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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE348 it is the complementary color #501CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE348 shade: #B4E343, #C5F556, #D6FF69, #E7FF7C and #F8FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE348 shade: #AFE348, #9ED135, #8DBF22, #7CAD0F and #6B9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE348 shade: #B0E34A, #D9E34A, #E3C44A, #E39A4A and #E3714A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE348 shade: #B0E34A, #86E34A, #5DE34A, #4AE360 and #4AE389

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE348 shade matches the following richer shades: #B0E34A and #B5F439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE348 shade: #B0E34A, #AAD25B, #A4C16C, #9FB07D and #999F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE348 shade: #E3C44A, #D9E34A, #B0E34A, #87E34A and #5EE34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE348 shade: #87BD1D, #A0DD26, #B0E34A, #BFE86E and #CFEE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE348 shade: #AFE348, #4AE39C and #D94AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE348 shade: #AFE348, #4AB0E3 and #E34AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE348 shade: #AFE348, #4AE39C, #7D4AE3 and #E34A91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE348 shade: #AFE348, #4AE3C9, #7D4AE3 and #E34A64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 68 / 11

HEX #AFE348

RGB 175 227 72

HSL 80.13, 0.73%, 0.59%

LAB 84.24, -38.58, 66.97

 

Complementary color

CMYK 56 / 85 / 0 / 28

HEX #501CB7

RGB 80 28 183

HSL 260.13, 0.73%, 0.41%

LAB 29.3, 57.45, -71.21

 

CMYK 21 / 0 / 70 / 11

HEX #B4E343

RGB 180 227 67

HSL 77.63, 0.74%, 0.58%

LAB 84.51, -36.98, 69.15

 

CMYK 20 / 0 / 65 / 4

HEX #C5F556

RGB 197 245 86

HSL 78.11, 0.89%, 0.65%

LAB 90.71, -37.43, 68.78

 

CMYK 16 / 0 / 59 / 0

HEX #D6FF69

RGB 214 255 105

HSL 76.4, 1%, 0.71%

LAB 94.67, -34.16, 65.71

 

CMYK 9 / 0 / 51 / 0

HEX #E7FF7C

RGB 231 255 124

HSL 70.99, 1%, 0.74%

LAB 95.98, -26.14, 59.25

 

CMYK 3 / 0 / 44 / 0

HEX #F8FF8F

RGB 248 255 143

HSL 63.75, 1%, 0.78%

LAB 97.41, -17.89, 52.49

 

CMYK 23 / 0 / 68 / 11

HEX #AFE348

RGB 175 227 72

HSL 80.13, 0.73%, 0.59%

LAB 84.24, -38.58, 66.97

 

CMYK 24 / 0 / 75 / 18

HEX #9ED135

RGB 158 209 53

HSL 79.62, 0.63%, 0.51%

LAB 77.95, -38.09, 67.05

 

CMYK 26 / 0 / 82 / 25

HEX #8DBF22

RGB 141 191 34

HSL 79.11, 0.7%, 0.44%

LAB 71.58, -37.44, 66.39

 

CMYK 28 / 0 / 91 / 32

HEX #7CAD0F

RGB 124 173 15

HSL 78.61, 0.84%, 0.37%

LAB 65.13, -36.57, 64.52

 

CMYK 31 / 0 / 100 / 39

HEX #6B9B00

RGB 107 155 0

HSL 78.58, 1%, 0.3%

LAB 58.57, -35.45, 61.05

 

CMYK 22 / 0 / 67 / 11

HEX #B0E34A

RGB 176 227 74

HSL 80, 0.73%, 0.59%

LAB 84.31, -38.08, 66.31

 

CMYK 4 / 0 / 67 / 11

HEX #D9E34A

RGB 217 227 74

HSL 63.92, 0.73%, 0.59%

LAB 87.09, -21.91, 70.03

 

