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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE2B4 it is the complementary color #501D4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE2B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE2B4 shade: #B4E2AF, #C5F4C2, #D6FFD5, #E7FFE8 and #F8FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE2B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE2B4 shade: #AFE2B4, #9ED0A1, #8DBE8E, #7CAC7B and #6B9A68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE2B4 shade: #B0E2B5, #B8E2B0, #C6E2B0, #D4E2B0 and #E1E2B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE2B4 shade: #B0E2B5, #B0E2C2, #B0E2D0, #B0E2DD and #B0D9E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE2B4 shade matches the following richer shades: #B0E2B5, #A7EBAE, #9EF3A7 and #96FCA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE2B4 shade: #B0E2B5, #B8D9BC, #C1D1C3, #CAC8CA and #D2BFD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE2B4 shade: #C6E2B0, #B9E2B0, #B0E2B4, #B0E2C1 and #B0E2CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE2B4 shade: #73CC7C, #91D798, #B0E2B5, #CEEDD1 and #ECF8EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE2B4 shade: #AFE2B4, #B0D4E2 and #E2B0C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE2B4 shade: #AFE2B4, #B4B0E2 and #E2B4B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE2B4 shade: #AFE2B4, #B0D4E2, #E2B0DE and #E2BEB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE2B4 shade: #AFE2B4, #B0C5E2, #E2B0DE and #E2CDB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 20 / 11

HEX #AFE2B4

RGB 175 226 180

HSL 125.88, 0.47%, 0.79%

LAB 85.4, -25.25, 17.24

 

Complementary color

CMYK 0 / 64 / 6 / 69

HEX #501D4B

RGB 80 29 75

HSL 305.88, 0.47%, 0.21%

LAB 20.41, 30.63, -17.3

 

CMYK 20 / 0 / 23 / 11

HEX #B4E2AF

RGB 180 226 175

HSL 114.12, 0.47%, 0.79%

LAB 85.6, -24.44, 20.16

 

CMYK 19 / 0 / 20 / 4

HEX #C5F4C2

RGB 197 244 194

HSL 116.4, 0.69%, 0.86%

LAB 91.89, -24.29, 19.24

 

CMYK 16 / 0 / 16 / 0

HEX #D6FFD5

RGB 214 255 213

HSL 118.57, 1%, 0.92%

LAB 96.25, -20.79, 15.77

 

CMYK 9 / 0 / 9 / 0

HEX #E7FFE8

RGB 231 255 232

HSL 122.5, 1%, 0.95%

LAB 97.77, -11.92, 8.34

 

CMYK 3 / 0 / 2 / 0

HEX #F8FFFB

RGB 248 255 251

HSL 145.71, 1%, 0.99%

LAB 99.39, -3, 1.1

 

CMYK 23 / 0 / 20 / 11

HEX #AFE2B4

RGB 175 226 180

HSL 125.88, 0.47%, 0.79%

LAB 85.4, -25.25, 17.24

 

CMYK 24 / 0 / 23 / 18

HEX #9ED0A1

RGB 158 208 161

HSL 123.6, 0.35%, 0.72%

LAB 79.01, -25.44, 18.17

 

CMYK 26 / 0 / 25 / 25

HEX #8DBE8E

RGB 141 190 142

HSL 121.22, 0.27%, 0.65%

LAB 72.52, -25.66, 19.15

 

CMYK 28 / 0 / 28 / 33

HEX #7CAC7B

RGB 124 172 123

HSL 118.78, 0.23%, 0.58%

LAB 65.92, -25.89, 20.21

 

CMYK 31 / 0 / 32 / 40

HEX #6B9A68

RGB 107 154 104

HSL 116.4, 0.2%, 0.51%

LAB 59.19, -26.13, 21.33

 

CMYK 22 / 0 / 20 / 11

HEX #B0E2B5

RGB 176 226 181

HSL 126, 0.46%, 0.79%

LAB 85.48, -24.75, 16.83

 

CMYK 19 / 0 / 22 / 11

HEX #B8E2B0

RGB 184 226 176

HSL 110.4, 0.46%, 0.79%

LAB 85.87, -22.92, 20.05

 

