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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFDC9FCE it is the complementary color #502360CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFDC9FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFDC9FCE shade: #B4DC9ACE, #C5EEADCE, #D6FFC0CE, #E7FFD3CE and #F8FFE6CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFDC9FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFDC9FCE shade: #AFDC9FCE, #9ECA8CCE, #8DB879CE, #7CA666CE and #6B9453CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFDC9FCE shade: #AEDC9E, #BFDC9E, #D0DC9E, #DCD79E and #DCC79E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFDC9FCE shade: #AEDC9E, #9EDC9E, #9EDCAF, #9EDCC0 and #9EDCD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFDC9FCE shade matches the following richer shades: #AEDC9E, #A9E793, #A4F188 and #9FFC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFDC9FCE shade: #AEDC9E, #B3D1A8, #B8C6B3, #BDBCBE and #C2B1C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFDC9FCE shade: #CFDC9E, #BFDC9E, #AEDC9E, #9EDC9E and #9EDCAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFDC9FCE shade: #7BC661, #95D17F, #AEDC9E, #C7E7BC and #E0F2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFDC9FCE shade: #AFDC9F, #9EDCD8 and #DC9EC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFDC9FCE shade: #AFDC9F, #9EAEDC and #DC9EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFDC9FCE shade: #AFDC9F, #9EDCD8, #CB9EDC and #DC9EA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFDC9FCE shade: #AFDC9F, #9ECDDC, #CB9EDC and #DCAC9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 22 / 11

HEX #AFDC9FCE

RGBA 175 220 159 0.81

HSLA 104.26, 0.47%, 0.74%, 0.81

LABA 83.34, -25.83, 25.33, 0.81

 

Complementary color

CMYK 14 / 51 / 0 / 51

HEX #502360CE

RGBA 80 35 96 0.81

HSLA 284.26, 0.47%, 0.26%, 0.81

LABA 22.83, 31.92, -27.51, 0.81

 

CMYK 15 / 0 / 24 / 11

HEX #B4DC9ACE

RGBA 180 220 154 0.81

HSLA 96.36, 0.49%, 0.73%, 0.81

LABA 83.56, -24.84, 28.26, 0.81

 

CMYK 14 / 0 / 22 / 5

HEX #C5EEADCE

RGBA 197 238 173 0.81

HSLA 97.85, 0.66%, 0.81%, 0.81

LABA 89.88, -24.74, 27.23, 0.81

 

CMYK 13 / 0 / 20 / 0

HEX #D6FFC0CE

RGBA 214 255 192 0.81

HSLA 99.05, 1%, 0.88%, 0.81

LABA 95.84, -24.16, 25.89, 0.81

 

CMYK 8 / 0 / 14 / 0

HEX #E7FFD3CE

RGBA 231 255 211 0.81

HSLA 92.73, 1%, 0.91%, 0.81

LABA 97.31, -15.41, 18.44, 0.81

 

CMYK 2 / 0 / 8 / 0

HEX #F8FFE6CE

RGBA 248 255 230 0.81

HSLA 76.8, 1%, 0.95%, 0.81

LABA 98.9, -6.56, 11.15, 0.81

 

CMYK 17 / 0 / 22 / 11

HEX #AFDC9FCE

RGBA 175 220 159 0.81

HSLA 104.26, 0.47%, 0.74%, 0.81

LABA 83.34, -25.83, 25.33, 0.81

 

CMYK 18 / 0 / 25 / 17

HEX #9ECA8CCE

RGBA 158 202 140 0.81

HSLA 102.58, 0.37%, 0.67%, 0.81

LABA 76.92, -25.98, 26.38, 0.81

 

CMYK 19 / 0 / 28 / 23

HEX #8DB879CE

RGBA 141 184 121 0.81

HSLA 100.95, 0.31%, 0.6%, 0.81

LABA 70.4, -26.13, 27.49, 0.81

 

CMYK 20 / 0 / 31 / 28

HEX #7CA666CE

RGBA 124 166 102 0.81

HSLA 99.38, 0.26%, 0.53%, 0.81

LABA 63.77, -26.28, 28.66, 0.81

 

CMYK 22 / 0 / 36 / 34

HEX #6B9453CE

RGBA 107 148 83 0.81

HSLA 97.85, 0.28%, 0.45%, 0.81

LABA 57.01, -26.42, 29.89, 0.81

 

