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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFDBF4CE it is the complementary color #50240BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFDBF4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFDBF4CE shade: #B4DBEFCE, #C5EDFFCE, #D6FFFFCE, #E7FFFFCE and #F8FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFDBF4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFDBF4CE shade: #AFDBF4CE, #9EC9E1CE, #8DB7CECE, #7CA5BBCE and #6B93A8CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFDBF4CE shade: #AEDBF4, #AEC8F4, #AEB5F4, #BAAEF4 and #CDAEF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFDBF4CE shade: #AEDBF4, #AEC8F4, #AEB5F4 and #AEAEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFDBF4CE shade matches the following richer shades: #AEDBF4 and #A7DDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFDBF4CE shade: #AEDBF4, #B6D9ED, #BDD7E5, #C4D5DE and #CCD3D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFDBF4CE shade: #AEF4E7, #AEEEF4, #AEDCF4, #AEC9F4 and #AEB6F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFDBF4CE shade: #66BAEA, #8ACAEF, #AEDBF4, #D3EBF9 and #F7FBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFDBF4CE shade: #AFDBF4, #D5AEF4 and #F4F0AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFDBF4CE shade: #AFDBF4, #F4AEDC and #DCF4AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFDBF4CE shade: #AFDBF4, #D5AEF4, #F4C7AE and #CEF4AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFDBF4CE shade: #AFDBF4, #EAAEF4, #F4C7AE and #B9F4AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 8 / 0 / 3

HEX #AFDBF4CE

RGBA 175 219 244 0.81

HSLA 201.74, 0.76%, 0.82%, 0.81

LABA 85.15, -8.67, -16.88, 0.81

 

Complementary color

CMYK 0 / 45 / 70 / 56

HEX #50240BCE

RGBA 80 36 11 0.81

HSLA 21.74, 0.76%, 0.18%, 0.81

LABA 20.01, 18.7, 24.73, 0.81

 

CMYK 20 / 7 / 0 / 5

HEX #B4DBEFCE

RGBA 180 219 239 0.81

HSLA 200.34, 0.65%, 0.82%, 0.81

LABA 85.3, -8.36, -13.99, 0.81

 

CMYK 18 / 6 / 0 / 0

HEX #C5EDFFCE

RGBA 197 237 255 0.81

HSLA 198.62, 1%, 0.89%, 0.81

LABA 91.53, -9.06, -12.96, 0.81

 

CMYK 13 / 0 / 0 / 0

HEX #D6FFFFCE

RGBA 214 255 255 0.81

HSLA 180, 1%, 0.92%, 0.81

LABA 97.24, -13.01, -4.38, 0.81

 

CMYK 8 / 0 / 0 / 0

HEX #E7FFFFCE

RGBA 231 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.32, -7.74, -2.66, 0.81

 

CMYK 2 / 0 / 0 / 0

HEX #F8FFFFCE

RGBA 248 255 255 0.81

HSLA 180, 1%, 0.99%, 0.81

LABA 99.49, -2.29, -0.81, 0.81

 

CMYK 23 / 8 / 0 / 3

HEX #AFDBF4CE

RGBA 175 219 244 0.81

HSLA 201.74, 0.76%, 0.82%, 0.81

LABA 85.15, -8.67, -16.88, 0.81

 

CMYK 24 / 9 / 0 / 10

HEX #9EC9E1CE

RGBA 158 201 225 0.81

HSLA 201.49, 0.53%, 0.75%, 0.81

LABA 78.74, -8.6, -16.51, 0.81

 

CMYK 26 / 9 / 0 / 16

HEX #8DB7CECE

RGBA 141 183 206 0.81

HSLA 201.23, 0.4%, 0.68%, 0.81

LABA 72.22, -8.52, -16.15, 0.81

 

CMYK 27 / 10 / 0 / 22

HEX #7CA5BBCE

RGBA 124 165 187 0.81

HSLA 200.95, 0.32%, 0.61%, 0.81

LABA 65.58, -8.44, -15.78, 0.81

 

CMYK 29 / 10 / 0 / 28

HEX #6B93A8CE

RGBA 107 147 168 0.81

HSLA 200.66, 0.26%, 0.54%, 0.81

LABA 58.81, -8.34, -15.42, 0.81

 