CMYK 12 / 0 / 22 / 11

HEX #C6E2B0

RGB 198 226 176

HSL 93.6, 0.46%, 0.79%

LAB 86.77, -18.08, 21.44

 

CMYK 6 / 0 / 22 / 11

HEX #D4E2B0

RGB 212 226 176

HSL 76.8, 0.46%, 0.79%

LAB 87.74, -13.09, 22.93

 

CMYK 0 / 0 / 22 / 11

HEX #E1E2B0

RGB 225 226 176

HSL 61.2, 0.46%, 0.79%

LAB 88.7, -8.35, 24.41

 

CMYK 22 / 0 / 20 / 11

HEX #B0E2B5

RGB 176 226 181

HSL 126, 0.46%, 0.79%

LAB 85.48, -24.75, 16.83

 

CMYK 22 / 0 / 14 / 11

HEX #B0E2C2

RGB 176 226 194

HSL 141.6, 0.46%, 0.79%

LAB 85.76, -22.39, 10.42

 

CMYK 22 / 0 / 8 / 11

HEX #B0E2D0

RGB 176 226 208

HSL 158.4, 0.46%, 0.79%

LAB 86.09, -19.69, 3.53

 

CMYK 22 / 0 / 2 / 11

HEX #B0E2DD

RGB 176 226 221

HSL 174, 0.46%, 0.79%

LAB 86.43, -17.02, -2.84

 

CMYK 22 / 4 / 0 / 11

HEX #B0D9E2

RGB 176 217 226

HSL 190.8, 0.46%, 0.79%

LAB 84.15, -11.39, -8.85

 

CMYK 22 / 0 / 20 / 11

HEX #B0E2B5

RGB 176 226 181

HSL 126, 0.46%, 0.79%

LAB 85.48, -24.75, 16.83

 

CMYK 29 / 0 / 26 / 8

HEX #A7EBAE

RGB 167 235 174

HSL 126.18, 0.63%, 0.79%

LAB 87.33, -33.12, 22.96

 

CMYK 35 / 0 / 31 / 5

HEX #9EF3A7

RGB 158 243 167

HSL 126.35, 0.78%, 0.79%

LAB 89, -40.71, 28.74

 

CMYK 40 / 0 / 37 / 1

HEX #96FCA0

RGB 150 252 160

HSL 125.88, 0.94%, 0.79%

LAB 91.07, -48.09, 34.97

 

CMYK 22 / 0 / 20 / 11

HEX #B0E2B5

RGB 176 226 181

HSL 126, 0.46%, 0.79%

LAB 85.48, -24.75, 16.83

 

CMYK 15 / 0 / 13 / 15

HEX #B8D9BC

RGB 184 217 188

HSL 127.27, 0.3%, 0.79%

LAB 83.68, -16.4, 10.67

 

CMYK 8 / 0 / 7 / 18

HEX #C1D1C3

RGB 193 209 195

HSL 127.5, 0.15%, 0.79%

LAB 82.31, -8.01, 5.08

 

CMYK 0 / 1 / 0 / 21

HEX #CAC8CA

RGB 202 200 202

HSL 300, 0.02%, 0.79%

LAB 80.81, 1.06, -0.76

 

CMYK 0 / 9 / 0 / 18

HEX #D2BFD1

RGB 210 191 209

HSL 303.16, 0.17%, 0.79%

LAB 79.37, 9.89, -6.58

 

CMYK 12 / 0 / 22 / 11

HEX #C6E2B0

RGB 198 226 176

HSL 93.6, 0.46%, 0.79%

LAB 86.77, -18.08, 21.44

 

CMYK 18 / 0 / 22 / 11

HEX #B9E2B0

RGB 185 226 176

HSL 109.2, 0.46%, 0.79%

LAB 85.93, -22.58, 20.14

 

CMYK 22 / 0 / 20 / 11

HEX #B0E2B4

RGB 176 226 180

HSL 124.8, 0.46%, 0.79%

LAB 85.46, -24.92, 17.33

 

CMYK 22 / 0 / 15 / 11

HEX #B0E2C1

RGB 176 226 193

HSL 140.4, 0.46%, 0.79%

LAB 85.74, -22.58, 10.91

 

