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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFDBF200 it is the complementary color #50240D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFDBF200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFDBF200 shade: #B4DBED00, #C5EDFF00, #D6FFFF00, #E7FFFF00 and #F8FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFDBF200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFDBF200 shade: #AFDBF200, #9EC9DF00, #8DB7CC00, #7CA5B900 and #6B93A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFDBF200 shade: #B0DBF2, #B0CAF2, #B0B8F2, #BAB0F2 and #CCB0F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFDBF200 shade: #B0DBF2, #B0CAF2, #B0B8F2 and #B0B0F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFDBF200 shade matches the following richer shades: #B0DBF2 and #A9DEFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFDBF200 shade: #B0DBF2, #B7D9EB, #BFD7E3, #C6D4DC and #CED2D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFDBF200 shade: #B0F2E5, #B0EEF2, #B0DCF2, #B0CAF2 and #B0B9F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFDBF200 shade: #69BCE7, #8DCBEC, #B0DBF2, #D4EBF8 and #F7FBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFDBF200 shade: #AFDBF2, #D3B0F2 and #F2EEB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFDBF200 shade: #AFDBF2, #F2B0DC and #DCF2B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFDBF200 shade: #AFDBF2, #D3B0F2, #F2C6B0 and #CFF2B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFDBF200 shade: #AFDBF2, #E7B0F2, #F2C6B0 and #BBF2B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AFDBF200

RGBA 175 219 242 0

HSLA 200.6, 0.72%, 0.82%, 0

LABA 85.09, -9.13, -15.92, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #50240D00

RGBA 80 36 13 0

HSLA 20.6, 0.72%, 0.18%, 0

LABA 20.03, 18.79, 23.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4DBED00

RGBA 180 219 237 0

HSLA 198.95, 0.61%, 0.82%, 0

LABA 85.24, -8.8, -13.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5EDFF00

RGBA 197 237 255 0

HSLA 198.62, 1%, 0.89%, 0

LABA 91.53, -9.06, -12.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6FFFF00

RGBA 214 255 255 0

HSLA 180, 1%, 0.92%, 0

LABA 97.24, -13.01, -4.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7FFFF00

RGBA 231 255 255 0

HSLA 180, 1%, 0.95%, 0

LABA 98.32, -7.74, -2.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8FFFF00

RGBA 248 255 255 0

HSLA 180, 1%, 0.99%, 0

LABA 99.49, -2.29, -0.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AFDBF200

RGBA 175 219 242 0

HSLA 200.6, 0.72%, 0.82%, 0

LABA 85.09, -9.13, -15.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EC9DF00

RGBA 158 201 223 0

HSLA 200.31, 0.5%, 0.75%, 0

LABA 78.68, -9.07, -15.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8DB7CC00

RGBA 141 183 204 0

HSLA 200, 0.38%, 0.68%, 0

LABA 72.15, -9.01, -15.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7CA5B900

RGBA 124 165 185 0

HSLA 199.67, 0.3%, 0.61%, 0

LABA 65.51, -8.94, -14.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B93A600

RGBA 107 147 166 0

HSLA 199.32, 0.25%, 0.54%, 0

LABA 58.74, -8.87, -14.39, 0

 

CMYK 27 / 10 / 0 / 5

HEX #B0DBF2

RGB 176 219 242

HSL 200.91, 0.72%, 0.82%

LAB 85.15, -8.84, -15.82

 

CMYK 27 / 17 / 0 / 5

HEX #B0CAF2

RGB 176 202 242

HSL 216.36, 0.72%, 0.82%

LAB 80.67, 0.09, -22.59

 

CMYK 27 / 24 / 0 / 5

HEX #B0B8F2

RGB 176 184 242

HSL 232.73, 0.72%, 0.82%

LAB 76.02, 9.85, -29.7

 

CMYK 23 / 27 / 0 / 5

HEX #BAB0F2

RGB 186 176 242

HSL 249.09, 0.72%, 0.82%

LAB 74.76, 17.2, -31.57

 

CMYK 16 / 27 / 0 / 5

HEX #CCB0F2

RGB 204 176 242

HSL 265.45, 0.72%, 0.82%

LAB 76.25, 22.66, -29.15

 

CMYK 27 / 10 / 0 / 5

HEX #B0DBF2

RGB 176 219 242

HSL 200.91, 0.72%, 0.82%

LAB 85.15, -8.84, -15.82

 

CMYK 27 / 17 / 0 / 5

HEX #B0CAF2

RGB 176 202 242

HSL 216.36, 0.72%, 0.82%

LAB 80.67, 0.09, -22.59

 

CMYK 27 / 24 / 0 / 5

HEX #B0B8F2

RGB 176 184 242

HSL 232.73, 0.72%, 0.82%

LAB 76.02, 9.85, -29.7

 

CMYK 27 / 27 / 0 / 5

HEX #B0B0F2

RGB 176 176 242

HSL 240, 0.72%, 0.82%

LAB 73.99, 14.26, -32.82

 

CMYK 27 / 10 / 0 / 5

HEX #B0DBF2

RGB 176 219 242

HSL 200.91, 0.72%, 0.82%

LAB 85.15, -8.84, -15.82

 

CMYK 32 / 11 / 0 / 2

HEX #A9DEFA

RGB 169 222 250

HSL 200.74, 0.89%, 0.82%

LAB 85.8, -10.48, -19.11

 

CMYK 27 / 10 / 0 / 5

HEX #B0DBF2

RGB 176 219 242

HSL 200.91, 0.72%, 0.82%

LAB 85.15, -8.84, -15.82

 