CMYK 29 / 10 / 0 / 4

HEX #AEDBF4

RGB 174 219 244

HSL 201.43, 0.76%, 0.82%

LAB 85.09, -8.95, -16.98

 

CMYK 29 / 18 / 0 / 4

HEX #AEC8F4

RGB 174 200 244

HSL 217.71, 0.76%, 0.82%

LAB 80.09, 1.06, -24.56

 

CMYK 29 / 26 / 0 / 4

HEX #AEB5F4

RGB 174 181 244

HSL 234, 0.76%, 0.82%

LAB 75.19, 11.4, -32.07

 

CMYK 24 / 29 / 0 / 4

HEX #BAAEF4

RGB 186 174 244

HSL 250.29, 0.76%, 0.82%

LAB 74.34, 18.77, -33.3

 

CMYK 16 / 29 / 0 / 4

HEX #CDAEF4

RGB 205 174 244

HSL 266.57, 0.76%, 0.82%

LAB 75.94, 24.49, -30.71

 

CMYK 29 / 10 / 0 / 4

HEX #AEDBF4

RGB 174 219 244

HSL 201.43, 0.76%, 0.82%

LAB 85.09, -8.95, -16.98

 

CMYK 29 / 18 / 0 / 4

HEX #AEC8F4

RGB 174 200 244

HSL 217.71, 0.76%, 0.82%

LAB 80.09, 1.06, -24.56

 

CMYK 29 / 26 / 0 / 4

HEX #AEB5F4

RGB 174 181 244

HSL 234, 0.76%, 0.82%

LAB 75.19, 11.4, -32.07

 

CMYK 29 / 29 / 0 / 4

HEX #AEAEF4

RGB 174 174 244

HSL 240, 0.76%, 0.82%

LAB 73.42, 15.28, -34.81

 

CMYK 29 / 10 / 0 / 4

HEX #AEDBF4

RGB 174 219 244

HSL 201.43, 0.76%, 0.82%

LAB 85.09, -8.95, -16.98

 

CMYK 33 / 12 / 0 / 2

HEX #A7DDFB

RGB 167 221 251

HSL 201.43, 0.91%, 0.82%

LAB 85.45, -10.27, -20.18

 

CMYK 29 / 10 / 0 / 4

HEX #AEDBF4

RGB 174 219 244

HSL 201.43, 0.76%, 0.82%

LAB 85.09, -8.95, -16.98

 

CMYK 23 / 8 / 0 / 7

HEX #B6D9ED

RGB 182 217 237

HSL 201.82, 0.6%, 0.82%

LAB 84.84, -7.18, -13.61

 

CMYK 17 / 6 / 0 / 10

HEX #BDD7E5

RGB 189 215 229

HSL 201, 0.43%, 0.82%

LAB 84.52, -5.74, -9.79

 

CMYK 12 / 4 / 0 / 13

HEX #C4D5DE

RGB 196 213 222

HSL 200.77, 0.28%, 0.82%

LAB 84.28, -3.92, -6.39

 

CMYK 5 / 1 / 0 / 16

HEX #CCD3D6

RGB 204 211 214

HSL 198, 0.11%, 0.82%

LAB 84.11, -1.8, -2.32

 

CMYK 29 / 0 / 5 / 4

HEX #AEF4E7

RGB 174 244 231

HSL 168.86, 0.76%, 0.82%

LAB 91.45, -24.36, -0.73

 

CMYK 29 / 2 / 0 / 4

HEX #AEEEF4

RGB 174 238 244

HSL 185.14, 0.76%, 0.82%

LAB 90.17, -18.58, -9.38

 

CMYK 29 / 10 / 0 / 4

HEX #AEDCF4

RGB 174 220 244

HSL 200.57, 0.76%, 0.82%

LAB 85.36, -9.47, -16.58

 

CMYK 29 / 18 / 0 / 4

HEX #AEC9F4

RGB 174 201 244

HSL 216.86, 0.76%, 0.82%

LAB 80.35, 0.52, -24.16

 