CMYK 21 / 0 / 28 / 14

HEX #AEDC9E

RGB 174 220 158

HSL 104.52, 0.47%, 0.74%

LAB 83.26, -26.33, 25.73

 

CMYK 13 / 0 / 28 / 14

HEX #BFDC9E

RGB 191 220 158

HSL 88.06, 0.47%, 0.74%

LAB 84.35, -20.33, 27.38

 

CMYK 5 / 0 / 28 / 14

HEX #D0DC9E

RGB 208 220 158

HSL 71.61, 0.47%, 0.74%

LAB 85.54, -14.1, 29.19

 

CMYK 0 / 2 / 28 / 14

HEX #DCD79E

RGB 220 215 158

HSL 55.16, 0.47%, 0.74%

LAB 85.14, -7.07, 28.82

 

CMYK 0 / 10 / 28 / 14

HEX #DCC79E

RGB 220 199 158

HSL 39.68, 0.47%, 0.74%

LAB 81.03, 1.19, 23.24

 

CMYK 21 / 0 / 28 / 14

HEX #AEDC9E

RGB 174 220 158

HSL 104.52, 0.47%, 0.74%

LAB 83.26, -26.33, 25.73

 

CMYK 28 / 0 / 28 / 14

HEX #9EDC9E

RGB 158 220 158

HSL 120, 0.47%, 0.74%

LAB 82.34, -31.69, 24.32

 

CMYK 28 / 0 / 20 / 14

HEX #9EDCAF

RGB 158 220 175

HSL 136.45, 0.47%, 0.74%

LAB 82.67, -28.72, 15.89

 

CMYK 28 / 0 / 13 / 14

HEX #9EDCC0

RGB 158 220 192

HSL 152.9, 0.47%, 0.74%

LAB 83.05, -25.46, 7.46

 

CMYK 28 / 0 / 5 / 14

HEX #9EDCD0

RGB 158 220 208

HSL 168.39, 0.47%, 0.74%

LAB 83.45, -22.14, -0.45

 

CMYK 21 / 0 / 28 / 14

HEX #AEDC9E

RGB 174 220 158

HSL 104.52, 0.47%, 0.74%

LAB 83.26, -26.33, 25.73

 

CMYK 27 / 0 / 36 / 9

HEX #A9E793

RGB 169 231 147

HSL 104.29, 0.64%, 0.74%

LAB 85.85, -34.84, 34.77

 

CMYK 32 / 0 / 44 / 5

HEX #A4F188

RGB 164 241 136

HSL 104, 0.79%, 0.74%

LAB 88.25, -42.49, 43.25

 

CMYK 37 / 0 / 50 / 1

HEX #9FFC7D

RGB 159 252 125

HSL 103.94, 0.95%, 0.74%

LAB 91, -50.13, 51.83

 

CMYK 21 / 0 / 28 / 14

HEX #AEDC9E

RGB 174 220 158

HSL 104.52, 0.47%, 0.74%

LAB 83.26, -26.33, 25.73

 

CMYK 14 / 0 / 20 / 18

HEX #B3D1A8

RGB 179 209 168

HSL 103.9, 0.31%, 0.74%

LAB 80.75, -17.57, 17.07

 

CMYK 7 / 0 / 10 / 22

HEX #B8C6B3

RGB 184 198 179

HSL 104.21, 0.14%, 0.74%

LAB 78.36, -8.3, 7.88

 

CMYK 1 / 1 / 0 / 25

HEX #BDBCBE

RGB 189 188 190

HSL 270, 0.02%, 0.74%

LAB 76.38, 0.72, -0.89

 

CMYK 3 / 12 / 0 / 22

HEX #C2B1C8

RGB 194 177 200

HSL 284.35, 0.17%, 0.74%

LAB 74.24, 10.28, -9.45

 

CMYK 6 / 0 / 28 / 14

HEX #CFDC9E

RGB 207 220 158

HSL 72.58, 0.47%, 0.74%

LAB 85.46, -14.48, 29.08

 

CMYK 13 / 0 / 28 / 14

HEX #BFDC9E

RGB 191 220 158

HSL 88.06, 0.47%, 0.74%

LAB 84.35, -20.33, 27.38

 

CMYK 21 / 0 / 28 / 14

HEX #AEDC9E

RGB 174 220 158

HSL 104.52, 0.47%, 0.74%

LAB 83.26, -26.33, 25.73

 

