #BDEB4C

RGB 189 235 76

HSL 77.36, 0.8%, 0.61%

LAB 87.37, -36.61, 68.95

 

CMYK 15 / 0 / 52 / 6

HEX #CAEF72

RGB 202 239 114

HSL 77.76, 0.8%, 0.69%

LAB 89.63, -30.56, 55.82

 

CMYK 24 / 0 / 83 / 9

HEX #AFE728

RGB 175 231 40

HSL 77.59, 0.8%, 0.53%

LAB 85.21, -41.88, 77.64

 

CMYK 83 / 0 / 43 / 9

HEX #27E784

RGB 39 231 132

HSL 149.06, 0.8%, 0.53%

LAB 81.43, -66.49, 35.71

 

CMYK 10 / 83 / 0 / 9

HEX #D127E7

RGB 209 39 231

HSL 293.13, 0.8%, 0.53%

LAB 52.7, 83.01, -60.06

 

CMYK 24 / 0 / 83 / 9

HEX #AFE728

RGB 175 231 40

HSL 77.59, 0.8%, 0.53%

LAB 85.21, -41.88, 77.64

 

CMYK 83 / 23 / 0 / 9

HEX #27B1E7

RGB 39 177 231

HSL 196.88, 0.8%, 0.53%

LAB 67.76, -16.92, -36.98

 

CMYK 0 / 83 / 23 / 9

HEX #E727B1

RGB 231 39 177

HSL 316.88, 0.8%, 0.53%

LAB 53.62, 79.61, -27.36

 

CMYK 24 / 0 / 83 / 9

HEX #AFE728

RGB 175 231 40

HSL 77.59, 0.8%, 0.53%

LAB 85.21, -41.88, 77.64

 

CMYK 83 / 0 / 43 / 9

HEX #27E784

RGB 39 231 132

HSL 149.06, 0.8%, 0.53%

LAB 81.43, -66.49, 35.71

 

CMYK 59 / 83 / 0 / 9

HEX #5E27E7

RGB 94 39 231

HSL 257.19, 0.8%, 0.53%

LAB 37.12, 67.28, -86.15

 

CMYK 0 / 83 / 40 / 9

HEX #E7278A

RGB 231 39 138

HSL 329.06, 0.8%, 0.53%

LAB 52.15, 75.47, -6.49

 

CMYK 24 / 0 / 83 / 9

HEX #AFE728

RGB 175 231 40

HSL 77.59, 0.8%, 0.53%

LAB 85.21, -41.88, 77.64

 

CMYK 83 / 0 / 18 / 9

HEX #27E7BD

RGB 39 231 189

HSL 166.88, 0.8%, 0.53%

LAB 82.52, -54.38, 7.79

 

CMYK 59 / 83 / 0 / 9

HEX #5E27E7

RGB 94 39 231

HSL 257.19, 0.8%, 0.53%

LAB 37.12, 67.28, -86.15

 

CMYK 0 / 83 / 65 / 9

HEX #E72751

RGB 231 39 81

HSL 346.88, 0.8%, 0.53%

LAB 50.73, 71.33, 26.02

 

Description

Color code: HEX #AFE728 | qconv.com Color code: HEX #AFE728 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 231 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 231 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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