CMYK 29 / 25 / 0 / 4

HEX #AEB6F4

RGB 174 182 244

HSL 233.14, 0.76%, 0.82%

LAB 75.44, 10.85, -31.68

 

CMYK 56 / 21 / 0 / 8

HEX #66BAEA

RGB 102 186 234

HSL 201.82, 0.76%, 0.66%

LAB 72.15, -11.97, -31.68

 

CMYK 42 / 15 / 0 / 6

HEX #8ACAEF

RGB 138 202 239

HSL 201.98, 0.76%, 0.74%

LAB 78.39, -10.95, -24.66

 

CMYK 29 / 10 / 0 / 4

HEX #AEDBF4

RGB 174 219 244

HSL 201.43, 0.76%, 0.82%

LAB 85.09, -8.95, -16.98

 

CMYK 15 / 6 / 0 / 2

HEX #D3EBF9

RGB 211 235 249

HSL 202.11, 0.76%, 0.9%

LAB 91.73, -5.07, -9.44

 

CMYK 3 / 1 / 0 / 0

HEX #F7FBFE

RGB 247 251 254

HSL 205.71, 0.78%, 0.98%

LAB 98.4, -0.77, -1.9

 

CMYK 28 / 10 / 0 / 4

HEX #AFDBF4

RGB 175 219 244

HSL 201.74, 0.76%, 0.82%

LAB 85.15, -8.67, -16.88

 

CMYK 13 / 29 / 0 / 4

HEX #D5AEF4

RGB 213 174 244

HSL 273.43, 0.76%, 0.82%

LAB 76.65, 26.95, -29.56

 

CMYK 0 / 2 / 29 / 4

HEX #F4F0AE

RGB 244 240 174

HSL 56.57, 0.76%, 0.82%

LAB 93.71, -8.6, 32.47

 

CMYK 28 / 10 / 0 / 4

HEX #AFDBF4

RGB 175 219 244

HSL 201.74, 0.76%, 0.82%

LAB 85.15, -8.67, -16.88

 

CMYK 0 / 29 / 10 / 4

HEX #F4AEDC

RGB 244 174 220

HSL 320.57, 0.76%, 0.82%

LAB 78.85, 32.49, -12.95

 

CMYK 10 / 0 / 29 / 4

HEX #DCF4AE

RGB 220 244 174

HSL 80.57, 0.76%, 0.82%

LAB 93, -19.37, 31.21

 

CMYK 28 / 10 / 0 / 4

HEX #AFDBF4

RGB 175 219 244

HSL 201.74, 0.76%, 0.82%

LAB 85.15, -8.67, -16.88

 

CMYK 13 / 29 / 0 / 4

HEX #D5AEF4

RGB 213 174 244

HSL 273.43, 0.76%, 0.82%

LAB 76.65, 26.95, -29.56

 

CMYK 0 / 18 / 29 / 4

HEX #F4C7AE

RGB 244 199 174

HSL 21.43, 0.76%, 0.82%

LAB 83.51, 12.41, 18.54

 

CMYK 16 / 0 / 29 / 4

HEX #CEF4AE

RGB 206 244 174

HSL 92.57, 0.76%, 0.82%

LAB 92.08, -24.34, 29.8

 

CMYK 28 / 10 / 0 / 4

HEX #AFDBF4

RGB 175 219 244

HSL 201.74, 0.76%, 0.82%

LAB 85.15, -8.67, -16.88

 

CMYK 4 / 29 / 0 / 4

HEX #EAAEF4

RGB 234 174 244

HSL 291.43, 0.76%, 0.82%

LAB 78.63, 33.51, -26.34

 

CMYK 0 / 18 / 29 / 4

HEX #F4C7AE

RGB 244 199 174

HSL 21.43, 0.76%, 0.82%

LAB 83.51, 12.41, 18.54

 

CMYK 24 / 0 / 29 / 4

HEX #B9F4AE

RGB 185 244 174

HSL 110.57, 0.76%, 0.82%

LAB 90.81, -31.49, 27.88

 

Description

Color code: HEX #AFDBF4CE | qconv.com Color code: HEX #AFDBF4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 219 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 219 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 8 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 8% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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