CMYK 28 / 0 / 28 / 14

HEX #9EDC9E

RGB 158 220 158

HSL 120, 0.47%, 0.74%

LAB 82.34, -31.69, 24.32

 

CMYK 28 / 0 / 21 / 14

HEX #9EDCAE

RGB 158 220 174

HSL 135.48, 0.47%, 0.74%

LAB 82.65, -28.91, 16.39

 

CMYK 38 / 0 / 51 / 22

HEX #7BC661

RGB 123 198 97

HSL 104.55, 0.47%, 0.58%

LAB 73.2, -42.07, 43.06

 

CMYK 29 / 0 / 39 / 18

HEX #95D17F

RGB 149 209 127

HSL 103.9, 0.47%, 0.66%

LAB 78.18, -34.33, 34.67

 

CMYK 21 / 0 / 28 / 14

HEX #AEDC9E

RGB 174 220 158

HSL 104.52, 0.47%, 0.74%

LAB 83.26, -26.33, 25.73

 

CMYK 14 / 0 / 19 / 9

HEX #C7E7BC

RGB 199 231 188

HSL 104.65, 0.47%, 0.82%

LAB 88.41, -18.28, 17.5

 

CMYK 7 / 0 / 10 / 5

HEX #E0F2DA

RGB 224 242 218

HSL 105, 0.48%, 0.9%

LAB 93.63, -10.2, 9.56

 

CMYK 20 / 0 / 28 / 14

HEX #AFDC9F

RGB 175 220 159

HSL 104.26, 0.47%, 0.74%

LAB 83.34, -25.83, 25.33

 

CMYK 28 / 0 / 2 / 14

HEX #9EDCD8

RGB 158 220 216

HSL 176.13, 0.47%, 0.74%

LAB 83.66, -20.4, -4.38

 

CMYK 0 / 28 / 10 / 14

HEX #DC9EC7

RGB 220 158 199

HSL 320.32, 0.47%, 0.74%

LAB 72.09, 29.37, -11.85

 

CMYK 20 / 0 / 28 / 14

HEX #AFDC9F

RGB 175 220 159

HSL 104.26, 0.47%, 0.74%

LAB 83.34, -25.83, 25.33

 

CMYK 28 / 21 / 0 / 14

HEX #9EAEDC

RGB 158 174 220

HSL 224.52, 0.47%, 0.74%

LAB 71.36, 4.77, -25.01

 

CMYK 0 / 28 / 21 / 14

HEX #DC9EAE

RGB 220 158 174

HSL 344.52, 0.47%, 0.74%

LAB 71.37, 25.37, 0.9

 

CMYK 20 / 0 / 28 / 14

HEX #AFDC9F

RGB 175 220 159

HSL 104.26, 0.47%, 0.74%

LAB 83.34, -25.83, 25.33

 

CMYK 28 / 0 / 2 / 14

HEX #9EDCD8

RGB 158 220 216

HSL 176.13, 0.47%, 0.74%

LAB 83.66, -20.4, -4.38

 

CMYK 8 / 28 / 0 / 14

HEX #CB9EDC

RGB 203 158 220

HSL 283.55, 0.47%, 0.74%

LAB 71.09, 27.63, -25.1

 

CMYK 0 / 28 / 26 / 14

HEX #DC9EA2

RGB 220 158 162

HSL 356.13, 0.47%, 0.74%

LAB 71.06, 23.63, 7.11

 

CMYK 20 / 0 / 28 / 14

HEX #AFDC9F

RGB 175 220 159

HSL 104.26, 0.47%, 0.74%

LAB 83.34, -25.83, 25.33

 

CMYK 28 / 7 / 0 / 14

HEX #9ECDDC

RGB 158 205 220

HSL 194.52, 0.47%, 0.74%

LAB 79.67, -11.86, -12.43

 

CMYK 8 / 28 / 0 / 14

HEX #CB9EDC

RGB 203 158 220

HSL 283.55, 0.47%, 0.74%

LAB 71.09, 27.63, -25.1

 

CMYK 0 / 22 / 28 / 14

HEX #DCAC9E

RGB 220 172 158

HSL 13.55, 0.47%, 0.74%

LAB 74.31, 15.54, 13.92

 

Description

Color code: HEX #AFDC9FCE | qconv.com Color code: HEX #AFDC9FCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 220 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 220 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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