CMYK 22 / 8 / 0 / 8

HEX #B7D9EB

RGB 183 217 235

HSL 200.77, 0.57%, 0.82%

LAB 84.84, -7.32, -12.54

 

CMYK 16 / 5 / 0 / 11

HEX #BFD7E3

RGB 191 215 227

HSL 200, 0.39%, 0.82%

LAB 84.6, -5.53, -8.6

 

CMYK 10 / 4 / 0 / 14

HEX #C6D4DC

RGB 198 212 220

HSL 201.82, 0.24%, 0.82%

LAB 84.1, -3.15, -5.57

 

CMYK 3 / 1 / 0 / 17

HEX #CED2D4

RGB 206 210 212

HSL 200, 0.07%, 0.82%

LAB 83.95, -0.99, -1.47

 

CMYK 27 / 0 / 5 / 5

HEX #B0F2E5

RGB 176 242 229

HSL 168.18, 0.72%, 0.82%

LAB 90.96, -23.24, -0.39

 

CMYK 27 / 2 / 0 / 5

HEX #B0EEF2

RGB 176 238 242

HSL 183.64, 0.72%, 0.82%

LAB 90.22, -18.47, -8.25

 

CMYK 27 / 9 / 0 / 5

HEX #B0DCF2

RGB 176 220 242

HSL 200, 0.72%, 0.82%

LAB 85.42, -9.36, -15.42

 

CMYK 27 / 17 / 0 / 5

HEX #B0CAF2

RGB 176 202 242

HSL 216.36, 0.72%, 0.82%

LAB 80.67, 0.09, -22.59

 

CMYK 27 / 24 / 0 / 5

HEX #B0B9F2

RGB 176 185 242

HSL 231.82, 0.72%, 0.82%

LAB 76.28, 9.3, -29.3

 

CMYK 55 / 19 / 0 / 9

HEX #69BCE7

RGB 105 188 231

HSL 200.48, 0.72%, 0.66%

LAB 72.72, -13.32, -29.16

 

CMYK 40 / 14 / 0 / 7

HEX #8DCBEC

RGB 141 203 236

HSL 200.84, 0.71%, 0.74%

LAB 78.71, -11.51, -22.55

 

CMYK 27 / 10 / 0 / 5

HEX #B0DBF2

RGB 176 219 242

HSL 200.91, 0.72%, 0.82%

LAB 85.15, -8.84, -15.82

 

CMYK 15 / 5 / 0 / 3

HEX #D4EBF8

RGB 212 235 248

HSL 201.67, 0.72%, 0.9%

LAB 91.77, -4.96, -8.85

 

CMYK 3 / 1 / 0 / 0

HEX #F7FBFE

RGB 247 251 254

HSL 205.71, 0.78%, 0.98%

LAB 98.4, -0.77, -1.9

 

CMYK 28 / 10 / 0 / 5

HEX #AFDBF2

RGB 175 219 242

HSL 200.6, 0.72%, 0.82%

LAB 85.09, -9.13, -15.92

 

CMYK 13 / 27 / 0 / 5

HEX #D3B0F2

RGB 211 176 242

HSL 271.82, 0.72%, 0.82%

LAB 76.87, 24.82, -28.16

 

CMYK 0 / 2 / 27 / 5

HEX #F2EEB0

RGB 242 238 176

HSL 56.36, 0.72%, 0.82%

LAB 93.08, -8.1, 30.58

 

CMYK 28 / 10 / 0 / 5

HEX #AFDBF2

RGB 175 219 242

HSL 200.6, 0.72%, 0.82%

LAB 85.09, -9.13, -15.92

 

CMYK 0 / 27 / 9 / 5

HEX #F2B0DC

RGB 242 176 220

HSL 320, 0.72%, 0.82%

LAB 79.1, 30.76, -12.6

 

CMYK 9 / 0 / 27 / 5

HEX #DCF2B0

RGB 220 242 176

HSL 80, 0.72%, 0.82%

LAB 92.51, -18.12, 29.53

 

CMYK 28 / 10 / 0 / 5

HEX #AFDBF2

RGB 175 219 242

HSL 200.6, 0.72%, 0.82%

LAB 85.09, -9.13, -15.92

 

CMYK 13 / 27 / 0 / 5

HEX #D3B0F2

RGB 211 176 242

HSL 271.82, 0.72%, 0.82%

LAB 76.87, 24.82, -28.16

 

CMYK 0 / 18 / 27 / 5

HEX #F2C6B0

RGB 242 198 176

HSL 20, 0.72%, 0.82%

LAB 83.13, 12.45, 16.9

 

CMYK 14 / 0 / 27 / 5

HEX #CFF2B0

RGB 207 242 176

HSL 91.82, 0.72%, 0.82%

LAB 91.64, -22.73, 28.21

 

CMYK 28 / 10 / 0 / 5

HEX #AFDBF2

RGB 175 219 242

HSL 200.6, 0.72%, 0.82%

LAB 85.09, -9.13, -15.92

 

CMYK 5 / 27 / 0 / 5

HEX #E7B0F2

RGB 231 176 242

HSL 290, 0.72%, 0.82%

LAB 78.72, 31.11, -25.15

 

CMYK 0 / 18 / 27 / 5

HEX #F2C6B0

RGB 242 198 176

HSL 20, 0.72%, 0.82%

LAB 83.13, 12.45, 16.9

 

CMYK 23 / 0 / 27 / 5

HEX #BBF2B0

RGB 187 242 176

HSL 110, 0.72%, 0.82%

LAB 90.42, -29.57, 26.34

 

Description

Color code: HEX #AFDBF200 | qconv.com Color code: HEX #AFDBF200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 219 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 219 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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