CMYK 22 / 0 / 8 / 11

HEX #B0E2CF

RGB 176 226 207

HSL 157.2, 0.46%, 0.79%

LAB 86.07, -19.89, 4.02

 

CMYK 44 / 0 / 39 / 20

HEX #73CC7C

RGB 115 204 124

HSL 126.07, 0.47%, 0.63%

LAB 75, -43.34, 31.74

 

CMYK 33 / 0 / 29 / 16

HEX #91D798

RGB 145 215 152

HSL 126, 0.47%, 0.71%

LAB 80.12, -34.53, 24.3

 

CMYK 22 / 0 / 20 / 11

HEX #B0E2B5

RGB 176 226 181

HSL 126, 0.46%, 0.79%

LAB 85.48, -24.75, 16.83

 

CMYK 13 / 0 / 12 / 7

HEX #CEEDD1

RGB 206 237 209

HSL 125.81, 0.46%, 0.87%

LAB 90.91, -15.3, 10.18

 

CMYK 5 / 0 / 4 / 3

HEX #ECF8EE

RGB 236 248 238

HSL 130, 0.46%, 0.95%

LAB 96.47, -5.73, 3.42

 

CMYK 23 / 0 / 20 / 11

HEX #AFE2B4

RGB 175 226 180

HSL 125.88, 0.47%, 0.79%

LAB 85.4, -25.25, 17.24

 

CMYK 22 / 6 / 0 / 11

HEX #B0D4E2

RGB 176 212 226

HSL 196.8, 0.46%, 0.79%

LAB 82.81, -8.81, -10.84

 

CMYK 0 / 22 / 15 / 11

HEX #E2B0C0

RGB 226 176 192

HSL 340.8, 0.46%, 0.79%

LAB 76.69, 20.63, -1.13

 

CMYK 23 / 0 / 20 / 11

HEX #AFE2B4

RGB 175 226 180

HSL 125.88, 0.47%, 0.79%

LAB 85.4, -25.25, 17.24

 

CMYK 20 / 22 / 0 / 11

HEX #B4B0E2

RGB 180 176 226

HSL 244.8, 0.46%, 0.79%

LAB 73.7, 11.72, -24.55

 

CMYK 0 / 20 / 22 / 11

HEX #E2B4B0

RGB 226 180 176

HSL 4.8, 0.46%, 0.79%

LAB 77.25, 16.04, 8.37

 

CMYK 23 / 0 / 20 / 11

HEX #AFE2B4

RGB 175 226 180

HSL 125.88, 0.47%, 0.79%

LAB 85.4, -25.25, 17.24

 

CMYK 22 / 6 / 0 / 11

HEX #B0D4E2

RGB 176 212 226

HSL 196.8, 0.46%, 0.79%

LAB 82.81, -8.81, -10.84

 

CMYK 0 / 22 / 2 / 11

HEX #E2B0DE

RGB 226 176 222

HSL 304.8, 0.46%, 0.79%

LAB 77.57, 25.75, -16.13

 

CMYK 0 / 16 / 22 / 11

HEX #E2BEB0

RGB 226 190 176

HSL 16.8, 0.46%, 0.79%

LAB 79.69, 10.71, 11.85

 

CMYK 23 / 0 / 20 / 11

HEX #AFE2B4

RGB 175 226 180

HSL 125.88, 0.47%, 0.79%

LAB 85.4, -25.25, 17.24

 

CMYK 22 / 13 / 0 / 11

HEX #B0C5E2

RGB 176 197 226

HSL 214.8, 0.46%, 0.79%

LAB 78.84, -0.92, -16.79

 

CMYK 0 / 22 / 2 / 11

HEX #E2B0DE

RGB 226 176 222

HSL 304.8, 0.46%, 0.79%

LAB 77.57, 25.75, -16.13

 

CMYK 0 / 9 / 22 / 11

HEX #E2CDB0

RGB 226 205 176

HSL 34.8, 0.46%, 0.79%

LAB 83.42, 2.81, 17.11

 

Description

Color code: HEX #AFE2B4 | qconv.com Color code: HEX #AFE2B4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 226 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 226 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 20 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 20% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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