CMYK 0 / 14 / 67 / 11

HEX #E3C44A

RGB 227 196 74

HSL 47.84, 0.73%, 0.59%

LAB 79.79, -2.23, 62.85

 

CMYK 0 / 32 / 67 / 11

HEX #E39A4A

RGB 227 154 74

HSL 31.37, 0.73%, 0.59%

LAB 69.42, 19.95, 51.81

 

CMYK 0 / 50 / 67 / 11

HEX #E3714A

RGB 227 113 74

HSL 15.29, 0.73%, 0.59%

LAB 60.46, 41.41, 41.71

 

CMYK 22 / 0 / 67 / 11

HEX #B0E34A

RGB 176 227 74

HSL 80, 0.73%, 0.59%

LAB 84.31, -38.08, 66.31

 

CMYK 41 / 0 / 67 / 11

HEX #86E34A

RGB 134 227 74

HSL 96.47, 0.73%, 0.59%

LAB 82.11, -52.82, 63.34

 

CMYK 59 / 0 / 67 / 11

HEX #5DE34A

RGB 93 227 74

HSL 112.55, 0.73%, 0.59%

LAB 80.61, -64.2, 61.29

 

CMYK 67 / 0 / 58 / 11

HEX #4AE360

RGB 74 227 96

HSL 128.63, 0.73%, 0.59%

LAB 80.31, -65.85, 51.6

 

CMYK 67 / 0 / 40 / 11

HEX #4AE389

RGB 74 227 137

HSL 144.71, 0.73%, 0.59%

LAB 80.85, -59.73, 32.55

 

CMYK 22 / 0 / 67 / 11

HEX #B0E34A

RGB 176 227 74

HSL 80, 0.73%, 0.59%

LAB 84.31, -38.08, 66.31

 

CMYK 26 / 0 / 77 / 4

HEX #B5F439

RGB 181 244 57

HSL 80.21, 0.89%, 0.59%

LAB 89.31, -44.6, 76.99

 

CMYK 22 / 0 / 67 / 11

HEX #B0E34A

RGB 176 227 74

HSL 80, 0.73%, 0.59%

LAB 84.31, -38.08, 66.31

 

CMYK 19 / 0 / 57 / 18

HEX #AAD25B

RGB 170 210 91

HSL 80.17, 0.57%, 0.59%

LAB 79.27, -31.28, 53.68

 

CMYK 15 / 0 / 44 / 24

HEX #A4C16C

RGB 164 193 108

HSL 80.47, 0.41%, 0.59%

LAB 74.26, -23.7, 39.48

 

CMYK 10 / 0 / 29 / 31

HEX #9FB07D

RGB 159 176 125

HSL 80, 0.24%, 0.59%

LAB 69.4, -14.83, 24.23

 

CMYK 4 / 0 / 11 / 38

HEX #999F8E

RGB 153 159 142

HSL 81.18, 0.08%, 0.59%

LAB 64.58, -5.33, 8.13

 

CMYK 0 / 14 / 67 / 11

HEX #E3C44A

RGB 227 196 74

HSL 47.84, 0.73%, 0.59%

LAB 79.79, -2.23, 62.85

 

CMYK 4 / 0 / 67 / 11

HEX #D9E34A

RGB 217 227 74

HSL 63.92, 0.73%, 0.59%

LAB 87.09, -21.91, 70.03

 

CMYK 22 / 0 / 67 / 11

HEX #B0E34A

RGB 176 227 74

HSL 80, 0.73%, 0.59%

LAB 84.31, -38.08, 66.31

 

CMYK 41 / 0 / 67 / 11

HEX #87E34A

RGB 135 227 74

HSL 96.08, 0.73%, 0.59%

LAB 82.15, -52.5, 63.4

 

CMYK 59 / 0 / 67 / 11

HEX #5EE34A

RGB 94 227 74

HSL 112.16, 0.73%, 0.59%

LAB 80.63, -63.97, 61.33

 

CMYK 29 / 0 / 85 / 26

HEX #87BD1D

RGB 135 189 29

HSL 80.25, 0.73%, 0.43%

LAB 70.62, -39.04, 66.63

 

CMYK 28 / 0 / 83 / 13

HEX #A0DD26

RGB 160 221 38

HSL 80, 0.73%, 0.51%

LAB 81.47, -43.25, 74.51

 

CMYK 22 / 0 / 67 / 11

HEX #B0E34A

RGB 176 227 74

HSL 80, 0.73%, 0.59%

LAB 84.31, -38.08, 66.31

 

CMYK 18 / 0 / 53 / 9

HEX #BFE86E

RGB 191 232 110

HSL 80.16, 0.73%, 0.67%

LAB 86.96, -31.82, 54.32

 

CMYK 13 / 0 / 39 / 7

HEX #CFEE92

RGB 207 238 146

HSL 80.22, 0.73%, 0.75%

LAB 90.09, -24.82, 41.22

 

CMYK 23 / 0 / 68 / 11

HEX #AFE348

RGB 175 227 72

HSL 80.13, 0.73%, 0.59%

LAB 84.24, -38.58, 66.97

 

CMYK 67 / 0 / 31 / 11

HEX #4AE39C

RGB 74 227 156

HSL 152.16, 0.73%, 0.59%

LAB 81.18, -56.13, 23.26

 

CMYK 4 / 67 / 0 / 11

HEX #D94AE3

RGB 217 74 227

HSL 296.08, 0.73%, 0.59%

LAB 57.27, 73.69, -50.44

 

CMYK 23 / 0 / 68 / 11

HEX #AFE348

RGB 175 227 72

HSL 80.13, 0.73%, 0.59%

LAB 84.24, -38.58, 66.97

 

CMYK 67 / 22 / 0 / 11

HEX #4AB0E3

RGB 74 176 227

HSL 200, 0.73%, 0.59%

LAB 68.06, -13.71, -34.27

 

CMYK 0 / 67 / 22 / 11

HEX #E34AB0

RGB 227 74 176

HSL 320, 0.73%, 0.59%

LAB 56.45, 68.45, -22.46

 

CMYK 23 / 0 / 68 / 11

HEX #AFE348

RGB 175 227 72

HSL 80.13, 0.73%, 0.59%

LAB 84.24, -38.58, 66.97

 

CMYK 67 / 0 / 31 / 11

HEX #4AE39C

RGB 74 227 156

HSL 152.16, 0.73%, 0.59%

LAB 81.18, -56.13, 23.26

 

CMYK 45 / 67 / 0 / 11

HEX #7D4AE3

RGB 125 74 227

HSL 260, 0.73%, 0.59%

LAB 45.36, 54.88, -70.22

 

CMYK 0 / 67 / 36 / 11

HEX #E34A91

RGB 227 74 145

HSL 332.16, 0.73%, 0.59%

LAB 55.35, 64.75, -5.97

 

CMYK 23 / 0 / 68 / 11

HEX #AFE348

RGB 175 227 72

HSL 80.13, 0.73%, 0.59%

LAB 84.24, -38.58, 66.97

 

CMYK 67 / 0 / 11 / 11

HEX #4AE3C9

RGB 74 227 201

HSL 169.8, 0.73%, 0.59%

LAB 82.17, -45.86, 1.02

 

CMYK 45 / 67 / 0 / 11

HEX #7D4AE3

RGB 125 74 227

HSL 260, 0.73%, 0.59%

LAB 45.36, 54.88, -70.22

 

CMYK 0 / 67 / 56 / 11

HEX #E34A64

RGB 227 74 100

HSL 349.8, 0.73%, 0.59%

LAB 54.18, 60.67, 19.08

 

Description

Color code: HEX #AFE348 | qconv.com Color code: HEX #AFE348 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 227 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 227 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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